{"title":"Best Of 2025","description":"","products":[{"product_id":"pierre-boulez-der-ring-des-nibelungen","title":"Der Ring des Nibelungen","description":"\u003cp\u003eA legendary staging on video: the unrivalled Bayreuth Centenary Ring by Boulez\/Chéreau on 4 Blu-ray Video Discs in remastered HD-quality, with audio layers in DTS-HD Master Audio Surround 5.1 and 24-bit Stereo PCM. Subtitles: English, French, Spanish, Japanese, German\u003c\/p\u003e\u003cp\u003ePlus: The Making of – The Making of the Ring for the first time on one additional Blu-ray Video Disc. 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Reviewing the recital Yuja had given in London with the same repertoire, Bachtrack noted that its “unpredictability added to [the] palpable excitement in a packed Royal Festival Hall”. Despite, or perhaps because of its eclecticism, this is unquestionably a programme with its own life, ebbing and flowing and creating a cohesive whole from its seemingly disparate musical elements. Seemingly disparate musical elements come together to form a coherent whole - with \u0026#34;Málaga\u0026#34; and \u0026#34;Lavapiés\u0026#34; by Albéniz, Scriabin\u0026#039;s Third Piano Sonata, the Jazz Preludes by Kapustin, Beethoven\u0026#039;s Piano Sonata No. 18 in E flat major and the Études No. 6 and No. 13 by Ligeti. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSide A:\u003c\/p\u003e\u003cp\u003eAlexander Scriabin:\u003cbr \/\u003eLe Poème de l\u0026#039;Extase \/The Poem of Ecstasy,  op. 54\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eSide B:\u003c\/p\u003e\u003cp\u003ePyotr Ilyich Tchaikovsky:\u003cbr \/\u003eRomeo and Juliet\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eBoston Symphony Orchestra\u003cbr \/\u003eClaudio Abbado\u003c\/p\u003e","brand":"Claudio Abbado, Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46385014669555,"sku":"511821000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Claudio-Abbado-Boston-Symphony-Orchestra_Scriabin-Poem-Of-Ecstasy-Tchaikovsky-Romeo-and-Juliet_Original-Source-Vinyl_s511821_o5777752_a499679_v12440247.b414fd9f.jpg?v=1751056787"},{"product_id":"hildur-gudnadottir-chernobyl-ost","title":"Chernobyl OST","description":"\u003cp class=\"x_xxxxmsonormal\"\u003e\u003cspan\u003eThis \u003cstrong\u003eexclusive reissue\u003c\/strong\u003e of the 2019 soundtrack with 13 tracks is a \u003cstrong\u003elimited, hand-numbered Glow in the Dark vinyl\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_xxxxmsonormal\"\u003e\u003cspan\u003eThe film score was composed by Icelandic \u003cstrong\u003eOscar\u003c\/strong\u003e, \u003cstrong\u003eGolden Globe\u003c\/strong\u003e and \u003cstrong\u003eGRAMMY \u003c\/strong\u003enominated composer \u003cstrong\u003eHildur Guðnadóttir\u003c\/strong\u003e using sound recordings from a real nuclear power plant. 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Chernobyl is a five-part mini-series co-production between HBO and Sky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlide A\u003c\/p\u003e\n\u003cp\u003e1.    The Door\u003c\/p\u003e\n\u003cp\u003e2.    Bridge Of Death\u003c\/p\u003e\n\u003cp\u003e3.    Turbine Hall\u003c\/p\u003e\n\u003cp\u003e4.    Vichnaya Pamyat\u003c\/p\u003e\n\u003cp\u003e5.    Pump Room\u003c\/p\u003e\n\u003cp\u003e6.    Clean Up\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e1.    Dealing With Destruction\u003c\/p\u003e\n\u003cp\u003e2.    Waiting For The Engineer\u003c\/p\u003e\n\u003cp\u003e3.    Gallery\u003c\/p\u003e\n\u003cp\u003e4.    12 Hours Before\u003c\/p\u003e\n\u003cp\u003e5.    Corridors\u003c\/p\u003e\n\u003cp\u003e6.    Líður\u003c\/p\u003e\n\u003cp\u003e7.    Evacuation\u003c\/p\u003e","brand":"Hildur Guðnadóttir","offers":[{"title":"OS","offer_id":46433063076083,"sku":"511725000","price":32.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Hildur-Gudnadottir_Chernobyl-OST_LP-Limited-Glow-In-Dark-Edition-Vinyl_s511725_o5622686_a495241_v12352262.fbf11d03.jpg?v=1732087973"},{"product_id":"alice-sara-ott-john-field-complete-nocturnes-2","title":"John Field: Complete Nocturnes","description":"\u003cp\u003e\u003cstrong\u003e*SHOP EXCLUSIVE* \u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eLP set with two 180g vinyls in a high-quality gatefold package\u003c\/li\u003e\u003cli\u003ebooklet with personal liner notes\u003c\/li\u003e\u003cli\u003elimited signed art card\u003c\/li\u003e\u003cli\u003evoucher code for one month\u0026#039;s free access to STAGE\u0026#43; (Music film about his project available from 16.02.2025 as VOD stream)\u003c\/li\u003e\u003c\/ul\u003e\u003cp class=\"x_MsoNormal\"\u003e\u003cbr \/\u003eProfound musicianship, dazzling technical brilliance and emotional honesty have helped Alice Sara Ott establish her place among the world’s leading classical performers.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eOn her new album “John Field ∙ Complete Nocturnes”, Alice dedicates herself to the compositions of John Field: “Engaging with these Nocturnes was a deeply rewarding experience. Their beauty and grace affected me profoundly and enriched my life while I was preparing for this recording”.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eHighly praised by his contemporaries (Chopin, Liszt, Schumann), John Field\u0026#039;s Nocturnes are largely unknown today.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003e“I hope that this complete recording of the Nocturnes – the first to find a place for itself in the Deutsche Grammophon catalogue – may perhaps\u003cs\u003e \u003c\/s\u003einspire the occasional listener to discover Field’s music for themselves. Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this signed bundle edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. The combination of historical locations, such as the Meistersaal in Berlin and the Library Hall in Polling, with the specially designed digital landscapes in the Hyperbowl LED studio in Munich creates an atmosphere in which the music can be experienced in a new way.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eDirected by Andrew Staples, a visionary filmmaker and internationally acclaimed tenor, this project was realized by his production company Studio 2359.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eThe result of this artistic collaboration is a film that is far more than a mere performance. 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Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this signed bundle edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. The combination of historical locations, such as the Meistersaal in Berlin and the Library Hall in Polling, with the specially designed digital landscapes in the Hyperbowl LED studio in Munich creates an atmosphere in which the music can be experienced in a new way.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eDirected by Andrew Staples, a visionary filmmaker and internationally acclaimed tenor, this project was realized by his production company Studio 2359.\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003eThe result of this artistic collaboration is a film that is far more than a mere performance. 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Their beauty and grace affected me profoundly and enriched my life while I was preparing for this recording”.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eHighly praised by his contemporaries (Chopin, Liszt, Schumann), John Field\u0026#039;s Nocturnes are largely unknown today.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e“I hope that this complete recording of the Nocturnes – the first to find a place for itself in the Deutsche Grammophon catalogue – may perhaps\u003cs\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/s\u003einspire the occasional listener to discover Field’s music for themselves. 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It is a visual and aural journey through the music of an almost forgotten composer who left the world one of its most beloved musical forms: the nocturne.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eTracklist\u003cbr \/\u003e\u003cbr \/\u003eNocturne No. 1 in E-Flat Major\u003cbr \/\u003eNocturne No. 2 in C Minor\u003cbr \/\u003eNocturne No. 3 in A-Flat Major,\u003cbr \/\u003eNocturne No. 4 in A Major\u003cbr \/\u003eNocturne No. 5 in B-Flat Major\u003cbr \/\u003eNocturne No. 6 in F Major \u0026#039;Cradle Song\u0026#039;\u003cbr \/\u003eNocturne No. 7 in A Major\u003cbr \/\u003eNocturne No. 8 in E-Flat Major\u003cbr \/\u003eNocturne No. 9 in E Minor\u003cbr \/\u003eNocturne No. 10 in E Major \u0026#039;Nocturne Pastorale\u0026#039;\u003cbr \/\u003eNocturne No. 11 E-Flat Major\u003cbr \/\u003eNocturne No. 12 in E Major \u0026#039;Nocturne Caractéristique: Noontide\u0026#34;\u003cbr \/\u003eNocturne No. 13 in C Major \u0026#039;Reverie-Nocturne\u0026#039;\u003cbr \/\u003eNocturne No. 14 in G Major\u003cbr \/\u003eNocturne No. 15 in D Minor \u0026#039;Song Without Words\u0026#039;\u003cbr \/\u003eNocturne No. 16 in C Major\u003cbr \/\u003eNocturne No. 17 in C Major\u003cbr \/\u003eNocturne No. 18 in F Major\u003c\/span\u003e\u003c\/p\u003e","brand":"Alice Sara Ott","offers":[{"title":"OS","offer_id":46458916798707,"sku":"512238000","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Alice-Sara-Ott_John-Field-Complete-Nocturnes_CD_s512238_o6049090_a514557_v12680047.73631b63.jpg?v=1750789379"},{"product_id":"krystian-zimerman-johannes-brahms-piano-quartets-nos-2-5","title":"Johannes Brahms: Piano Quartets Nos. 2 \u0026 3","description":"\u003cp\u003e*SHOP EXCLUSIVE* \u003c\/p\u003e\u003cp\u003eStrictly limited: only 100 units\u003cbr \/\u003eSigned White Label 2LP \u0026#43; Covercard\u003cbr \/\u003eHigh-quality collector’s item \u003c\/p\u003e\u003cp\u003e“I don’t think there is any other composer who has such an account in terms of quality”, says Krystian Zimerman. “All Brahms’s chamber music is fantastic – the sonatas, the trios, the Clarinet Quintet. There is no bad piece among them.”\u003c\/p\u003e\u003cp\u003eKrystian Zimerman’s passion for chamber music goes back to his childhood and has accompanied him ever since. He states, “every great composer wrote some kind of quartet with piano. It’s a fantastic richness of music history that is often underestimated.”\u003c\/p\u003e\u003cp\u003eAlthough Johannes Brahm’s No. 1 in G minor is the best known of his three piano quartets, Zimerman instead focuses on the sometimes-overlooked Piano Quartets No. 2 and No. 3 in order to give them the attention they deserve. He adds, “I particularly love the Third Quartet. It’s crazy. It’s so powerful. It has unbelievable drive.”\u003c\/p\u003e\u003cp\u003eFor this recording Krystian Zimerman teamed up with cellist Yuya Okamoto, violinist Maria Nowak and violist Katarzyna Budnik. \u003c\/p\u003e\u003cp\u003eTheir recital in 2023 was praised as “… a performance of these two works that commands admiration, melding authority and subtlety in a typically Brahmsian blend of passionate outbursts and melancholy lyricism” (ResMusica) \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eVinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eLP 1\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eQuartet for Piano, Violin, Viola and Cello No. 3 in C minor, Op. 60\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e1.\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003eI. Allegro non troppo\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e2.           II. Scherzo. Allegro\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e3.\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003eIII. Andante\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e4.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eIV. Finale. Allegro comodo\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eLP 2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eQuartet for Piano, Violin, Viola and Cello No. 2 in A major, Op. 26\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e5.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eI. Allegro non troppo\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e6.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eII. Poco Adagio\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e7.\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003eIII. Scherzo. Poco Allegro\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e8.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eIV. Finale. Allegro\u003c\/span\u003e\u003c\/p\u003e","brand":"Krystian Zimerman","offers":[{"title":"OS","offer_id":46589997547763,"sku":"513712000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Krystian-Zimerman_Johannes-Brahms-Piano-Quartets-Nos-2-3_2LP-White-Label-Set-Covercard_s513712_o6492139_a526777_v13046568.63a354df.jpg?v=1753554290"},{"product_id":"boston-symphony-orchestra-andris-nelsons-shostakovich-symphonies-concertos-lady-macbeth-of-mtsensk-district","title":"Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District","description":"\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e“The music of Shostakovich has been a constant companion on my journey with the Boston Symphony Orchestra. We are incredibly proud to bring together all the symphonies, concertos, and the opera Lady Macbeth of Mtsensk into one, all-encompassing celebration of Dmitri Shostakovich’s genius. His music is a cross-section of what it means to be human, and sharing this exploration of his works over the past ten years with an orchestra as extraordinary and versatile as the Boston Symphony Orchestra has been a great privilege and a real joy. We have also been lucky to share the stage with some of the world’s most talented soloists including Yuja Wang, Yo-Yo Ma, Baiba Skride, and the wonderful cast of our recording of Lady Macbeth of Mtsensk. We are thrilled to present this box set as a tribute to Shostakovich\u0026#039;s great legacy and to the remarkable artistry and dedication of everyone who brought this project to life.” - Andris Nelsons ( Boston Symphony Orchestra Music Director)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black;\"\u003eSymphony No. 1 in F minor op. 10\u003cbr \/\u003eSymphony No. 2 in B major “To October” op. 14\u003cbr \/\u003eSymphony No. 3 in E-flat major “The First of May” op. 20\u003cbr \/\u003eSymphony No. 4 in C minor op. 43\u003cbr \/\u003eSymphony No. 5 in D minor op. 47\u003cbr \/\u003eSymphony No. 6 in B minor op. 54\u003cbr \/\u003eSymphony No. 7 in C major “Leningrad” op. 60\u003cbr \/\u003eSymphony No. 8 in C minor op. 65\u003cbr \/\u003eSymphony No. 9 in E-flat major op. 70\u003cbr \/\u003eSymphony No. 10 in E minor op. 93\u003cbr \/\u003eSymphony No. 11 in G minor “The Year 1905” op. 103\u003cbr \/\u003eSymphony No. 12 in D minor “The Year 1917” op. 112\u003cbr \/\u003eSymphony No. 13 in B-flat minor “Babi Yar” op. 113\u003cbr \/\u003eSymphony No. 14 in G minor op. 135\u003cbr \/\u003eSymphony No. 15 in A major op. 141\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePassacaglia - Interlude from Act II of Lady Macbeth of the Mtsensk District\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “Hamlet” op. 32a (excerpts)\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “King Lear” op. 58a\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003e“Festive Overture” op. 96\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eChamber Symphony in C minor op. 110a\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 1 in C minor op. 35\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 2 in F major op. 102\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 1 in A minor op. 77\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 2 op. 129\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 1 in E-flat major op. 107\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 2 in G major op. 126\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Calibri\u0026#039;,sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cbr \/\u003eLady Macbeth of the Mtsensk District op. 29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Andris Nelsons \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46605980336371,"sku":"513756000","price":67.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Boston-Symphony-Orchestra-Andris-Nelsons_Shostakovich-Symphonies-Concertos-Lady-Macbeth-of-Mtsensk-District_19-CD-Capbox_s513756_o6514181_a527263_v13065832.165eb4ca.png?v=1751142213"},{"product_id":"seong-jin-cho-ravel-the-complete-solo-piano-works-concertos-1","title":"Ravel: The Complete Solo Piano Works \u0026 Concertos","description":"\u003cp\u003eDeutsche Grammophon is pleased to announce the forthcoming release of a deluxe edition of Seong Jin Cho’s new recordings of Ravel’s complete solo piano works and two piano concertos. The pianist marks the composer’s birth exactly 150 years ago today with the release of his sparkling reading of Jeux d’eau for streaming\/download, together with a performance video. The piece features on his album of the complete solo works (“Jeux d’eau trickles brightly through Cho’s fingers like water itself” – The Times), issued by DG in January. Last month saw the release of a companion album, featuring Cho’s recordings of the two piano concertos with the Boston Symphony Orchestra and Andris Nelsons. Due for release on 2 May 2025, the deluxe version brings together both albums and will be available digitally and as a limited-edition 3-CD set. The  latter includes a hardcover book with full tracklistings and notes on the music; high-quality art prints of previously unreleased photos; and the offer of three months’ free access to STAGE\u0026#43;, where fans will find Seong-Jin Cho’s now legendary Carnegie Hall Ravel recital, among other filmed performances and audio albums. Copies of the physical product purchased directly from the DG Shop also include a signed photo of the artist.\u003c\/p\u003e\u003cp\u003eCho’s Ravel interpretations have already garnered rave reviews. German broadcaster NDR named the first release its “breathtaking” album of the week. It hailed the way Cho “clarifies the different, often overlapping layers of Ravel’s soundworld with an infinite palette of colours and nuances of touch”, before concluding: “Above all, there is nothing showy about Cho ... for him, it’s all about the music.” The Financial Times, meanwhile, summed up Cho’s achievements by saying, “Ravel playing of such perfection of detail does not come round often”.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCD1 The Complete Solo Piano Works:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSérénade grotesque, M. 5\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMenuet antique, M. 7\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePavane pour une infante défunte, M. 19\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eJeux d\u0026#039;eau, M. 30\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSonatine, M. 40: \u003c\/p\u003e\u003cp\u003eI. Modéré \u003c\/p\u003e\u003cp\u003eII. Mouvement de menuet \u003c\/p\u003e\u003cp\u003eIII. Animé\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMiroirs, M. 43: \u003c\/p\u003e\u003cp\u003eI. Noctuelles.Très léger \u003c\/p\u003e\u003cp\u003eII. Oiseux tristes. Très lent \u003c\/p\u003e\u003cp\u003eIII. Une barque sur l\u0026#039;océan. D\u0026#039;un rythme souple \u003c\/p\u003e\u003cp\u003eIV. Alborada del gracioso. Assez vif \u003c\/p\u003e\u003cp\u003eV. La vallée des cloches. Très lent\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCD2 The Complete Solo Piano Works:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGaspard de la nuit, M. 55: \u003c\/p\u003e\u003cp\u003eI. Ondine. Lent \u003c\/p\u003e\u003cp\u003eII. Le Gibet. Très lent \u003c\/p\u003e\u003cp\u003eIII. Scarbo. Modéré\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMenuet sur le nom d\u0026#039;Haydn, M. 58\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eValses nobles et sentimentales, M. 61: \u003c\/p\u003e\u003cp\u003eI. Modéré, très franc \u003c\/p\u003e\u003cp\u003eII. Assez lent, avec une expression intense \u003c\/p\u003e\u003cp\u003eIII. Modéré \u003c\/p\u003e\u003cp\u003eIV. Assez animé \u003c\/p\u003e\u003cp\u003eV. Presque lent, dans un sentiment intime \u003c\/p\u003e\u003cp\u003eVI. Vif \u003c\/p\u003e\u003cp\u003eVII. Moins vif \u003c\/p\u003e\u003cp\u003eVIII. Épilogue. Lent\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePrélude, M. 65\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eÀ la manière de Borodine, M. 63\/1\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eÀ la manière de Chabrier, M. 63\/2\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLe tombeau de Couperin, M. 68: \u003c\/p\u003e\u003cp\u003eI. Prélude. Vif \u003c\/p\u003e\u003cp\u003eII. Fugue. Allegro moderato \u003c\/p\u003e\u003cp\u003eIII. Forlane. Allegretto \u003c\/p\u003e\u003cp\u003eIV. Rigaudon. Assez vif \u003c\/p\u003e\u003cp\u003eV. Menuet. Allegro moderato \u003c\/p\u003e\u003cp\u003eVI. Toccata. Vif\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCD3 The Piano Concertos:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePiano Concerto for the Left Hand, M. 82: \u003c\/p\u003e\u003cp\u003eI. Lento \u003c\/p\u003e\u003cp\u003eII. Allegro\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePiano Concerto in G Major, M. 83: \u003c\/p\u003e\u003cp\u003eI. Allegramente \u003c\/p\u003e\u003cp\u003eII. Adagio assai III. Presto\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ewith the Boston Symphony Orchestra \u0026amp; Andris Nelsons\u003c\/p\u003e","brand":"Seong-Jin Cho","offers":[{"title":"OS","offer_id":46772531757299,"sku":"514603000","price":71.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Seong-Jin-Cho_Ravel-The-Complete-Solo-Piano-Works-Concertos_3CD-Buch-Artprint-Stage-Voucher-Signed-Artcard_s514603_o6665169_a537609_v13130458.ac2c721e.jpg?v=1741193973"},{"product_id":"yuja-wang-shostakovich-piano-concertos-4","title":"Shostakovich: Piano Concertos","description":"\u003cp\u003eDeutsche Grammophon is proud to present the release of Shostakovich: The Piano Concertos | Solo Works, featuring the electrifying artistry of Yuja Wang. The album marks the culmination of the  Boston   Symphony Orchestra’s decade-long, GRAMMY Award®-winning Shostakovich cycle and is released to coincide with the 50th anniversary of the composer’s death. It showcases the star pianist’s performances with the BSO under the baton of its Music Director Andris Nelsons of Shostakovich’s two contrasting piano concertos – No. 1 in C minor and No. 2 in F major (“Yuja Wang ... navigated both works with conviction and fearless technique” – Boston Globe). Also included are six of Shostakovich’s Preludes and Fugues for solo piano, works which have been chosen by Yuja from the composer’s Opp. 34 \u0026amp; 87, and which offer a more intimate glimpse into his pianistic world. They were recorded in what are Wang’s first solo studio sessions in several years.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePiano Concerto No. 1 in C Minor, Op. 35:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eI. Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Lento\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eIII. Moderato\u003c\/p\u003e\u003cp\u003eIV. Finale. Allegro con brio - Presto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePiano Concerto No. 2 in F Major, Op. 102:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eI. Allegro\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Andante\u003c\/p\u003e\u003cp\u003eIII. Allegro\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp\u003ePrelude No. 8 in F-Sharp Minor - Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePrelude No. 2 in A Minor - Allegro\u003c\/p\u003e\u003cp\u003eFugue No. 2 in A Minor - Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes, Op. 34:\u003c\/p\u003e\u003cp\u003eNo. 5 in D Major - Allegro vivace\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePrelude No. 15 in D-flat Major - Allegretto\u003c\/p\u003e\u003cp\u003eFugue No. 15 in D-Flat Major - Allegro molto\u003c\/p\u003e","brand":"Yuja Wang","offers":[{"title":"OS","offer_id":46801103552755,"sku":"514737000","price":129.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Yuja-Wang_Shostakovich-Piano-Concertos_White-Label-signierte-Artcard_s514737_o6690433_a539338_v13142177.05c21528.jpg?v=1741945798"},{"product_id":"daniel-barenboim-messiaen-quatuor-pour-la-fin-du-temps","title":"Messiaen: Quatuor pour la fin du temps","description":"\u003cdiv\u003e“Music which lulls to sleep and which sings, which is of new blood, speaking gestures, an unknown fragrance, an unsleeping bird; music of stained-glass church windows, a whirl of complementary colours, a theological rainbow.” This personal definition which Olivier Messiaen gave in those words points to both the purely musical and the extra-musical characteristics that Messiaen demands of himself and attributes to his works. It also serves as a brief résumé of one of the most important works which Messiaen produced during his first great creative period, the Quatuor pour la Fin du Temps. Mixed and edited from the original 8-track tapes, this edition provides a breathtaking listening experience of the highest analogue sound quality.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eMessiaen: Quatuor pour la fin du temps\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eLP1\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e1. Liturgie de cristal\u003c\/div\u003e\u003cdiv\u003e2. Vocalise, pour l\u0026amp;apos;Ange qui annonce la fin du temps\u003c\/div\u003e\u003cdiv\u003e3. Abîme des oiseaux\u003c\/div\u003e\u003cdiv\u003e4. Intermède\u003c\/div\u003e\u003cdiv\u003e5. Louange à l’Eternité de Jésus\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eSide B\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e1. Danse de la fureur, pour les sept trompettes\u003c\/div\u003e\u003cdiv\u003e2. Fouillis d’arcs-en-ciel, pour l’Ange qui annonce la fin du temps\u003c\/div\u003e\u003cdiv\u003e3. Louange à l’Immortalité de Jésus\u003c\/div\u003e","brand":"Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenbo","offers":[{"title":"OS","offer_id":46817499644147,"sku":"514786000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Daniel-Barenboim_Messiaen-Quatuor-pour-la-fin-du-temps_Vinyl_s514786_o6699617_a539757_v13144723.cc81635e.jpg?v=1742288676"},{"product_id":"maurizio-pollini-chopin-polonaises","title":"Chopin: Polonaises","description":"\u003cdiv\u003eMaurizio Pollinis recordings of the Polonaises, which have attained classic status, are now available as part of The Original Source Series. Pollini offered playing of outstanding mastery as well as a subtle poetry. His supreme achievement is in suggesting the immediacy of an inspired improvisation, while at the same time preserving the shapely unity of a preconceived whole. To ensure optimum audio quality, the work was mastered from the original 4-track tapes, cut at 45rpm and redistributed on two LPs.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e“Maurizio Pollini makes it virtually impossible to imagine Chopin\u0026#039;s Polonaises played with greater clarity, force and resolution. Not for him the odd approximation or slip of the finger: everything is ruthlessly, indeed frighteningly, concentrated and of the essence.” – Gramophone\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the  renowned Emil Berliner Studios have remastered and edited the original four-and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eLP 1\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003e1. Chopin: Polonaise No. 1 in C-Sharp Minor, Op. 26 No. 1\u003c\/div\u003e\u003cdiv\u003e2. 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Chopin: Polonaise-Fantaisie in A-Flat Major, Op. 61\u003c\/div\u003e","brand":"Maurizio Pollini","offers":[{"title":"OS","offer_id":46821599576307,"sku":"514817000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Maurizio-Pollini_Chopin-Polonaises_Original-Source-Vinyl-Subtitle-EN_s514817_o6703136_a540061_v13146580.e78fb75d.jpg?v=1742399126"},{"product_id":"chicago-symphony-orchestra-prokofiev-lieutenant-kije-suite-scythian-suite","title":"Prokofiev: Lieutenant Kijé Suite \/ Scythian Suite","description":"\u003cdiv\u003eSergei Prokofiev completed the Scythian Suite op. 20 in 1914, when he was about to turn his back on his homeland. The Symphonic Suite op. 60 was composed almost two decades later, after Prokofiev had returned to Russia in 1933. The biographical turning points at which the two suites stand also represent ideological turning points in Prokofiev\u0026#039;s conception of art. While the earlier work is characterised by a tendency towards chromatic melody, the later work is dominated by diatonicism and incorporates archaic scales. Another interesting feature: the two music tracks have been remastered and edited from the original 1 inch 8-track tapes for the first time for this release.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. 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The Enemy of God and the Dance of the Spirits [Scythian \u003c\/div\u003e\u003cdiv\u003eSuite, Op. 20]\u003c\/div\u003e\u003cdiv\u003e3. Prokofiev: III. Night [Scythian Suite, Op. 20]\u003c\/div\u003e\u003cdiv\u003e4. Prokofiev: IV. Lolly\u0026amp;apos;s Departure and the Sun’s Procession [Scythian \u003c\/div\u003e\u003cdiv\u003eSuite, Op. 20]\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eSide B\u003c\/div\u003e\u003cdiv\u003e1. Prokofiev: I. Birth of Kijé [Lieutenant Kijé Suite, Op. 60]\u003c\/div\u003e\u003cdiv\u003e2. Prokofiev: II. Romance [Lieutenant Kijé Suite, Op. 60]\u003c\/div\u003e\u003cdiv\u003e3. Prokofiev: III. Kijé’s Wedding [Lieutenant Kijé Suite, Op. 60]\u003c\/div\u003e\u003cdiv\u003e4. Prokofiev: IV. Troika [Lieutenant Kijé Suite, Op. 60]\u003c\/div\u003e\u003cdiv\u003e5. Prokofiev: V. Burial of Kijé [Lieutenant Kijé Suite, Op. 60]\u003c\/div\u003e","brand":"Claudio Abbado","offers":[{"title":"OS","offer_id":46823192297715,"sku":"514828000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Chicago-Symphony-Orchestra_Prokofiev-Lieutenant-Kije-Suite-Scythian-Suite_Original-Source-Vinyl_s514828_o6704682_a540164_v13147064.9e0be5e0.jpg?v=1742464611"},{"product_id":"sviatoslav-richter-beethoven-sonatas-nos-18-27-28-31-the-lost-tapes","title":"Beethoven: Sonatas Nos. 18, 27, 28 \u0026 31 | The Lost Tapes","description":"\u003cp\u003eAnyone who thinks that there is no longer anything to say on the subject of Sviatoslav Richter’s discography is wrong. For sixty years these recordings, which were made by Deutsche Grammophon at the Tours and Lucerne Festivals in 1965, have slumbered in the Yellow Label’s archives. Carefully restored by Emil Berliner Studios, they are being released now for the very first time. Like many other artists, Richter felt that he could play more freely and give better performances in the concert hall rather than in the studio. These tremendous recordings reveal the pianist at the pinnacle of his powers as a pianist. Indeed, they evoke Van Cliburn\u0026#039;s comment: ‘That is the most powerful piano playing I have ever heard’. Richter\u0026#039;s interpretations of Beethoven are phenomenal. The performances of the Sonatas Nos. 18, 27, 28 and 31 show a strikingly modern approach that never shies away from taking risks to express the music in its furthest extreme. Pianist Elisabeth Leonskaja, a confidante of Richter, was enthusiastic about the artistic freedom, technical brilliance and love of the music conveyed in these recordings. The album is available digitally, as a CD and double LP and includes a recent interview with Elisabeth Leonskaja, an essay by Jed Distler and editorial notes by Markus Kettner. Numerous photographs, some previously unpublished, complete the edition.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eLive at Kunsthaus, Lucerne, 1965\u003cbr \/\u003eBeethoven: Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 „The Hunt”\u003c\/p\u003e\u003cp\u003e1. I. Allegro \u003cbr \/\u003e2. II. Scherzo. Allegretto vivace \u003cbr \/\u003e3. III. Menuetto. Moderato e grazioso \u003cbr \/\u003e4. IV. Presto con fuoco \u003c\/p\u003e\u003cp\u003eBeethoven: Piano Sonata No. 27 in E Minor, Op. 90\u003c\/p\u003e\u003cp\u003e5. I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck \u003cbr \/\u003e6. II. Nicht zu geschwind und sehr singbar vorgetragen \u003c\/p\u003e\u003cp\u003eBeethoven Piano Sonata No. 28 in A Major, Op. 101\u003c\/p\u003e\u003cp\u003e7. I. 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Some of the tracks he’d played many times in the decade since its release, others not at all. The slower tempos of the resulting reimagined version, Solipsism Redux, retain his essentially minimalistic style, adding further layers to the music’s contemplative nature. \u003c\/p\u003e\n\u003cp\u003e“Solipsism was the start of a 10-year exploration of our relationship to reality,” says Beving. “And I’m grateful for what I’ve learned, for the people I’ve met, and for the moments of peace this music still brings me.”\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr \/\u003e01 Midwayer (redux)\u003cbr \/\u003e02 Etude (redux)\u003cbr \/\u003e03 For Steven (redux)\u003cbr \/\u003e04 Zoetrope (redux)\u003cbr \/\u003e05 Saturday Morning (redux)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr \/\u003e01 Day Dream (redux)\u003cbr \/\u003e02 Sleeping Lotus (redux)\u003cbr \/\u003e03 Wanderlust (redux)\u003cbr \/\u003e04 The Light She Brings (redux)\u003cbr \/\u003e05 Reflection #2 (redux)\u003cbr \/\u003e06 Autumn (redux)\u003c\/p\u003e","brand":"Joep Beving","offers":[{"title":"OS","offer_id":46972973744371,"sku":"515733000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Joep-Beving_Solipsism-Redux_Eco-Record-signierte-Artcard-3-Fotos_s515733_o7027718_a578093_v13406587.2e5d036c.jpg?v=1753276298"},{"product_id":"yu-peng-chen-fantasyland-103045","title":"Fantasyland","description":"\u003cdiv\u003e*EXCLUSIVELY IN THE DG STORE* \u003c\/div\u003e\u003cdiv\u003e• CD \u0026#43; signed covercard\u003c\/div\u003e\u003cdiv\u003eYu-Peng Chen’s album Fantasyland represents a turning point in his career. The multi-award-winning composer, pianist and producer wrote it after leaving HOYO-MiX “to summarise and review my creative journey... as well as to bid farewell to the past and welcome the upcoming new chapter of my life”. Recorded with the London Philharmonic Orchestra and Robert Ziegler the album takes the form of a symphonic suite. Its colourful soundworld features non-western instruments including Indian bansuri and sitar, Japanese koto and shakuhachi, and an array of Chinese instruments. Chen is known for the richly melodic and stylistically multifaceted music he has written for a number of film and game soundtracks, and earned global fame as the musical mastermind behind the open-world role-playing game Genshin Impact. The forthcoming deluxe edition includes four bonus tracks and a booklet with notes by the composer.\u003c\/div\u003e\u003cdiv\u003eThis Fan-Bundle includes a limited signed artcard.\u003c\/div\u003e\u003cdiv\u003e** please note that the signature in the image may differ from the signature on the product\u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003e1. A New Journey\u003c\/div\u003e\u003cdiv\u003e2. Welcome to Fantasyland!\u003c\/div\u003e\u003cdiv\u003e3. Towards the Blanks on the Map\u003c\/div\u003e\u003cdiv\u003e4. Daughter of the Sea and the Moon\u003c\/div\u003e\u003cdiv\u003e5. Circle Dance of the Evernight Castle\u003c\/div\u003e\u003cdiv\u003e6. Ring of the Sky\u003c\/div\u003e\u003cdiv\u003e7. Infinite Cloister of Flowers and Sins\u003c\/div\u003e\u003cdiv\u003e8. Ascending Dive Towards the Pyramidion\u003c\/div\u003e\u003cdiv\u003e9. Flourishing Lights of the Snowmelt Realm\u003c\/div\u003e\u003cdiv\u003e10. Farewell, My Friend!\u003c\/div\u003e\u003cdiv\u003e11. Reminiscence\u003c\/div\u003e\u003cdiv\u003e12. Summer Fantasy (Arrangement from game ”Justice Online“)\u003c\/div\u003e\u003cdiv\u003e13. The Inn Beneath the Starry Sky (Arrangement from game ”The Neverending Dream“)\u003c\/div\u003e\u003cdiv\u003e14. Fantasyland’s Invitation (Arrangement from ”Traveler“)\u003c\/div\u003e\u003cdiv\u003e15. Summer Fantasy (Piano Ver.) (Arrangement from game ”Justice Online“)\u003c\/div\u003e","brand":"Yu-Peng Chen","offers":[{"title":"OS","offer_id":47437350961395,"sku":"517028000","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Yu-Peng-Chen_Fantasyland_CD-signierte-Covercard_s517028_o7313248_a576546_v13396669.9b0a8dfa.jpg?v=1752668098"},{"product_id":"daniil-trifonov-tchaikovsky-103326","title":"Tchaikovsky ","description":"\u003cp\u003e*SHOP EXCLUSIVE*\u003c\/p\u003e\u003cul\u003e\u003cli\u003eLimited art card signed by Daniil Trifonov\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eDaniil Trifonov, hailed by the New York Times as \u0026#34;one of the most awesome pianists of our time\u0026#34;, releases his highly anticipated Tchaikovsky album!\u003c\/p\u003e\u003cp\u003eThe star pianist explores a selection of Tchaikovsky\u0026#039;s solo piano works. These reveal the more intimate, private side of the Romantic composer. \u0026#34;Tchaikovsky was not a choleric, morose personality. Particularly in his younger years, he found joy in his close relationships and emotional comfort in his family,\u0026#34; says Trifonov.\u003c\/p\u003e\u003cp\u003eThe album includes the early Piano Sonata in C sharp minor, \u0026#039;a neglected masterpiece\u0026#039;, which is rich in contrasting moods and original ideas; the Thème original et variations in F major; and the Children\u0026#039;s Album, Op. 39. Together, these works provide an insight into what Daniil Trifonov calls Tchaikovsky\u0026#039;s “private dimension” - “a spirit conditioned by memories of youth and family”.  The album concludes with the vibrant and colourful Suite from Sleeping Beauty. This was written in 1978 by Mikhail Pletnev, who was 21 years old at the time. Pletnev won the International Tchaikovsky Competition in the same year — just as Trifonov did 33 years later in 2011 with his spectacular victory. 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The two recorded here, No.1 and No. 3, are especially flamboyant works of Baroque splendor, while also featuring the famous “Air” (in Suite No. 3), a peaceful piece of utter beauty and serenity.\u003c\/div\u003e\u003cdiv\u003eHardly any ensemble has influenced our listening attitudes to \u0026#34;early music\u0026#34; as much as \u0026#34;The English Concert\u0026#34;, which came into being over 50 years ago. The founder and long-time conductor Trevor Pinnock led the musicians with an articulate tone from the harpsichord and thus formed the sound from the heart of the ensemble. Historical authenticity was the basis of the playing, but their aim was a brilliant, lively orchestral sound serving the emotional core of the music.\u003c\/div\u003e\u003cdiv\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003eJ.S. Bach: Orchestral Suite No. 1 in C Major, BMV 1066\u003c\/div\u003e\u003cdiv\u003e1. I. Overture\u003c\/div\u003e\u003cdiv\u003e2. 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Although Grieg\u0026#039;s lyrical pieces have a reputation for being manageable even for amateurs, the dynamic and colourful richness of nuance that Gilels brings to the compositions is certainly in a league of its own.\u003cbr \/\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. 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No. 7, Remembrances\u003c\/p\u003e","brand":"Emil Gilels","offers":[{"title":"OS","offer_id":47594299916531,"sku":"517251000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Emil-Gilels_Grieg-Lyrische-Stuecke_Original-Source-Vinyl_s517251_o7449197_a578928_v13473790.b235312a.jpg?v=1753796595"},{"product_id":"lang-lang-piano-book-2-105230","title":"Piano Book 2","description":"\u003cp\u003e•    2CD Digipack\u003cbr \/\u003e•    Booklet with liner notes in English and German\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLang Lang’s Piano Book 2\u003c\/strong\u003e\u003c\/em\u003e presents a new collection of essential piano favorites—a rich blend of classical masterpieces, modern favorites and treasured themes from gaming, anime, and film. Following the unprecedented popularity of Lang Lang’s \u003cem\u003ePiano Book\u003c\/em\u003e (2019), global superstar Lang Lang extends the instrument’s canon with passion and joy, inviting listeners of all ages into the dynamic world of piano\u003cbr \/\u003e“I hope this new collection helps you discover new favorites, reconnect with familiar melodies, and find renewed inspiration at the piano” – Lang Lang\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eCD 1 \u003cbr \/\u003e1. CHOPIN Prélude in E minor\u003cbr \/\u003e2. MENDELSSOHN “Spring Song”\u003cbr \/\u003e3. LISZT Consolation No. 2\u003cbr \/\u003e4. HISAISHI Spring\u003cbr \/\u003e5. MOZART Rondo in D major\u003cbr \/\u003e6. BEETHOVEN “Rage Over a Lost Penny”\u003cbr \/\u003e7. SATIE Gymnopédie No. 1\u003cbr \/\u003e8. SCHUBERT Impromptu in G flat major\u003cbr \/\u003e9. RACHMANINOFF Paganini Rhapsody: Var. VIII\u003cbr \/\u003e10. MUSASHI PROJECT Sadness and Sorrow from Naruto\u003cbr \/\u003e11. SIBELIUS Etude in A minor\u003cbr \/\u003e12. HANDEL Minuet in G minor\u003cbr \/\u003e13. BACH Prelude in C minor\u003cbr \/\u003e14. WRANGELL Rush E\u003cbr \/\u003e15. HURWITZ Mia \u0026amp; Sebastian’s Theme from La La Land\u003cbr \/\u003e \u003cbr \/\u003eCD 2 \u003cbr \/\u003e1. CHOPIN Nocturne in E flat major\u003cbr \/\u003e2. SCHUMANN Chopin from Carneval Op.9 No.12\u003cbr \/\u003e3. BURGMÜLLER L’Arabesque\u003cbr \/\u003e4. EINAUDI Fly\u003cbr \/\u003e5. ZHAI Main Theme from Black Myth: Wukong\u003cbr \/\u003e6. CHOPIN Fantaisie-Impromptu in C sharp minor\u003cbr \/\u003e7. UEMATSU To Zanarkand from Final Fantasy X\u003cbr \/\u003e8. TIERSEN Comptine d’un autre été: L’après-midi from Le fabuleux destin d’Amélie Poulain\u003cbr \/\u003e9. MORRICONE Cinema Paradiso\u003cbr \/\u003e10. RACHMANINOFF Prélude in C sharp minor\u003cbr \/\u003e11. BEETHOVEN Marcia alla turca\u003cbr \/\u003e12. ANN ICARUS with Tony Ann piano\u003cbr \/\u003e13. CHEN Lovers’ Oath from Genshin Impact\u003cbr \/\u003e14. NAZARETH Brejeiro\u003cbr \/\u003e15. DEBUSSY Arabesque No. 1\u003cbr \/\u003e16. SMITH I’m Confessin’ (That I Love You)\u003cbr \/\u003e17. ADAM \/ HAMILTON O Holy Night\u003c\/p\u003e","brand":"Lang Lang","offers":[{"title":"OS","offer_id":47721062858995,"sku":"517971000","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/lang-lang-piano-book-2-2cd-s517971-o7539741-a585781-v13570765.79ea89ea.png?v=1756735691"},{"product_id":"martha-argerich-chopin-sonate-op-65-polonaise-op-3-schumann-adagio-allegro-op-70-105347","title":"Chopin: Sonate Op. 65, Polonaise Op. 3 \/ Schumann: Adagio \u0026 Allegro Op. 70","description":"\u003cp\u003eChopin’s four-movement Cello Sonata op. 65 dates from 1845\/46 and combined all the attractions of his richly ornamented writing for piano, here largely free from reminiscences of his native folk music. With an astonishing understanding of the individual character of the cello, one forgets that at the outset his creative concepts had been wholly pianistic in origin.\u003cbr \/\u003eSchumann wrote few works for cello and piano, but those few are of considerable importance. The Adagio and Allegro op. 70 for cello and piano of 1849 is characteristic of Schumann\u0026#039;s personal and unmistakable blend of eloquent melancholy with spontaneous naturalness, while the piano part, especially in the Allegro, is marked by subtly brilliant virtuosity. Perfect understanding and harmony mark this extraordinary recording by Argerich and Rostropovich.\u003cbr \/\u003e \u003cbr \/\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003cbr \/\u003e \u003cbr \/\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr \/\u003eChopin: Cello Sonata in G Minor, Op. 65\u003cbr \/\u003e1. I. Allegro moderato\u003cbr \/\u003e2. II. Scherzo. Allegro con brio\u003cbr \/\u003e3. III. Largo\u003cbr \/\u003e4. IV. Finale. Allegro\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eSchumann: Adagio \u0026amp; Allegro in A-Flat Major, Op. 70] - Version for Cello\u003cbr \/\u003e1. I. Adagio – II. Allegro\u003c\/p\u003e\u003cp\u003eChopin: Introduction \u0026amp; Polonaise brillante, Op. 3\u003cbr \/\u003e2. I. Lento – II. Alla Polacca. Allegro con spirito\u003c\/p\u003e","brand":"Martha Argerich \u0026 Mstislav Rostropowitsch","offers":[{"title":"OS","offer_id":47726274609395,"sku":"518008000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Martha-Argerich_Chopin-Sonate-Op-65-Polonaise-Op-3-Schumann-Adagio-Allegro-Op-70_Original-Source-Vinyl_s518008_o7553325_a586290_v13573683.880ca88a.png?v=1756908935"},{"product_id":"carlo-maria-giulini-mussorgsky-pictures-at-an-exhibition-prokofiev-symphony-no-1-in-d-major-op-25-classical-symphony-105372","title":"Mussorgsky: Pictures At An Exhibition \/ Prokofiev: Symphony No. 1 in D Major, Op. 25 \"Classical Symphony\"","description":"\u003cp\u003eEine Ausstellung zu Ehren seines Freundes, des Malers Victor Hartmann, inspirierte Mussorgsky 1874 zu seinem Klavierzyklus. Eine Art „Ich-Erzähler“ wandert durch eine Galerie und betrachtet zehn Gemälde. Ravel hat den Zyklus 1922 für Orchester arrangiert. Die Aufführung von Giulini gilt weithin als Referenzaufnahme.\u003cbr\u003eProkofieff schrieb seine Sinfonie Nr.1 im Ersten Weltkrieg. In Klang und Form ist sie besonders: nur fünfzehn Minuten Spielzeit ist sie klassisch im Duktus, von Vitalität nur so strotzende und eine reizvolle Hommage an die Musik der Wiener Klassik. \u003c\/p\u003e\u003cp\u003eDie audiophile Vinyl-Serie The Original Source präsentiert herausragende Aufnahmen der 1970er Jahre in ganz neuer Klangqualität. Dafür haben die renommierten Emil Berliner Studios die originalen Vier- und Achtspur-Bänder mit eigens für die Produktion der Serie entwickelten Technologien in 100% analoger Qualität (AAA) neu gemastert und geschnitten. Die klanglichen Unterschiede zu den Originalveröffentlichungen sind beträchtlich: Größere Klarheit, mehr Feinheiten und Verbesserungen im Frequenzgang, zugleich weniger Nebengeräusche, Verzerrungen und Komprimierungen ermöglichen ein audiophiles Hörerlebnis wie nie zuvor.\u003c\/p\u003e\u003cp\u003eAuf 180g Vinylplatten und in einer Deluxe-Gatefold Edition mit Originalcovers und -texten werden die Exemplare dieser Serie limitiert und nummeriert veröffentlicht, begleitet von zusätzlichen Fotos und Faksimiles der Aufnahmeprotokolle und Bandkarton\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr\u003eMussorgsky: Pictures at an Exhibition\u003cbr\u003e1. Promenade 1\u003cbr\u003e2. I. Gnomus\u003cbr\u003e3. Promenade 2\u003cbr\u003e4. II. The Old Castle\u003cbr\u003e5. Promenade 3\u003cbr\u003e6. III. Tuileries\u003cbr\u003e7. IV. Bydlo \"The Oxcart\"\u003cbr\u003e8. Promenade 4\u003cbr\u003e9. V. Ballet of the Unhatched Chicks\u003cbr\u003e10. VI. Samuel Goldenberg and Schmuÿle\u003cbr\u003e11. VII. The Market at Limoges\u003cbr\u003e12. VIIIa. Catacombae \"Sepulcrum romanum\"\u003cbr\u003e13. VIIIb. Cum mortuis in lingua mortua\u003cbr\u003e14. IX. The Hut on Fowl's Legs \"Baba-Yaga\"\u003cbr\u003e15. X. The Great Gates of Kyiv\u003c\/p\u003e\u003cp\u003eSide B\u003cbr\u003eProkofiev: Symphony No. 1 in D Major, Op. 25 \"Classical Symphony\"\u003cbr\u003e1. I. Allegro\u003cbr\u003e2. II. Larghetto\u003cbr\u003e3. III. Gavotte. Non troppo allegro\u003cbr\u003e4. IV. Finale. Molto vivace\u003c\/p\u003e","brand":"Carlo Maria Giulini \u0026 Chicago Symphony Orchestra","offers":[{"title":"OS","offer_id":47726928953587,"sku":"518022000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Carlo-Maria-Giulini_Mussorgsky-Pictures-At-An-Exhibition-Prokofiev-Symphony-No-1-in-D-Major-Op-25-Classical-Symphony_Original-Source-Vinyl_s518022_o7564558_a586357_v13573963.27f1e813.png?v=1756929103"},{"product_id":"vikingur-olafsson-opus-109-105731","title":"Opus 109","description":"\u003cp\u003e\u003cspan class=\"cf0\"\u003eWatch \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eshort\u003c\/span\u003e \u003cspan class=\"cf0\"\u003edocumentary\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e on \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emaking\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ealbum\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eavailable\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e stream \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efree\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e November 21 on STAGE\u0026#43;, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003estreaming\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eservice\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eclassical\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emusic\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Deutsche Grammophon.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIcelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time. \u003cbr \/\u003eFollowing his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics\u0026#039; Annual Prize, the pianist now presents his new album Opus 109. \u003cbr \/\u003eAt its heart is Beethoven\u0026#039;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer\u0026#039;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e01 J.S. Bach: The Well-Tempered Clavier I: Prelude No. 9 in E Major, BWV 854\u003cbr \/\u003e02 Beethoven: Piano Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck\u003cbr \/\u003e03 Beethoven: Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen\u003cbr \/\u003e04 J.S. Bach: Partita No. 6 in E Minor, BWV 830: I. Toccata\u003cbr \/\u003e05 J.S. Bach: Partita No. 6 in E Minor, BWV 830: II. Allemande\u003cbr \/\u003e06 J.S. Bach: Partita No. 6 in E Minor, BWV 830: III. Corrente\u003cbr \/\u003e07 J.S. Bach: Partita No. 6 in E Minor, BWV 830: IV. Air\u003cbr \/\u003e08 J.S. Bach: Partita No. 6 in E Minor, BWV 830: V. Sarabande\u003cbr \/\u003e09 J.S. Bach: Partita No. 6 in E Minor, BWV 830: VI. Tempo di Gavotta\u003cbr \/\u003e10 J.S. Bach: Partita No. 6 in E Minor, BWV 830: VII. Gigue\u003cbr \/\u003e11 Schubert: Piano Sonata No. 6 in E Minor, D. 566: I. Moderato\u003cbr \/\u003e12 Schubert: Piano Sonata No. 6 in E Minor, D. 566: II. Allegretto\u003cbr \/\u003e13 Beethoven: Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo - Adagio espressivo\u003cbr \/\u003e14 Beethoven: Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo\u003cbr \/\u003e15 Beethoven: Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile ed espressivo. Gesangsvoll mit innigster Empfindung\u003cbr \/\u003e16 J.S. Bach: French Suite No. 6 in E Major, BWV 817: III. Sarabande\u003c\/p\u003e","brand":"Víkingur Ólafsson","offers":[{"title":"OS","offer_id":47748791402739,"sku":"518187000","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Vikingur-Olafsson_Opus-109_1CD-Mintpack_s518187_o7633316_a587652_v13588031.4cd0599a.png?v=1757583455"},{"product_id":"vikingur-olafsson-opus-109-105764","title":"Opus 109","description":"\u003cp\u003e\u003cspan class=\"cf0\"\u003eWatch \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eshort\u003c\/span\u003e \u003cspan class=\"cf0\"\u003edocumentary\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e on \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emaking\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ealbum\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eavailable\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e stream \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efree\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e November 21 on STAGE\u0026#43;, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003estreaming\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eservice\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eclassical\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emusic\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Deutsche Grammophon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIcelandic pianist Víkingur Ólafsson is one of the most listened-to classical artists of our time. \u003cbr \/\u003eFollowing his recording of the Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Instrumentalist of the Year from Musical America, the OPUS KLASSIK Bestseller Prize and the German Record Critics\u0026#039; Annual Prize, the pianist now presents his new album Opus 109. \u003cbr \/\u003eAt its heart is Beethoven\u0026#039;s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece from the composer\u0026#039;s late creative period, which Víkingur Ólafsson places in a musically captivating dialogue with compositions by J.S. Bach and Schubert, tracing the lines of development that converge in this milestone of piano literature.\u003c\/p\u003e\n\u003cp\u003eThis 2LP crystal clear vinyl contains bonus material from Víkingur Ólafsson within the gatefold packaging, which can be accessed contactlessly with your smartphone*. Simply activate this bonus content by tapping your smartphone on the marked area on the inside of the gatefold packaging to gain access to brand new, never-before-seen content.\u003c\/p\u003e\n\u003cp\u003e* An NFC-enabled smartphone is required to access the additional content. Further information can be found here link: \u003ca href=\"https:\/\/nfc-dg.exklusiveinhalte.de\/instructions-for-products-with-nfc-en\"\u003ehttps:\/\/nfc-dg.exklusiveinhalte.de\/instructions-for-products-with-nfc-en\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eLP 1\u003cbr \/\u003eSide A\u003cbr \/\u003e01 J.S. Bach: The Well-Tempered Clavier I: Prelude No. 9 in E Major, BWV 854\u003cbr \/\u003e02 Beethoven: Piano Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck\u003cbr \/\u003e03 Beethoven: Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen\u003cbr \/\u003eSide B\u003cbr \/\u003e01 J.S. Bach: Partita No. 6 in E Minor, BWV 830: I. Toccata\u003cbr \/\u003e02 J.S. Bach: Partita No. 6 in E Minor, BWV 830: II. Allemande\u003cbr \/\u003e03 J.S. Bach: Partita No. 6 in E Minor, BWV 830: III. Corrente\u003cbr \/\u003e04 J.S. Bach: Partita No. 6 in E Minor, BWV 830: IV. Air\u003cbr \/\u003e05 J.S. Bach: Partita No. 6 in E Minor, BWV 830: V. Sarabande\u003c\/p\u003e\n\u003cp\u003eLP 2\u003cbr \/\u003eSide A\u003cbr \/\u003e01 J.S. Bach: Partita No. 6 in E Minor, BWV 830: VI. Tempo di Gavotta\u003cbr \/\u003e02 J.S. Bach: Partita No. 6 in E Minor, BWV 830: VII. Gigue\u003cbr \/\u003e03 Schubert: Piano Sonata No. 6 in E Minor, D. 566: I. Moderato\u003cbr \/\u003e04 Schubert: Piano Sonata No. 6 in E Minor, D. 566: II. Allegretto\u003cbr \/\u003eSide B\u003cbr \/\u003e01 Beethoven: Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo - Adagio espressivo\u003cbr \/\u003e02 Beethoven: Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo\u003cbr \/\u003e03 Beethoven: Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile ed espressivo. Gesangsvoll mit innigster Empfindung\u003cbr \/\u003e04 J.S. Bach: French Suite No. 6 in E Major, BWV 817: III. Sarabande\u003c\/p\u003e","brand":"Víkingur Ólafsson","offers":[{"title":"OS","offer_id":47752087011571,"sku":"518194000","price":48.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Vikingur-Olafsson_Opus-109_2LP-Crystal-Clear-mit-Bonus-Inhalt_s518194_o7634175_a603661_v13728790.57a8e465.png?v=1764063027"},{"product_id":"hildur-gudnadottir-where-to-from-106135","title":"Where to From","description":"\u003cp\u003eA celebration of the creative power of friendship and artistic collaboration, Where to From is Hildur Guðnadóttir’s debut studio album for Deutsche Grammophon. Out on 31 October 2025, it consists of nine intimate and contemplative tracks written, arranged and produced by the Icelandic composer whose soundtrack scores have been recognised with, among other accolades, two Grammy Awards® (Chernobyl, Joker) and an Academy Award (Joker). \u003cbr \/\u003eAlso providing cello and\/or vocals on several tracks, Guðnadóttir is joined by close friends and long-time collaborators Liam Byrne (viola da gamba), Clare O’Connell (cello), Eyvind Kang (viola), and Jessika Kenney and Elsa Torp (vocals). Two other friends played key roles: Francesco Donadello recorded, mixed and mastered Where to From, while artist, choreographer and director Gisèle Vienne created the cover artwork. A 12-page booklet features an interview between Guðnadóttir and film director Todd Field (TÁR), as well as more of Vienne’s atmospheric images. The crystal-clear vinyl version (1 LP in a gatefold sleeve) also includes an artcard signed by Hildur Guðnadóttir. \u003cbr \/\u003eThis highly personal yet universally resonant collection of works is rooted in spontaneous musical ideas that were originally captured on Guðnadóttir’s smartphone. “The title Where to From suggests a sense of direction,” she says. “Whenever you create something, an idea comes from thin air and becomes whatever it becomes, moving from where it begins to where it ends.”\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr \/\u003e1.    Stimm\u003cbr \/\u003e2.    Erindi\u003cbr \/\u003e3.    Steps Out Loud\u003cbr \/\u003e4.    Make Space\u003cbr \/\u003e5.    Over There\u003cbr \/\u003eSide B\u003cbr \/\u003e1.    I Hold Close\u003cbr \/\u003e2.    Melody of Not Knowing\u003cbr \/\u003e3.    All Along\u003cbr \/\u003e4.    Fólk fær andlit (2025)\u003c\/p\u003e","brand":"Hildur Guðnadóttir","offers":[{"title":"OS","offer_id":47770342293747,"sku":"518352000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Hildur-Gudnadottir_Where-to-From_Vinyl-Bundle_s518352_o7667763_a589142_v13611355.2f2f922d.png?v=1758204106"},{"product_id":"tori-amos-in-times-of-dragons-106678","title":"In Times of Dragons","description":"\u003cp\u003e‘In Times of Dragons’ is the 18th studio album in Amos’ illustrious 36-year career, which has celebrated over 12 million records sold, thousands of concerts, eight Grammy nominations, and numerous awards. Amos’ legacy and impact on female artists today is as prevalent and dynamic as ever – Halsey recently paid homage to Amos as one of the artists that has inspired her most in her career, saying “I grew up on Tori and have always considered her in a class of her own”. In October this year, lifelong fan Natasha Khan of Bat For Lashes presented Amos with the Inspirational Artist Award at Music Week’s ‘Women in Music’ event to rapturous applause and a standing ovation from the thousands of women present working in the industry.\u003c\/p\u003e\u003cp\u003e“In Times of Dragons is a metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons’ in their usurpation of America.” – TORI AMOS\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eDisc 1\u003c\/p\u003e\u003cp\u003e1. Shush\u003cbr \/\u003e2. In Times of Dragons\u003cbr \/\u003e3. Provincetown\u003cbr \/\u003e4. St. Teresa\u003cbr \/\u003e5. Gasoline Girls\u003cbr \/\u003e6. Ode to Minnesota\u003cbr \/\u003e7. Fanny Faudrey\u003cbr \/\u003e8. Veins\u003cbr \/\u003e9. Strawberry Moon\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eDisc 2\u003c\/p\u003e\u003cp\u003e1. Song of Sorrow\u003cbr \/\u003e2. Flood\u003cbr \/\u003e3. Pyrite\u003cbr \/\u003e4. Tempest\u003cbr \/\u003e5. Angelshark\u003cbr \/\u003e6. Blue Lotus\u003cbr \/\u003e7. Stronger Together\u003cbr \/\u003e8. 23 Peaks\u003c\/p\u003e","brand":"Tori Amos","offers":[{"title":"OS","offer_id":47863298425075,"sku":"518611000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Tori-Amos_In-Times-of-Dragons_2CD_s518611_o7720249_a614679_v13786193.d4ab9e84.png?v=1770900463"},{"product_id":"mikhail-pletnev-chopin-scriabin-preludes-107150","title":"Chopin \u0026 Scriabin: Préludes","description":"\u003cp\u003e\u003cstrong\u003eTruly sensational! Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005, the first purely analogue DG new production since the 1980s!\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles: Chopin\u0026#039;s 24 Préludes, Op. 28 and Scriabin\u0026#039;s 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\u003c\/p\u003e\u003cp\u003eThis is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\u003c\/p\u003e\u003cp\u003ePletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\u003c\/p\u003e\u003cp\u003eThis vinyl recording is a sensation for another reason: it\u0026#039;s the first purely analogue DG new production since the 1980s! Pletnev\u0026#039;s performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr \/\u003eChopin: 24 Preludes, Op. 28, Nos. 1-14\u003cbr \/\u003eSide B\u003cbr \/\u003eChopin: 24 Preludes, Op. 28, Nos. 15-24\u003cbr \/\u003eSide C\u003cbr \/\u003eScriabin: 24 Preludes, Op. 11, Nos. 1-12\u003cbr \/\u003eSide D:\u003cbr \/\u003eScriabin: 24 Preludes, Op. 11, Nos. 13-24\u003c\/p\u003e","brand":"Mikhail Pletnev","offers":[{"title":"OS","offer_id":47899009351923,"sku":"518824000","price":46.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Mikhail-Pletnev_Chopin-Scriabin-Preludes_2LP-Gatefold-Pure-Analogue-Vinyl_s518824_o7736566_a594020_v13666485.63cbafda.png?v=1760617289"},{"product_id":"joe-hisaishi-a-symphonic-celebration-music-from-the-studio-ghibli-films-of-hayao-miyazaki-107167","title":"A Symphonic Celebration – Music from the Studio Ghibli Films of Hayao Miyazaki","description":"\u003cp\u003eFor his first album on Deutsche Grammophon, Joe Hisaishi, the revered Japanese composer, has created an exciting series of symphonic arrangements of his original soundtracks for such Ghibli classics as Spirited Away, Princess Mononoke and My neighbor Totoro, which are now exclusively released on a 180g translucent yellow double vinyl in a gatefold sleeve. Hisaishi’s work has become synonymous with the magical Studio Ghibli animations of director Hayao Miyazaki since the 1980s, where their creative partnership began and has since developed to the point that they are now likened to other legendary director-composer pairings, including Hitchcock and Herrmann, and Spielberg and Williams. Fittingly titled A Symphonic Celebration, it presents state-of-the-art recordings of his extraordinary work for this much-loved artistic force in animated movie-making. Recorded in London by the Royal Philharmonic Orchestra, conducted by the composer, its tracks are newly arranged by Hisaishi for symphony orchestra and features Grace Davidson, Avi Avital, Bach Choir and Stephen Morris.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eLP 1\u003cbr \/\u003eSide A\u003cbr \/\u003e1.Nausicaä Of The Valley Of The Wind\u003cbr \/\u003e2.Kiki’s Delivery Service\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1.Princess Mononoke\u003cbr \/\u003e2.The Wind Rises\u003cbr \/\u003e3.Ponyo On The Cliff By The Sea\u003c\/p\u003e\u003cp\u003eLP 2\u003cbr \/\u003eSide A\u003cbr \/\u003e1.Castle In The Sky\u003cbr \/\u003e2.Porco Rosso\u003cbr \/\u003e3.Howl’s Moving Castle\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1.Spirited Away\u003cbr \/\u003e2.My Neighbor Totoro\u003c\/p\u003e","brand":"Joe Hisaishi","offers":[{"title":"OS","offer_id":47900163997939,"sku":"518834000","price":43.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Joe-Hisaishi_A-Symphonic-Celebration-Music-from-the-Studio-Ghibli-Films-of-Hayao-Miyazaki_Translucent-Yellow-Edition-2-Vinyl-180g_s518834_o7737174_a594124_v13666893.82fd4aba.png?v=1760630332"},{"product_id":"seiji-ozawa-boston-symphony-orchestra-respighi-pini-di-roma-feste-romane-fontane-di-roma-original-source-series-108640","title":"Respighi: Pini Di Roma - Feste Romane - Fontane Di Roma","description":"\u003cp\u003eNo contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems ‘Fountains Of Rome’ (1917), ‘Pines Of Rome’ (1924) and ‘Feste Romane’ (1929). In these works, programme music experienced a magnificent revival. Particularly noteworthy is Respighi\u0026#039;s art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism’ that did not exclude modernist influences.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eLP 1\u003cbr \/\u003eSide A\u003cbr \/\u003eRespighi: Pines of Rome, P. 141\u003cbr \/\u003e1. I. I pini di Villa Borghese\u003cbr \/\u003e2. II. Pini presso una catacomba\u003cbr \/\u003e3. III. I pini del Gianicolo\u003cbr \/\u003e4. IV. I pini della Via Appia\u003cbr \/\u003eSide B\u003cbr \/\u003eRespighi: Roman Festivals, P. 157\u003cbr \/\u003e1. I. Circenses\u003cbr \/\u003e2. II. Il Giubileo\u003cbr \/\u003e3. III. L\u0026#039;Ottobrata\u003cbr \/\u003e4. IV. La Befana\u003cbr \/\u003eLP 2\u003cbr \/\u003eSide C\u003cbr \/\u003eRespighi: Fountains of Rome, P. 106\u003cbr \/\u003e3. I. The Valle Giulia Fountain at Dawn\u003cbr \/\u003e4. II. The Triton Fountain in the Morning\u003cbr \/\u003e5. III. The Trevi Fountain at Midday\u003cbr \/\u003e6. IV. The Villa Medici Fountain at Sunset\u003c\/p\u003e","brand":"Seiji Ozawa \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":48111978545395,"sku":"519350000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Seiji-Ozawa_Respighi-Pini-Di-Roma-Feste-Romane-Fontane-Di-Roma-Original-Source-Series_2LP_s519350_o7811814_a601048_v13708312.88a16315.png?v=1763049009"},{"product_id":"carlo-maria-giulini-beethoven-sinfonie-nr-3-eroica-108737","title":"Beethoven: Sinfonie Nr. 3 »Eroica« ","description":"\u003cp\u003eBeethoven began composing his Third Symphony shortly after his increasing deafness and suicidal thoughts became public knowledge. The ‘heroic’ style of this symphony can be interpreted as a musical expression of his triumph over personal suffering. But the symphony also has enormous musical significance: with the ‘Eroica’, Beethoven expanded the symphonic form and thus changed the expectations of a four-part symphony for the next two centuries.\u003cbr \/\u003eGiulini’s recording with Los Angeles Philharmonic Orchestra is highly regarded as reference recording.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eLP 1\u003cbr \/\u003eBeethoven: Symphony No. 3 in E-Flat Major, Op. 55 \u0026#34;Eroica\u0026#34;\u003cbr \/\u003eSide A\u003cbr \/\u003e1. I. Allegro con brio\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1. II. Marcia funebre. Adagio assai\u003c\/p\u003e\u003cp\u003eLP 2\u003cbr \/\u003eBeethoven: Symphony No. 3 in E-Flat Major, Op. 55 \u0026#34;Eroica\u0026#34;\u003cbr \/\u003eSide C\u003cbr \/\u003e1. III. Scherzo. Allegro vivace\u003cbr \/\u003e2. IV. Finale. Allegro molto\u003c\/p\u003e","brand":"Carlo Maria Giulini \u0026 Los Angeles Philharmonic Orchestra","offers":[{"title":"OS","offer_id":48111991554291,"sku":"519351000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Carlo-Maria-Giulini_Beethoven-Sinfonie-Nr-3-Eroica_Original-Source-Vinyl_s519351_o7813884_a601148_v13708943.c697950e.png?v=1763050076"},{"product_id":"herbert-von-karajan-die-berliner-philharmoniker-anne-sophie-mutter-mozart-violinkonzerte-nr-3-nr-5-108740","title":"Mozart: Violinkonzerte Nr. 3 \u0026 Nr. 5","description":"\u003cp\u003eSome sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart’s G major Concerto. After the young musician had gone through her baptism of fire with flying colours the conductor beamed and the Berlin Philharmonic players applauded enthusiastically ‒ a rare occurrence. Her fellow-performers and the audience had been equally aware of how auspicious her debut had been.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eMozart: Violin Concerto No. 3 in G Major, K. 216\u003cbr \/\u003e1. I. Allegro\u003cbr \/\u003e2. II. Adagio\u003cbr \/\u003e3. III. Rondeau. Allegro\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eMozart: Violin Concerto No. 5 in A Major, K. 219 \u0026#34;Turkish\u0026#34;\u003cbr \/\u003e1. I. Allegro aperto\u003cbr \/\u003e2. II. 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In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\u003c\/p\u003e\u003cp\u003eThis is one of the few Deutsche Grammophon productions from 1980 in which digital 2-track and analogue 8-track were recorded in parallel. By using the analogue 8-track master, this release now makes the recording available in purely analogue form for the very first time.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl record (45 rpm) and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eStravinsky: Petrushka, K012\u003cbr \/\u003eSide A\u003cbr \/\u003eScene 1\u003cbr \/\u003e1. Ia. The Shrovetide Fair - The Crowds - The Conjuring-Trick\u003cbr \/\u003e2. Ib. Russian Dance\u003c\/p\u003e\u003cp\u003eScene 2\u003cbr \/\u003e3. II. Petrushka\u0026#039;s Room\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eScene 3\u003cbr \/\u003e1. IIIa. 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This album of Symphonies Nos. 5 and 7, recorded in Symphony Hall, Boston, in January 1975, was both the first release in the now-legendary Davis\/Boston Sibelius cycle and what also proved to be the swansong of Philips’ era of quadraphonic recording. “No one listening to Colin Davis’s cycle of Sibelius symphonies will be left in any doubt that here is a born Sibelian and that these recordings are a very considerable achievement.” \u003c\/span\u003e\u003cspan class=\"cf1\"\u003e— Gramophone\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eIntroducing Decca’s new all-analogue vinyl series, DECCA PURE ANALOGUE, presenting some of the most iconic recordings from the Decca \u0026amp; Philips archives. The series is mastered by Rainer Maillard and cut by Sidney C. 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I. Tempo molto moderato \u003c\/span\u003e\u003cspan class=\"cf1\"\u003e– \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eLargamente\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e – Allegro moderato – Presto\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e1. II. Andante mosso, quasi allegretto\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e2. III. 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Vivacissimo – Adagio\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e3. III. Allegro molto moderato – Allegro moderato\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e4. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eIVa\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e. Vivace – Presto – Adagio – \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eLargamente\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e molto\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e5. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eIVb\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e. Affettuoso\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e1. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eTapiola\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, Op. 112\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sir Colin Davis \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":48171969806579,"sku":"519528000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Sir-Colin-Davis_Sibelius-Sinfonien-Nr-5-7_Decca-Pure-Analogue_s519528_o7845805_a604108_v13730726.17e8c3c9.png?v=1764160275"},{"product_id":"willi-boskovsky-wiener-philharmoniker-neujahrskonzert-in-wien-109537","title":"Neujahrskonzert in Wien","description":"\u003cp\u003e\u003cspan class=\"cf0\"\u003eThe 1979 New Year’s Day Concert in Vienna proved to be a watershed moment both musically and technically. It was both the end of an era for Willi Boskovsky, the Vienna Philharmonic’s longstanding concertmaster, and the dawn of a new age in recording technology. Long fêted as Decca’s first digitally recorded release, recent research has unearthed a set of analogue safety masters which have remained undisturbed in Universal Music’s vaults for almost half a century \u003c\/span\u003e\u003cspan class=\"cf1\"\u003e— until today. “This is a riotous issue … This is truly a demonstration record in every way.” — Gramophone\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eIntroducing Decca’s new all-analogue vinyl series, DECCA PURE ANALOGUE, presenting some of the most iconic recordings from the Decca \u0026amp; Philips archives. The series is mastered by Rainer Maillard and cut by Sidney C. Meyer at the renowned Emil Berliner Studios, pressed on 180g vinyl at Pallas, and presented in deluxe gatefold sleeves in hand-numbered limited editions.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eOnly original analogue sources are used — two-track stereo and four-track quadraphonic tapes, plus analogue masters of early digital recordings — and no extra devices are utilized in the signal path, i.e. no digital sound processing at all.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eEach album features the original artwork and liner notes, archival photos and facsimiles of original recording session sheets, and bespoke new notes detailing the history of the recording, the technical background, and the mastering process.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003e\u003cspan class=\"cf0\"\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e1. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e I: Loreley-Rheinklänge, Waltz, Op. 154\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e2. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e II: Bitte schön!, Polka \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efrançaise\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Op. 372\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e3. E. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: Ohne Bremse, Polka schnell, Op. 238\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e4. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e II: Wein, Weib und Gesang, Waltz, Op. 333\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e5. Josef \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: Die \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eEmancipierte\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Polka-\u003c\/span\u003e\u003cspan class=\"cf0\"\u003emazurka\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Op. 282\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e1. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eZiehrer\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: Hereinspaziert, Op. 518\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e2. Suppé: Die schöne \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eGalathee\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eOverture\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e3. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e II: Bei uns \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ez’Haus\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Waltz, Op. 361\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eSide C\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e1. Josef \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eMoulinet\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Polka \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efrançaise\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Op. 57\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e2. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e II: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTik-Tak\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Polka schnell, Op. 365\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e3. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e II \u0026amp; Josef \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: Pizzicato Polka\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e4. Josef \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eRudolfsheimer\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Polka schnell, Op. 152\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e5. Josef \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: Sphärenklänge, Waltz, Op. 235\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e1a. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e II: Auf der Jagd, Polka, Op. 373\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e1b. Auf der Jagd \u003c\/span\u003e\u003cspan class=\"cf1\"\u003e– Zugabe\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e2. J. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e II: Leichtes Blut, Polka schnell, Op. 319\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e3. J. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e II: An der sch\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eönen blauen Donau, Waltz, Op. 314\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e4. J. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eStrauss\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e I: Radetzky March, Op. 228\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Willi Boskovsky \u0026 Wiener Philharmoniker","offers":[{"title":"OS","offer_id":48172359221491,"sku":"519548000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Willi-Boskovsky_Neujahrskonzert-in-Wien_Decca-Pure-Analogue_s519548_o7848551_a604179_v13731263.27d9ae32.png?v=1768654703"},{"product_id":"sir-george-solti-chicago-symphony-orchestra-strawinsky-le-sacre-du-printemps-109542","title":"Strawinsky: Le sacre du printemps","description":"\u003cp\u003eSolti once likened the city of Chicago and its illustrious orchestra to a “sleeping beauty” when he arrived as music director in the autumn of 1969. But five years later, it was another ballet – Stravinsky’s Rite of Spring – that revealed how incendiary the new relationship had become, in a recording which still propels itself out of the loudspeakers half a century after it was made. “Glamorous and powerful.” — Gramophone\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIntroducing Decca’s new all-analogue vinyl series, DECCA PURE ANALOGUE, presenting some of the most iconic recordings from the Decca \u0026amp; Philips archives. The series is mastered by Rainer Maillard and cut by Sidney C. Meyer at the renowned Emil Berliner Studios, pressed on 180g vinyl at Pallas, and presented in deluxe gatefold sleeves in hand-numbered limited editions.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eOnly original analogue sources are used — two-track stereo and four-track quadraphonic tapes, plus analogue masters of early digital recordings — and no extra devices are utilized in the signal path, i.e. no digital sound processing at all.\u003cbr \/\u003eEach album features the original artwork and liner notes, archival photos and facsimiles of original recording session sheets, and bespoke new notes detailing the history of the recording, the technical background, and the mastering process.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eLe Sacre du printemps, K15, Pt. 1\u003cbr \/\u003e1. I. Introduction\u003cbr \/\u003e2. II. The Augurs of Spring. Dances of the Young Girls\u003cbr \/\u003e3. III. Ritual of Abduction\u003cbr \/\u003e4. IV. Spring Rounds\u003cbr \/\u003e5. V. Games of the Rival Tribes\u003cbr \/\u003e6. VI. Procession of the Sage\u003cbr \/\u003e7. VII. Adoration of the Earth (The Sage)\u003cbr \/\u003e8. VIII. Dance of the Earth\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eLe Sacre du printemps, K15, Pt. 2\u003cbr \/\u003e1. IX. Introduction\u003cbr \/\u003e2. X. Mystic Circles of the Adolescents\u003cbr \/\u003e3. XI. Glorification of the Chosen One\u003cbr \/\u003e4. XII. Evocation of the Ancestors\u003cbr \/\u003e5. XIII. Ritual of the Ancestors\u003cbr \/\u003e6. XIV. Sacrificial Dance\u003c\/p\u003e","brand":"Sir George Solti \u0026 Chicago Symphony Orchestra","offers":[{"title":"OS","offer_id":48172366692595,"sku":"519556000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Sir-George-Solti_Strawinsky-Le-sacre-du-printemps_Decca-Pure-Analogue_s519556_o7849211_a604274_v13731706.e99c350b.png?v=1764187137"}],"url":"https:\/\/store.deutschegrammophon.com\/en-de\/collections\/best-of-2025.oembed","provider":"Deutsche Grammophon","version":"1.0","type":"link"}