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The recording was described as “a balm for these anxious times” by the \u003cem\u003eObserver\u003c\/em\u003e (London) and by NPR as a “steadying sound in the age of social distancing, soothing and transfixing at the same time”.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTracklisting – Luminous\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLP 1 – Side A\u003c\/p\u003e\u003cp\u003eMoss\u003c\/p\u003e\u003cp\u003eViolet\u003c\/p\u003e\u003cp\u003eManganese\u003c\/p\u003e\u003cp\u003eVermilion\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003eMarble\u003c\/p\u003e\u003cp\u003ePewter\u003c\/p\u003e\u003cp\u003eMalachite\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist - Mixing Colours\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e01 Spring Frost\u003c\/p\u003e\u003cp\u003e02 Burnt Umber\u003c\/p\u003e\u003cp\u003e03 Celeste \u003c\/p\u003e\u003cp\u003e04 Wintergreen\u003c\/p\u003e\u003cp\u003e05 Obsidian\u003c\/p\u003e\u003cp\u003e06 Blonde\u003c\/p\u003e\u003cp\u003e07 Dark Sienna\u003c\/p\u003e\u003cp\u003e08 Verdigris \u003c\/p\u003e\u003cp\u003e09 Snow\u003c\/p\u003e\u003cp\u003e10 Rose Quartz\u003c\/p\u003e\u003cp\u003e11 Quicksilver\u003c\/p\u003e\u003cp\u003e12 Ultramarine\u003c\/p\u003e\u003cp\u003e13 Iris\u003c\/p\u003e\u003cp\u003e14 Cinnabar\u003c\/p\u003e\u003cp\u003e15 Desert Sand\u003c\/p\u003e\u003cp\u003e16 Deep Saffron\u003c\/p\u003e\u003cp\u003e17 Cerulean Blue\u003c\/p\u003e\u003cp\u003e18 Slow Movement – Sand \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Roger Eno \u0026 Brian Eno, Roger Eno \u0026 Brian Eno","offers":[{"title":"OS","offer_id":46371475947763,"sku":"133507000","price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Roger-Eno-Brian-Eno_Mixing-Colours-CD-Luminous-Black-Vinyl_CD-Bundle_s133507_o200083_a296062_v11901748.eb9f7cb1.jpg?v=1751060105"},{"product_id":"roger-eno-brian-eno-luminous-black-vinyl","title":"Luminous (Black Vinyl)","description":"\u003cul\u003e\u003cli\u003eBlack 180g vinyl (\u003cem\u003eLuminous\u003c\/em\u003e)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eRoger and Brian Eno’s acclaimed creative collaboration continues with seven additional tracks\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“There’s a huge commonality between what we’re interested in.” Roger Eno\u003c\/p\u003e\u003cp\u003e“These pieces are very Impressionistic and very much to do with sonic quality, sonic colour.” Brian Eno\u003c\/p\u003e\u003cp\u003eBrian and Roger Eno have revolutionised many concepts of music production and performance, from Brian’s pioneering treatments of pop music to his younger brother Roger’s ambient synth\/piano recordings, reminiscent of Erik Satie.\u003c\/p\u003e\u003cp\u003eThese qualities resonate on \u003cem\u003eMixing Colours\u003c\/em\u003e. Each brings his unerring sense of place and mood to the album. The timbre in each title deepens and opens up with each listening. Specific yet abstract titles guide listeners through the collection created over several years in a unique collaboration between these two artists.\u003c\/p\u003e\u003cp\u003eThe result is deep-dive listening and landscapes of sound bearing titles like those of abstract art: “Obsidian”, “Deep Saffron”, “Wintergreen”…\u003c\/p\u003e\u003cp\u003eFollowing its release in March, the Eno brothers’ debut Deutsche Grammophon album, \u003cem\u003eMixing Colours\u003c\/em\u003e, caught the imagination of critics and listeners alike with its eighteen meditations on the slow, shifting nature of sound and time. 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Al tempo di Giga\u003c\/li\u003e\n\u003cli\u003eVariatio 8 a 2 Clav.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eB\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVariatio 9 Canone alla Terza. a 1 Clav.\u003c\/li\u003e\n\u003cli\u003eVariatio 10 Fughetta. a 1 Clav.\u003c\/li\u003e\n\u003cli\u003eVariatio 11 a 2 Clav.\u003c\/li\u003e\n\u003cli\u003eVariatio 12 Canone alla Quarta. (a 1 Clav.)\u003c\/li\u003e\n\u003cli\u003eVariatio 13 a 2 Clav.\u003c\/li\u003e\n\u003cli\u003eVariatio 14 a 2 Clav.\u003c\/li\u003e\n\u003cli\u003eVariatio 15 Canone alla Quinta. a 1 Clav. 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Julian Aguirre: Caminito\u003c\/p\u003e\u003cp\u003e2. Alberto Nepomuceno: Coração triste\u003c\/p\u003e\u003cp\u003e3. Yvette Souviron: Al banco solitario\u003c\/p\u003e\u003cp\u003e4. Anonymous: Spanish dance (harp solo)\u003c\/p\u003e\u003cp\u003e5. Carlos Guastavino: Se equivocó la paloma\u003c\/p\u003e\u003cp\u003e6. Carlos Guastavino: Violetas\u003c\/p\u003e\u003cp\u003e7. Carlos Guastavino: La rosa y el sauce\u003c\/p\u003e\u003cp\u003e8. Carlos Guastavino: Bailecito – (harp solo)\u003c\/p\u003e\u003cp\u003e9. Eduardo Sanchez de Fuentes: Deseo\u003c\/p\u003e\u003cp\u003e10. Silvio Rodríguez: En estos dias\u003c\/p\u003e\u003cp\u003e11. Silvio Rodríguez: La vida\u003c\/p\u003e\u003cp\u003e12. Luis Antonio Calvo: Gitana\u003c\/p\u003e\u003cp\u003e13. Valdir Azevedo: Brasileirinho (harp solo)\u003c\/p\u003e\u003cp\u003e14. Alberto Ginastera: Zamba\u003c\/p\u003e\u003cp\u003e15. Alberto Ginastera: Triste\u003c\/p\u003e\u003cp\u003e16. Alberto Ginastera: Chacarera\u003c\/p\u003e\u003cp\u003e17. Alberto Ginastera: Canción al árbol del Olvido\u003c\/p\u003e\u003cp\u003e18. Zequinha de Abreu: Tico Tico no Fubá – (harp solo)\u003c\/p\u003e\u003cp\u003e19. Ariel Ramírez: Alfonsina y el mar\u003c\/p\u003e\u003cp\u003e20. La llorona (Mexikan Folksong)\u003c\/p\u003e\u003cp\u003e21. Ruben Fuentes Gasson: La Bikina\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRolando Villazón\u003c\/strong\u003e\u003cstrong\u003e’s\u003c\/strong\u003e \u003cstrong\u003elatest album for Deutsche Grammophon\u003c\/strong\u003e showcases the vocal music of his native continent. \u003cstrong\u003e\u003cem\u003eSerenata latina\u003c\/em\u003e\u003c\/strong\u003e, set for \u003cstrong\u003einternational\u003c\/strong\u003e \u003cstrong\u003erelease on 2 October 2020\u003c\/strong\u003e, presents songs recorded for the first time with specially arranged harp accompaniments realised and performed by the great \u003cstrong\u003eFrench\u003c\/strong\u003e \u003cstrong\u003eharpist\u003c\/strong\u003e \u003cstrong\u003eXavier de Maistre\u003c\/strong\u003e. Together Villazón and de Maistre present a programme embracing everything from Venezuelan and Peruvian dance-songs to art songs by composers such as \u003cstrong\u003eAlberto Ginastera\u003c\/strong\u003e and \u003cstrong\u003eCarlos Guastavino\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThanks to its long and turbulent history, Latin America boasts a wealth of musical influences – indigenous, African and European. Its song repertoire is therefore one of the most diverse in the world, rich in melodic, rhythmic and narrative forms unique to the continent. \u003cem\u003eSerenata latina \u003c\/em\u003epays tribute to a repertoire that reflects a two-way exchange between the rural spaces where folk music reigned and the salons and concert halls of urban areas.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003e“This album is a collection of beautiful traditional folk and art songs from my big homeland – when you come from Latin America, all other Latin countries feel like siblings,” explains Villazón. “Its themes vary from nature to love, from grief for the spirits of the dead to the joy of being alive. 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The composer’s widow, Aurora Nátola, visited him backstage after the concert and suggested that he should transcribe her late husband’s \u003cem\u003eCinco canciones populares argentinas\u003c\/em\u003e for harp. From this starting point, the harpist eventually went on to transcribe the piano parts of almost two dozen Latin American songs, as well as four solo pieces originally written for other instruments.\u003c\/p\u003e\u003cp\u003e“I really wanted to record Latin songs with a tenor,” says de Maistre. “The first person I thought of was Rolando. He’s familiar with this music and is very innovative, always looking for fresh projects. When I phoned him about it, he immediately said that it was a great idea. We met and after half an hour he said: ‘Let’s do it!’ When he realised what was possible on the harp, he really encouraged me to try new pieces.”\u003c\/p\u003e\u003cp\u003eRolando Villazón praises de Maistre as “one of the finest musicians of our time”. 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Es zeigt auch, wie typische Elemente des Silbernen Zeitalters, etwa Ironie und Interesse für Volkskultur oder Vorstellungen aus der Vergangenheit, in späteren Kompositionen von Prokofjew zutage treten, zum Beispiel in seiner Musik zu \u003cem\u003eCinderella\u003c\/em\u003e und der Klaviersonate Nr. 8, Werken der Reifezeit, in denen er erneut den musikalischen Idealen nachgeht, die einst seinen Ruf als bilderstürmender junger Komponist und Pianist begründeten.\u003c\/p\u003e\u003cp\u003eVor allem erfasst Trifonovs Auswahl die kreative Vielfalt dieses kurzen, aber explosiven kulturellen Augenblicks. »\u003cstrong\u003eSkrjabin\u003c\/strong\u003e«, so Trifonov, »wollte alle ästhetische Erfahrung in einer einzigen, mystischen, musikalischen Vision zusammenfassen; \u003cstrong\u003eStrawinsky\u003c\/strong\u003e vereinte die Künste durch eine radikale Neubestimmung des Balletts; und \u003cstrong\u003eProkofjew\u003c\/strong\u003e wandte sich dem Film als vollständiger, modernster Verbindung der Sinne zu.« Das russische Silberne Zeitalter bereitete den Weg für künftige künstlerische Entwicklungen, sein Geist wird zu Recht in dieser neuen Aufnahme gefeiert.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIgor Stravinsky (1882–1971)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSerenade in A\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1 1. 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This recording was only available as a DVD and now the whole cycle will be released \u003cstrong\u003edigitally\u003c\/strong\u003e and in a \u003cstrong\u003e9-CD edition\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003eCD 1 73:07\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 1 in F minor op. 2 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 1 f-Moll\u003c\/p\u003e\u003cp\u003e1 1. Allegro 3:38\u003c\/p\u003e\u003cp\u003e2 2. Adagio 4:32\u003c\/p\u003e\u003cp\u003e3 3. Menuetto. Allegretto 8:12\u003c\/p\u003e\u003cp\u003e4 4. Prestissimo 10:50\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 2 in A major op. 2 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 2 A-Dur\u003c\/p\u003e\u003cp\u003e5 1. Allegro vivace 6:33\u003c\/p\u003e\u003cp\u003e6 2. Largo appassionato 5:26\u003c\/p\u003e\u003cp\u003e7 3. Scherzo. Allegretto 3:07\u003c\/p\u003e\u003cp\u003e8 4. Rondo. Grazioso 6:15\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 3 in C major op. 2 no. 3\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 3 C-Dur\u003c\/p\u003e\u003cp\u003e9 1. Allegro con brio 9:54\u003c\/p\u003e\u003cp\u003e10 2. Adagio 6:34\u003c\/p\u003e\u003cp\u003e11 3. Scherzo. Allegro 3:10\u003c\/p\u003e\u003cp\u003e12 4. Allegro assai 4:56\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 2 53:31\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 4 in E flat major op. 7\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 4 Es-Dur\u003c\/p\u003e\u003cp\u003e1 1. Allegro molto e con brio 7:37\u003c\/p\u003e\u003cp\u003e2 2. Largo, con gran espressione 7:05\u003c\/p\u003e\u003cp\u003e3 3. Allegro 4:38\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Poco Allegretto e grazioso 7:15\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 5 in C minor op. 10 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 5 c-Moll\u003c\/p\u003e\u003cp\u003e5 1. Allegro molto e con brio 5:13\u003c\/p\u003e\u003cp\u003e6 2. Adagio molto 5:42\u003c\/p\u003e\u003cp\u003e7 3. Finale. Prestissimo 4:16\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 6 in F major op. 10 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 6 F-Dur\u003c\/p\u003e\u003cp\u003e8 1. Allegro 5:36\u003c\/p\u003e\u003cp\u003e9 2. Allegretto 3:31\u003c\/p\u003e\u003cp\u003e10 3. Presto 2:38\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 3 68:11\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 7 in D major op. 10 no. 3\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 7 D-Dur\u003c\/p\u003e\u003cp\u003e1 1. Presto 7:03\u003c\/p\u003e\u003cp\u003e2 2. Largo e mesto 8:19\u003c\/p\u003e\u003cp\u003e3 3. Menuetto. Allegro 2:38\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Allegro 4:06\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 8 in C minor “Pathétique” op. 13\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 8 c-Moll\u003c\/p\u003e\u003cp\u003e5 1. Grave – Allegro di molto e con brio 8:45\u003c\/p\u003e\u003cp\u003e6 2. Adagio cantabile 5:21\u003c\/p\u003e\u003cp\u003e7 3. Rondo. Allegro 4:39\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 9 in E major op. 14 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 9 E-Dur\u003c\/p\u003e\u003cp\u003e8 1. Allegro 5:55\u003c\/p\u003e\u003cp\u003e9 2. Allegretto 2:56\u003c\/p\u003e\u003cp\u003e10 3. Rondo. Allegro comodo 3:21\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 10 in G major op. 14 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 10 G-Dur\u003c\/p\u003e\u003cp\u003e11 1. Allegro 7:25\u003c\/p\u003e\u003cp\u003e12 2. Andante 4:19\u003c\/p\u003e\u003cp\u003e13 3. Scherzo. Allegro assai 3:24\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 4 71:06\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 11 in B flat major op. 22\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 11 B-Dur\u003c\/p\u003e\u003cp\u003e1 1. Allegro con brio 7:33\u003c\/p\u003e\u003cp\u003e2 2. Adagio con molta espressione 6:36\u003c\/p\u003e\u003cp\u003e3 3. Menuetto 3:06\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Allegretto 6:30\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 12 in A flat major op. 26\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 12 As-Dur\u003c\/p\u003e\u003cp\u003e5 1. Andante con Variazioni 6:56\u003c\/p\u003e\u003cp\u003e6 2. Scherzo. Allegro molto 2:29\u003c\/p\u003e\u003cp\u003e7 3. Marcia funebre sulla morte d’un Eroe. Maestoso Andante 6:05\u003c\/p\u003e\u003cp\u003e8 4. Allegro 2:52\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 13 in E flat major op. 27 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 13 Es-Dur\u003c\/p\u003e\u003cp\u003eSonata quasi una fantasia\u003c\/p\u003e\u003cp\u003e9 1. Andante – Allegro – Tempo I 4:51\u003c\/p\u003e\u003cp\u003e10 2. Allegro molto e vivace 1:48\u003c\/p\u003e\u003cp\u003e11 3. Adagio con espressione 2:10\u003c\/p\u003e\u003cp\u003e12 4. Allegro vivace 5:18\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 14 in C sharp minor “Moonlight” op. 27 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 14 cis-Moll »Mondschein-Sonate«\u003c\/p\u003e\u003cp\u003eSonata quasi una fantasia\u003c\/p\u003e\u003cp\u003e13 1. Andante sostenuto 5:25\u003c\/p\u003e\u003cp\u003e14 2. Allegretto 2:08\u003c\/p\u003e\u003cp\u003e15 3. Presto agitato 7:19\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 5 65:10\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 15 in D major “Pastoral” op. 28\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 15 D-Dur\u003c\/p\u003e\u003cp\u003e1 1. Allegro 9:48\u003c\/p\u003e\u003cp\u003e2 2. Andante 6:55\u003c\/p\u003e\u003cp\u003e3 3. Scherzo. Allegro vivace 1:52\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Allegro, ma non troppo 5:16\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 16 in G major op. 31 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 16 G-Dur\u003c\/p\u003e\u003cp\u003e5 1. Allegro vivace 6:25\u003c\/p\u003e\u003cp\u003e6 2. Andante grazioso 7:51\u003c\/p\u003e\u003cp\u003e7 3. Rondo. Allegretto 6:30\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 17 in D minor “The Tempest” op. 31 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 17 d-Moll »Sturm-Sonate«\u003c\/p\u003e\u003cp\u003e8 1. Largo – Allegro 7:39\u003c\/p\u003e\u003cp\u003e9 2. Adagio 6:42\u003c\/p\u003e\u003cp\u003e10 3. Allegretto 6:12\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 6 70:37\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 18 in E flat major “The Hunt” op. 31 no. 3\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 18 Es-Dur »Jagd-Sonate«\u003c\/p\u003e\u003cp\u003e1 1. Allegro 7:31\u003c\/p\u003e\u003cp\u003e2 2. Scherzo. Allegretto vivace 4:59\u003c\/p\u003e\u003cp\u003e3 3. Menuetto. Moderato e grazioso 4:54\u003c\/p\u003e\u003cp\u003e4 4. Presto con fuoco 4:57\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 19 in G minor op. 49 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 19 g-Moll\u003c\/p\u003e\u003cp\u003e5 1. Andante 3:26\u003c\/p\u003e\u003cp\u003e6 2. Rondo. Allegro 3:22\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 20 in G major op. 49 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 20 G-Dur\u003c\/p\u003e\u003cp\u003e7 1. Allegro, ma non troppo 4:51\u003c\/p\u003e\u003cp\u003e8 2. Tempo di Minuetto 3:58\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 21 in C major “Waldstein” op. 53\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 21 C-Dur\u003c\/p\u003e\u003cp\u003e9 1. Allegro con brio 9:54\u003c\/p\u003e\u003cp\u003e10 2. Introduzione. Adagio molto 3:11\u003c\/p\u003e\u003cp\u003e11 3. Rondo. Allegretto moderato 9:28\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 22 in F major op. 54\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 22 F-Dur\u003c\/p\u003e\u003cp\u003e12 1. In tempo d’un Menuetto 4:37\u003c\/p\u003e\u003cp\u003e13 2. Allegretto 5:29\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 7 70:36\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 23 in F minor “Appassionata” op. 57\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 23 f-Moll\u003c\/p\u003e\u003cp\u003e1 1. Allegro assai 9:04\u003c\/p\u003e\u003cp\u003e2 2. Andante con moto 5:58\u003c\/p\u003e\u003cp\u003e3 3. Allegro, ma non troppo – Presto 7:58\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 24 in F sharp major op. 78\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 24 Fis-Dur\u003c\/p\u003e\u003cp\u003e4 1. Adagio cantabile – Allegro ma non troppo 6:38\u003c\/p\u003e\u003cp\u003e5 2. Allegro vivace 3:06\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 25 in G major op. 79\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 25 G-Dur\u003c\/p\u003e\u003cp\u003e6 1. Presto alla tedesca 4:35\u003c\/p\u003e\u003cp\u003e7 2. Andante 2:24\u003c\/p\u003e\u003cp\u003e8 3. Vivace 2:22\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 26 in E flat major “Les Adieux” op. 81a\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 26 Es-Dur\u003c\/p\u003e\u003cp\u003e9 1. Das Lebewohl (Les Adieux). Adagio – Allegro 6:26\u003c\/p\u003e\u003cp\u003e10 2. Abwesenheit (L’Absence). Andante espressivo 3:40\u003c\/p\u003e\u003cp\u003e11 3. Das Wiedersehn (Le Retour). Vivacissimamente 5:30\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 27 in E minor op. 90\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 27 e-Moll\u003c\/p\u003e\u003cp\u003e12 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 4:54\u003c\/p\u003e\u003cp\u003e13 2. Nicht zu geschwind und sehr singbar vorzutragen 8:01\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 8 57:33\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 28 in A major op. 101\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 28 A-Dur\u003c\/p\u003e\u003cp\u003e1 1. Etwas lebhaft und mit der innigsten Empfindung. 3:44\u003c\/p\u003e\u003cp\u003eAllegretto ma non troppo\u003c\/p\u003e\u003cp\u003e2 2. Lebhaft, marschmäßig. Vivace alla marcia 5:46\u003c\/p\u003e\u003cp\u003e3 3. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto 2:41\u003c\/p\u003e\u003cp\u003e4 4. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro 7:05\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 29 in B flat major “Hammerklavier” op. 106\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 29 B-Dur\u003c\/p\u003e\u003cp\u003e5 1. Allegro 10:19\u003c\/p\u003e\u003cp\u003e6 2. Scherzo. Assai vivace 2:18\u003c\/p\u003e\u003cp\u003e7 3. Adagio sostenuto 15:02\u003c\/p\u003e\u003cp\u003e8 4. Largo – Allegro risoluto 10:38\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 9 65:17\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 30 in E major op. 109\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 30 E-Dur\u003c\/p\u003e\u003cp\u003e1 1. Vivace, ma non troppo – Adagio espressivo – Tempo I 3:43\u003c\/p\u003e\u003cp\u003e2 2. Prestissimo 2:35\u003c\/p\u003e\u003cp\u003e3 3. Andante molto cantabile ed espressivo. 12:19\u003c\/p\u003e\u003cp\u003eGesangvoll, mit innigster Empfindung\u003c\/p\u003e\u003cp\u003eVar. I. Molto espressivo\u003c\/p\u003e\u003cp\u003eVar. II. Leggiermente\u003c\/p\u003e\u003cp\u003eVar. III. Allegro vivace\u003c\/p\u003e\u003cp\u003eVar. IV. Un poco meno andante, cioè un poco più adagio come il tema.\u003c\/p\u003e\u003cp\u003eEtwas langsamer als das Thema\u003c\/p\u003e\u003cp\u003eVar. V. Allegro, ma non troppo\u003c\/p\u003e\u003cp\u003eVar. VI. Tempo I del tema. Cantabile\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 31 in A flat major op. 110\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 31 As-Dur\u003c\/p\u003e\u003cp\u003e4 1. Moderato cantabile, molto espressivo 6:33\u003c\/p\u003e\u003cp\u003e5 2. Allegro molto 2:11\u003c\/p\u003e\u003cp\u003e6 3. Adagio, ma non troppo – Fuga. Allegro, ma non troppo 11:18\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 32 in C minor op. 111\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 32 c-Moll\u003c\/p\u003e\u003cp\u003e7 1. Maestoso – Allegro con brio ed appassionato 8:43\u003c\/p\u003e\u003cp\u003e8 2. Arietta. Adagio molto semplice e cantabile 17:55\u003c\/p\u003e\u003cp\u003eVar. I\u003c\/p\u003e\u003cp\u003eVar. II\u003c\/p\u003e\u003cp\u003eVar. III\u003c\/p\u003e\u003cp\u003eVar. IV\u003c\/p\u003e\u003cp\u003eVar. 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