{"title":"Hyperion","description":"","products":[{"product_id":"david-hill-yale-schola-cantorum-weir-in-the-land-of-uz-beach-the-canticle-of-the-sun","title":"Weir: In the Land of Uz; Beach: The Canticle of the Sun","description":"\u003cp\u003eTwo significant choral premieres separated by the Atlantic Ocean and a gap of 100 years. ‘In the Land of Uz’ by Judith Weir is the first commercial recording of a major new work for choir, solo tenor and instruments premiered by conductor David Hill at the 2017 Proms. ‘Canticle of the Sun’ by US composer Amy Beach took inspiration from nature: in just a few days, the composer claimed she \u0026#039;merely took down the music as if from dictation’ across this large-scale work. With her luminous choral harmonies, Beach is now finally recognized as a cornerstone 20th century American classical voice. Heard here under the baton of British conductor David Hill, the Yale Schola Cantorum has a US-wide reputation as a mixed choir of exceptional calibre.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eWeir: In the Land of Uz\u003cbr \/\u003e1. I. Prologue\u003cbr \/\u003e2. II. Lament\u003cbr \/\u003e3. III. Job\u0026#039;s Comforters\u003cbr \/\u003e4. IV. Where Is Wisdom?\u003cbr \/\u003e5. V. The Whirlwind\u003cbr \/\u003e6. VI. God Speaks\u003cbr \/\u003e7. VII. Conclusion\u003c\/p\u003e\u003cp\u003eBeach: The Canticle of the Sun\u003cbr \/\u003e8. I. O Most High\u003cbr \/\u003e9. II. Praised Be My Lord for Our Sister the Moon\u003cbr \/\u003e10. III. Praised Be My Lord for our Brother Fire\u003cbr \/\u003e11. IV. Praised Be My Lord for our Mother the Earth\u003cbr \/\u003e12. V. Praised Be for All Those Who Pardon One Another\u003cbr \/\u003e13. VI. Praised Be My Lord for Our Sister the Death of the Body\u003cbr \/\u003e14. VII. Praise Ye and Bless ye the Lord\u003c\/p\u003e","brand":"David Hill \u0026 Yale Schola Cantorum","offers":[{"title":"OS","offer_id":46936763007219,"sku":"515444000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/David-Hill-Yale-Schola-Cantorum_Weir-In-the-Land-of-Uz-Beach-The-Canticle-of-the-Sun_1CD_s515444_o6980253_a552659_v13251544.c931a40e.jpg?v=1745491546"},{"product_id":"angela-hewitt-mozart-piano-sonatas-k457-533-545-570-576","title":"Mozart: Piano Sonatas K457, 533, 545, 570 \u0026 576","description":"\u003cp\u003eHyperion presents the final volume in Angela Hewitt’s traversal of the complete Mozart Piano Sonatas, recorded on her beloved Fazioli piano. This double-album’s treasures include the K545 ‘Sonate facile’, loved by millions of piano students worldwide. Alongside are the clever and witty Variations on \u0026#039;Ah vous dirai-je, maman\u0026#039; (known in the English-speaking world as ‘Twinkle, twinkle, little star’) and Mozart’s very last piano sonatas.This is Angela’s 50th release on the label, marking a monumental milestone in her 31 years (and counting!) as an esteemed Hyperion artist.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr \/\u003e1. Fantasia in C Minor, K. 475\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 14 in C Minor, K. 457\u003cbr \/\u003e2. I. Molto allegro\u003cbr \/\u003e3. II. Adagio\u003cbr \/\u003e4. III. Allegro assai\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 15 in F Major, K. 533\/494\u003cbr \/\u003e5. I. Allegro, K. 533\u003cbr \/\u003e6. II. Andante, K. 533\u003cbr \/\u003e7. III. Rondo. Allegretto, K. 494\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 16 in C Major, K. 545 \u0026#34;Sonata facile\u0026#34;\u003cbr \/\u003e8. I. Allegro\u003cbr \/\u003e9. II. Andante\u003cbr \/\u003e10. III. Rondo. Allegretto\u003c\/p\u003e\u003cp\u003e11. Rondo in D Major, K. 485\u003cbr \/\u003e12. Gigue in G Major, K. 574\u003c\/p\u003e\u003cp\u003eCD 2\u003cbr \/\u003e12 Variations on \u0026#34;Ah, vous dirai-je Maman\u0026#34;, K. 265\u003cbr \/\u003e1. Theme \u0026#34;Twinkle, Twinkle, Little Star\u0026#34;\u003cbr \/\u003e2. Var. 1\u003cbr \/\u003e3. Var. 2\u003cbr \/\u003e4. Var. 3\u003cbr \/\u003e5. Var. 4\u003cbr \/\u003e6. Var. 5\u003cbr \/\u003e7. Var. 6\u003cbr \/\u003e8. Var. 7\u003cbr \/\u003e9. Var. 8\u003cbr \/\u003e10. Var. 9\u003cbr \/\u003e11. Var. 10\u003cbr \/\u003e12. Var. 11. Adagio\u003cbr \/\u003e13. Var. 12\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 17 in B-Flat Major, K. 570\u003cbr \/\u003e14. I. Allegro\u003cbr \/\u003e15. II. Adagio\u003cbr \/\u003e16. III. Allegretto\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 18 in D Major, K. 576\u003cbr \/\u003e17. I. Allegro\u003cbr \/\u003e18. II. Adagio\u003cbr \/\u003e19. III. Allegretto\u003c\/p\u003e\u003cp\u003e20. Adagio in B Minor, K. 540\u003cbr \/\u003e21. Rondo in A Minor, K. 511\u003c\/p\u003e","brand":"Angela Hewitt","offers":[{"title":"OS","offer_id":46937028854003,"sku":"515458000","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Angela-Hewitt_Mozart-Piano-Sonatas-K457-533-545-570-576_2CD_s515458_o6981590_a552783_v13252071.ac142dd9.jpg?v=1745498087"},{"product_id":"mahan-esfahani-bach-the-well-tempered-clavier-book-1","title":"Bach: The well-tempered Clavier Book 1","description":"\u003cdiv\u003eMahan Esfahani\u0026#039;s ambitious project of a complete recording of Bach\u0026#039;s keyboard works reaches its climax with Book 1 of the “Well-Tempered Clavier”. When Bach composed his groundbreaking 48 Preludes and Fugues, he had a harpsichord in mind. And so this is a rare opportunity to experience the music as it was originally intended.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eThe recordings were made on a two-manual harpsichord, a replica by Huw Saunders, based on an instrument believed to have once belonged to Bach.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eSince his debut in London in 2009, Mahan Esfahani has established himself as one of the leading harpsichordists of his generation. His artistic output spans virtually all areas of classical music: from acclaimed performances and recordings of the standard repertoire to collaborations with contemporary composers and concert appearances with major symphony orchestras on four continents.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eBach: The well-tempered Clavier Book 1, BWV 846-869\u003cbr \/\u003eCD 1:\u003cbr \/\u003eBWV 846, No. 1 – BWV857, No. 12\u003cbr \/\u003eCD 2:\u003cbr \/\u003eBWV 858, No. 13 – BWV 869, No. 24\u003c\/p\u003e","brand":"Mahan Esfahani","offers":[{"title":"OS","offer_id":47399371145459,"sku":"516873000","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Mahan-Esfahani_Bach-The-well-tempered-Clavier-Book-1_2CD_s516873_o7257000_a568181_v13361501.73b1f45f.jpg?v=1752063265"},{"product_id":"de-profundis-morales-requiem-a-5-officium-defunctorum","title":"Morales: Requiem a 5 \u0026 Officium defunctorum","description":"\u003cp\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eDe Profundis \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eis\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a 20-strong all-male \u003c\/span\u003e\u003cspan class=\"cf0\"\u003echoir\u003c\/span\u003e \u003cspan class=\"cf0\"\u003especializing\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in Continental Renaissance \u003c\/span\u003e\u003cspan class=\"cf0\"\u003esacred\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emusic\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eHailed\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e ‘\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eace\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e’ \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e The Guardian, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003egroup\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eperforms\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eworld’s\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eleading\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eearly\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emusic\u003c\/span\u003e \u003cspan class=\"cf0\"\u003econductors\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. Popular in \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e UK and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eSpanish\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e press, and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003emaking\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eregular\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eappearances\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e at \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eSpanish\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efestivals\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, in 2022 De Profundis \u003c\/span\u003e\u003cspan class=\"cf0\"\u003elaunched\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eproject\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e perform and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003erecord\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecomplete\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eMasses\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eMagnificats\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Cristóbal de Morales, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efounding\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efather\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eSpanish\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Renaissance \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eschool\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. The \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efirst\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ealbum\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eseries\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u0026#34;Morales: Missa Mille \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eregretz\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e \u0026amp; Missa \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eDesilde\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e al \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecavallero\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e\u0026#34; was \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eawarded\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a Diapason \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ed’Or\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. This \u003c\/span\u003e\u003cspan class=\"cf0\"\u003esecond\u003c\/span\u003e \u003cspan class=\"cf0\"\u003evolume\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eincludes\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e 5-voice Requiem \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eMass\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewell\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efamous\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e ‘\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eParce\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emihi\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Domine\u0026#039;.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e01. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eCircumdederunt\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eme\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e02. Regem, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecui\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eomnia\u003c\/span\u003e \u003cspan class=\"cf0\"\u003evivunt\u003c\/span\u003e \u003cspan class=\"cf1\"\u003e– \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eVenite\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eexsultemus\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e03. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eParce\u003c\/span\u003e \u003cspan class=\"cf1\"\u003emihi\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, Domine\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e04. Credo quod \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eredemptor\u003c\/span\u003e \u003cspan class=\"cf1\"\u003emeus\u003c\/span\u003e \u003cspan class=\"cf1\"\u003evivit\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e05. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eTaedet\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eanimam\u003c\/span\u003e \u003cspan class=\"cf1\"\u003emeam\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e06. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eQui\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eLazarum\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e07. Manus \u003c\/span\u003e\u003cspan class=\"cf1\"\u003etuae\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, Domine, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003efecerunt\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eme\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e08. Domine, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003equando\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eveneris\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e09. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: I. Introitus\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e10. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: II. Kyrie\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e11. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: III. Graduale\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e12. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: IV. Offertorium\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e13. Per \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eomnia\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esaecula\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e – Dominus vobiscum – Vere \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edignum\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e et \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eiustum\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eest\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e14. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: V. Sanctus \u0026amp; Benedictus\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e15. Ave \u003c\/span\u003e\u003cspan class=\"cf1\"\u003everum\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ecorpus\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e16. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: VI. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eAgnus\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eDei\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e17. Missa pro \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edefunctis\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a 5 \u0026#34;Requiem\u0026#34;: VII. Communio\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"De Profundis \u0026 Eamonn Dougan","offers":[{"title":"OS","offer_id":47419355005171,"sku":"516996000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/De-Profundis_Morales-Requiem-a-5-Officium-defunctorum_1CD_s516996_o7308912_a576264_v13394860.ca3a0bba.jpg?v=1752504088"},{"product_id":"alina-ibragimova-arcangelo-jonathan-cohen-bach-violin-concertos-103393","title":"Bach: Violin Concertos","description":"\u003cdiv\u003eFollowing the success of the first 10 albums in Hyperion’s Vinyl Edition (released in September 2024 and March 2025), six further LPs are announced today. All the albums are new to vinyl and feature globally touring artists with whom the label has enjoyed close, long-standing associations. Each of the six titles will be released as limited-edition 180gsm LPs, presented in full-colour gatefolds and including sleeve notes.\u003c\/div\u003e\u003cdiv\u003eAlina Ibragimova’s recording of the solo Bach Violin Concertos with Jonathan Cohen and Arcangelo won universal critical praise on its CD release, with Gramophone welcoming ‘an outstanding and distinctive addition to a catalogue bursting at the seams’, and Classic FM praising Ibragimova for ‘playing of the highest order’.\u003c\/div\u003e\u003cdiv\u003ePerforming music from Baroque to new commissions on both modern and period instruments, Alina Ibragimova has established a reputation for versatility and the ‘immediacy and honesty’ (The Guardian) of her performances. Alina has performed with orchestras including the Symphonieorchester des Bayerischen Rundfunks and the London Philharmonic and conductors Sir John Eliot Gardner and Jakub Hrůša, among others.\u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003eJ.S. Bach: Violin Concerto No. 1 in A Minor, BWV 1041\u003c\/div\u003e\u003cdiv\u003e1. I. Allegro moderato\u003c\/div\u003e\u003cdiv\u003e2. II. Andante\u003c\/div\u003e\u003cdiv\u003e3. III. Allegro assai\u003c\/div\u003e\u003cdiv\u003eJ.S. Bach: Violin Concerto No. 2 in E Major, BWV 1042\u003c\/div\u003e\u003cdiv\u003e4. I. Allegro\u003c\/div\u003e\u003cdiv\u003e5. II. Adagio\u003c\/div\u003e\u003cdiv\u003e6. III. Allegro assai\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eSide B\u003c\/div\u003e\u003cdiv\u003eJ.S. Bach: Violin Concerto in G Minor, BWV 1056R\u003c\/div\u003e\u003cdiv\u003e1. I. Allegro\u003c\/div\u003e\u003cdiv\u003e2. II. 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This is a 2LP set.\u003c\/div\u003e\u003cdiv\u003e‘A performer of near-superhuman technical prowess’ (The New York Times), pianist Marc-André Hamelin is known worldwide for his unrivalled blend of consummate musicianship and brilliant technique in the great works of the established repertoire, as well as for his intrepid exploration of the rarities of the nineteenth, twentieth and twenty-first centuries—in concert and on recordings—earning his place as a true icon of the piano.\u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003eLP 1\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003eC.P.E. Bach \u003c\/div\u003e\u003cdiv\u003eSonata in A Minor, H. 247\u003c\/div\u003e\u003cdiv\u003e1. I. Allegro\u003c\/div\u003e\u003cdiv\u003e2. II. Andante\u003c\/div\u003e\u003cdiv\u003e3. III. Allegro di molto\u003c\/div\u003e\u003cdiv\u003e4. 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Lux aurumque\u003c\/div\u003e\u003cdiv\u003e3. A Boy and a Girl\u003c\/div\u003e\u003cdiv\u003e4. This Marriage\u003c\/div\u003e\u003cdiv\u003e3 Flower Songs\u003c\/div\u003e\u003cdiv\u003e5. I. I Hide Myself\u003c\/div\u003e\u003cdiv\u003e6. II. With a Lily in Your Hand\u003c\/div\u003e\u003cdiv\u003e7. III. Go, Lovely Rose\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eSide B\u003c\/div\u003e\u003cdiv\u003eWhitacre\u003c\/div\u003e\u003cdiv\u003e1. When David Heard\u003c\/div\u003e\u003cdiv\u003e2. Sleep\u003c\/div\u003e\u003cdiv\u003e3. Her Sacred Spirit Soars\u003c\/div\u003e\u003cdiv\u003e4. Water Night\u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Polyphony \u0026 Stephen Layton","offers":[{"title":"OS","offer_id":47574596452595,"sku":"517156000","price":28.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Polyphony_Whitacre-Cloudburst_1LP_s517156_o7333685_a578048_v13406265.6f7aa84a.jpg?v=1753273347"},{"product_id":"steven-osborne-schubert-piano-sonata-moments-musicaux-103710","title":"Schubert: Piano Sonata \u0026 Moments musicaux","description":"\u003cp\u003eSteven Osborne offers a reflective, mature Schubert on his new album, including the beloved ‘Moments musicaux’ D780. In his 25\u0026#43; years recording for Hyperion, Scottish pianist Steven Osborne’s 35 releases have won 2 Gramophone Awards, 3 Preise der Deutschen Schallplattenkritik and a clutch of Recordings of the Year from national and international press. The Piano Sonata in A major, D959, is the mightiest of the piano works from the final year of Schubert’s short yet prodigious life. ‘Osborne immediately presents himself as a Schubertian of the utmost seriousness and integrity … finely gauged and beautifully regulated playing’ (Gramophone). ‘Invigorating Schubert by any standards’ (The Sunday Times).\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSchubert: Piano Sonata No. 20 in A Major, D. 959\u003cbr \/\u003e1. I. Allegro\u003cbr \/\u003e2. II. Andantino\u003cbr \/\u003e3. III. Scherzo. Allegro vivace\u003cbr \/\u003e4. IV. Rondo. Allegretto\u003c\/p\u003e\u003cp\u003eSchubert: Moments musicaux, D. 780\u003cbr \/\u003e5. No. 1 in C Major. Moderato\u003cbr \/\u003e6. No. 2 in A-Flat Major. Andantino\u003cbr \/\u003e7. No. 3 in F Minor. Allegro moderato\u003cbr \/\u003e8. No. 4 in C-Sharp Minor. Moderato\u003cbr \/\u003e9. No. 5 in F Minor. Allegro vivace\u003cbr \/\u003e10. No. 6 in A-Flat Major. Allegretto\u003c\/p\u003e","brand":"Steven Osborne","offers":[{"title":"OS","offer_id":47599199256819,"sku":"517270000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Steven-Osborne_Schubert-Piano-Sonata-Moments-musicaux_1CD_s517270_o7450339_a579086_v13474403.a1999368.jpg?v=1753863817"},{"product_id":"charles-cole-london-oratory-schola-cantorum-sacred-treasures-of-rome-103718","title":"Sacred Treasures of Rome","description":"\u003cp\u003eThe fourth album in the London Oratory Schola Cantorum’s ‘Sacred treasures’ series, ‘Sacred treasures of Rome’ featuring six works by Palestrina in celebration of his 500th anniversary this year. While majoring on Palestrina, the album also features music by other Renaissance composers active in Rome in the Renaissance, including Allegri, Felice and Giovanni Anerio, Animuccia, Giovannelli, Marenzio, Nanino and Soriano. Uniquely, the average age of the Schola across all the voice parts is just 14. The choir gives boys aged 7 to 18 the opportunity of an outstanding choral education within the state-education system. \u003cbr \/\u003e‘We might be back in St Mark’s Basilica in the late 16th century, so haunting and crystalline are these recordings by the London Oratory choir’ (The Sunday Times) ‘Beautifully sung … strongly recommended’ (Classic FM).\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003ePalestrina: \u003cbr \/\u003eDum complerentur\u003cbr \/\u003e1. I. Dum complerentur\u003cbr \/\u003e2. II. Dum ergo essent\u003c\/p\u003e\u003cp\u003e3. Super flumina Babylonis\u003c\/p\u003e\u003cp\u003eCanite tuba\u003cbr \/\u003e4. I. Canite tuba\u003cbr \/\u003e5. II. Rorate Caeli\u003c\/p\u003e\u003cp\u003e6. Animuccia: O crux ave, spes unica\u003cbr \/\u003e7. Marenzio: Magnificat octavi toni\u003cbr \/\u003e8. G.M. Nanino: Adoramus te, Christe\u003cbr \/\u003e9. Soriano: Regina caeli Laetare\u003cbr \/\u003e10. F. Anerio: Adoramus te, Domine Jesu Christe\u003cbr \/\u003e11. G.F. Anerio: O Maria gloriosa\u003cbr \/\u003e12. Giovannelli: Iubilate Deo\u003cbr \/\u003e13. Allegri: Christus resurgens ex mortuis\u003c\/p\u003e\u003cp\u003ePalestrina: \u003cbr \/\u003eSicut cervus desiderat\u003cbr \/\u003e14. I. Sicut cervus desiderat\u003cbr \/\u003e15. II. Sitivit anima mea\u003c\/p\u003e\u003cp\u003e16. Exultate Deo\u003cbr \/\u003e17. Peccantem me quotidie\u003cbr \/\u003e18. Tu es Petrus a 6: I Tu es Petrus\u003c\/p\u003e","brand":"Charles Cole \u0026 London Oratory Schola Cantorum","offers":[{"title":"OS","offer_id":47599295430899,"sku":"517275000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Charles-Cole_Sacred-Treasures-of-Rome_1CD_s517275_o7450898_a579126_v13474707.3c1817b8.jpg?v=1753867487"},{"product_id":"andrey-gugnin-tchaikovsky-stravinsky-russian-ballets-suites-103816","title":"Tchaikovsky \u0026 Stravinsky: Russian Ballets Suites","description":"\u003cp\u003eAndrey Gugnin presents four iconic ballet suites by Tchaikovsky and Stravinsky, transcribed for solo piano: The Nutcracker, Petrushka, Sleeping Beauty and The Firebird. Winner of the 2016 Sydney International Piano Competition and the 2020 BBC Music Magazine Instrumental Award, Gugnin writes: ‘My aim with this recording is to assert that piano transcriptions remain compelling not as substitutes for the orchestral originals, but as worthy musical works in their own right.’\u003cbr \/\u003eSince winning several prestigious awards, Andrey has gone from strength to strength in concerts and recordings which exhibit his impassioned interpretations. In demand as a concert soloist, Andrey has been invited to perform as a guest artist with notable orchestras across the globe and performed on some of the most prestigious stages in the world.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr \/\u003eTchaikovsky: The Nutcracker, Op. 71 (Suite Arr. Pletnev for Piano)\u003cbr \/\u003e1. I. March\u003cbr \/\u003e2. II. Dance of the Sugar Plum Fairy\u003cbr \/\u003e3. III. Tarantella\u003cbr \/\u003e4. IV. Intermezzo\u003cbr \/\u003e5. V. Trépak (Russian Dance)\u003cbr \/\u003e6. VI. The Tea (Chinese Dance)\u003cbr \/\u003e7. VII. Andante maestoso\u003c\/p\u003e\u003cp\u003eStravinsky: 3 Movements from Petrushka, K12\u003cbr \/\u003e8. I. Danse russe\u003cbr \/\u003e9. II. Chez Pétrouchka\u003cbr \/\u003e10. III. La semaine grasse\u003c\/p\u003e\u003cp\u003eCD 2\u003cbr \/\u003eTchaikovsky: The Sleeping Beauty Concert Suite (Arr. Pletnev for Piano)\u003cbr \/\u003e1. I. Prologue\u003cbr \/\u003e2. II. Dance of the Pages\u003cbr \/\u003e3. III. Vision\u003cbr \/\u003e4. IV. Andante\u003cbr \/\u003e5. V. The Silver Fairy\u003cbr \/\u003e6. VI. The White Cat and Puss-in-Boots\u003cbr \/\u003e7. VII. Gavotte\u003cbr \/\u003e8. VIII. The Singing Canary\u003cbr \/\u003e9. IX. Red Riding Hood and the Wolf\u003cbr \/\u003e10. X. Adagio\u003cbr \/\u003e11. XI. Finale\u003c\/p\u003e\u003cp\u003eStravinsky: The Firebird, K10, Suite (Arr. Agosti for Piano)\u003cbr \/\u003e12. I. Infernal Dance of King Kashchei\u003cbr \/\u003e13. II. Berceuse\u003cbr \/\u003e14. III. Finale\u003c\/p\u003e","brand":"Andrey Gugnin","offers":[{"title":"OS","offer_id":47608178344179,"sku":"517317000","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Andrey-Gugnin_Tchaikovsky-Stravinsky-Russian-Ballets-Suites_2CD_s517317_o7456444_a579571_v13504884.34403a08.jpg?v=1754038793"},{"product_id":"david-hill-howells-sine-nomine-other-secular-choral-works-104275","title":"Howells: Sine nomine \u0026 other secular choral works","description":"\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eHerbert Howells was \u003c\/span\u003e\u003cspan class=\"cf0\"\u003earguably\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emost\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eimportant\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003erespected\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecomposer\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esacred\u003c\/span\u003e \u003cspan class=\"cf0\"\u003echoral\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emusic\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in 20th-century Britain. His \u003c\/span\u003e\u003cspan class=\"cf0\"\u003echoral\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eworks\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eare\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ealways\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eseen\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in \u003c\/span\u003e\u003cspan class=\"cf0\"\u003econnection\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ehis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esignificant\u003c\/span\u003e \u003cspan class=\"cf0\"\u003econtribution\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eAnglican\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etradition\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, but \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ehis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esettings\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esecular\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etexts\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eare\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eno\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eless\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eremarkable\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. This \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ealbum\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eoffers\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e an \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eexcellent\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eintroduction\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethese\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eworks\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eincluding\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etwo\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epieces\u003c\/span\u003e \u003cspan class=\"cf0\"\u003enewly\u003c\/span\u003e \u003cspan class=\"cf0\"\u003earranged\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003erecording\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epianist\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Iain \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eFarrington\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eTracklisting\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eHerbert Howells (1892 \u003c\/span\u003e\u003cspan class=\"cf1\"\u003e– 1983)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e1. King David (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003enew\u003c\/span\u003e \u003cspan class=\"cf1\"\u003earrangement\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Iain \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eFarrington\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e2. A Maid \u003c\/span\u003e\u003cspan class=\"cf1\"\u003epeerless\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e3. Walking in \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esnow\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e4. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eGood\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ecounsel\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e5. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eInheritance\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e6. The \u003c\/span\u003e\u003cspan class=\"cf1\"\u003escribe\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e7. A New Year Carol \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e8. Sine nomine, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eOp\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e 37 (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003enew\u003c\/span\u003e \u003cspan class=\"cf1\"\u003earrangement\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Iain \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eFarrington\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e9. The \u003c\/span\u003e\u003cspan class=\"cf1\"\u003esummer\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eis\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ecoming\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e10. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eIrish\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ewren\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esong\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e11. The \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eshadows\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e12. Creep \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eafore\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eye\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e gang \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e13. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eBefore\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eme\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ecareless\u003c\/span\u003e \u003cspan class=\"cf1\"\u003elying\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003e14. In \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eyouth\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eis\u003c\/span\u003e \u003cspan class=\"cf1\"\u003epleasure\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"David Hill \u0026 Ikon","offers":[{"title":"OS","offer_id":47634172477683,"sku":"517522000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/David-Hill_Howells-Sine-nomine-other-secular-choral-works_1CD_s517522_o7476083_a581559_v13512868.5e803af0.jpg?v=1754906267"},{"product_id":"marc-andre-hamelin-found-objects-sound-objects-105387","title":"Found Objects \/ Sound Objects","description":"\u003cp\u003eDo Frank Zappa and John Cage really belong on the classical piano album? To anyone who might be harbouring doubts, the answer is an emphatic ‘yes’, especially when the pianist is Marc-André Hamelin, whose own Hexensabbat brings to a riotous conclusion a programme of music—and instruments, in the case of Cage’s prepared piano—which radically disrupts Western traditions.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e1. Zappa\/Askin: Ruth is sleeping\u003cbr \/\u003e2. Martirano: Stuck on Stella\u003cbr \/\u003e3. Oswald (J): Tip\u003cbr \/\u003e4. Cage: The perilous night - 1: Crotchet \u0026#61; 176\u003cbr \/\u003e5. Cage: The perilous night - 2: Minim \u0026#61; 92\u003cbr \/\u003e6. Cage: The perilous night - 3: Minim \u0026#61; 80\u003cbr \/\u003e7. Cage: The perilous night - 4: Minim \u0026#61; 80\u003cbr \/\u003e8. Cage: The perilous night - 5: Minim \u0026#61; 92\u003cbr \/\u003e9. Cage: The perilous night - 6: Crotchet \u0026#61; 176 (or faster)\u003cbr \/\u003e10. Wolpe: Four Studies on basic rows - 4: Passacaglia\u003cbr \/\u003e11. Wyner: Refrain\u003cbr \/\u003e12. Hamelin: Hexensabbat\u003c\/p\u003e","brand":"Marc-André Hamelin","offers":[{"title":"OS","offer_id":47728229482739,"sku":"518027000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Marc-Andre-Hamelin_Found-Objects-Sound-Objects_1CD_s518027_o7580786_a586402_v13574171.e7478e97.png?v=1756972838"},{"product_id":"stephen-layton-let-all-the-world-in-every-corner-sing-106122","title":"Let All the World in Every Corner Sing","description":"\u003cp\u003eOne of the world’s top five choirs (as voted by Gramophone), The Choir of Trinity College Cambridge bring their ‘liquid legato’ (The New York Times) to 10 beloved choral anthems of the Anglosphere. This mixed-voice choir powerfully reflects trends in the centuries-old choral tradition, combining staples of the canon with new contributions to the genre by contemporary composers Jonathan Dove and Matthew Martin. The Grammy-nominated choir’s previous album (Duruflé’s Requiem) was named by The New York Times as one of the Best Classical Recordings of 2024. The Gramophone Award–winning Choir tours internationally, including in Europe, the US, Canada, Australia, Japan, Taiwan, Hong Kong, South America and Africa. In a pioneering move for Cambridge and choirs around the world, all liturgical services sung by Trinity are video livestreamed.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e1. Gardiner: Evening Hymn\u003cbr \/\u003e2. Ireland: Greater Love Hath No Man\u003cbr \/\u003e3. Bairstow: Blessed City, Heavenly Salem\u003cbr \/\u003e4. Hadley: My Beloved Spake\u003cbr \/\u003e5. Charles Wood: O Thou, the Central Orb\u003cbr \/\u003e6. Charles Wood: Expectans expectavi\u003cbr \/\u003e7. Harwood: O How Glorious Is the Kingdom\u003cbr \/\u003e8. Leighton: Let All the World in Every Corner Sing\u003cbr \/\u003e9. Dove: Seek Him That Maketh the Seven Stars\u003c\/p\u003e\u003cp\u003eMatthew Martin: St Albans Triptych\u003cbr \/\u003e10. I. Introduction with Dances\u003cbr \/\u003e11. II. Intermezzo. Lamento\u003cbr \/\u003e12. III. Fugue\u003cbr \/\u003e13. Bairstow: Lord, Thou Hast Been Our Refuge\u003c\/p\u003e","brand":"Stephen Layton \u0026 The Choir of Trinity College Cambridge","offers":[{"title":"OS","offer_id":47770203455731,"sku":"518334000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Stephen-Layton_Let-All-the-World-in-Every-Corner-Sing_1CD_s518334_o7665059_a589080_v13611007.d7c8f645.png?v=1758198510"},{"product_id":"luis-duarte-lopes-graca-glosas-other-piano-works-107176","title":"Lopes-Graça: Glosas \u0026 Other Piano Works","description":"\u003cp\u003eFor his Hyperion debut, pianist Luís Duarte records works by a major figure of 20th-century Portuguese music: Fernando Lopes-Graça.\u003cbr \/\u003eLopes-Graça was a composer, pianist, conductor, lecturer, ethnomusicologist and political campaigner, tireless in his mission to (re-)establish authentic Portuguese folk music in spite of the hostile state environment of the ruling Estado Novo. Appropriately, the album ends with the ‘Glorious journey’, which represents the 1974 Portuguese Revolution, in which the nationalist ruling government was overthrown in a coup and Portugal was returned to freedom and democracy.\u003cbr \/\u003eLuís Duarte is a professor at the Escola Profissional de Música de Espinho and was awarded the ‘Prémios Play’ (best classical music album in Portugal) in 2022. He has performed as a soloist and chamber musician with musicians like Ian Bostridge, Christoph Prégardien and Pedro Burmester.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eLopes-Graça\u003cbr \/\u003e11 Glosas, LG 127\u003cbr \/\u003e1. No. 1, Da canção alentejana \u0026#34;De noite tudo são sombras\u0026#34;\u003cbr \/\u003e2. No. 2, De uma cantiga de Penamacor\u003cbr \/\u003e3. No. 3, Da canção alentejana \u0026#34;Cisirão, Cisirão\u0026#34;\u003cbr \/\u003e4. No. 4, Do romance de Sta Iria de Mação\u003cbr \/\u003e5. No. 5, Dos \u0026#34;Reis\u0026#34; de Mação\u003cbr \/\u003e6. No. 6, Da canção madeirense \u0026#34;Ó minha vaca, meus bois\u0026#34;\u003cbr \/\u003e7. No. 7, De uma cantiga bailada ribatejana\u003cbr \/\u003e8. No. 8, Da \u0026#34;Canção da roda\u0026#34;, do Paúl\u003cbr \/\u003e9. No. 9, Da \u0026#34;Moda da segada\u0026#34;, de Vinhais\u003cbr \/\u003e10. No. 10, Da canção alentejana \u0026#34;Ó pavão, lindo pavão\u0026#34;\u003cbr \/\u003e11. No. 11, Do \u0026#34;Senhor Deus de misericórdia\u0026#34; de Vinhais\u003c\/p\u003e\u003cp\u003e5 Embalos\u003cbr \/\u003e12. Lullaby, LG 148 No. 1\u003cbr \/\u003e13. Lullaby, LG 148 No. 2\u003cbr \/\u003e14. Lullaby, LG 148 No. 3\u003cbr \/\u003e15. Lullaby, LG 136 No. 1\u003cbr \/\u003e16. Lullaby, LG 136 No. 2\u003c\/p\u003e\u003cp\u003eÁlbum do jovem pianista, LG 134\u003cbr \/\u003e17. I. Prelúdio\u003cbr \/\u003e18. II. Coral\u003cbr \/\u003e19. III. Rondel\u003cbr \/\u003e20. IV. Chula\u003cbr \/\u003e21. V. Acalanto\u003cbr \/\u003e22. VI. Folha de album\u003cbr \/\u003e23. VII. Repouso\u003cbr \/\u003e24. VIII. Canto de alva\u003cbr \/\u003e25. IX. Exercício de harmonia\u003cbr \/\u003e26. X. Canto dos pequenos pedintes p\u0026#039;los Santos\u003cbr \/\u003e27. XI. Pequeno passeio matinal\u003cbr \/\u003e28. XII. Cantiga de roda\u003cbr \/\u003e29. XIII. Alla Bartók\u003cbr \/\u003e30. XIV. A espanholita\u003cbr \/\u003e31. XV. Pequena contenda em forma de toccata\u003cbr \/\u003e32. XVI. Canção sem palavras\u003cbr \/\u003e33. XVII. As terceirinhas do Padre Inácio\u003cbr \/\u003e34. XVIII. Bailata\u003cbr \/\u003e35. XIX. Passo trocado\u003cbr \/\u003e36. XX. Melodia\u003cbr \/\u003e37. XXI. Jornada gloriosa\u003c\/p\u003e","brand":"Luís Duarte","offers":[{"title":"OS","offer_id":47900313354483,"sku":"518838000","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luis-Duarte_Lopes-Graca-Glosas-Other-Piano-Works_CD_s518838_o7737386_a594166_v13667057.ea1d2e9b.png?v=1760634008"},{"product_id":"angela-hewitt-the-bach-recordings-107897","title":"The Bach Recordings","description":"\u003cp\u003eHewitt remains today\u0026#039;s finest exponent of Bach\u0026#039;s keyboard music,’ declared the renowned English magazine Gramophone. It is therefore high time that Angela Hewitt\u0026#039;s complete Bach recordings, made for the Hyperion label over a period of almost 25 years, were released together for the first time in a box set. Between 1994 and 2018, she recorded 27 CDs, all of which are presented in their original covers in this comprehensive box set. The Goldberg Variations, The Well-Tempered Clavier and the six partitas are each included in two interpretations, inviting listeners to make exciting comparisons. The box set also features Bach arrangements, as well as all of the piano concertos performed with the Australian Chamber Orchestra, conducted by Richard Tognetti. The accompanying booklet contains a new article by Angela Hewitt herself, as well as a work index to help listeners navigate the collection.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr \/\u003eInventions \u0026amp; Sinfonias BWV772-801\u003cbr \/\u003eFantasia in C minor BWV906\u003cbr \/\u003eChromatic Fantasia and Fugue BWV903\u003c\/p\u003e\u003cp\u003eCD 2-3\u003cbr \/\u003eThe French Suites BWV812-817\u003cbr \/\u003eSonata in D minor BWV964\u003cbr \/\u003eLittle Preludes BWV924-928, 930, 933-943, 999\u003cbr \/\u003ePrelude and Fugue in A minor BWV894\u003c\/p\u003e\u003cp\u003eCD 4-5\u003cbr \/\u003eThe Six Partitas BWV825-830 (1996\/7 recording)\u003c\/p\u003e\u003cp\u003eCD 6-9\u003cbr \/\u003eThe Well-Tempered Clavier BWV846-893 (1997\/8 recording)\u003c\/p\u003e\u003cp\u003eCD 10\u003cbr \/\u003eGoldberg Variations BWV988 (1999 recording)\u003c\/p\u003e\u003cp\u003eCD 11\u003cbr \/\u003eItalian Concerto BWV971\u003cbr \/\u003eFrench Overture BWV831\u003cbr \/\u003eTwo Capriccios BWV992-993\u003cbr \/\u003eFour Duets BWV802-805\u003c\/p\u003e\u003cp\u003eCD 12\u003cbr \/\u003eBach Arrangements\u003c\/p\u003e\u003cp\u003eCD 13\u003cbr \/\u003eThe Toccatas BWV910-916\u003c\/p\u003e\u003cp\u003eCD 14-15\u003cbr \/\u003eThe English Suites BWV806-811\u003c\/p\u003e\u003cp\u003eCD 16\u003cbr \/\u003eFantasia and Fugue in A minor BWV904, 944\u003cbr \/\u003eAria Variata BWV989\u003cbr \/\u003eSonata in D major BWV963\u003cbr \/\u003ePartie in A major BWV832\u003cbr \/\u003eSuite in F minor BWV823\u003c\/p\u003e\u003cp\u003eCD 17-18\u003cbr \/\u003eKeyboard Concertos BWV1052–1058\u003cbr \/\u003eBrandenburg Concerto No 5 BWV1050\u003cbr \/\u003eTriple Concerto BWV1044\u003cbr \/\u003ewith Australian Chamber Orchestra \/ Richard Tognetti\u003c\/p\u003e\u003cp\u003eCD 19-22\u003cbr \/\u003eThe Well-Tempered Clavier BWV846-893 (2008 recording)\u003c\/p\u003e\u003cp\u003eCD 23-24\u003cbr \/\u003eThe Art of Fugue BWV1080\u003c\/p\u003e\u003cp\u003eCD 25\u003cbr \/\u003eGoldberg Variations BWV988 (2015 recording)\u003c\/p\u003e\u003cp\u003eCD 26-27\u003cbr \/\u003eThe Six Partitas BWV825-830 (2018 recording)\u003c\/p\u003e","brand":"Angela Hewitt","offers":[{"title":"OS","offer_id":47978191323379,"sku":"519141000","price":74.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Angela-Hewitt_The-Bach-Recordings_CD-Box_s519141_o7780850_a597365_v13684513.71648696.png?v=1768654636"},{"product_id":"steven-isserlis-connie-shih-schumann-moscheles-1851-cello-sonatas-108163","title":"Schumann \u0026 Moscheles: 1851 Cello Sonatas","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003eSteven Isserlis\u0026#039; latest album is inspired by the year 1851, which was a time of inventions, exhibitions, and creativity. The sonatas by Ignaz Moscheles and Robert Schumann featured on the album—the Violin Sonata No. 2 was arranged for cello by Isserlis himself—were both composed in that year. The program is interspersed with four miniatures, including a transcription of a Schumann song and the famous “Ave Maria” by Bach\/Gounod. At the heart of the album is an Érard grand piano from 1851, which won an award at the Great Exhibition in London and is played here by Connie Shih. The piano used on the album may be one of the first instruments presented at the Great Exhibition. Steven Isserlis, CBE and winner of two Gramophone Awards, is a highly successful cellist, author, and broadcaster worldwide.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eSchumann: Violin Sonata No. 2 in D Minor, Op. 121\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. I. Ziemlich langsam – Lebhaft\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. II. Sehr lebhaft\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e3. III. Leise, einfach\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e4. IV. Bewegt\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e5. David: 5 Salonstücke, Op. 28: No. 4, Romanze\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eMoscheles: Cello Sonata in E Major, Op. 121\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. I. Allegro espressivo e appassionato\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e7. II. Scherzo \u0026#34;ballabile\u0026#34;. Allegretto quasi allegro\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e8. III. Ballade \u0026#34;in böhmische Weise\u0026#34;. Andantino\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e9. IV. Allegro vivace, ma non troppo\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\" style=\"tab-stops: 36.0pt;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e10. Schumann: 5 Lieder und Gesänge, Op. 127: No. 1, Sängers Trost\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: \u0026#039;Calibri\u0026#039;,sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e11. Gounod, J.S. Bach: Ave Maria, CG 89a (After Prelude in C Major, BWV 846)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Steven Isserlis \u0026 Connie Shih","offers":[{"title":"OS","offer_id":47996848406771,"sku":"519218000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Steven-Isserlis_Schumann-Moscheles-1851-Cello-Sonatas_1CD_s519218_o7789925_a599266_v13692336.313f2de8.png?v=1762355388"},{"product_id":"roberto-prosseda-bizet-the-piano-works-108423","title":"Bizet: The Piano Works","description":"\u003cp\u003e2025 marks the 150th anniversary of the death of Georges Bizet, the composer of the famous opera Carmen. Italian pianist Roberto Prosseda has now recorded Bizet\u0026#039;s lesser-known piano repertoire. His new album features all of Bizet\u0026#039;s solo piano pieces, including Chants du Rhin — songs without words in the tradition of Mendelssohn — as well as preludes, nocturnes, and waltzes that evoke the romantic piano style of Chopin. The liner notes were written by Hugh Macdonald, the world\u0026#039;s leading Bizet expert.Born in Latina, Lazio, in 1975, Roberto Prosseda is one of the most active and versatile Italian musicians on the current international scene. He gained worldwide fame with his recording of Mendelssohn\u0026#039;s complete piano works. Over the past 20 years, he has performed with some of the world\u0026#039;s leading orchestras and conductors. He regularly performs at major Italian concert halls, including the Accademia Nazionale di Santa Cecilia and the Teatro alla Scala.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eBizet: Variations chromatiques, WD 54\u003cbr \/\u003e1. Theme. Moderato maestoso\u003cbr \/\u003e2. Var. 1. Un pochissimo più allegretto\u003cbr \/\u003e3. Var. 2. A tempo rubato\u003cbr \/\u003e4. Var. 3. A tempo risoluto\u003cbr \/\u003e5. Var. 4. Con fuoco\u003cbr \/\u003e6. Var. 5\u003cbr \/\u003e7. Var. 6. Agitato\u003cbr \/\u003e8. Var. 7\u003cbr \/\u003e9. Var. 8. Con espressione\u003cbr \/\u003e10. Var. 9. Un peu plus vite\u003cbr \/\u003e11. Var. 10. Alla polacca\u003cbr \/\u003e12. Var. 11. Andante\u003cbr \/\u003e13. Var. 12. Plus animé\u003cbr \/\u003e14. Var. 13. Mouvement des premières variations\u003cbr \/\u003e15. Var. 14. Appassionato, espressivo assai\u003cbr \/\u003e16. Coda. Semplice – Un peu plus lent, malinconico\u003c\/p\u003e\u003cp\u003eBizet: Chants du Rhin, WD 52\u003cbr \/\u003e17. I. L\u0026#039;aurore\u003cbr \/\u003e18. II. Le depart\u003cbr \/\u003e19. III. Les rêves\u003cbr \/\u003e20. IV. La bohémienne\u003cbr \/\u003e21. V. Les confidences\u003cbr \/\u003e22. VI. Le retour\u003c\/p\u003e\u003cp\u003e23. 1er Nocturne in D Major, WD 55\u003cbr \/\u003e24. Marine, WD 53\u003cbr \/\u003e25. Grande valse de concert, WD 48\u003cbr \/\u003e26. 1er Nocturne in F Major, WD 49\u003cbr \/\u003e27. Chasse fantastique, WD 51\u003cbr \/\u003e28. Romance sans paroles, WD 46\u003cbr \/\u003e29. Caprice original No. 1 in C Sharp Minor, WD 45\u003cbr \/\u003e30. Caprice original No. 2 in C Major, WD 47\u003cbr \/\u003e31. Valse in C Major, WD 43\u003c\/p\u003e\u003cp\u003eBizet: 4 Preludes, WD 42\u003cbr \/\u003e32. No. 1 in C Major. Allegretto\u003cbr \/\u003e33. No. 2 in A Minor. Andante espressivo\u003cbr \/\u003e34. No. 3 in G Major. Andantino\u003cbr \/\u003e35. No. 4 in E Minor. Allegretto\u003c\/p\u003e\u003cp\u003e36. 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Set in 1916, the film, scripted by famous Yorkshire playwright Alan Bennett (‘History Boys’, ‘The Lady in the Van’) centres around a northern English choral society as they prepare to perform Elgar’s ‘Dream of Gerontius’ despite the challenges and losses of key singers fighting on the Western front. The story mirrors to a startling extent the choir featured on this new recording. 23 members of the real-life Huddersfield Choral Society enlisted and served in the Great War, during which there was indeed a celebrated performance of Elgar’s masterpiece, under the baton of no less than Sir Edward Elgar himself. ‘The Choral’ is both the name of the film and the nickname given to the Huddersfield Choral Society. This latest recording with Huddersfield Choral Society, The Orchestra of Opera North and Martyn Brabbins marks 80 years since the choir made the hugely successful first-ever recording of the work in 1945. 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Marc-André Hamelin was one of Kapustin’s earliest advocates, and this recording (virtually Marc’s best-selling album) did much to bring the composer’s music to a wider audience. 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Rimsky-Korsakov: The Tale of Tsar Saltan: Flight of the Bumblebee\u003cbr \/\u003e8. Yu-Hsien: Spring Breeze Prelude\u003cbr \/\u003e9. Yamada: Aka tombo\u003cbr \/\u003e10. Do You Want to Build a Snowman? - From \u0026#34;Frozen\u0026#34;\u003cbr \/\u003e11. Reflection - From \u0026#34;Mulan\u0026#34;\u003cbr \/\u003e12. Remember Me - From \u0026#34;Coco\u0026#34;\u003cbr \/\u003e13. Cielito lindo\u003cbr \/\u003e14. Granados: Danzas españolas, Op. 37: V. Andaluza (Playera)\u003cbr \/\u003e15. Handel: Minuet in G Minor, HWV 434\/4\u003c\/p\u003e\u003cp\u003eChaminade\u003cbr \/\u003e16. Toccata, Op. 39\u003cbr \/\u003e17. Thème varié in A Major, Op. 89\u003cbr \/\u003e18. Les sylvains, Op. 60\u003c\/p\u003e\u003cp\u003e19. Delibes: Le roi s\u0026#039;amuse, Scène du bal: VI. Passepied\u003c\/p\u003e\u003cp\u003eMalcolm Williamson \u003cbr \/\u003e20. Travel Diaries, Paris: II. Flower-Sellers (Place de la Madeleine)\u003cbr \/\u003e21. Travel Diaries, New York: V. Broadway (Midnight)\u003c\/p\u003e\u003cp\u003e22. Sibelius: 13 Pieces for Piano, Op. 76: No. 2, Etude in A Minor\u003cbr \/\u003e23. Nature Boy\u003cbr \/\u003e24. MacDowell: Woodland Sketches, Op. 51: I. To a Wild Rose\u003cbr \/\u003e25. Schumann: Waldszenen, Op. 82: VII. Vogel als Prophet\u003cbr \/\u003e26. Sinding: Rustle of Spring, Op. 32 No. 3\u003c\/p\u003e","brand":"Stephen Hough","offers":[{"title":"OS","offer_id":48430720090355,"sku":"520259000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Stephen-Hough_Stephen-Hough-s-Piano-Postcards_CD_s520259_o7910588_a611428_v13770023.2dc10d3a.png?v=1769417644"},{"product_id":"stephen-hough-stephen-houghs-piano-postcards-111042","title":"Stephen Hough's Piano Postcards","description":"\u003cp\u003eOn his new solo piano album, Stephen Hough\u0026#039;s Piano Postcards, Sir Stephen Hough explores the world from the perspective of a traveling pianist sending musical messages home. He selects popular songs and melodies from around the world and reinterprets them in a sophisticated way. These new arrangements are a tribute to the countries he has come to love throughout his life of traveling and performing—musical souvenirs he brings back to his audience.\u003cbr \/\u003eAsian music is represented by “Spring Breeze Prelude” by Taiwanese composer Deng Yu-Hsien and a delicate piano version of “Aka Tombo,” a children\u0026#039;s song that is very popular in Japan and can even be heard in the nationwide “5 o\u0026#039;clock chime.” Folklore and popular traditions are expressed in “Cielito lindo” and “Nature boy,” while the last group of pieces turns to nature with works by MacDowell, Schumann, and Sinding. In addition to these musical travelogues, Stephen Hough sprinkles in sparkling new transcriptions of songs from popular films.\u003cbr \/\u003e“Piano Postcards” reflects above all the tradition of pianist-composers: musicians who performed, arranged, and curated their own repertoire with freedom and individuality. Hough sums up the spirit of the album thus: “The musical appetizer may contain profound poetry or wit and whimsy, whether subtle or loud. All on one handy menu.”\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eMarry Poppins Suite\u003cbr \/\u003e1. I. Chim chim cher-ee\u003cbr \/\u003e2. II. Feed the Birds\u003cbr \/\u003e3. III. Supercalifragilisticexpialidocious\u003c\/p\u003e\u003cp\u003e4. Chasins: Preludes, Book 3, Op. 12: No. 2 in E-Flat Minor. Prelude No. 14\u003cbr \/\u003e5. Kreisler: Liebesleid\u003cbr \/\u003e6. Rimsky-Korsakov: The Tale of Tsar Saltan: Flight of the Bumblebee\u003cbr \/\u003e7. Yu-Hsien: Spring Breeze Prelude\u003cbr \/\u003e8. Yamada: Aka tombo\u003cbr \/\u003e9. Do You Want to Build a Snowman? - From \u0026#34;Frozen\u0026#34;\u003cbr \/\u003e10. Reflection - From \u0026#34;Mulan\u0026#34;\u003cbr \/\u003e11. Remember Me - From \u0026#34;Coco\u0026#34;\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1. Cielito lindo\u003cbr \/\u003e2. Granados: Danzas españolas, Op. 37: V. Andaluza (Playera)\u003cbr \/\u003e3. Handel: Minuet in G Minor, HWV 434\/4\u003cbr \/\u003e4. Chaminade: Les sylvains, Op. 60\u003cbr \/\u003e5. Malcolm Williamson: Travel Diaries, New York: V. Broadway (Midnight)\u003cbr \/\u003e6. Sibelius: 13 Pieces for Piano, Op. 76: No. 2, Etude in A Minor\u003cbr \/\u003e7. Nature Boy\u003cbr \/\u003e8. MacDowell: Woodland Sketches, Op. 51: I. To a Wild Rose\u003cbr \/\u003e9. Schumann: Waldszenen, Op. 82: VII. Vogel als Prophet\u003cbr \/\u003e10. Sinding: Rustle of Spring, Op. 32 No. 3\u003c\/p\u003e","brand":"Stephen Hough","offers":[{"title":"OS","offer_id":48430725366003,"sku":"520260000","price":28.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Stephen-Hough_Stephen-Hough-s-Piano-Postcards_LP_s520260_o7910629_a611436_v13770042.4358e230.png?v=1769417986"},{"product_id":"goldner-string-quartet-vine-childs-play-111716","title":"Vine: Child's Play","description":"\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e„Child’s Play“ ist ein Doppelalbum mit Kammermusik des australischen Komponisten Carl Vine, einem der zugänglichsten und produktivsten Komponisten unserer Zeit. Vines Schaffen umfasst acht Sinfonien, dreizehn konzertante Werke, zahlreiche Kammermusikwerke sowie Musik für Film, Fernsehen, Tanz und Theater. Dieses Album ist die letzte Aufnahme des Goldner String Quartetts, dessen Mitglieder sich entschlossen haben, diesen Anlass in Gesellschaft von Freunden zu feiern, darunter auch ihr langjähriger Mitstreiter Piers Lane. Der Titel des Albums stammt aus dem Streichquartett Nr. 6: In den vom Komponisten selbst verfassten Liner Notes schreibt Vine, dass er den Auftrag erhalten habe, Musik zu komponieren, die „aufmuntert, erbaulich und beschwingt“ sei.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eCD 1\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e1 Piano Quintet ‘Fantasia’ - 1: Crotchet = 90 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e2 Piano Quintet ‘Fantasia’ - 2: Crotchet = 66 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e3 Piano Quintet ‘Fantasia’ - 3: Dotted crotchet = 136 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e4 Strutt Sonata for cello and piano - 1: Crotchet = 90 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e5 Strutt Sonata for cello and piano - 2: Crotchet = 54 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e6 Strutt Sonata for cello and piano - 3: Crotchet = 124 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e7 String Quintet - 1: Crotchet = 120 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e8 String Quintet - 2: Crotchet = 66 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e9 String Quintet - 3: Crotchet = 112 – \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e10 String Quintet - 4: Dotted quaver = 166: Presto\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eCD 2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e1 Piano Trio ‘The Village’ - 1: Crotchet = 60 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e2 Piano Trio ‘The Village’ - 2: Crotchet = 56 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e3 Piano Trio ‘The Village’ - 3: Crotchet = 90 \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e4 String Quartet No 6 ‘Child’s Play’ - 1: Play \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e5 String Quartet No 6 ‘Child’s Play’ - 2: Concentration \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e6 String Quartet No 6 ‘Child’s Play’ - 3: Friendship \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e7 String Quartet No 6 ‘Child’s Play’ - 4: Sleep \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e8 String Quartet No 6 ‘Child’s Play’ - 5: Running \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003e9 Harbour Reverie for string quartet\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldner String Quartet, Piers Lane \u0026 Umberto Clerici","offers":[{"title":"OS","offer_id":48495645327603,"sku":"520504000","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Goldner-String-Quartet_Vine-Child-s-Play_CD_s520504_o7934165_a614156_v13783955.c8d3e3da.jpg?v=1770736946"},{"product_id":"stephen-hough-rachmaninov-the-piano-concertos-112800","title":"Rachmaninov: The Piano Concertos","description":"\u003cp\u003e\u003cspan\u003eAnnouncing the fifth batch in Hyperion’s Vinyl Edition, due for release on 15 May 2026. With over 20 releases now in the series, Hyperion’s Vinyl Edition has become firmly established and now adds two major pillars of the repertoire alongside a recent frontline success story.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe three titles are released as limited-edition 180g LPs, presented in full-colour gatefolds and including sleeve notes. For the first time in the series, these titles have been mastered by Sidney Claire Meyer at Emil Berliner Studios (EBS), the team behind DG’s ‘Original Source’ and Decca’s ‘Pure Analogue’ collections.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eStephen Hough’s four Rachmaninov piano concertos have long been viewed as reference recordings of this iconic repertoire, the standard by which others must be judged. Hough made a conscious return to the fast and lean performance tradition of the composer himself, avoiding the sentimental ‘Hollywood’ approach that had become so prevalent, for this triumphantly successful, awards-lavished Rachmaninov cycle. Gramophone Award 2005 The Sunday Times Record of the Year 2004.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eKlavierkonzert Nr. 1 in fis-Moll op. 1\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\u003cli\u003e\u003cspan\u003eVivace\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eAndante\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eAllegro vivace\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003eKlavierkonzert Nr. 2 in c-Moll op. 18\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\u003cli\u003e\u003cspan\u003eModerato\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eAdagio sostenuto – Più animato – Tempo I\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide C\u003c\/p\u003e\u003col\u003e\u003cli\u003ellegro scherzando\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eKlavierkonzert Nr. 3 in d-Moll op. 30\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e2.  Allegro ma non tanto\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\u003cli\u003e\u003cspan\u003eIntermezzo: Adagio –\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eFinale: Alla breve\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eKlavierkonzert Nr. 4 in g-Moll op. 40\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSide E\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\u003cli\u003e\u003cspan\u003eAllegro vivace\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eLargo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eAllegro vivace\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eRhapsodie über ein Thema von Paganini op. 43\u003c\/p\u003e\u003cp\u003eSide F\u003c\/p\u003e\u003col\u003e\u003cli\u003eNr. 1, Einleitung: Allegro vivace\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 2 1. Variation: Precedente\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 3, Theme: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 4 2. Variation: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 5 3. Variation: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 6 4. Variation: Più vivo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 7 5. Variation: Tempo precedente\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 8 6. Variation: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 9 7. Variation: Meno mosso, a tempo moderato\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 10 8. Variation: Tempo I\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 11 9. Variation: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 12 10. Variation: Poco marcato\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 13 11. Variation: Moderato\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 14 12. Variation: Tempo di minuetto\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 15 13. Variation: Allegro\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 16 14. Variation: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 17 15. Variation: Più vivo scherzando\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 18 16. Variation: Allegretto\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 19 17. Variation: [Allegretto]\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 20 18. Variation: Andante cantabile\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 21 19. Variation: A tempo vivace\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 22 20. Variation: Un poco più vivo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 23 21. Variation: Un poco più vivo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 24 22. Variation: Un poco più vivo (Alla breve)\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 25 23. Variation: L\u0026#039;istesso tempo\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eNr. 26 24. Variation: A tempo un poco meno mosso\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e","brand":"Stephen Hough, Dallas Symphony Orchestra \u0026 Andrew Litton","offers":[{"title":"OS","offer_id":48603799781619,"sku":"520895000","price":38.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Stephen-Hough_Rachmaninov-The-Piano-Concertos_3LP_s520895_o7971079_a618397_v13805810.1cb03237.png?v=1772802554"},{"product_id":"mishka-rushdie-momen-reformation-112808","title":"Reformation","description":"\u003cp\u003e\u003cspan\u003eAnnouncing the fifth batch in Hyperion’s Vinyl Edition, due for release on 15 May 2026. With over 20 releases now in the series, Hyperion’s Vinyl Edition has become firmly established and now adds two major pillars of the repertoire alongside a recent frontline success story.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe three titles are released as limited-edition 180g LPs, presented in full-colour gatefolds and including sleeve notes. For the first time in the series, these titles have been mastered by Sidney Claire Meyer at Emil Berliner Studios (EBS), the team behind DG’s ‘Original Source’ and Decca’s ‘Pure Analogue’ collections.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e‘Her first solo recital, and it’s a triumph’, concluded The Times in its 5-star review of one of 2024’s Top 20 Classical Albums. 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Whoop, do me no harm, good man\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e7. My self\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e8. My grief\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e9. The bells BK38\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e1. Walsingham Pavan und Galliard „Lord Salisbury“\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e2. Pavan\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e3. Galliard\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e4. La Volta \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e5. 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For the first time in the series, these titles have been mastered by Sidney Claire Meyer at Emil Berliner Studios (EBS), the team behind DG’s ‘Original Source’ and Decca’s ‘Pure Analogue’ collections.\u003c\/p\u003e\u003cp\u003eFollowing highly praised accounts of the Bach St John Passion and Christmas Oratorio, in 2018 much-lauded choral director Stephen Layton turned his Choir of Trinity College Cambridge to Bach’s immortal B minor Mass, supported by the Orchestra of the Age of Enlightenment and soloists Helen Charlston, Katherine Watson, Iestyn Davies, Gwilym Bowen and Neal Davies.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting: \u003c\/p\u003e\u003cp\u003eMesse in h-Moll BWV232\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003col\u003e\u003cli\u003e1. Teil, Nr. 1, Chor: Kyrie eleison\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 2, Duett: Christe eleison\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 3, Chor: Kyrie eleison\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 4, Chor: Gloria in excelsis Deo\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 5, Chor: Et in terra pax hominibus\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003col\u003e\u003cli\u003e1. Teil, Nr. 6, Arie: Laudamus te\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 7, Chor: Gratias agimus tibi\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 8, Duett: Domine Deus\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 9, Chor: Qui tollis peccata mundi\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 10, Arie: Qui sedes ad dexteram Patris\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 11, Arie: Quoniam tu solus sanctus\u003c\/li\u003e\u003cli\u003e1. Teil, Nr. 12, Chor: Cum Sancto Spiritu\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide C\u003c\/p\u003e\u003col\u003e\u003cli\u003e2. Teil, Nr. 1, Chor: Credo in unum Deum\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 2, Chor: Patrem omnipotentem\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 3, Duett: Et in unum Dominum\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 4, Chor: Et incarnatus est\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 5, Chor: Crucifixus etiam pro nobis\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 6, Chor: Et resurrexit tertia die\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 7, Arie: Et in Spiritum Sanctum\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide D\u003c\/p\u003e\u003col\u003e\u003cli\u003e2. Teil, Nr. 8, Chor: Confiteor unum baptisma\u003c\/li\u003e\u003cli\u003e2. Teil, Nr. 9, Chor: Et exspecto resurrectionem\u003c\/li\u003e\u003cli\u003e3. Teil, Chor: Sanctus\u003c\/li\u003e\u003cli\u003e4. Teil, Nr. 1, Chor: Osanna in excelsis\u003c\/li\u003e\u003cli\u003e4. Teil, Nr. 2, Arie: Benedictus\u003c\/li\u003e\u003cli\u003e4. Teil, Nr. 3, Chor: Osanna in excelsis\u003c\/li\u003e\u003cli\u003e4. Teil, Nr. 4, Arie: Agnus Dei\u003c\/li\u003e\u003cli\u003e4. 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A number of pieces cast light on childhood, conjuring moments of innocence, and interwoven throughout are re-imaginings of traditional British and Irish folk songs, arranged by musicians continuing a longstanding tradition of developing and reshaping existing material.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs Director Owain Park writes, \u0026#039;Wishing Tree is … a journey through time, poetry, and song, rooted in tradition yet alive with contemporary expression\u0026#039;.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThis sweet and merry month of May\u003c\/li\u003e\n\u003cli\u003ePut out into the deep\u003c\/li\u003e\n\u003cli\u003eBushes and briars\u003c\/li\u003e\n\u003cli\u003eThe wind\u0026#039;s warning\u003c\/li\u003e\n\u003cli\u003eThe wishing tree:\u003c\/li\u003e\n\u003cli\u003eThe oak and the ash\u003c\/li\u003e\n\u003cli\u003eMy bonny lies over the ocean\u003c\/li\u003e\n\u003cli\u003eEl grillo\u003c\/li\u003e\n\u003cli\u003eSummer shower\u003c\/li\u003e\n\u003cli\u003eThe lark in the clear air\u003c\/li\u003e\n\u003cli\u003eIl bianco e dolce cigno\u003c\/li\u003e\n\u003cli\u003eThe silver swan\u003c\/li\u003e\n\u003cli\u003eThe blue bird op. 119 Nr. 3\u003c\/li\u003e\n\u003cli\u003e Fantasia on English children\u0026#039;s songs  Petites voix\u003c\/li\u003e\n\u003cli\u003eLa petite fille sage\u003c\/li\u003e\n\u003cli\u003eLe chien perdu \u003c\/li\u003e\n\u003cli\u003eEn rentrant de l\u0026#039;école\u003c\/li\u003e\n\u003cli\u003eLe petit garçon malade\u003c\/li\u003e\n\u003cli\u003eLe hérisson\u003c\/li\u003e\n\u003cli\u003eMy love is like a red, red rose\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Gesualdo Six \u0026 Owain Park","offers":[{"title":"OS","offer_id":48834058289395,"sku":"521771000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/The-Gesualdo-Six_Wishing-Tree_1-CD_s521771_o8030062_a627030_v13843424.4db7945b.jpg?v=1776168611"},{"product_id":"mahan-esfahani-bach-the-complete-keyboard-concertos-114528","title":"Bach: The Complete Keyboard Concertos","description":"\u003cp\u003eMahan Esfahani’s mammoth project to record the complete keyboard works of Bach reaches its zenith with The Complete Keyboard Concertos. 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Allegro ma non tanto\u003c\/p\u003e\n\u003cp\u003eKonzert für Tasteninstrument Nr. 5 in f-Moll BWV1056\u003c\/p\u003e\n\u003cp\u003e16. Allegro\u003c\/p\u003e\n\u003cp\u003e17. Adagio\u003c\/p\u003e\n\u003cp\u003e18. Presto\u003c\/p\u003e\n\u003cp\u003eTripelkonzert in a-Moll BWV1044\u003c\/p\u003e\n\u003cp\u003e19. Allegro\u003c\/p\u003e\n\u003cp\u003e20. Adagio ma non tanto e dolce\u003c\/p\u003e\n\u003cp\u003e21. Tempo di alla breve\u003c\/p\u003e\n\u003cp\u003eKonzert für Tasteninstrument Nr. 7 in g-Moll BWV1058\u003c\/p\u003e\n\u003cp\u003e22. [untitled]\u003c\/p\u003e\n\u003cp\u003e23. Andante\u003c\/p\u003e\n\u003cp\u003e24. Allegro assai\u003c\/p\u003e\n\u003cp\u003eKonzert für Tasteninstrument Nr. 8 in d-Moll BWV1059\u003c\/p\u003e\n\u003cp\u003e25. Allegro\u003c\/p\u003e\n\u003cp\u003e26. Cembalo ad libitum\u003c\/p\u003e\n\u003cp\u003e27. 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He describes his approach as a “return to the sources”—to the scores themselves—thereby reopening the question of what might be considered the “correct” way to perform these iconic works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis rigorous fidelity to the text results in tempos and proportions that at times diverge from convention, yet reveal a striking sense of freshness and immediacy, bringing the music closer to the detailed intentions of Elgar and Dvořák.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the spirit of Gustav Mahler—“Tradition is not the worship of ashes, but the preservation of fire”—this recording rekindles the expressive power of two masterpieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCellokonzert in e-Moll op. 85\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003eAdagio – Moderato –\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eLento – Allegro molto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eAdagio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eAllegro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCellokonzert in h-Moll op. 104\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eAllegro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eAdagio ma non troppo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e7. 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