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Now star violinist \u003cstrong\u003eDavid Garrett\u003c\/strong\u003e is back with a new recording, \u003cstrong\u003e\u003cem\u003eIconic\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e. \u003c\/em\u003eThe album will be available as a digisleeve deluxe edition (1 CD), featuring three bonus tracks and including a 12‑page booklet with notes about the recording project and photos of the artist. David Garrett here pays tribute to the great violinists of the golden age – 20th-century legends such as Heifetz, Kreisler and Menuhin. He presents a personal selection of gems of the repertoire – atmospheric miniatures and virtuoso showpieces by Bach, Gluck, Mendelssohn, Schumann, Dvořák and Kreisler, among many more. Specially arranged for violin, guitar and orchestra, these pieces take on a new, unique and intimate feel. 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By pairing it with Carnival of the Animals, a whimsical menagerie that has captivated young hearts for generations, Lang Lang continues his heartfelt wish to promote the love of classical music to kids and it also gives him a chance to collaborate with his wife, pianist Gina Alice. Complementing these works with hidden gems – unearthed solo compositions by five female French composers as well as beloved French classics – has created a feast for the ears, promising a captivating experience. “Many of us remember Saint-Saëns’s famous Carnival of the Animals from childhood. There are a lot of clever ideas underneath all the fun. He’s making a real statement, but in a very humorous way,” says Lang Lang. The pianist was also keen to include some well-known smaller-scale solo\/four hands works, among them Ravel’s Pavane pour une infante défunte, the Pavane by Fauré, as well as arrangements like the “Flower Duet” from Delibes’s opera Lakmé. For Debussy’s Petite Suite he is again joined by Gina Alice, who describes playing this evocative work as like “painting a picture”.  Finally, Lang Lang shines light on music by five female French composers largely overlooked until recent years. Lili Boulanger, arguably the most famous among them, became the first woman to win the coveted Prix de Rome. Lang Lang gives a spellbinding performance of Boulanger’s sublimely beautiful D’un jardin clair. \u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003eCD 1    48:49\u003cbr \/\u003e\nCAMILLE SAINT-SAËNS (1835–1921)Le carnaval des animaux R. 125\u003cbr \/\u003e\nCarnival of the Animals\u003cbr \/\u003e\nGrand Zoological Fantasy for 2 Pianos and Orchestra\u003cbr \/\u003e\n1. No 1      Introduction     0:31\u003cbr \/\u003e\n2. The Lion’s Royal March    1:36\u003cbr \/\u003e\n3. No 2      Hens and Roosters    0:45\u003cbr \/\u003e\n4. No 3      Jackasses (Wild Animals)    0:40\u003cbr \/\u003e\n5. No 4      Tortoises    2:18         \u003cbr \/\u003e\n6. No 5      The Elephant    1:38        \u003cbr \/\u003e\n7. No 6      Kangaroos     0:52        \u003cbr \/\u003e\n8. No 7      Aquarium     2:30\u003cbr \/\u003e\n9. No 8      Personages with Long Ears    0:43        \u003cbr \/\u003e\n10. No 9      The Cuckoo in the Deep Woods    2:18        \u003cbr \/\u003e\n11. No 10 Aviary    1:18        \u003cbr \/\u003e\n12. No 11 Pianists    1:15        \u003cbr \/\u003e\n13. No 12 Fossils    1:26        \u003cbr \/\u003e\n14. No 13 The Swan    3:09        \u003cbr \/\u003e\n15. No 14 Finale     1:53        \u003c\/p\u003e\n\n\u003cp\u003eConcerto for Piano and Orchestra No. 2 in G minor op. 22\u003cbr \/\u003e\n16. 1.    Andante sostenuto    13:16\u003cbr \/\u003e\n17. 2.    Allegro scherzando    5:51\u003cbr \/\u003e\n18. 3.    Presto    6:50\u003cbr \/\u003e\nLang Lang piano I\u003cbr \/\u003e\nGina Alice piano II (Le carnaval)\u003cbr \/\u003e\nGewandhausorchester Leipzig\u003cbr \/\u003e\nCornelia Grohmann flute solo (11)\u003cbr \/\u003e\nAndreas Lehnert clarinet solo (10)\u003cbr \/\u003e\nChristian Giger cello solo (13)\u003cbr \/\u003e\nBurak Marlali double bass solo (6)\u003cbr \/\u003e\nAndris Nelsons conductor\u003c\/p\u003e\n\n\u003cp\u003eCD 2    57:54\u003cbr \/\u003e\n\u003cbr \/\u003e\nMAURICE RAVEL (1875–1937)\u003cbr \/\u003e\n1. Pavane pour une infante défunte M. 19    5:57\u003cbr \/\u003e\nVersion for Piano\u003cbr \/\u003e\nCLAUDE DEBUSSY (1862–1918)\u003cbr \/\u003e\nPetite Suite CD 71a\u003cbr \/\u003e\nfor Piano 4 Hands\u003cbr \/\u003e\n2. 1.    En bateau. Andantino    4:14\u003cbr \/\u003e\n3. 2.    Cortège. Moderato    3:35\u003cbr \/\u003e\n4. 3.    Menuet. Moderato    3:40\u003cbr \/\u003e\n5. 4.    Ballet. Allegro giusto    3:13\u003cbr \/\u003e\nGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e\n6. In paradisum    3:44\u003cbr \/\u003e\nNo. 7 from Requiem op. 48 · Arr. for Piano by Emile Naoumoff\u003cbr \/\u003e\nLÉO DELIBES (1836–1891)\u003cbr \/\u003e\n7. Lakmé: Flower Duet    2:14\u003cbr \/\u003e\nArr. for Piano by Emile Naoumoff\u003cbr \/\u003e\nCAMILLE SAINT-SAËNS (1835–1921)\u003cbr \/\u003e\n8. Toccata d’après le cinquième concerto    4:03\u003cbr \/\u003e\nToccata after the Fifth Concerto\u003cbr \/\u003e\nNo. 6 from Six Études pour piano op. 111\u003cbr \/\u003e\nGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e\n9. Pavane op. 50    6:13\u003cbr \/\u003e\nVersion for Piano\u003cbr \/\u003e\nLOUISE FARRENC (1804–1875)\u003cbr \/\u003e\n10. Étude No. 10 in F sharp minor    5:28\u003cbr \/\u003e\nfrom 30 études dans tous les tons majeurs et mineurs pour piano op. 26\u003cbr \/\u003e\nCHARLOTTE SOHY (1897–1955)\u003cbr \/\u003e\n11. Romance sans paroles    3:15\u003cbr \/\u003e\nSong without Words\u003cbr \/\u003e\nNo. 4 from Quatre pièces romantiques op. 30\u003cbr \/\u003e\nGERMAINE TAILLEFERRE (1892–1983)\u003cbr \/\u003e\n12. Valse lente    2:46\u003cbr \/\u003e\nMÉLANIE BONIS ALIAS MEL BONIS (1858–1937)\u003cbr \/\u003e\n13. La toute petite s’endort    1:56\u003cbr \/\u003e\nNo. 13 from Miocheries. 14 scènes enfantines pour piano\u003cbr \/\u003e\nLILI BOULANGER (1893–1918)\u003cbr \/\u003e\n14. D’un jardin clair    3:21\u003cbr \/\u003e\nNo. 2 from Trois morceaux pour piano\u003cbr \/\u003e\nCAMILLE SAINT-SAËNS (1835–1921)\u003cbr \/\u003e\n15. Le cygne     3:15\u003cbr \/\u003e\nThe Swan\u003cbr \/\u003e\nNo. 13 from Le carnaval des animaux R. 125 \u003cbr \/\u003e\nArr. for Piano 4 Hands by Emile Naoumoff\u003cbr \/\u003e\nLang Lang piano \u0026amp; Gina Alice piano (Petite Suite)\u003c\/p\u003e\n","brand":"Lang Lang","offers":[{"title":"OS","offer_id":46384700588275,"sku":"505859000","price":29.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Lang-Lang_Saint-Saens_2CD-Digipack-signierte-Art-Card_s505859_o2321621_a416656_v11490471.38aea80d.png?v=1744726891"},{"product_id":"lang-lang-saint-saens-4","title":"Saint-Saëns","description":"\u003cp\u003eLimited numbered Crystal Clear 2 Vinyl\u0026#43; signed Art Card\u003c\/p\u003e\n\n\u003cp\u003eWith this album, Lang Lang presents a treasure trove of musical discoveries: Saint-Saëns’s Piano Concerto No. 2, recorded with a stellar cast, the Gewandhausorchester and Andris Nelsons, is for Lang Lang a true romantic masterpiece that rivals the greats like Rachmaninoff or Liszt. By pairing it with Carnival of the Animals, a whimsical menagerie that has captivated young hearts for generations, Lang Lang continues his heartfelt wish to promote the love of classical music to kids and it also gives him a chance to collaborate with his wife, pianist Gina Alice. Complementing these works with hidden gems – unearthed solo compositions by five female French composers as well as beloved French classics – has created a feast for the ears, promising a captivating experience. “Many of us remember Saint-Saëns’s famous Carnival of the Animals from childhood. There are a lot of clever ideas underneath all the fun. He’s making a real statement, but in a very humorous way,” says Lang Lang. The pianist was also keen to include some well-known smaller-scale solo\/four hands works, among them Ravel’s Pavane pour une infante défunte, the Pavane by Fauré, as well as arrangements like the “Flower Duet” from Delibes’s opera Lakmé. For Debussy’s Petite Suite he is again joined by Gina Alice, who describes playing this evocative work as like “painting a picture”.  Finally, Lang Lang shines light on music by five female French composers largely overlooked until recent years. Lili Boulanger, arguably the most famous among them, became the first woman to win the coveted Prix de Rome. Lang Lang gives a spellbinding performance of Boulanger’s sublimely beautiful D’un jardin clair. \u003cbr \/\u003e\n\u003cbr \/\u003e\nTracklist:\u003c\/p\u003e\n\n\u003cp\u003eLP 1 48:49\u003c\/p\u003e\n\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003c\/p\u003e\n\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\n\u003cp\u003eLe carnaval des animaux R. 125\u003cbr \/\u003e\nCarnival of the Animals · Karneval der Tiere\u003cbr \/\u003e\nGrande fantaisie zoologique pour 2 pianos et orchestre \u003cbr \/\u003e\nGrand Zoological Fantasy for 2 Pianos and Orchestra\u003cbr \/\u003e\nGroße zoologische Fantasie für 2 Klaviere und Orchester\u003cbr \/\u003e\n1. No 1 Introduction 0:31\u003cbr \/\u003e\n2. Marche royale du lion 1:36\u003cbr \/\u003e\nThe Lion’s Royal March · Königlicher Marsch des Löwen\u003cbr \/\u003e\n3. No 2 Poules et coqs 0:45\u003cbr \/\u003e\nHens and Roosters · Hühner und Hähne\u003cbr \/\u003e\n4. No 3 Hémiones (Animaux véloces) 0:40\u003cbr \/\u003e\nJackasses (Wild Animals) · Die Esel (Wilde Tiere)\u003cbr \/\u003e\n5. No 4 Tortues 2:18\u003cbr \/\u003e\nTortoises · Schildkröten\u003cbr \/\u003e\n6. No 5 L’éléphant 1:38\u003cbr \/\u003e\nThe Elephant · Der Elefant\u003cbr \/\u003e\n7. No 6 Kangourous 0:52\u003cbr \/\u003e\nKangaroos · Kängurus\u003cbr \/\u003e\n8. No 7 Aquarium 2:30\u003cbr \/\u003e\n9. No 8 Personnages à longues oreilles 0:43\u003cbr \/\u003e\nPersonages with Long Ears\u003cbr \/\u003e\nPersönlichkeiten mit langen Ohren\u003cbr \/\u003e\n10. No 9 Le coucou au fond des bois 2:18\u003cbr \/\u003e\nThe Cuckoo in the Deep Woods\u003cbr \/\u003e\nDer Kuckuck im tiefen Wald\u003cbr \/\u003e\n11. No 10 Volière 1:18\u003cbr \/\u003e\nAviary · Das Vogelhaus\u003cbr \/\u003e\n12. No 11 Pianistes 1:15\u003cbr \/\u003e\nPianists · Pianisten\u003cbr \/\u003e\n13. No 12 Fossiles 1:26\u003cbr \/\u003e\nFossils · Fossilien\u003cbr \/\u003e\n14. No 13 Le cygne 3:09\u003cbr \/\u003e\nThe Swan · Der Schwan\u003cbr \/\u003e\n15. No 14 Final 1:53\u003cbr \/\u003e\nFinale\u003c\/p\u003e\n\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\n\u003cp\u003eConcerto for Piano and Orchestra No. 2 in G minor op. 22\u003cbr \/\u003e\nKonzert für Klavier und Orchester Nr. 2 g-Moll\u003cbr \/\u003e\n16. 1 Andante sostenuto 13:16\u003cbr \/\u003e\n17. 2 Allegro scherzando 5:51\u003cbr \/\u003e\n18. 3 Presto 6:50\u003c\/p\u003e\n\n\u003cp\u003eLang Lang piano I\u003cbr \/\u003e\nGina Alice piano II (Le carnaval)\u003cbr \/\u003e\nGewandhausorchester Leipzig\u003cbr \/\u003e\nCornelia Grohmann flute solo (11)\u003cbr \/\u003e\nAndreas Lehnert clarinet solo (10)\u003cbr \/\u003e\nChristian Giger cello solo (13)\u003cbr \/\u003e\nBurak Marlali double bass solo (6)\u003cbr \/\u003e\nAndris Nelsons conductor\u003c\/p\u003e\n\n\u003cp\u003eLP 2 57:54\u003c\/p\u003e\n\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\n\u003cp\u003eMAURICE RAVEL (1875–1937)\u003cbr \/\u003e\n1. Pavane pour une infante défunte M. 19 5:57\u003cbr \/\u003e\nVersion for Piano\u003c\/p\u003e\n\n\u003cp\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr \/\u003e\nPetite Suite CD 71a\u003cbr \/\u003e\npour piano à quatre mains · for Piano 4 Hands · für Klavier zu 4 Händen\u003cbr \/\u003e\n2. 1 En bateau. Andantino 4:14\u003cbr \/\u003e\n3. 2 Cortège. Moderato 3:35\u003cbr \/\u003e\n4. 3 Menuet. Moderato 3:40\u003cbr \/\u003e\n5. 4 Ballet. Allegro giusto 3:13\u003c\/p\u003e\n\n\u003cp\u003eGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e\n6. In paradisum 3:44\u003cbr \/\u003e\nNo. 7 from Requiem op. 48 · Arr. for Piano by Emile Naoumoff\u003c\/p\u003e\n\n\u003cp\u003eLÉO DELIBES (1836–1891)\u003cbr \/\u003e\n7. Lakmé: Flower Duet 2:14\u003cbr \/\u003e\nBlumenduett\u003cbr \/\u003e\nArr. for Piano by Emile Naoumoff\u003c\/p\u003e\n\n\u003cp\u003eSIDÉ B\u003c\/p\u003e\n\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr \/\u003e\n8. Toccata d’après le cinquième concerto 4:03\u003cbr \/\u003e\nToccata after the Fifth Concerto · Toccata nach dem fünften Konzert\u003cbr \/\u003e\nNo. 6 from Six Études pour piano op. 111\u003c\/p\u003e\n\n\u003cp\u003eGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e\n9. Pavane op. 50 6:13\u003cbr \/\u003e\nVersion for Piano\u003c\/p\u003e\n\n\u003cp\u003eLOUISE FARRENC (1804–1875)\u003cbr \/\u003e\n10. Étude No. 10 in F sharp minor 5:28\u003cbr \/\u003e\nEtüde Nr. 10 fis-Moll\u003cbr \/\u003e\nfrom 30 études dans tous les tons majeurs et mineurs pour piano op. 26\u003c\/p\u003e\n\n\u003cp\u003eCHARLOTTE SOHY (1897–1955)\u003cbr \/\u003e\n11. Romance sans paroles 3:15\u003cbr \/\u003e\nSong without Words · Lied ohne Worte\u003cbr \/\u003e\nNo. 4 from Quatre pièces romantiques op. 30\u003c\/p\u003e\n\n\u003cp\u003eGERMAINE TAILLEFERRE (1892–1983)\u003cbr \/\u003e\n12. Valse lente2:46\u003c\/p\u003e\n\n\u003cp\u003eMÉLANIE BONIS ALIAS MEL BONIS (1858–1937)\u003cbr \/\u003e\n13. La toute petite s’endort. 1:56\u003cbr \/\u003e\nNo. 13 from Miocheries. 14 scènes enfantines pour piano\u003c\/p\u003e\n\n\u003cp\u003eLILI BOULANGER (1893–1918)\u003cbr \/\u003e\n14. D’un jardin clair3:21\u003cbr \/\u003e\nNo. 2 from Trois morceaux pour piano\u003c\/p\u003e\n\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr \/\u003e\n15. Le cygne 3:15\u003cbr \/\u003e\nThe Swan · Der Schwan\u003cbr \/\u003e\nNo. 13 from Le carnaval des animaux R125 \u003cbr \/\u003e\nArr. for Piano 4 Hands by Emile Naoumoff\u003c\/p\u003e\n\n\u003cp\u003eLang Lang piano \u0026amp; Gina Alice piano (Petite Suite)\u003c\/p\u003e\n","brand":"Lang Lang","offers":[{"title":"OS","offer_id":46384709697779,"sku":"505862000","price":55.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Lang-Lang_Saint-Saens_Limitierte-Crystal-Clear-2-Vinyl-signierte-Art-Card_s505862_o2321738_a416658_v11490475.5e95055f.png?v=1751138586"},{"product_id":"lang-lang-saint-saens-5","title":"Saint-Saëns","description":"\u003cp\u003eWith this album, Lang Lang presents a treasure trove of musical discoveries: Saint-Saëns’s Piano Concerto No. 2, recorded with a stellar cast, the Gewandhausorchester and Andris Nelsons, is for Lang Lang a true romantic masterpiece that rivals the greats like Rachmaninoff or Liszt. By pairing it with Carnival of the Animals, a whimsical menagerie that has captivated young hearts for generations, Lang Lang continues his heartfelt wish to promote the love of classical music to kids and it also gives him a chance to collaborate with his wife, pianist Gina Alice. Complementing these works with hidden gems – unearthed solo compositions by five female French composers as well as beloved French classics – has created a feast for the ears, promising a captivating experience. “Many of us remember Saint-Saëns’s famous Carnival of the Animals from childhood. There are a lot of clever ideas underneath all the fun. He’s making a real statement, but in a very humorous way,” says Lang Lang. The pianist was also keen to include some well-known smaller-scale solo\/four hands works, among them Ravel’s Pavane pour une infante défunte, the Pavane by Fauré, as well as arrangements like the “Flower Duet” from Delibes’s opera Lakmé. For Debussy’s Petite Suite he is again joined by Gina Alice, who describes playing this evocative work as like “painting a picture”.  Finally, Lang Lang shines light on music by five female French composers largely overlooked until recent years. Lili Boulanger, arguably the most famous among them, became the first woman to win the coveted Prix de Rome. Lang Lang gives a spellbinding performance of Boulanger’s sublimely beautiful D’un jardin clair. \u003cbr \/\u003e\n\u003cbr \/\u003e\nTracklist:\u003c\/p\u003e\n\n\u003cp\u003eLP 1 48:49\u003c\/p\u003e\n\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003c\/p\u003e\n\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\n\u003cp\u003eLe carnaval des animaux R. 125\u003cbr \/\u003e\nCarnival of the Animals · Karneval der Tiere\u003cbr \/\u003e\nGrande fantaisie zoologique pour 2 pianos et orchestre \u003cbr \/\u003e\nGrand Zoological Fantasy for 2 Pianos and Orchestra\u003cbr \/\u003e\nGroße zoologische Fantasie für 2 Klaviere und Orchester\u003cbr \/\u003e\n1. No 1 Introduction 0:31\u003cbr \/\u003e\n2. Marche royale du lion 1:36\u003cbr \/\u003e\nThe Lion’s Royal March · Königlicher Marsch des Löwen\u003cbr \/\u003e\n3. No 2 Poules et coqs 0:45\u003cbr \/\u003e\nHens and Roosters · Hühner und Hähne\u003cbr \/\u003e\n4. No 3 Hémiones (Animaux véloces) 0:40\u003cbr \/\u003e\nJackasses (Wild Animals) · Die Esel (Wilde Tiere)\u003cbr \/\u003e\n5. No 4 Tortues 2:18\u003cbr \/\u003e\nTortoises · Schildkröten\u003cbr \/\u003e\n6. No 5 L’éléphant 1:38\u003cbr \/\u003e\nThe Elephant · Der Elefant\u003cbr \/\u003e\n7. No 6 Kangourous 0:52\u003cbr \/\u003e\nKangaroos · Kängurus\u003cbr \/\u003e\n8. No 7 Aquarium 2:30\u003cbr \/\u003e\n9. No 8 Personnages à longues oreilles 0:43\u003cbr \/\u003e\nPersonages with Long Ears\u003cbr \/\u003e\nPersönlichkeiten mit langen Ohren\u003cbr \/\u003e\n10. No 9 Le coucou au fond des bois 2:18\u003cbr \/\u003e\nThe Cuckoo in the Deep Woods\u003cbr \/\u003e\nDer Kuckuck im tiefen Wald\u003cbr \/\u003e\n11. No 10 Volière 1:18\u003cbr \/\u003e\nAviary · Das Vogelhaus\u003cbr \/\u003e\n12. No 11 Pianistes 1:15\u003cbr \/\u003e\nPianists · Pianisten\u003cbr \/\u003e\n13. No 12 Fossiles 1:26\u003cbr \/\u003e\nFossils · Fossilien\u003cbr \/\u003e\n14. No 13 Le cygne 3:09\u003cbr \/\u003e\nThe Swan · Der Schwan\u003cbr \/\u003e\n15. No 14 Final 1:53\u003cbr \/\u003e\nFinale\u003c\/p\u003e\n\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\n\u003cp\u003eConcerto for Piano and Orchestra No. 2 in G minor op. 22\u003cbr \/\u003e\nKonzert für Klavier und Orchester Nr. 2 g-Moll\u003cbr \/\u003e\n16. 1 Andante sostenuto 13:16\u003cbr \/\u003e\n17. 2 Allegro scherzando 5:51\u003cbr \/\u003e\n18. 3 Presto 6:50\u003c\/p\u003e\n\n\u003cp\u003eLang Lang piano I\u003cbr \/\u003e\nGina Alice piano II (Le carnaval)\u003cbr \/\u003e\nGewandhausorchester Leipzig\u003cbr \/\u003e\nCornelia Grohmann flute solo (11)\u003cbr \/\u003e\nAndreas Lehnert clarinet solo (10)\u003cbr \/\u003e\nChristian Giger cello solo (13)\u003cbr \/\u003e\nBurak Marlali double bass solo (6)\u003cbr \/\u003e\nAndris Nelsons conductor\u003c\/p\u003e\n\n\u003cp\u003eLP 2 57:54\u003c\/p\u003e\n\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\n\u003cp\u003eMAURICE RAVEL (1875–1937)\u003cbr \/\u003e\n1. Pavane pour une infante défunte M. 19 5:57\u003cbr \/\u003e\nVersion for Piano\u003c\/p\u003e\n\n\u003cp\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr \/\u003e\nPetite Suite CD 71a\u003cbr \/\u003e\npour piano à quatre mains · for Piano 4 Hands · für Klavier zu 4 Händen\u003cbr \/\u003e\n2. 1 En bateau. Andantino 4:14\u003cbr \/\u003e\n3. 2 Cortège. Moderato 3:35\u003cbr \/\u003e\n4. 3 Menuet. Moderato 3:40\u003cbr \/\u003e\n5. 4 Ballet. Allegro giusto 3:13\u003c\/p\u003e\n\n\u003cp\u003eGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e\n6. In paradisum 3:44\u003cbr \/\u003e\nNo. 7 from Requiem op. 48 · Arr. for Piano by Emile Naoumoff\u003c\/p\u003e\n\n\u003cp\u003eLÉO DELIBES (1836–1891)\u003cbr \/\u003e\n7. Lakmé: Flower Duet 2:14\u003cbr \/\u003e\nBlumenduett\u003cbr \/\u003e\nArr. for Piano by Emile Naoumoff\u003c\/p\u003e\n\n\u003cp\u003eSIDÉ B\u003c\/p\u003e\n\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr \/\u003e\n8. Toccata d’après le cinquième concerto 4:03\u003cbr \/\u003e\nToccata after the Fifth Concerto · Toccata nach dem fünften Konzert\u003cbr \/\u003e\nNo. 6 from Six Études pour piano op. 111\u003c\/p\u003e\n\n\u003cp\u003eGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e\n9. Pavane op. 50 6:13\u003cbr \/\u003e\nVersion for Piano\u003c\/p\u003e\n\n\u003cp\u003eLOUISE FARRENC (1804–1875)\u003cbr \/\u003e\n10. Étude No. 10 in F sharp minor 5:28\u003cbr \/\u003e\nEtüde Nr. 10 fis-Moll\u003cbr \/\u003e\nfrom 30 études dans tous les tons majeurs et mineurs pour piano op. 26\u003c\/p\u003e\n\n\u003cp\u003eCHARLOTTE SOHY (1897–1955)\u003cbr \/\u003e\n11. Romance sans paroles 3:15\u003cbr \/\u003e\nSong without Words · Lied ohne Worte\u003cbr \/\u003e\nNo. 4 from Quatre pièces romantiques op. 30\u003c\/p\u003e\n\n\u003cp\u003eGERMAINE TAILLEFERRE (1892–1983)\u003cbr \/\u003e\n12. Valse lente2:46\u003c\/p\u003e\n\n\u003cp\u003eMÉLANIE BONIS ALIAS MEL BONIS (1858–1937)\u003cbr \/\u003e\n13. 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The star violinist takes the listeners on a journey through seven centuries of music history and explores the rhythms that have set bodies in motion and lifted hearts since time began.\u003cbr \/\u003e\nEveryone knows and can hum along to the melodies of well-known classical pieces such as Shostakovich\u0026#039;s Waltz No. 2 or the famous Dance of the Knights from Prokofiev\u0026#039;s ballet Romeo and Juliet. 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Designed for “intentional listening” – to be experienced as a whole, in the same way as we take our time to contemplate a painting or a sculpture – this immersive album provides a space in which to slow down and reflect on some of the complex philosophical questions facing our ever more rapidly evolving world. O’Halloran recorded 1 0 0 1 at Reykjavík’s RRO Studios, where he was joined by his longtime collaborator and fellow composer Bryan Senti on violin, a hand-picked eight-voice choir, Paul Corley (Sigur Rós) on electronic production, and the Budapest Art Orchestra orchestrated by Roman Vinuesa – all mixed by Francesco Donadello. 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The oratorio was carefully crafted over five years and has a libretto by Pulitzer Prize winner Mark Campbell, with additional lyrics by Brock Walsh.\u003cbr \/\u003e\nInspired by true events, Émigré deals with a little-known chapter of the Second World War: the welcome given by the people of Shanghai to Jewish refugees from Nazi Europe in the 1930s. At its core, Émigré is a love story that is a parable for the world. The turmoil that tears the couples apart in the story is a reflection of how the world often tears itself apart.\u003cbr \/\u003e\nThe work will be performed by an outstanding cast of musicians from the USA and China under the direction of Long Yu and will be released in digital form on February 2, 2024. 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As can be heard her album, Yuja displays an effortless ease in switching between different eras and genres. Reviewing the recital Yuja had given in London with the same repertoire, Bachtrack noted that its “unpredictability added to [the] palpable excitement in a packed Royal Festival Hall”. Despite, or perhaps because of its eclecticism, this is unquestionably a programme with its own life, ebbing and flowing and creating a cohesive whole from its seemingly disparate musical elements. Seemingly disparate musical elements come together to form a coherent whole - with \u0026#34;Málaga\u0026#34; and \u0026#34;Lavapiés\u0026#34; by Albéniz, Scriabin\u0026#039;s Third Piano Sonata, the Jazz Preludes by Kapustin, Beethoven\u0026#039;s Piano Sonata No. 18 in E flat major and the Études No. 6 and No. 13 by Ligeti. And Yuja ends the album with breathtaking encores: Étude No. 6 by Philip Glass, Danzón No. 2 by Arturo Márquez in a transcription for solo piano, Brahms\u0026#039; Intermezzo in C sharp minor, Op. 117 No. 3 and \u0026#34;Reigen seliger Geister\u0026#34; from Gluck\u0026#039;s Orphée et Eurydice, arranged for solo piano by Giovanni Sgambati under the title Melodie.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eISAAC ALBÉNIZ (1860–1909)\u003cbr \/\u003eMálaga from Iberia\u003c\/p\u003e\n\u003cp\u003eALEXANDER SCRIABIN (1872–1915)\u003cbr \/\u003ePiano Sonata No. 3 in F sharp minor op. 23\u003cbr \/\u003e1. Drammatico\u003cbr \/\u003e2. Allegretto\u003cbr \/\u003e3. Andante\u003cbr \/\u003e4. 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As can be heard her album, Yuja displays an effortless ease in switching between different eras and genres. Reviewing the recital Yuja had given in London with the same repertoire, Bachtrack noted that its “unpredictability added to [the] palpable excitement in a packed Royal Festival Hall”. Despite, or perhaps because of its eclecticism, this is unquestionably a programme with its own life, ebbing and flowing and creating a cohesive whole from its seemingly disparate musical elements. Seemingly disparate musical elements come together to form a coherent whole - with \u0026#34;Málaga\u0026#34; and \u0026#34;Lavapiés\u0026#34; by Albéniz, Scriabin\u0026#039;s Third Piano Sonata, the Jazz Preludes by Kapustin, Beethoven\u0026#039;s Piano Sonata No. 18 in E flat major and the Études No. 6 and No. 13 by Ligeti. 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As can be heard her album, Yuja displays an effortless ease in switching between different eras and genres. Reviewing the recital Yuja had given in London with the same repertoire, Bachtrack noted that its “unpredictability added to [the] palpable excitement in a packed Royal Festival Hall”. Despite, or perhaps because of its eclecticism, this is unquestionably a programme with its own life, ebbing and flowing and creating a cohesive whole from its seemingly disparate musical elements. Seemingly disparate musical elements come together to form a coherent whole - with \u0026#34;Málaga\u0026#34; and \u0026#34;Lavapiés\u0026#34; by Albéniz, Scriabin\u0026#039;s Third Piano Sonata, the Jazz Preludes by Kapustin, Beethoven\u0026#039;s Piano Sonata No. 18 in E flat major and the Études No. 6 and No. 13 by Ligeti. 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Presto con fuoco\u003c\/p\u003e\n\u003cp\u003eLP 1 SIDE B\u003cbr \/\u003eNIKOLAI KAPUSTIN (1937–2020)\u003cbr \/\u003ePrelude No. 11\u003cbr \/\u003ePrelude No. 10\u003cbr \/\u003efrom 24 Jazz Preludes op. 53\u003c\/p\u003e\n\u003cp\u003eISAAC ALBÉNIZ\u003cbr \/\u003eLavapiés from Iberia\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr \/\u003ePiano Sonata No. 18 in E flat major “The Hunt” op. 31\/3\u003cbr \/\u003e1. Allegro\u003cbr \/\u003e2. Scherzo. Allegretto vivace\u003cbr \/\u003e3. Menuetto. Moderato e grazioso\u003cbr \/\u003e4. Presto con fuoco\u003c\/p\u003e\n\u003cp\u003eLP 2 SIDE A\u003cbr \/\u003eGYÖRGY LIGETI (1923–2006)\u003cbr \/\u003eÉtude No. 6: Automne à Varsovie\u003cbr \/\u003eÉtude No. 13: L’escalier du diable\u003c\/p\u003e\n\u003cp\u003ePHILIP GLASS (*1937)\u003cbr \/\u003eÉtude No. 6\u003c\/p\u003e\n\u003cp\u003eLP 2 SIDE B\u003cbr \/\u003eARTURO MÁRQUEZ (*1950)\u003cbr \/\u003eDanzón No. 2\u003cbr \/\u003etrans. for piano by Leticia Gómez-Tagle\u003c\/p\u003e\n\u003cp\u003eJOHANNES BRAHMS (1833–1897)\u003cbr \/\u003eIntermezzo in C sharp minor op. 117\/3\u003c\/p\u003e\n\u003cp\u003eCHRISTOPH WILLIBALD GLUCK (1714–1787)\u003cbr \/\u003eMelodie dell’Orfeo\u003cbr \/\u003earr. for piano by Giovanni Sgambati\u003c\/p\u003e","brand":"Yuja Wang","offers":[{"title":"OS","offer_id":46384775495923,"sku":"507354000","price":50.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Yuja-Wang_The-Vienna-Recital_Limitierte-Crystal-Clear-2LP-Signierte-Art-Card_s507354_o3568561_a436699_v11654948.102b0d1e.jpg?v=1751139096"},{"product_id":"camille-thomas-aznavouriana-1","title":"Aznavouriana","description":"\u003cp\u003eParisian cellist sensation Camille Thomas is back with her first crossover album “Aznavouriana” dedicated to the legendary Charles Aznavour to mark his 100th anniversary (May 22nd).\u003cbr \/\u003eA declaration of love to the work of Aznavour, the great poet who has forever marked the French Pop, accompanied by the Armenian State Symphony Orchestra and Sergey Smbatyan.\u003cbr \/\u003eA prolific artist, Charles Aznavour built up an unrivalled repertoire (51 albums in French, 42 in foreign languages) and sang on stages all over the world. \u003cbr \/\u003ePart of the profits from the album will be donated to the refugees of Nagorno-Karabakh through the Aznavour Foundation.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr \/\u003e \u003cbr \/\u003e01. Hier Encore\u003cbr \/\u003e02. La Bohème\u003cbr \/\u003e03. Emmenez-moi\u003cbr \/\u003e04. She\u003cbr \/\u003e05. Sa Jeunesse feat. Carla Bruni\u003cbr \/\u003e06. Ave Maria\u003cbr \/\u003e07. Comme Ils Disent\u003cbr \/\u003e08. Esperanza\u003cbr \/\u003e09. La Mamma\u003cbr \/\u003e10. Ils Sont Tombés\u003cbr \/\u003e11. Une Vie d’Amour\u003cbr \/\u003e12. L’Amour C’est Comme Un Jour\u003cbr \/\u003e13. Les Plaisirs Démodés\u003cbr \/\u003e14. Mourir d’Aimer\u003cbr \/\u003e15. Les Comédiens\u003c\/p\u003e","brand":"Camille Thomas","offers":[{"title":"OS","offer_id":46384782606579,"sku":"507492000","price":23.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Camille-Thomas_Aznavouriana_CD-Signierte-Artcard_s507492_o3601922_a436690_v11654879.427c90c4.jpg?v=1744727614"},{"product_id":"andre-schuen-daniel-heide-franz-schubert-winterreise-1","title":"Franz Schubert: Winterreise","description":"\u003cp\u003eAndrè Schuen\u0026#039;s two recordings of Schubert\u0026#039;s late song cycles have received fantastic reviews. For \u0026#34;Die schöne Müllerin\u0026#34;, for example, Gramophone wrote: \u0026#34;magnificent, free voice of the baritone, used with taste and unchanging sensitivity for the text\u0026#34;. And the second recording \u0026#34;Schwanengesang\u0026#34; was honored with an OPUS KLASSIK in the category \u0026#34;Vocal solo\u0026#34; in 2023. 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Der Leiermann\u003c\/p\u003e","brand":"Andrè Schuen","offers":[{"title":"OS","offer_id":46384786079987,"sku":"507533000","price":23.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Andre-Schuen-Daniel-Heide_Franz-Schubert-Winterreise_CD-signierte-Artcard_s507533_o3607985_a436716_v11655019.0dfc1bb2.png?v=1744727205"},{"product_id":"daniel-hope-irish-roots-1","title":"Irish Roots","description":"\u003cdiv\u003e\n\u003cp class=\"xmsonormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eDaniel Hope\u0026#039;s latest album, \u0026#34;Irish Roots\u0026#34; embodies his deep connection to Ireland, inherited from his paternal great-grandfather who left Waterford for South Africa in the 1890s. Although never residing in Ireland, Hope\u0026#039;s fascination with its culture led to the creation of the documentary \u0026#34;Celtic Dreams: Daniel Hope’s Hidden Irish History.\u0026#34; Supported by musicologist Olivier Fourés and experiences with award-winning Irish band Lúnasa, Hope explores the intersection of folk and classical music. \u0026#34;Irish Roots\u0026#34; reflects this journey, featuring compositions by Ina Boyle and Turlough O’Carolan alongside classics like \u0026#34;Danny Boy\u0026#34; and Vivaldi\u0026#039;s L’estro armonico concertos. Daniel Hope is joined on his new album by a stellar line-up of guest artists, including \u003cstrong\u003eLúnasa,\u003c\/strong\u003e harpist Siobhán Armstrong\u003cstrong\u003e, flautists Sir James and Lady Jeanne Galway,\u003c\/strong\u003e singer \u003cstrong\u003eRea Garvey\u003c\/strong\u003e, multi-instrumentalist and folk musician Ross Daly, fellow violinist Simos Papanas, and the \u003cstrong\u003eThessaloniki State Symphony Orchestra\u003c\/strong\u003e conducted by Daniel Geiss. 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HENRY PURCELL (1659-1695)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e7 A New Irish Tune Z. 646 – Lilliburlero 1:40\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eJOHANN SIGISMUND KUSSER (1660-1727)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eArias from Erindo oder Die unsträfliche Liebe\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e8 1. Gavotte 0:33\u003c\/div\u003e\n\u003cdiv\u003e9 2. Menuet 0:59\u003c\/div\u003e\n\u003cdiv\u003e10 3. Branle de village 0:56\u003c\/div\u003e\n\u003cdiv\u003e11 4. Bourrée I 0:55\u003c\/div\u003e\n\u003cdiv\u003e12 5. Aria 4:39\u003c\/div\u003e\n\u003cdiv\u003e13 6. Bourrée II 0:56\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eROSS DALY (*1952)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e14 Makrinitsa 5:07\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eRoss Daly lyra\u003c\/div\u003e\n\u003cdiv\u003eThessaloniki State Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eDaniel Geiss conductor\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eANTONIO VIVALDI (1678–1741)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eConcerto No. 5 in A major for 2 Violins and Orchestra RV 519\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003efrom L’estro armonico op. 3\u003c\/div\u003e\n\u003cdiv\u003e15 1. Allegro 2:54\u003c\/div\u003e\n\u003cdiv\u003e16 2. Largo 1:51\u003c\/div\u003e\n\u003cdiv\u003e17 3. Allegro 2:28\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin I\u003c\/div\u003e\n\u003cdiv\u003eSimos Papanas violin II\u003c\/div\u003e\n\u003cdiv\u003eEmanuele Forni lute \u0026amp; Baroque guitar\u003c\/div\u003e\n\u003cdiv\u003eMarkellos Chryssikos harpsichord\u003c\/div\u003e\n\u003cdiv\u003eThessaloniki State Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTHOMAS ROSEINGRAVE (1690-1766)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e18 Introduction in G minor 3:13\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003efrom XLII Suites de pièces pour le clavecin …\u003c\/div\u003e\n\u003cdiv\u003ecomposées par Domenico Scarlatti (ed. Thomas Roseingrave)\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e19 Gavotte in F minor 1:03\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003efrom Eight Suits of Lessons for the Harpsichord or Spinnet: Fifth Sett\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003earr. FRANCESCO GEMINIANI (1687-1762)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e20 Auld Bob Morrice 1:59\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e21 Irish Tunes II: 2:03\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe One-Horned Cow – Patsy Jouhey’s – Killavil Jig\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTURLOUGH OʼCAROLAN (1670-1738)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e22 O’Carolan’s Concerto 1:24\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e23 Molly Malone (in memory of Tobias Lehmann) 3:53\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eRea Garvey vocals\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e24 The Red-Haired Boy 1:57\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e25 The Waterford Waltz 2:22\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e26 Danny Boy 3:03\u003c\/div\u003e\n\u003cdiv\u003eSir James Galway flute\u003c\/div\u003e\n\u003cdiv\u003eLady Jeanne Galway flute\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eRyszard Groblewski viola\u003c\/div\u003e\n\u003cdiv\u003eNicola Mosca cello\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e27 Ladies, Step Up to Tea 4:21\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eLúnasa\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTURLOUGH OʼCAROLAN\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e28 O’Carolan’s Farewell to Music 3:40\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eChristoph Classen vocals\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCD\/Download 00289 486 5806\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRecordings:\u003c\/div\u003e\n\u003cdiv\u003eDublin, Windmill Lane Recording Studios 10\/2023 (1, 6, 27); Kilkenny, St. Mary’s, 8\/2021 (2);\u003c\/div\u003e\n\u003cdiv\u003eSchloss Elmau, 10\/2023 (3, 4, 7–13, 18–22, 24, 25, 28); Thessaloniki Concert Hall, 11\/2023 (5, 14–17);\u003c\/div\u003e\n\u003cdiv\u003eBerlin, Hope\u0026#64;Home, Spring 2020 \u0026amp; Teldex Studio, 1\/2024 (23); Zurich, Seqens, 7\/2020 (26)\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope plays the “Ex-Lipiński” violin, a 1742 instrument by Giuseppe Guarneri del Gesù, made available to the violinist by a German family.\u003c\/div\u003e\n\u003cdiv\u003eExecutive Producers: Daniel Hope \u0026amp; Daniel Engstfeld\u003c\/div\u003e\n\u003cdiv\u003eRecording Producers: René Möller; Tobias Lehmann (23)\u003c\/div\u003e\n\u003cdiv\u003eRecording Engineers: René Möller (1–4, 6–13, 18–25, 27, 28); Daniel Waldhecker (2); Wolfgang Schiefermair (5, 14–17); Christoph Classen (26)\u003c\/div\u003e\n\u003cdiv\u003eAssistant Engineer: Ellen Beamish (1, 6, 27) · Mastering: René Möller\u003c\/div\u003e\n\u003cdiv\u003eExecutive Producers: Angelika Meissner, Anusch Alimirzaie\u003c\/div\u003e\n\u003cdiv\u003eA\u0026amp;R Coordination Manager: Nicole Maurer · Product Manager: Leonie Petersen\u003c\/div\u003e\n\u003cdiv\u003eProject Coordination Manager: Estelle Werner · Creative Production Manager: Nicole Albring\u003c\/div\u003e\n\u003cdiv\u003eArrangements: Lúnasa (1, 6, 27), Siobhán Armstrong (2), Daniel Hope (3, 7–13, 20, 23–25, 28), Olivier Fourès (4, 18, 19, 21, 22), Paul Bateman (14), David Overton (26)\u003c\/div\u003e\n\u003cdiv\u003ewww.danielhope.com · www.deutschegrammophon.com\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Daniel Hope","offers":[{"title":"OS","offer_id":46384792404211,"sku":"507788000","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Daniel-Hope_Irish-Roots_CD-signierte-Art-Card_s507788_o3672963_a439475_v11753236.18fe0cfb.png?v=1744726750"},{"product_id":"daniel-hope-irish-roots-3","title":"Irish Roots","description":"\u003cdiv\u003e\n\u003cp class=\"xmsonormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eDaniel Hope\u0026#039;s latest album, \u0026#34;Irish Roots\u0026#34; embodies his deep connection to Ireland, inherited from his paternal great-grandfather who left Waterford for South Africa in the 1890s. Although never residing in Ireland, Hope\u0026#039;s fascination with its culture led to the creation of the documentary \u0026#34;Celtic Dreams: Daniel Hope’s Hidden Irish History.\u0026#34; Supported by musicologist Olivier Fourés and experiences with award-winning Irish band Lúnasa, Hope explores the intersection of folk and classical music. \u0026#34;Irish Roots\u0026#34; reflects this journey, featuring compositions by Ina Boyle and Turlough O’Carolan alongside classics like \u0026#34;Danny Boy\u0026#34; and Vivaldi\u0026#039;s L’estro armonico concertos. Daniel Hope is joined on his new album by a stellar line-up of guest artists, including \u003cstrong\u003eLúnasa,\u003c\/strong\u003e harpist Siobhán Armstrong\u003cstrong\u003e, flautists Sir James and Lady Jeanne Galway,\u003c\/strong\u003e singer \u003cstrong\u003eRea Garvey\u003c\/strong\u003e, multi-instrumentalist and folk musician Ross Daly, fellow violinist Simos Papanas, and the \u003cstrong\u003eThessaloniki State Symphony Orchestra\u003c\/strong\u003e conducted by Daniel Geiss. This DG Store LP-Set also includes a \u003cstrong\u003ehigh-quality signed art card\u003c\/strong\u003e of Daniel Hope in Vinyl-format!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e1 Morning Nightcap 4:33\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eLúnasa:\u003c\/div\u003e\n\u003cdiv\u003eSeán Smyth fiddle\u003c\/div\u003e\n\u003cdiv\u003eKevin Crawford flutes \u0026amp; whistles\u003c\/div\u003e\n\u003cdiv\u003eTrevor Hutchinson double bass\u003c\/div\u003e\n\u003cdiv\u003eCillian Vallely uilleann pipes\u003c\/div\u003e\n\u003cdiv\u003eEd Boyd guitar\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e2 Codladh an Óigfhir (The Young Man’s Sleep) 3:00\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eSiobhán Armstrong harp\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e3 Follow Me Up to Carlow 2:43\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eRea Garvey vocals\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble:\u003c\/div\u003e\n\u003cdiv\u003eSimos Papanas violin\u003c\/div\u003e\n\u003cdiv\u003eNicola Mosca cello \u0026amp; harp\u003c\/div\u003e\n\u003cdiv\u003eEmanuele Forni guitar\u003c\/div\u003e\n\u003cdiv\u003eMarkellos Chryssikos harpsichord\u003c\/div\u003e\n\u003cdiv\u003eMichael Metzler percussion \u0026amp; Irish whistle\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e4 Irish Tunes I: Cooley’s – Seán Frank – Fair and Forty 4:43\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003eINA BOYLE (1889-1967)\u003c\/div\u003e\n\u003cdiv\u003e5 Phantasy for Violin and Chamber Orchestra 6:50\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eThessaloniki State Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eDaniel Geiss conductor\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e6 The Minor Bee 5:00\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eLúnasa\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eattr. HENRY PURCELL (1659-1695)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e7 A New Irish Tune Z. 646 – Lilliburlero 1:40\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eJOHANN SIGISMUND KUSSER (1660-1727)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eArias from Erindo oder Die unsträfliche Liebe\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e8\u003c\/strong\u003e 1. Gavotte 0:33\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e9 \u003c\/strong\u003e2. Menuet 0:59\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e10 \u003c\/strong\u003e3. Branle de village 0:56\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e11 \u003c\/strong\u003e4. Bourrée I 0:55\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e12 \u003c\/strong\u003e5. Aria 4:39\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e13 \u003c\/strong\u003e6. Bourrée II 0:56\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eROSS DALY (*1952)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e14 Makrinitsa 5:07\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eRoss Daly lyra\u003c\/div\u003e\n\u003cdiv\u003eThessaloniki State Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eDaniel Geiss conductor\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eANTONIO VIVALDI (1678–1741)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eConcerto No. 5 in A major for 2 Violins and Orchestra RV 519\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003efrom L’estro armonico op. 3\u003c\/div\u003e\n\u003cdiv\u003e15 1. Allegro 2:54\u003c\/div\u003e\n\u003cdiv\u003e16 2. Largo 1:51\u003c\/div\u003e\n\u003cdiv\u003e17 3. Allegro 2:28\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin I\u003c\/div\u003e\n\u003cdiv\u003eSimos Papanas violin II\u003c\/div\u003e\n\u003cdiv\u003eEmanuele Forni lute \u0026amp; Baroque guitar\u003c\/div\u003e\n\u003cdiv\u003eMarkellos Chryssikos harpsichord\u003c\/div\u003e\n\u003cdiv\u003eThessaloniki State Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTHOMAS ROSEINGRAVE (1690-1766)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e18 Introduction in G minor 3:13\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003efrom XLII Suites de pièces pour le clavecin …\u003c\/div\u003e\n\u003cdiv\u003ecomposées par Domenico Scarlatti (ed. Thomas Roseingrave)\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e19 Gavotte in F minor 1:03\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003efrom Eight Suits of Lessons for the Harpsichord or Spinnet: Fifth Sett\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003earr. FRANCESCO GEMINIANI (1687-1762)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e20 Auld Bob Morrice 1:59\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e21 Irish Tunes II: 2:03\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe One-Horned Cow – Patsy Jouhey’s – Killavil Jig\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTURLOUGH OʼCAROLAN (1670-1738)\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e22 O’Carolan’s Concerto 1:24\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e23 Molly Malone (in memory of Tobias Lehmann) 3:53\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eRea Garvey vocals\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e24 The Red-Haired Boy 1:57\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e25 The Waterford Waltz 2:22\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e26 Danny Boy 3:03\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eSir James Galway flute\u003c\/div\u003e\n\u003cdiv\u003eLady Jeanne Galway flute\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eRyszard Groblewski viola\u003c\/div\u003e\n\u003cdiv\u003eNicola Mosca cello\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTRADITIONAL\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e27 Ladies, Step Up to Tea 4:21\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eLúnasa\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTURLOUGH OʼCAROLAN\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e28 O’Carolan’s Farewell to Music 3:40\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eChristoph Classen vocals\u003c\/div\u003e\n\u003cdiv\u003eDaniel Hope violin\u003c\/div\u003e\n\u003cdiv\u003eAIR Ensemble\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCD\/Download 00289 486 5806\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRecordings:\u003c\/div\u003e\n\u003cdiv\u003eDublin, Windmill Lane Recording Studios 10\/2023 (1, 6, 27); 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Time To Say Goodbye - Andrea Bocelli, Matteo Bocelli, Hans Zimmer\u003c\/p\u003e","brand":"Andrea Bocelli","offers":[{"title":"OS","offer_id":46384922132723,"sku":"509015000","price":23.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Andrea-Bocelli_Duets-30th-Anniversary_2CD-Signierter-Art-Card_s509015_o4401248_a456973_v11979678.dfa12adb.png?v=1751061596"},{"product_id":"david-garrett-millennium-symphony-2","title":"Millennium Symphony","description":"\u003cp\u003e\u003cstrong\u003eDAVID GARRETT “Millennium Symphony” 2-LP Vinyl Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandsigniert von David Garrett, exklusiv und streng limitiert auf nur 1.000 Einheiten weltweit.\u003c\/strong\u003e\u003cbr \/\u003e\u003cstrong\u003eDavid Garrett spielt die größten Hits der letzten 25 Jahre: Ein absolutes Hitfeuerwerk mit symphonischen Pop-Neuinterpretationen von Taylor Swift, Rihanna, Ed Sheeran, The Weeknd, David Guetta und vielen anderen mehr!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSichere Dir jetzt die limitierte 2-LP Edition des Albums mit 16 Titeln. Limitiert auf nur 1.000 Einheiten weltweit.\u003c\/p\u003e\n\u003cp\u003eDavid Garretts neues Album „Millennium Symphony“ erscheint am 18.10.2024. Im kommenden Jahr geht David Garrett gemeinsam mit seinem Musiker auf Welttournee mit Konzerten u.a. in Europa, Nordamerika, Südamerika, Asien und Australien.\u003c\/p\u003e\n\u003cp\u003e● 2-LP des kommenden Albums\u003cbr \/\u003e● 15 Titel\u003cbr \/\u003e● 140g Vinyl\u003cbr \/\u003e● Streng limitiert auf 1.000 Einheiten\u003cbr \/\u003e● Signiert auf dem Cover\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eSeite 1: \u003cbr \/\u003e1.            Shape of You\u003cbr \/\u003e2.            Shake it Off\u003cbr \/\u003e3.            7 Nation Army\u003cbr \/\u003e4.            As it Was\u003cbr \/\u003e5.            Wake Me Up\u003cbr \/\u003e6.            Señorita\u003c\/p\u003e\n\u003cp\u003eSeite 2:\u003cbr \/\u003e7.            Move Like Jagger\u003cbr \/\u003e8.            The Joker and the Queen\u003cbr \/\u003e9.            Dance Monkey\u003cbr \/\u003e10.         Blinding Lights\u003cbr \/\u003e11.         Despacito\u003c\/p\u003e\n\u003cp\u003eSeite 3: \u003cbr \/\u003e12.         The Loneliest\u003cbr \/\u003e13.         Naughty Girl\u003cbr \/\u003e14.         Titanium\u003cbr \/\u003e15.         Flowers\u003c\/p\u003e\n\u003cp\u003eSeite 4:\u003cbr \/\u003e16.         Russian Roulette\u003cbr \/\u003e17.         Can’t Get You Out of My Head\u003cbr \/\u003e18.         Say Something\u003cbr \/\u003e19.         Survivor\u003cbr \/\u003e20.         Komet\u003cbr \/\u003e21.         Mein Herz Brennt\u003cbr \/\u003e22.         Welcome to the Black Parade\u003c\/p\u003e","brand":"David Garrett","offers":[{"title":"OS","offer_id":46384922722547,"sku":"509069000","price":39.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/David-Garrett_Millennium-Symphony_2-LP-Vinyl-Set-Handsigniert_s509069_o4490161_a457587_v11984709.7f02984f.jpg?v=1751053379"},{"product_id":"daniil-trifonov-my-american-story-north-1","title":"My American Story - North","description":"\u003cp\u003eWith his new project, star pianist Daniil Trifonov embarks on a very personal musical journey across the Americas. The first of a total of two albums, My American Story - North, begins in the USA, where Trifonov has spent almost half of his life. The album\u0026#039;s diverse repertoire “has given me access to many perspectives, styles, cultures, places, people, stories and forms of expression that have shaped and molded my experience of America,” says Trifonov. The selected works range from jazz and swing to minimal music and popular film music. Two piano concertos form the framework of the album: Gershwin\u0026#039;s popular Concerto in F and the world premiere of a concerto composed especially for Trifonov by Mason Bates. Both are accompanied by the Philadelphia Orchestra under Yannick Nézet-Séguin. Solo pieces for piano include works by John Adams, Aaron Copland, John Corigliano and Dave Grusin, Trifonov\u0026#039;s own transcription of jazz classics such as Art Tatum\u0026#039;s “I Cover the Waterfront”, Bill Evans\u0026#039; version of “When I Fall in Love”, selected pieces from Hollywood classics The Firm and American Beauty as well as John Cage\u0026#039;s legendary “4\u0026#039;33”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD1\u003c\/p\u003e\n\u003cp\u003eArt Tatum (1909 – 1956)\u003cbr \/\u003e1 Cover the Waterfront\u003cbr \/\u003e \u003cbr \/\u003eGeorge Gershwin (1898 – 1937)\u003cbr \/\u003eConcerto in F\u003cbr \/\u003e2 Allegro\u003cbr \/\u003e3 Adagio – Andante con moto\u003cbr \/\u003e4 Allegro agitato\u003cbr \/\u003e \u003cbr \/\u003eAaron Copland (1873 – 1943)\u003cbr \/\u003e5 Piano Variations\u003cbr \/\u003e \u003cbr \/\u003eVictor Young (1900 – 1956) \/ Bill Evans (1929 – 1980)\u003cbr \/\u003e6 When I Fall in Love\u003cbr \/\u003e \u003cbr \/\u003eJohn Adams (*1947)\u003cbr \/\u003e7 China Gates\u003cbr \/\u003e \u003cbr \/\u003eCD2\u003c\/p\u003e\n\u003cp\u003eJohn Corigliano (*1938)\u003cbr \/\u003e1 Fantasia on an Ostinato\u003cbr \/\u003e \u003cbr \/\u003eDave Grusin (*1934)\u003cbr \/\u003e2 “Memphis Stomp” from The Firm\u003cbr \/\u003e \u003cbr \/\u003eThomas Newman (*1955)\u003cbr \/\u003e3 American Beauty\u003cbr \/\u003e \u003cbr \/\u003eMason Bates (*1977)\u003cbr \/\u003ePiano Concerto\u003cbr \/\u003e4 Movement I\u003cbr \/\u003e5 Movement II\u003cbr \/\u003e6 Movement III\u003cbr \/\u003e \u003cbr \/\u003eJohn Cage (1912 – 1992)\u003cbr \/\u003e7 4’33 (Field Version: Cage \u0026#64; Columbus)\u003c\/p\u003e","brand":"Daniil Trifonov","offers":[{"title":"OS","offer_id":46384926261491,"sku":"509122000","price":26.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Daniil-Trifonov_My-American-Story-North_2CD-Digipack-signierte-Art-Card_s509122_o4853312_a472252_v12146319.ad60fd41.jpg?v=1744727621"},{"product_id":"daniil-trifonov-my-american-story-north-2","title":"My American Story - North","description":"\u003cp\u003eWith his new project, star pianist Daniil Trifonov embarks on a very personal musical journey across the Americas. 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The first of a total of two albums, My American Story - North, begins in the USA, where Trifonov has spent almost half of his life. The album\u0026#039;s diverse repertoire “has given me access to many perspectives, styles, cultures, places, people, stories and forms of expression that have shaped and molded my experience of America,” says Trifonov. The selected works range from jazz and swing to minimal music and popular film music. Two piano concertos form the framework of the album: Gershwin\u0026#039;s popular Concerto in F and the world premiere of a concerto composed especially for Trifonov by Mason Bates. Both are accompanied by the Philadelphia Orchestra under Yannick Nézet-Séguin. 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And Gramophone wrote: “Hoffmann’s legerdemain still dazzles. ... I find her balance of songful lyricism and inexorable forward motion especially impressive”. For her second DG recording, Fantasia, the harpist has travelled further back in time to focus on the music of the Baroque period. Here she showcases her instrument in a selection of fantasias and preludes originally written for keyboard or lute by Johann Sebastian Bach, his sons Wilhelm Friedemann and Carl Philipp Emanuel, and his contemporaries Handel and Weiss.\u003c\/p\u003e\n\u003cp\u003eBy the 18th century, the term “fantasia”, in use since the Renaissance, indicated a piece of instrumental music characterised by a combination of stylistic invention and structural discipline. As Magdalena Hoffmann points out, “Improvisatory freedom and formal rigour come together to create a living, breathing entity – these contrasts make for fertile ground when it comes to musical creation.” Her chosen composers may not have been writing for the harp, but whether labelled fantasias, preludes, overtures, airs or allegros, their works in this genre are perfectly suited to the instrument. “The harp has what you might almost call a home advantage,” she says, “thanks to its natural potential for the kind of free, ornamental arpeggiation so typical of Baroque preludes and fantasias.” \u003c\/p\u003e\n\u003cp\u003eMagdalena Hoffmann channels the Baroque spirit of improvisation on Fantasia, using the resonance and versatility of the harp to add new dynamic and spatial dimensions to this richly imaginative repertoire. “The harp offers the possibility of great inner tension and a kind of spiritual dynamic which has a liberating effect,” she notes. “And that means each fantasia is like a musical snapshot that sounds different every time you play it – its energy is infinite, and it can never be definitively captured.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCarl Philipp Emanuel Bach (1714–1788)\u003cbr \/\u003e1 Fantasia in E flat major Wq deest (H 348)\u003c\/p\u003e\n\u003cp\u003eWilhelm Friedemann Bach (1710–1784)\u003cbr \/\u003e2 Prelude in C minor F 29\u003cbr \/\u003e3 Fantasia in A minor F 23\u003c\/p\u003e\n\u003cp\u003eSilvius Leopold Weiss (1686–1750)\u003cbr \/\u003e4 Prelude in C minor\u003cbr \/\u003e5 Fantasia in C minor WSW 9\u003c\/p\u003e\n\u003cp\u003eGeorge Frideric Handel (1685–1759)\u003cbr \/\u003ePrelude \u0026amp; Allegro in A minor HWV 576\u003cbr \/\u003e6 Prelude\u003cbr \/\u003e7 Allegro\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach (1685–1750)\u003cbr \/\u003e8 Prelude (Fantasia) in C minor BWV 921\u003c\/p\u003e\n\u003cp\u003eGeorge Frideric Handel \u003cbr \/\u003e9 Overture from Suite in G minor HWV 453:1\u003cbr \/\u003e10 Prelude from Partita in C minor HWV 444:1\u003cbr \/\u003e11 Air in G minor HWV 467\u003c\/p\u003e\n\u003cp\u003eCarl Philipp Emanuel Bach\u003cbr \/\u003e12 Fantasia in D major Wq 117:14 (H 160)\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach\u003cbr \/\u003e13 Fantasia in G minor (Fantasia duobus subjectis) BWV 917 \u003c\/p\u003e\n\u003cp\u003eGeorge Frideric Handel \u003cbr \/\u003e14 Prelude in D minor HWV 562\u003c\/p\u003e\n\u003cp\u003eWilhelm Friedemann Bach\u003cbr \/\u003e15 Fantasia in D minor F 19\u003c\/p\u003e\n\u003cp\u003eCarl Philipp Emanuel Bach\u003cbr \/\u003e16 Fantasia in F sharp minor “C. P. E. Bachs Empfindungen” Wq 67 (H 300)\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach\u003cbr \/\u003e17 Sinfonia (Fantasia) No. 11 in G minor BWV 797\u003c\/p\u003e","brand":"Magdalena Hoffmann","offers":[{"title":"OS","offer_id":46384931700979,"sku":"509136000","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Magdalena-Hoffmann_Fantasia_CD-exklusive-signierte-Art-Card_s509136_o4858994_a459636_v12071144.26bdd709.jpg?v=1744726291"},{"product_id":"max-richter-in-a-landscape-2","title":"In A Landscape","description":"\u003cp\u003eMax Richter’s ninth solo album – the first to be written and recorded at his serene new studio in rural Oxfordshire – is a fleeting self-portrait of a musician in constant motion. In A Landscape is a record about “reconciling polarities”, as Richter puts it, bringing together the electronic and the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living. \u003c\/p\u003e\n\u003cp\u003eThe 19-track album began life in summer 2022 as a natural counterweight to the urgent political tenor of his previous projects. Shifting focus to Richter’s immediate surroundings, In A Landscape marks out a psychic space in which to meditate on the present while recognising a lifetime of artistic influence, from Bach and Purcell to the poetry of Keats, Wordsworth and Anne Carson. “It’s me having a look around, trying to examine where I\u0026#039;m at,” he suggests, “like a memoir of the present moment.” \u003c\/p\u003e\n\u003cp\u003eIn A Landscape is his first solo album recorded at Studio Richter Mahr, the minimalist, eco-conscious creative retreat designed and operated by Richter and his wife, visual artist Yulia Mahr. “The whole building is like an instrument,” he says. “There\u0026#039;s an element of exploring the capabilities of the building, how all the spaces sound, all the textures, and trying to dicover the fingerprint it has.”\u003c\/p\u003e\n\u003cp\u003eThe creative process was deliberately minimal, with Richter writing notation by hand and restricting his palette to just a few colours: string quintet, grand piano, Hammond organ and MiniMoog, plus tape delays, vocoders and reverbs. “I’m always looking for ways to get to the essence of things, to get to the simplest version of everything.”\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eLP1 Seite A\u003cbr \/\u003e1. 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Movement, Before All Flowers\u003c\/p\u003e","brand":"Max Richter","offers":[{"title":"OS","offer_id":46384964174067,"sku":"511356000","price":39.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Max-Richter_In-A-Landscape_2LP-Signierter-Artcard_s511356_o5512177_a487431_v12290202.57322991.png?v=1751139376"},{"product_id":"maria-duenas-paganini-24-caprices-2","title":"Paganini: 24 Caprices","description":"\u003cp\u003e\u003cstrong\u003e*SHOP EXCLUSIVE* \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-CD Digipack\u003c\/li\u003e\n\u003cli\u003eexklusiv Signed Art Card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr \/\u003eFollowing her award-winning debut (“A spectacular launch to a recording career” – Gramophone Magazine), Spanish violinist María Dueñas presents her second album for Deutsche Grammophon. Center stage take the legendary 24 Caprices by Niccolò Paganini, famous as one of the most demanding works ever written for the violin. “Paganini’s 24 Caprices are a milestone for every violinist,” states Dueñas. The cycle known for its breathtaking finesse and virtuosity, is also characterized by its musical variety and depth. Dueñas seeks to “show the vocal quality in the Caprices”, in order “to reveal the music behind the technique”. The album is complemented by a mixture of solo, chamber and orchestral caprices inspired by Paganini. These include selected pieces by Berlioz, Kreisler, Saint-Saëns, Sarasate, Wieniawski as well as two works written specially for Dueñas by contemporary composers Jordi Cervelló and Gabriela Ortiz, the latter in a world premiere recording. Dueñas is accompanied by violinist Boris Kuschnir, pianists Itamar Golan and Alexander Malofeev and guitarist Raphaël Feuillâtre. For the orchestral works by Berlioz and Saint-Saëns, she is supported by Deutsches Symphonie-Orchester Berlin under conductor Mihhail Gerts. “A caprice offers a huge range of colors and dynamics and there’s also a sense of improvisation,” comments Dueñas. “It means more than technical fireworks. It’s about rhapsodic freedom, color and creativity – everything that helps to make the violin such a bewitching instrument.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrackliste:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eNICOLÒ PAGANINI (1782–1840)\u003c\/p\u003e\n\u003cp\u003e24 Caprices for Violin Solo op. 1\u003c\/p\u003e\n\u003cp\u003e             1 Caprice No. 1 in E major. Andante\u003c\/p\u003e\n\u003cp\u003e             2 Caprice No. 2 in B minor. Moderato\u003c\/p\u003e\n\u003cp\u003e             3 Caprice No. 3 in E minor. Sostenuto – Presto – Sostenuto\u003c\/p\u003e\n\u003cp\u003e             4 Caprice No. 4 in C minor. Maestoso\u003c\/p\u003e\n\u003cp\u003e             5 Caprice No. 5 in A minor. Agitato\u003c\/p\u003e\n\u003cp\u003e             6 Caprice No. 6 in G minor. Lento\u003c\/p\u003e\n\u003cp\u003e             7 Caprice No. 7 in A minor. Posato\u003c\/p\u003e\n\u003cp\u003e             8 Caprice No. 8 in E flat major. Maestoso\u003c\/p\u003e\n\u003cp\u003e             9 Caprice No. 9 in E major. Allegretto\u003c\/p\u003e\n\u003cp\u003e             10 Caprice No. 10 in G minor. Vivace\u003c\/p\u003e\n\u003cp\u003e             11 Caprice No. 11 in C major. Andante – Presto – Tempo I\u003c\/p\u003e\n\u003cp\u003e             12 Caprice No. 12 in A flat major. Allegro\u003c\/p\u003e\n\u003cp\u003e             13 Caprice No. 13 in B flat major. Allegro\u003c\/p\u003e\n\u003cp\u003e             14 Caprice No. 14 in E flat major. Moderato\u003c\/p\u003e\n\u003cp\u003e             15 Caprice No. 15 in E minor. Posato\u003c\/p\u003e\n\u003cp\u003e             16 Caprice No. 16 in G minor. Presto\u003c\/p\u003e\n\u003cp\u003e             17 Caprice No. 17 in E flat major. Sostenuto – Andante\u003c\/p\u003e\n\u003cp\u003e             18 Caprice No. 18 in C major. Corrente\u003c\/p\u003e\n\u003cp\u003e             19 Caprice No. 19 in E flat major. Lento – Allegro assai\u003c\/p\u003e\n\u003cp\u003e             20 Caprice No. 20 in D major. Allegretto\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003e             1 Caprice No. 21 in A major. Amoroso\u003c\/p\u003e\n\u003cp\u003e             2 Caprice No. 22 in F major. Marcato\u003c\/p\u003e\n\u003cp\u003e             3 Caprice No. 23 in E flat major. Posato\u003c\/p\u003e\n\u003cp\u003e             4 Caprice No. 24 in A minor. Tema. Quasi Presto – Variazioni – Finale\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePABLO DE SARASATE (1844–1908)\u003c\/p\u003e\n\u003cp\u003e5 Caprice basque op. 24\u003c\/p\u003e\n\u003cp\u003efor violin and piano\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJORDI CERVELLÓ (1935–2022)\u003c\/p\u003e\n\u003cp\u003e6 Milstein Caprice\u003c\/p\u003e\n\u003cp\u003efor violin solo\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHENRYK WIENIAWSKI (1835–1880)\u003c\/p\u003e\n\u003cp\u003e7 Étude-Caprice in E flat major op. 18\/2\u003c\/p\u003e\n\u003cp\u003efor 2 violins\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGABRIELA ORTIZ (*1964)\u003c\/p\u003e\n\u003cp\u003e8 De cuerda y madera\u003c\/p\u003e\n\u003cp\u003eCapriccio for violin and piano\u003c\/p\u003e\n\u003cp\u003eWorld premiere recording\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003c\/p\u003e\n\u003cp\u003e9 Caprice andalous op. 122\u003c\/p\u003e\n\u003cp\u003efor violin and orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHECTOR BERLIOZ (1803–1869)\u003c\/p\u003e\n\u003cp\u003e10 Rêverie \u0026amp; Caprice op. 8\u003c\/p\u003e\n\u003cp\u003efor violin and orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCAMILLE SAINT-SAËNS\u003c\/p\u003e\n\u003cp\u003e11 Introduction \u0026amp; Rondo capriccioso op. 28\u003c\/p\u003e\n\u003cp\u003efor violin and orchestra\u003c\/p\u003e","brand":"María Dueñas","offers":[{"title":"OS","offer_id":46384977641715,"sku":"511452000","price":27.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Maria-Duenas_Paganini-24-Caprices_Limitierte-2CD-Signierte-Art-Card_s511452_o5534081_a488903_v12306208.2703f0e4.jpg?v=1751136532"},{"product_id":"maria-duenas-paganini-24-caprices-3","title":"Paganini: 24 Caprices","description":"\u003cp\u003e\u003cstrong\u003e*SHOP EXCLUSIVE* \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP set with two 180g vinyls in a high-quality gatefold package\u003c\/li\u003e\n\u003cli\u003eexclusive signed art card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr \/\u003eFollowing her award-winning debut (“A spectacular launch to a recording career” – Gramophone Magazine), Spanish violinist María Dueñas presents her second album for Deutsche Grammophon. Center stage take the legendary 24 Caprices by Niccolò Paganini, famous as one of the most demanding works ever written for the violin. “Paganini’s 24 Caprices are a milestone for every violinist,” states Dueñas. The cycle known for its breathtaking finesse and virtuosity, is also characterized by its musical variety and depth. Dueñas seeks to “show the vocal quality in the Caprices”, in order “to reveal the music behind the technique”. The album is complemented by a mixture of solo, chamber and orchestral caprices inspired by Paganini. These include selected pieces by Berlioz, Kreisler, Saint-Saëns, Sarasate, Wieniawski as well as two works written specially for Dueñas by contemporary composers Jordi Cervelló and Gabriela Ortiz, the latter in a world premiere recording. Dueñas is accompanied by violinist Boris Kuschnir, pianists Itamar Golan and Alexander Malofeev and guitarist Raphaël Feuillâtre. For the orchestral works by Berlioz and Saint-Saëns, she is supported by Deutsches Symphonie-Orchester Berlin under conductor Mihhail Gerts. “A caprice offers a huge range of colors and dynamics and there’s also a sense of improvisation,” comments Dueñas. “It means more than technical fireworks. It’s about rhapsodic freedom, color and creativity – everything that helps to make the violin such a bewitching instrument.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNICOLÒ PAGANINI (1782–1840)\u003c\/p\u003e\n\u003cp\u003e24 Caprices for Violin Solo op. 1\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP 1 – SIDE A\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 1 in E major. Andante\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 2 in B minor. Moderato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 3 in E minor. 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Allegro\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 14 in E flat major. Moderato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 15 in E minor. Posato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 16 in G minor. Presto\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 17 in E flat major. Sostenuto – Andante\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 18 in C major. Corrente\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP 2 – SIDE B\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 19 in E flat major. Lento – Allegro assai\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 20 in D major. Allegretto\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 21 in A major. Amoroso\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 22 in F major. Marcato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 23 in E flat major. Posato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 24 in A minor. Tema. Quasi Presto – Variazioni – Finale\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD\u003c\/p\u003e\n\u003cp\u003ePABLO DE SARASATE (1844–1908)\u003c\/p\u003e\n\u003cp\u003e1 Caprice basque op. 24\u003c\/p\u003e\n\u003cp\u003efor violin and piano\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFRITZ KREISLER (1875–1962)\u003c\/p\u003e\n\u003cp\u003e2 Recitativo \u0026amp; Scherzo-Caprice op. 6\u003c\/p\u003e\n\u003cp\u003efor violin solo\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFRITZ KREISLER\u003c\/p\u003e\n\u003cp\u003e3 Caprice viennois op. 2\u003c\/p\u003e\n\u003cp\u003earr. For violin and guitar by Antoine Fougeray\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJORDI CERVELLÓ (1935–2022)\u003c\/p\u003e\n\u003cp\u003e4 Milstein Caprice\u003c\/p\u003e\n\u003cp\u003efor violin solo\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHENRYK WIENIAWSKI (1835–1880)\u003c\/p\u003e\n\u003cp\u003e5 Étude-Caprice in E flat major op. 18\/2\u003c\/p\u003e\n\u003cp\u003efor 2 violins\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGABRIELA ORTIZ (*1964)\u003c\/p\u003e\n\u003cp\u003e6 De cuerda y madera\u003c\/p\u003e\n\u003cp\u003eCapriccio for violin and piano\u003c\/p\u003e\n\u003cp\u003eWorld premiere recording\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003c\/p\u003e\n\u003cp\u003e7 Caprice andalous op. 122\u003c\/p\u003e\n\u003cp\u003efor violin and orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHECTOR BERLIOZ (1803–1869)\u003c\/p\u003e\n\u003cp\u003e8 Rêverie \u0026amp; Caprice op. 8\u003c\/p\u003e\n\u003cp\u003efor violin and orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCAMILLE SAINT-SAËNS\u003c\/p\u003e\n\u003cp\u003e9 Introduction \u0026amp; Rondo capriccioso op. 28\u003c\/p\u003e\n\u003cp\u003efor violin and orchestra\u003c\/p\u003e","brand":"María Dueñas","offers":[{"title":"OS","offer_id":46384977674483,"sku":"511453000","price":48.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Maria-Duenas_Paganini-24-Caprices_Limitierte-2LP-1CD-Signierte-Art-Card_s511453_o5534105_a488996_v12306669.0c8db9a8.jpg?v=1751139408"},{"product_id":"maria-duenas-paganini-24-caprices-4","title":"Paganini: 24 Caprices","description":"\u003cp\u003e\u003cstrong\u003e*SHOP EXCLUSIVE* \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExclusive Fan Box\u003c\/li\u003e\n\u003cli\u003eStrictly limited and numbered: only 100 units\u003c\/li\u003e\n\u003cli\u003eCollector’s item: each box contains an original \u0026amp; onetime polaroid taken during the recording sessions as well as photophoot and video filming. Signed by María Dueñas.\u003c\/li\u003e\n\u003cli\u003eCollector’s item: the box contains an original string taken from the album’s cover\u003c\/li\u003e\n\u003cli\u003eSigned \u0026amp; numbered White Label 2LP\u003c\/li\u003e\n\u003cli\u003e2-CD digipack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr \/\u003eFollowing her award-winning debut (“A spectacular launch to a recording career” - Gramophone Magazine), Spanish violinist María Dueñas presents her second album for Deutsche Grammophon. Center stage take the legendary 24 Caprices by Niccolò Paganini, famous as one of the most demanding works ever written for the violin. “Paganini’s 24 Caprices are a milestone for every violinist,” states Dueñas. The cycle known for its breathtaking finesse and virtuosity, is also characterized by its musical variety and depth. Dueñas seeks to “show the vocal quality in the Caprices”, in order “to reveal the music behind the technique”. The album is complemented by a mixture of solo, chamber and orchestral caprices inspired by Paganini. These include selected pieces by Berlioz, Kreisler, Saint-Saëns, Sarasate, Wieniawski as well as two works written specially for Dueñas by contemporary composers Jordi Cervelló and Gabriela Ortiz, the latter in a world premiere recording. Dueñas is accompanied by violinist Boris Kuschnir, pianists Itamar Golan and Alexander Malofeev and guitarist Raphaël Feuillâtre. For the orchestral works by Berlioz and Saint-Saëns, she is supported by Deutsches Symphonie-Orchester Berlin under conductor Mihhail Gerts. “A caprice offers a huge range of colors and dynamics and there’s also a sense of improvisation,” comments Dueñas. “It means more than technical fireworks. It’s about rhapsodic freedom, color and creativity – everything that helps to make the violin such a bewitching instrument.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWHITE LABEL\u003c\/p\u003e\n\u003cp\u003eNICOLÒ PAGANINI (1782–1840)\u003c\/p\u003e\n\u003cp\u003e24 Caprices for Violin Solo op. 1\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP 1 – SIDE A\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 1 in E major. Andante\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 2 in B minor. Moderato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 3 in E minor. Sostenuto – Presto – Sostenuto\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 4 in C minor. Maestoso\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 5 in A minor. Agitato\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP 1 – SIDE B\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 6 in G minor. Lento\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 7 in A minor. Posato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 8 in E flat major. Maestoso\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 9 in E major. Allegretto\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 10 in G minor. Vivace\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 11 in C major. Andante – Presto – Tempo I\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP 2 – SIDE A\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 12 in A flat major. Allegro\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 13 in B flat major. Allegro\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 14 in E flat major. Moderato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 15 in E minor. Posato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 16 in G minor. Presto\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 17 in E flat major. Sostenuto – Andante\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 18 in C major. Corrente\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP 2 – SIDE B\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 19 in E flat major. Lento – Allegro assai\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 20 in D major. Allegretto\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 21 in A major. Amoroso\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 22 in F major. Marcato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 23 in E flat major. Posato\u003c\/p\u003e\n\u003cp\u003e              Caprice No. 24 in A minor. Tema. Quasi Presto – Variazioni – Finale\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 CD DIGIPACK\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eNICOLÒ PAGANINI (1782–1840)\u003c\/p\u003e\n\u003cp\u003e24 Caprices for Violin Solo op. 1\u003c\/p\u003e\n\u003cp\u003e             1 Caprice No. 1 in E major. Andante\u003c\/p\u003e\n\u003cp\u003e             2 Caprice No. 2 in B minor. Moderato\u003c\/p\u003e\n\u003cp\u003e             3 Caprice No. 3 in E minor. Sostenuto – Presto – Sostenuto\u003c\/p\u003e\n\u003cp\u003e             4 Caprice No. 4 in C minor. Maestoso\u003c\/p\u003e\n\u003cp\u003e             5 Caprice No. 5 in A minor. Agitato\u003c\/p\u003e\n\u003cp\u003e             6 Caprice No. 6 in G minor. Lento\u003c\/p\u003e\n\u003cp\u003e             7 Caprice No. 7 in A minor. Posato\u003c\/p\u003e\n\u003cp\u003e             8 Caprice No. 8 in E flat major. Maestoso\u003c\/p\u003e\n\u003cp\u003e             9 Caprice No. 9 in E major. Allegretto\u003c\/p\u003e\n\u003cp\u003e             10 Caprice No. 10 in G minor. Vivace\u003c\/p\u003e\n\u003cp\u003e             11 Caprice No. 11 in C major. Andante – Presto – Tempo I\u003c\/p\u003e\n\u003cp\u003e             12 Caprice No. 12 in A flat major. Allegro\u003c\/p\u003e\n\u003cp\u003e             13 Caprice No. 13 in B flat major. Allegro\u003c\/p\u003e\n\u003cp\u003e             14 Caprice No. 14 in E flat major. Moderato\u003c\/p\u003e\n\u003cp\u003e             15 Caprice No. 15 in E minor. Posato\u003c\/p\u003e\n\u003cp\u003e             16 Caprice No. 16 in G minor. Presto\u003c\/p\u003e\n\u003cp\u003e             17 Caprice No. 17 in E flat major. Sostenuto – Andante\u003c\/p\u003e\n\u003cp\u003e             18 Caprice No. 18 in C major. Corrente\u003c\/p\u003e\n\u003cp\u003e             19 Caprice No. 19 in E flat major. Lento – Allegro assai\u003c\/p\u003e\n\u003cp\u003e             20 Caprice No. 20 in D major. Allegretto\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003e             1 Caprice No. 21 in A major. Amoroso\u003c\/p\u003e\n\u003cp\u003e             2 Caprice No. 22 in F major. Marcato\u003c\/p\u003e\n\u003cp\u003e             3 Caprice No. 23 in E flat major. Posato\u003c\/p\u003e\n\u003cp\u003e             4 Caprice No. 24 in A minor. Tema. 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CHOPIN - 24 Preludes, Op. 28: No. 4 in E Minor. Largo\u003cbr \/\u003e17. CHOPIN - 24 Preludes, Op. 28: No. 5 in D Major. Molto allegro\u003cbr \/\u003e18. CHOPIN - 24 Preludes, Op. 28: No. 6 in B Minor. Lento assai\u003cbr \/\u003e19. CHOPIN - 24 Preludes, Op. 28: No. 7 in A Major. Andantino\u003cbr \/\u003e20. CHOPIN - 24 Preludes, Op. 28: No. 8 in F-Sharp Minor. Molto agitato\u003cbr \/\u003e21. CHOPIN - 24 Preludes, Op. 28: No. 9 in E Major. Largo\u003cbr \/\u003e22. CHOPIN - 24 Preludes, Op. 28: No. 10 in C-Sharp Minor. Molto allegro\u003cbr \/\u003e23. CHOPIN - 24 Preludes, Op. 28: No. 11 in B Major. Vivace\u003cbr \/\u003e24. CHOPIN - 24 Preludes, Op. 28: No. 12 in G-Sharp Minor. Presto\u003cbr \/\u003e25. CHOPIN - 24 Preludes, Op. 28: No. 13 in F-Sharp Major. Lento\u003cbr \/\u003e26. CHOPIN - 24 Preludes, Op. 28: No. 14 in E-Flat Minor. Allegro\u003cbr \/\u003e27. CHOPIN - 24 Preludes, Op. 28: No. 15 in D-Flat Major \u0026#34;Raindrop Prelude\u0026#34;\u003cbr \/\u003e28. CHOPIN - 24 Preludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco\u003cbr \/\u003e29. CHOPIN - 24 Preludes, Op. 28: No. 17 in A-Flat Major. Allegretto\u003cbr \/\u003e30. CHOPIN - 24 Preludes, Op. 28: No. 18 in F Minor. Molto allegro\u003cbr \/\u003e31. CHOPIN - 24 Preludes, Op. 28: No. 19 in E-Flat Major. Vivace\u003cbr \/\u003e32. CHOPIN - 24 Preludes, Op. 28: No. 20 in C Minor. Largo\u003cbr \/\u003e33. CHOPIN - 24 Preludes, Op. 28: No. 21 in B-Flat Major. Cantabile\u003cbr \/\u003e34. CHOPIN - 24 Preludes, Op. 28: No. 22 in G Minor. Molto agitato\u003cbr \/\u003e35. CHOPIN - 24 Preludes, Op. 28: No. 23 in F Major. Moderato\u003cbr \/\u003e36. CHOPIN - 24 Preludes, Op. 28: No. 24 in D Minor. 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Allegro\u003c\/p\u003e\n\u003cp\u003eLP2 – Side B\u003cbr \/\u003e15. CHOPIN - 24 Preludes, Op. 28: No. 15 in D-Flat Major \u0026#34;Raindrop Prelude\u0026#34;\u003cbr \/\u003e16. CHOPIN - 24 Preludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco\u003cbr \/\u003e17. CHOPIN - 24 Preludes, Op. 28: No. 17 in A-Flat Major. Allegretto\u003cbr \/\u003e18. CHOPIN - 24 Preludes, Op. 28: No. 18 in F Minor. Molto allegro\u003cbr \/\u003e19. CHOPIN - 24 Preludes, Op. 28: No. 19 in E-Flat Major. Vivace\u003cbr \/\u003e20. CHOPIN - 24 Preludes, Op. 28: No. 20 in C Minor. Largo\u003cbr \/\u003e21. CHOPIN - 24 Preludes, Op. 28: No. 21 in B-Flat Major. Cantabile\u003cbr \/\u003e22. CHOPIN - 24 Preludes, Op. 28: No. 22 in G Minor. Molto agitato\u003cbr \/\u003e23. CHOPIN - 24 Preludes, Op. 28: No. 23 in F Major. Moderato\u003cbr \/\u003e24. CHOPIN - 24 Preludes, Op. 28: No. 24 in D Minor. 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Allegro\u003c\/p\u003e\n\u003cp\u003eLP2 – Side B\u003cbr \/\u003e15. CHOPIN - 24 Preludes, Op. 28: No. 15 in D-Flat Major \u0026#34;Raindrop Prelude\u0026#34;\u003cbr \/\u003e16. CHOPIN - 24 Preludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco\u003cbr \/\u003e17. CHOPIN - 24 Preludes, Op. 28: No. 17 in A-Flat Major. Allegretto\u003cbr \/\u003e18. CHOPIN - 24 Preludes, Op. 28: No. 18 in F Minor. Molto allegro\u003cbr \/\u003e19. CHOPIN - 24 Preludes, Op. 28: No. 19 in E-Flat Major. Vivace\u003cbr \/\u003e20. CHOPIN - 24 Preludes, Op. 28: No. 20 in C Minor. Largo\u003cbr \/\u003e21. CHOPIN - 24 Preludes, Op. 28: No. 21 in B-Flat Major. Cantabile\u003cbr \/\u003e22. CHOPIN - 24 Preludes, Op. 28: No. 22 in G Minor. Molto agitato\u003cbr \/\u003e23. CHOPIN - 24 Preludes, Op. 28: No. 23 in F Major. Moderato\u003cbr \/\u003e24. CHOPIN - 24 Preludes, Op. 28: No. 24 in D Minor. 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Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this signed Vinyl edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. The combination of historical locations, such as the Meistersaal in Berlin and the Library Hall in Polling, with the specially designed digital landscapes in the Hyperbowl LED studio in Munich creates an atmosphere in which the music can be experienced in a new way.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eDirected by Andrew Staples, a visionary filmmaker and internationally acclaimed tenor, this project was realized by his production company Studio 2359.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe result of this artistic collaboration is a film that is far more than a mere performance. It is a visual and aural journey through the music of an almost forgotten composer who left the world one of its most beloved musical forms: the nocturne.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 A\u003c\/p\u003e\n\u003cp\u003eNocturne No. 1 in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 2 in C Minor\u003c\/p\u003e\n\u003cp\u003eNocturne No. 3 in A-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 4 in A Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 5 in B-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 6 in F Major\u003c\/p\u003e\n\u003cp\u003eLP 1 B\u003c\/p\u003e\n\u003cp\u003eNocturne No. 7 in A Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 8 in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 9 in E Minor\u003c\/p\u003e\n\u003cp\u003eNocturne No. 10 in E Major\u003c\/p\u003e\n\u003cp\u003eLP 2 A\u003c\/p\u003e\n\u003cp\u003eNocturne No. 11 E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 12 in E Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 13 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 14 in G Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 15 in D Minor\u003c\/p\u003e\n\u003cp\u003eLP 2 B\u003c\/p\u003e\n\u003cp\u003eNocturne No. 16 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 17 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 18 in F Major\u003c\/p\u003e","brand":"Alice Sara Ott","offers":[{"title":"OS","offer_id":46458915815667,"sku":"512243000","price":52.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Alice-Sara-Ott_John-Field-Complete-Nocturnes_2LP-Signierte-Art-Card-Polaroid_s512243_o6049449_a514566_v12679075.1b47317b.jpg?v=1751139682"},{"product_id":"alice-sara-ott-john-field-complete-nocturnes-1","title":"John Field: Complete Nocturnes","description":"\u003cp\u003e\u003cspan\u003e*SHOP EXCLUSIVE* \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSigned White Label 2LP\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCovercard\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003elimited\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003evoucher code for one month\u0026#039;s free access to STAGE\u0026#43; (Music film about his project available from 16.02.2025 as VOD stream)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cbr \/\u003eProfound musicianship, dazzling technical brilliance and emotional honesty have helped Alice Sara Ott establish her place among the world’s leading classical performers.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eOn her new album “John Field ∙ Complete Nocturnes”, Alice dedicates herself to the compositions of John Field: “Engaging with these Nocturnes was a deeply rewarding experience. Their beauty and grace affected me profoundly and enriched my life while I was preparing for this recording”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eHighly praised by his contemporaries (Chopin, Liszt, Schumann), John Field\u0026#039;s Nocturnes are largely unknown today.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e“I hope that this complete recording of the Nocturnes – the first to find a place for itself in the Deutsche Grammophon catalogue – may perhaps\u003cs\u003e \u003c\/s\u003einspire the occasional listener to discover Field’s music for themselves. Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this limited white label edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. The combination of historical locations, such as the Meistersaal in Berlin and the Library Hall in Polling, with the specially designed digital landscapes in the Hyperbowl LED studio in Munich creates an atmosphere in which the music can be experienced in a new way.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eDirected by Andrew Staples, a visionary filmmaker and internationally acclaimed tenor, this project was realized by his production company Studio 2359.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe result of this artistic collaboration is a film that is far more than a mere performance. It is a visual and aural journey through the music of an almost forgotten composer who left the world one of its most beloved musical forms: the nocturne.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eTracklist\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 A\u003c\/p\u003e\n\u003cp\u003eNocturne No. 1 in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 2 in C Minor\u003c\/p\u003e\n\u003cp\u003eNocturne No. 3 in A-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 4 in A Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 5 in B-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 6 in F Major\u003c\/p\u003e\n\u003cp\u003eLP 1 B\u003c\/p\u003e\n\u003cp\u003eNocturne No. 7 in A Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 8 in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 9 in E Minor\u003c\/p\u003e\n\u003cp\u003eNocturne No. 10 in E Major\u003c\/p\u003e\n\u003cp\u003eLP 2 A\u003c\/p\u003e\n\u003cp\u003eNocturne No. 11 E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 12 in E Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 13 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 14 in G Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 15 in D Minor\u003c\/p\u003e\n\u003cp\u003eLP 2 B\u003c\/p\u003e\n\u003cp\u003eNocturne No. 16 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 17 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 18 in F Major\u003c\/p\u003e","brand":"Alice Sara Ott","offers":[{"title":"OS","offer_id":46458916045043,"sku":"512242000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Alice-Sara-Ott_John-Field-Complete-Nocturnes_Signiertes-2LP-White-Label-Covercards_s512242_o6049406_a514565_v12679074.627039b3.jpg?v=1751139694"},{"product_id":"alice-sara-ott-john-field-complete-nocturnes-2","title":"John Field: Complete Nocturnes","description":"\u003cp\u003e\u003cstrong\u003e*SHOP EXCLUSIVE* \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP set with two 180g vinyls in a high-quality gatefold package\u003c\/li\u003e\n\u003cli\u003ebooklet with personal liner notes\u003c\/li\u003e\n\u003cli\u003elimited signed art card\u003c\/li\u003e\n\u003cli\u003evoucher code for one month\u0026#039;s free access to STAGE\u0026#43; (Music film about his project available from 16.02.2025 as VOD stream)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cbr \/\u003eProfound musicianship, dazzling technical brilliance and emotional honesty have helped Alice Sara Ott establish her place among the world’s leading classical performers.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eOn her new album “John Field ∙ Complete Nocturnes”, Alice dedicates herself to the compositions of John Field: “Engaging with these Nocturnes was a deeply rewarding experience. Their beauty and grace affected me profoundly and enriched my life while I was preparing for this recording”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eHighly praised by his contemporaries (Chopin, Liszt, Schumann), John Field\u0026#039;s Nocturnes are largely unknown today.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e“I hope that this complete recording of the Nocturnes – the first to find a place for itself in the Deutsche Grammophon catalogue – may perhaps\u003cs\u003e \u003c\/s\u003einspire the occasional listener to discover Field’s music for themselves. Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this signed bundle edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. The combination of historical locations, such as the Meistersaal in Berlin and the Library Hall in Polling, with the specially designed digital landscapes in the Hyperbowl LED studio in Munich creates an atmosphere in which the music can be experienced in a new way.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eDirected by Andrew Staples, a visionary filmmaker and internationally acclaimed tenor, this project was realized by his production company Studio 2359.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe result of this artistic collaboration is a film that is far more than a mere performance. It is a visual and aural journey through the music of an almost forgotten composer who left the world one of its most beloved musical forms: the nocturne.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eTracklist\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 A\u003c\/p\u003e\n\u003cp\u003eNocturne No. 1 in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 2 in C Minor\u003c\/p\u003e\n\u003cp\u003eNocturne No. 3 in A-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 4 in A Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 5 in B-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 6 in F Major\u003c\/p\u003e\n\u003cp\u003eLP 1 B\u003c\/p\u003e\n\u003cp\u003eNocturne No. 7 in A Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 8 in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 9 in E Minor\u003c\/p\u003e\n\u003cp\u003eNocturne No. 10 in E Major\u003c\/p\u003e\n\u003cp\u003eLP 2 A\u003c\/p\u003e\n\u003cp\u003eNocturne No. 11 E-Flat Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 12 in E Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 13 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 14 in G Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 15 in D Minor\u003c\/p\u003e\n\u003cp\u003eLP 2 B\u003c\/p\u003e\n\u003cp\u003eNocturne No. 16 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 17 in C Major\u003c\/p\u003e\n\u003cp\u003eNocturne No. 18 in F Major\u003c\/p\u003e","brand":"Alice Sara Ott","offers":[{"title":"OS","offer_id":46458916077811,"sku":"512241000","price":48.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Alice-Sara-Ott_John-Field-Complete-Nocturnes_2LP-Signierte-Art-Card_s512241_o6049372_a514691_v12680702.2b8021f4.jpg?v=1751139697"},{"product_id":"alice-sara-ott-john-field-complete-nocturnes-3","title":"John Field: Complete Nocturnes","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e*SHOP EXCLUSIVE* \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1-CD Digisleeve\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eexclusive signed art card\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003elimited\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003evoucher code for one month\u0026#039;s free access to STAGE\u0026#43; (Music film about this project available from 16.02.2025 as VOD stream)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cbr \/\u003eProfound musicianship, dazzling technical brilliance and emotional honesty have helped Alice Sara Ott establish her place among the world’s leading classical performers.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eOn her new album “John Field ∙ Complete Nocturnes”, Alice dedicates herself to the compositions of John Field: “Engaging with these Nocturnes was a deeply rewarding experience. Their beauty and grace affected me profoundly and enriched my life while I was preparing for this recording”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eHighly praised by his contemporaries (Chopin, Liszt, Schumann), John Field\u0026#039;s Nocturnes are largely unknown today.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e“I hope that this complete recording of the Nocturnes – the first to find a place for itself in the Deutsche Grammophon catalogue – may perhaps\u003cs\u003e \u003c\/s\u003einspire the occasional listener to discover Field’s music for themselves. Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this signed bundle edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. The combination of historical locations, such as the Meistersaal in Berlin and the Library Hall in Polling, with the specially designed digital landscapes in the Hyperbowl LED studio in Munich creates an atmosphere in which the music can be experienced in a new way.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eDirected by Andrew Staples, a visionary filmmaker and internationally acclaimed tenor, this project was realized by his production company Studio 2359.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe result of this artistic collaboration is a film that is far more than a mere performance. It is a visual and aural journey through the music of an almost forgotten composer who left the world one of its most beloved musical forms: the nocturne.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eTracklist\u003cbr \/\u003e\u003cbr \/\u003eNocturne No. 1 in E-Flat Major\u003cbr \/\u003eNocturne No. 2 in C Minor\u003cbr \/\u003eNocturne No. 3 in A-Flat Major,\u003cbr \/\u003eNocturne No. 4 in A Major\u003cbr \/\u003eNocturne No. 5 in B-Flat Major\u003cbr \/\u003eNocturne No. 6 in F Major \u0026#039;Cradle Song\u0026#039;\u003cbr \/\u003eNocturne No. 7 in A Major\u003cbr \/\u003eNocturne No. 8 in E-Flat Major\u003cbr \/\u003eNocturne No. 9 in E Minor\u003cbr \/\u003eNocturne No. 10 in E Major \u0026#039;Nocturne Pastorale\u0026#039;\u003cbr \/\u003eNocturne No. 11 E-Flat Major\u003cbr \/\u003eNocturne No. 12 in E Major \u0026#039;Nocturne Caractéristique: Noontide\u0026#34;\u003cbr \/\u003eNocturne No. 13 in C Major \u0026#039;Reverie-Nocturne\u0026#039;\u003cbr \/\u003eNocturne No. 14 in G Major\u003cbr \/\u003eNocturne No. 15 in D Minor \u0026#039;Song Without Words\u0026#039;\u003cbr \/\u003eNocturne No. 16 in C Major\u003cbr \/\u003eNocturne No. 17 in C Major\u003cbr \/\u003eNocturne No. 18 in F Major\u003c\/p\u003e","brand":"Alice Sara Ott","offers":[{"title":"OS","offer_id":46458916471027,"sku":"512240000","price":24.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Alice-Sara-Ott_John-Field-Complete-Nocturnes_CD-Signierte-Art-Card_s512240_o6049320_a514561_v12679070.0b58d035.jpg?v=1751136809"}],"url":"https:\/\/store.deutschegrammophon.com\/en-de\/collections\/signiert-exclusiv.oembed?page=4","provider":"Deutsche Grammophon","version":"1.0","type":"link"}