{"title":"Shostakovich","description":"","products":[{"product_id":"andris-nelsons-boston-symphony-orchestra-shostakovich-symphonies-nos-2-3-12-13","title":"Shostakovich: Symphonies Nos. 2, 3, 12 \u0026 13","description":"\u003cp\u003eConcluding their Shostakovich Cycle, Andris Nelsons and the Boston Symphony Orchestra explore the composer’s shifting identity and political convictions under the Soviet regime, tracing with Symphonies Nos. 2, 3, 12 and 13 a 35-year span in the composer’s creative and personal evolution: from youthful idealism to mature disillusionment and resignation. Bass-baritone Matthias Goerne gives an impressive performance of the “Babi Yar” solos in Symphony No. 13, joined by the Tanglewood Festival Chorus (also Symphonies Nos. 2 \u0026amp; 3) and the New England Conservatory Philharmonic Choir. “An ongoing Shostakovich survey that has rightly won [Andris Nelsons] three Grammy Awards.” (New York Times about the Shostakovich Cycle)\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eDmitri Shostakovich (1906–1975)\u003cbr \/\u003eBoston Symphony Orchestra\u003cbr \/\u003eAndris Nelsons\u003cbr \/\u003eCD1\u003cbr \/\u003eSymphony No. 2 in B major op. 14 “To October”\u003cbr \/\u003eLargo – Allegro molto – [12:07]\u003cbr \/\u003eChorus: My shli, my prosily raboty i khlyeba [07:18]\u003cbr \/\u003eTanglewood Festival Chorus\u003cbr \/\u003eChorus Master: James Burton\u003c\/p\u003e\u003cp\u003eSymphony No. 3 in E flat major op. 20 “1st of May”\u003cbr \/\u003eAllegretto – Più mosso – Allegro [10:49]\u003cbr \/\u003eAndante [06:07] IG 1\u003cbr \/\u003eAllegro – Andante – Largo – [12:24]\u003cbr \/\u003eModerato: V pervoye Pervoye maya [05:43]\u003cbr \/\u003eTanglewood Festival Chorus\u003cbr \/\u003eChorus Master: James Burton\u003c\/p\u003e\u003cp\u003eCD2\u003cbr \/\u003eSymphony No. 12 in D minor op. 112 “The Year 1917”\u003cbr \/\u003e1. Revolutionary Petrograd: Moderato – Allegro –  [15:08]\u003cbr \/\u003e2. Razliv: Allegro – L\u0026#039;istesso tempo – Adagio – [14:03]\u003cbr \/\u003e3. Aurora: L\u0026#039;istesso tempo – Allegro – [04:44]\u003cbr \/\u003e4. The Dawn of Humanity: L\u0026#039;istesso tempo – Allegretto – Moderato [11:09]\u003c\/p\u003e\u003cp\u003eCD3\u003cbr \/\u003eSymphony No. 13 in B flat minor op. 113 “Babi Yar”\u003cbr \/\u003e1. Babiy Yar (Babi Yar): Adagio [16:28]\u003cbr \/\u003e2. Yumor (Humour): Allegretto [08:48] IG 2\u003cbr \/\u003e3. V magazine (In the Store): Adagio – [14:02]\u003cbr \/\u003e4. Strakhi (Fears): Largo [14:21]\u003cbr \/\u003e5. Kar’year (Career): Allegretto [14:09]\u003c\/p\u003e\u003cp\u003eMatthias Goerne, bass-baritone\u003cbr \/\u003eTenors and Basses of the\u003cbr \/\u003eTanglewood Festival Chorus\u003cbr \/\u003eChorus Master: James Burton\u003cbr \/\u003eNew England Conservatory Symphonic Choir\u003cbr \/\u003eChorus Master: Erica J. Washburn\u003c\/p\u003e","brand":"Andris Nelsons \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46384490840307,"sku":"504313000","price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Andris-Nelsons-Boston-Symphony-Orchestra_Shostakovich-Symphonies-Nos-2-3-12-13_3CD_s504313_o2080043_a395781_v10718832.c328ef6e.jpg?v=1741860314"},{"product_id":"boston-symphony-orchestra-andris-nelsons-shostakovich-symphonies-concertos-lady-macbeth-of-mtsensk-district","title":"Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District","description":"\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e“The music of Shostakovich has been a constant companion on my journey with the Boston Symphony Orchestra. We are incredibly proud to bring together all the symphonies, concertos, and the opera Lady Macbeth of Mtsensk into one, all-encompassing celebration of Dmitri Shostakovich’s genius. His music is a cross-section of what it means to be human, and sharing this exploration of his works over the past ten years with an orchestra as extraordinary and versatile as the Boston Symphony Orchestra has been a great privilege and a real joy. We have also been lucky to share the stage with some of the world’s most talented soloists including Yuja Wang, Yo-Yo Ma, Baiba Skride, and the wonderful cast of our recording of Lady Macbeth of Mtsensk. We are thrilled to present this box set as a tribute to Shostakovich\u0026#039;s great legacy and to the remarkable artistry and dedication of everyone who brought this project to life.” - Andris Nelsons ( Boston Symphony Orchestra Music Director)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black;\"\u003eSymphony No. 1 in F minor op. 10\u003cbr \/\u003eSymphony No. 2 in B major “To October” op. 14\u003cbr \/\u003eSymphony No. 3 in E-flat major “The First of May” op. 20\u003cbr \/\u003eSymphony No. 4 in C minor op. 43\u003cbr \/\u003eSymphony No. 5 in D minor op. 47\u003cbr \/\u003eSymphony No. 6 in B minor op. 54\u003cbr \/\u003eSymphony No. 7 in C major “Leningrad” op. 60\u003cbr \/\u003eSymphony No. 8 in C minor op. 65\u003cbr \/\u003eSymphony No. 9 in E-flat major op. 70\u003cbr \/\u003eSymphony No. 10 in E minor op. 93\u003cbr \/\u003eSymphony No. 11 in G minor “The Year 1905” op. 103\u003cbr \/\u003eSymphony No. 12 in D minor “The Year 1917” op. 112\u003cbr \/\u003eSymphony No. 13 in B-flat minor “Babi Yar” op. 113\u003cbr \/\u003eSymphony No. 14 in G minor op. 135\u003cbr \/\u003eSymphony No. 15 in A major op. 141\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePassacaglia - Interlude from Act II of Lady Macbeth of the Mtsensk District\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “Hamlet” op. 32a (excerpts)\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “King Lear” op. 58a\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003e“Festive Overture” op. 96\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eChamber Symphony in C minor op. 110a\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 1 in C minor op. 35\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 2 in F major op. 102\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 1 in A minor op. 77\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 2 op. 129\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 1 in E-flat major op. 107\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 2 in G major op. 126\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Calibri\u0026#039;,sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cbr \/\u003eLady Macbeth of the Mtsensk District op. 29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Andris Nelsons \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46605980336371,"sku":"513756000","price":67.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Boston-Symphony-Orchestra-Andris-Nelsons_Shostakovich-Symphonies-Concertos-Lady-Macbeth-of-Mtsensk-District_19-CD-Capbox_s513756_o6514181_a527263_v13065832.165eb4ca.png?v=1751142213"},{"product_id":"yo-yo-ma-shostakovich-cello-concertos","title":"Shostakovich: Cello Concertos","description":"\u003cp\u003e“I think Shostakovich’s artistic truth was to represent the voice of the voiceless.” \u003cem\u003eYo-Yo Ma\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn October 2023, world-renowned cellist and cultural ambassador Yo-Yo Ma returned to Boston’s Symphony Hall to play Shostakovich’s two cello concertos with the Boston Symphony Orchestra and its Music Director Andris Nelsons. Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eShostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe Second begins in melancholy vein, with a sighing phrase for the solo cello. After the extended Largo, the second and third movements are played without a break. Shostakovich mimics a street song from Odessa in the central Allegretto. That tune is dramatically restated in the finale, which begins with a horn fanfare and eventually ends with wood block, tom-tom, snare drum and xylophone (part of the orchestra’s huge percussion section) punctuating a long-held drone note from the cellist.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCello Concerto No. 1 in E-Flat Major, Op. 107:\u003c\/p\u003e\u003cp\u003eI. Allegretto\u003c\/p\u003e\u003cp\u003eII. Moderato\u003c\/p\u003e\u003cp\u003eIII. Cadenza\u003c\/p\u003e\u003cp\u003eIV. Allegro con moto\u003c\/p\u003e\u003cp\u003eCello Concerto No. 2 in G Major, Op. 126:\u003c\/p\u003e\u003cp\u003eI. Largo\u003c\/p\u003e\u003cp\u003eII. Scherzo. Allegretto\u003c\/p\u003e\u003cp\u003eIII. Finale. 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Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eShostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe Second begins in melancholy vein, with a sighing phrase for the solo cello. After the extended Largo, the second and third movements are played without a break. Shostakovich mimics a street song from Odessa in the central Allegretto. That tune is dramatically restated in the finale, which begins with a horn fanfare and eventually ends with wood block, tom-tom, snare drum and xylophone (part of the orchestra’s huge percussion section) punctuating a long-held drone note from the cellist.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVinyl 1\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCello Concerto No. 1 in E-Flat Major, Op. 107:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003eI. Allegretto\u003c\/p\u003e\u003cp\u003eII. Moderato\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003eIII. 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Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eShostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe Second begins in melancholy vein, with a sighing phrase for the solo cello. 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It showcases the star pianist’s performances with the BSO under the baton of its Music Director Andris Nelsons of Shostakovich’s two contrasting piano concertos – No. 1 in C minor and No. 2 in F major (“Yuja Wang ... navigated both works with conviction and fearless technique” – Boston Globe). Also included are six of Shostakovich’s Preludes and Fugues for solo piano, works which have been chosen by Yuja from the composer’s Opp. 34 \u0026amp; 87, and which offer a more intimate glimpse into his pianistic world. They were recorded in what are Wang’s first solo studio sessions in several years.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePiano Concerto No. 1 in C Minor, Op. 35:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eI. Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Lento\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eIII. Moderato\u003c\/p\u003e\u003cp\u003eIV. Finale. 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Allegro\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp\u003ePrelude No. 8 in F-Sharp Minor - Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePrelude No. 2 in A Minor - Allegro\u003c\/p\u003e\u003cp\u003eFugue No. 2 in A Minor - Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes, Op. 34:\u003c\/p\u003e\u003cp\u003eNo. 5 in D Major - Allegro vivace\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePrelude No. 15 in D-flat Major - Allegretto\u003c\/p\u003e\u003cp\u003eFugue No. 15 in D-Flat Major - Allegro molto\u003c\/p\u003e","brand":"Yuja Wang","offers":[{"title":"OS","offer_id":46800964157683,"sku":"514732000","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Yuja-Wang_Shostakovich-Piano-Concertos_CD_s514732_o6689213_a539122_v13140370.4cbef068.jpg?v=1741864735"},{"product_id":"yuja-wang-shostakovich-piano-concertos-1","title":"Shostakovich: Piano Concertos","description":"\u003cp\u003eDeutsche Grammophon is proud to present the release of Shostakovich: The Piano Concertos | Solo Works, featuring the electrifying artistry of Yuja Wang. 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Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Lento\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eIII. Moderato\u003c\/p\u003e\u003cp\u003eIV. Finale. Allegro con brio - Presto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePiano Concerto No. 2 in F Major, Op. 102:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eI. Allegro\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Andante\u003c\/p\u003e\u003cp\u003eIII. 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Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Lento\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eIII. Moderato\u003c\/p\u003e\u003cp\u003eIV. Finale. Allegro con brio - Presto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePiano Concerto No. 2 in F Major, Op. 102:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eI. Allegro\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Andante\u003c\/p\u003e\u003cp\u003eIII. 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