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For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eSchumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eMendelssohn: 6 Lieder, Op. 34: II. Auf Flügeln des Gesanges\u003c\/li\u003e\t\u003cli\u003e\u003cstrong\u003eDinicu\u003c\/strong\u003e\u003cstrong\u003e: Hora staccato (Arr. For Violin, Trumpet and Orchestra) feat. Till Brönner\u003c\/strong\u003e\u003c\/li\u003e\t\u003cli\u003eVeracini: Violin Sonata in A Major, Op. 2, No. 6: IV. Largo (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003e\u003cstrong\u003eDebussy: Préludes \/ Book 1, L. 117: VIII. La fille aux cheveux de lin (Arr. For Violin, Flute and Orchestra) feat. Cocomi\u003c\/strong\u003e\u003c\/li\u003e\t\u003cli\u003eRaff: 6 Morceaux, Op. 85: III. Cavatina (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eTraditional: Danny Boy (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eJ.S. 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Now star violinist \u003cstrong\u003eDavid Garrett\u003c\/strong\u003e is back with a new recording, \u003cstrong\u003e\u003cem\u003eIconic\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e.\u003c\/em\u003e David Garrett here pays tribute to the great violinists of the golden age – 20th-century legends such as Heifetz, Kreisler and Menuhin. He presents a personal selection of gems of the repertoire – atmospheric miniatures and virtuoso showpieces by Bach, Gluck, Mendelssohn, Schumann, Dvořák and Kreisler, among many more. Specially arranged for violin, guitar and orchestra, these pieces take on a new, unique and intimate feel. Garrett is accompanied by his guitarist \u003cstrong\u003eFranck van der Heijden\u003c\/strong\u003e, who also directs \u003cstrong\u003eOrchestra\u003c\/strong\u003e\u003cstrong\u003eThe Prezent\u003c\/strong\u003e. “I’ve recorded many virtuoso albums myself,” says the violinist. “This time it was particularly important to me to refocus on the essentials, on what really speaks to the heart.” Garrett duets with his former teacher \u003cstrong\u003eItzhak\u003c\/strong\u003e\u003cstrong\u003ePerlman\u003c\/strong\u003e, star tenor \u003cstrong\u003eAndrea Bocelli\u003c\/strong\u003e, flautist \u003cstrong\u003eCocomi\u003c\/strong\u003e and trumpeter \u003cstrong\u003eTill Brönner\u003c\/strong\u003e. \u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003e\u003cu\u003eLP 1 Side A\u003c\/u\u003e\u003c\/p\u003e\u003col\u003e\t\u003cli\u003ePonce: 2 Canciones Mexicanas: II. Estrellita (Arr. 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Itzhak Perlman\u003c\/strong\u003e\u003c\/li\u003e\t\u003cli\u003eVivaldi: The Four Seasons: Violin Concerto in F Minor, Op. 8, No. 4, RV 297 \u0026#34;Winter\u0026#34;: II. Largo (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eSchumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eMendelssohn: 6 Lieder, Op. 34: II. Auf Flügeln des Gesanges\u003c\/li\u003e\t\u003cli\u003eDinicu: Hora staccato (Arr. For Violin, Trumpet and Orchestra) \u003cstrong\u003efeat. Till Brönner\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cu\u003eLP 2 Side C\u003c\/u\u003e\u003c\/p\u003e\u003col\u003e\t\u003cli\u003eVeracini: Violin Sonata in A Major, Op. 2, No. 6: IV. Largo (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eDebussy: Préludes \/ Book 1, L. 117: VIII. La fille aux cheveux de lin (Arr. For Violin, Flute and Orchestra) \u003cstrong\u003efeat. Cocomi\u003c\/strong\u003e\u003c\/li\u003e\t\u003cli\u003eRaff: 6 Morceaux, Op. 85: III. Cavatina (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eTraditional: Danny Boy (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eJ.S. Bach: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai (Arr. For Violin and Orchestra)\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cu\u003eLP 2 Side D\u003c\/u\u003e\u003c\/p\u003e\u003col\u003e\t\u003cli\u003eVivaldi: Concerto for 2 Violins and Cello in D minor, Op. 3, No. 11, RV 565: II. Largo e spiccato (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eKreisler: Tempo di Minuetto in the Style of Pugnani (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eFauré: 3 Mélodies, Op. 7: I. Après un rêve (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eSaint-Saëns: Danse macabre, Op. 40, R. 171 (Arr. For Violin and Orchestra)\u003c\/li\u003e\t\u003cli\u003eDvořák: Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. 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By pairing it with Carnival of the Animals, a whimsical menagerie that has captivated young hearts for generations, Lang Lang continues his heartfelt wish to promote the love of classical music to kids and it also gives him a chance to collaborate with his wife, pianist Gina Alice. Complementing these works with hidden gems – unearthed solo compositions by five female French composers as well as beloved French classics – has created a feast for the ears, promising a captivating experience. “Many of us remember Saint-Saëns’s famous Carnival of the Animals from childhood. There are a lot of clever ideas underneath all the fun. He’s making a real statement, but in a very humorous way,” says Lang Lang. The pianist was also keen to include some well-known smaller-scale solo\/four hands works, among them Ravel’s Pavane pour une infante défunte, the Pavane by Fauré, as well as arrangements like the “Flower Duet” from Delibes’s opera Lakmé. For Debussy’s Petite Suite he is again joined by Gina Alice, who describes playing this evocative work as like “painting a picture”.  Finally, Lang Lang shines light on music by five female French composers largely overlooked until recent years. Lili Boulanger, arguably the most famous among them, became the first woman to win the coveted Prix de Rome. Lang Lang gives a spellbinding performance of Boulanger’s sublimely beautiful D’un jardin clair. \u003cbr \/\u003e\u003cbr \/\u003eTracklist:\u003c\/p\u003e\u003cp\u003eLP 1 48:49\u003c\/p\u003e\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003c\/p\u003e\u003cp\u003eSIDE A\u003c\/p\u003e\u003cp\u003eLe carnaval des animaux R. 125\u003cbr \/\u003eCarnival of the Animals · Karneval der Tiere\u003cbr \/\u003eGrande fantaisie zoologique pour 2 pianos et orchestre \u003cbr \/\u003eGrand Zoological Fantasy for 2 Pianos and Orchestra\u003cbr \/\u003eGroße zoologische Fantasie für 2 Klaviere und Orchester\u003cbr \/\u003e1. No 1 Introduction 0:31\u003cbr \/\u003e2. Marche royale du lion 1:36\u003cbr \/\u003eThe Lion’s Royal March · Königlicher Marsch des Löwen\u003cbr \/\u003e3. No 2 Poules et coqs 0:45\u003cbr \/\u003eHens and Roosters · Hühner und Hähne\u003cbr \/\u003e4. No 3 Hémiones (Animaux véloces) 0:40\u003cbr \/\u003eJackasses (Wild Animals) · Die Esel (Wilde Tiere)\u003cbr \/\u003e5. No 4 Tortues 2:18\u003cbr \/\u003eTortoises · Schildkröten\u003cbr \/\u003e6. No 5 L’éléphant 1:38\u003cbr \/\u003eThe Elephant · Der Elefant\u003cbr \/\u003e7. No 6 Kangourous 0:52\u003cbr \/\u003eKangaroos · Kängurus\u003cbr \/\u003e8. No 7 Aquarium 2:30\u003cbr \/\u003e9. No 8 Personnages à longues oreilles 0:43\u003cbr \/\u003ePersonages with Long Ears\u003cbr \/\u003ePersönlichkeiten mit langen Ohren\u003cbr \/\u003e10. No 9 Le coucou au fond des bois 2:18\u003cbr \/\u003eThe Cuckoo in the Deep Woods\u003cbr \/\u003eDer Kuckuck im tiefen Wald\u003cbr \/\u003e11. No 10 Volière 1:18\u003cbr \/\u003eAviary · Das Vogelhaus\u003cbr \/\u003e12. No 11 Pianistes 1:15\u003cbr \/\u003ePianists · Pianisten\u003cbr \/\u003e13. No 12 Fossiles 1:26\u003cbr \/\u003eFossils · Fossilien\u003cbr \/\u003e14. No 13 Le cygne 3:09\u003cbr \/\u003eThe Swan · Der Schwan\u003cbr \/\u003e15. No 14 Final 1:53\u003cbr \/\u003eFinale\u003c\/p\u003e\u003cp\u003eSIDE B\u003c\/p\u003e\u003cp\u003eConcerto for Piano and Orchestra No. 2 in G minor op. 22\u003cbr \/\u003eKonzert für Klavier und Orchester Nr. 2 g-Moll\u003cbr \/\u003e16. 1 Andante sostenuto 13:16\u003cbr \/\u003e17. 2 Allegro scherzando 5:51\u003cbr \/\u003e18. 3 Presto 6:50\u003c\/p\u003e\u003cp\u003eLang Lang piano I\u003cbr \/\u003eGina Alice piano II (Le carnaval)\u003cbr \/\u003eGewandhausorchester Leipzig\u003cbr \/\u003eCornelia Grohmann flute solo (11)\u003cbr \/\u003eAndreas Lehnert clarinet solo (10)\u003cbr \/\u003eChristian Giger cello solo (13)\u003cbr \/\u003eBurak Marlali double bass solo (6)\u003cbr \/\u003eAndris Nelsons conductor\u003c\/p\u003e\u003cp\u003eLP 2 57:54\u003c\/p\u003e\u003cp\u003eSIDE A\u003c\/p\u003e\u003cp\u003eMAURICE RAVEL (1875–1937)\u003cbr \/\u003e1. Pavane pour une infante défunte M. 19 5:57\u003cbr \/\u003eVersion for Piano\u003c\/p\u003e\u003cp\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr \/\u003ePetite Suite CD 71a\u003cbr \/\u003epour piano à quatre mains · for Piano 4 Hands · für Klavier zu 4 Händen\u003cbr \/\u003e2. 1 En bateau. Andantino 4:14\u003cbr \/\u003e3. 2 Cortège. Moderato 3:35\u003cbr \/\u003e4. 3 Menuet. Moderato 3:40\u003cbr \/\u003e5. 4 Ballet. Allegro giusto 3:13\u003c\/p\u003e\u003cp\u003eGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e6. In paradisum 3:44\u003cbr \/\u003eNo. 7 from Requiem op. 48 · Arr. for Piano by Emile Naoumoff\u003c\/p\u003e\u003cp\u003eLÉO DELIBES (1836–1891)\u003cbr \/\u003e7. Lakmé: Flower Duet 2:14\u003cbr \/\u003eBlumenduett\u003cbr \/\u003eArr. for Piano by Emile Naoumoff\u003c\/p\u003e\u003cp\u003eSIDÉ B\u003c\/p\u003e\u003cp\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr \/\u003e8. Toccata d’après le cinquième concerto 4:03\u003cbr \/\u003eToccata after the Fifth Concerto · Toccata nach dem fünften Konzert\u003cbr \/\u003eNo. 6 from Six Études pour piano op. 111\u003c\/p\u003e\u003cp\u003eGABRIEL FAURÉ (1845–1924)\u003cbr \/\u003e9. Pavane op. 50 6:13\u003cbr \/\u003eVersion for Piano\u003c\/p\u003e\u003cp\u003eLOUISE FARRENC (1804–1875)\u003cbr \/\u003e10. Étude No. 10 in F sharp minor 5:28\u003cbr \/\u003eEtüde Nr. 10 fis-Moll\u003cbr \/\u003efrom 30 études dans tous les tons majeurs et mineurs pour piano op. 26\u003c\/p\u003e\u003cp\u003eCHARLOTTE SOHY (1897–1955)\u003cbr \/\u003e11. Romance sans paroles 3:15\u003cbr \/\u003eSong without Words · Lied ohne Worte\u003cbr \/\u003eNo. 4 from Quatre pièces romantiques op. 30\u003c\/p\u003e\u003cp\u003eGERMAINE TAILLEFERRE (1892–1983)\u003cbr \/\u003e12. Valse lente2:46\u003c\/p\u003e\u003cp\u003eMÉLANIE BONIS ALIAS MEL BONIS (1858–1937)\u003cbr \/\u003e13. 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Hollywood superstar Bradley Cooper directs and plays the lead role of the legendary conductor and composer Leonard Bernstein. Carey Mulligan plays the actress Felicia Montealegre Bernstein, who was Leonard Bernstein\u0026#039;s wife for almost three decades until her death.\u003c\/p\u003e\n\n\u003cp\u003eMAESTRO is a declaration of love to life and art and, at its core, an emotional epic about family and love. The original soundtrack was recorded with the London Symphony Orchestra under the direction of DG exclusive artist Yannick Nézet-Séguin.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003e1. Symphonic Suite from On the Waterfront \/ Manfred, Op. 115: Overture \/ Fancy Free: Var. 1 (Galop) \u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003cbr \/\u003e\nPiano: Victoria Ruggiero\u003c\/p\u003e\n\n\u003cp\u003e2. On the Town: Lonely Town. 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In A Landscape is a record about “reconciling polarities”, as Richter puts it, bringing together the electronic and the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living. \u003c\/p\u003e\n\u003cp\u003eThe 19-track album began life in summer 2022 as a natural counterweight to the urgent political tenor of his previous projects. Shifting focus to Richter’s immediate surroundings, In A Landscape marks out a psychic space in which to meditate on the present while recognising a lifetime of artistic influence, from Bach and Purcell to the poetry of Keats, Wordsworth and Anne Carson. “It’s me having a look around, trying to examine where I\u0026#039;m at,” he suggests, “like a memoir of the present moment.” \u003c\/p\u003e\n\u003cp\u003eIn A Landscape is his first solo album recorded at Studio Richter Mahr, the minimalist, eco-conscious creative retreat designed and operated by Richter and his wife, visual artist Yulia Mahr. “The whole building is like an instrument,” he says. “There\u0026#039;s an element of exploring the capabilities of the building, how all the spaces sound, all the textures, and trying to dicover the fingerprint it has.”\u003c\/p\u003e\n\u003cp\u003eThe creative process was deliberately minimal, with Richter writing notation by hand and restricting his palette to just a few colours: string quintet, grand piano, Hammond organ and MiniMoog, plus tape delays, vocoders and reverbs. “I’m always looking for ways to get to the essence of things, to get to the simplest version of everything.”\u003c\/p\u003e\n\u003cp\u003eIncluded in this package: 2x 140g black recycled vinyl housed in a gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eLP1 Seite A\u003cbr \/\u003e1. 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The Yellow Label is now issuing a unique collection of its recordings with the Hollywood icon as a limited-edition 7-LP set. John Williams in Concert brings together performances of film music from the Saito Kinen Orchestra, Berliner Philharmoniker and Wiener Philharmoniker, as well as the world premiere recording of Williams’s Second Violin Concerto, with soloist Anne-Sophie Mutter and the Boston Symphony Orchestra (BSO). Stylishly designed, the set includes a booklet featuring the original album liner notes; a new essay about Williams by renowned film-music writer Jon Burlingame; recollections from Williams himself, Anne-Sophie Mutter and some of the other musicians involved in these recordings; and a selection of concert and portrait photos.\u003c\/p\u003e\n\u003cp\u003e“The invitation to conduct those orchestras is probably one of the highest accolades any musician could receive … I am so happy to have been well enough and around long enough to accept invitations like that, and I hope I can revisit them at some time in the future”\u003c\/p\u003e\n\u003cp\u003eJohn Williams\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 | TOKYO\u003c\/p\u003e\n\u003cp\u003eLP 2 | BOSTON – Violin Concerto\u003c\/p\u003e\n\u003cp\u003eLP 3 | BERLIN\u003c\/p\u003e\n\u003cp\u003eLP 4 | BERLIN\u003c\/p\u003e\n\u003cp\u003eLP 5 | VIENNA\u003c\/p\u003e\n\u003cp\u003eLP 6 | VIENNA\u003c\/p\u003e\n\u003cp\u003eLP 7 | ENCORES Tokyo-Vienna-Boston\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1 TOKYO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eSuperman March\u003c\/p\u003e\n\u003cp\u003eHedwig’s Theme\u003c\/p\u003e\n\u003cp\u003eFawkes the Phoenix\u003c\/p\u003e\n\u003cp\u003eHarry’s Wondrous World\u003c\/p\u003e\n\u003cp\u003eSchindler’s List\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eThe Rebellion is Reborn\u003c\/p\u003e\n\u003cp\u003ePrincess Leia’s Theme\u003c\/p\u003e\n\u003cp\u003eThrone Room \u0026amp; End Title\u003c\/p\u003e\n\u003cp\u003eYoda’s Theme\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2 BOSTON – John Williams’ Violin Concerto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eViolin Concerto No. 2: I. 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Wir singen dir in deinem Heer\u003cbr \/\u003e \u003c\/p\u003e\u003cp\u003ePART 3: Am dritten Weihnachtsfeiertage\u003c\/p\u003e\u003cp\u003eNo 24. Herrscher des Himmels, erhöre das Lallen\u003cbr \/\u003eNo 25. Und da die Engel von ihnen gen Himmel fuhren\u003cbr \/\u003eNo 26. Lasset uns nun gehen gen Bethlehem\u003cbr \/\u003eNo 27. Er hat sein Volk getröst\u003cbr \/\u003eNo 28. Dies hat er alles uns getan\u003cbr \/\u003eNo 29. Herr, dein Mitleid, dein Erbarmen\u003cbr \/\u003eNo 30. Und sie kamen eilend\u003cbr \/\u003eNo 31. “Schließe, mein Herze, dies selige Wunde\u003cbr \/\u003eNo 32. Ja, ja, mein Herz soll es bewahren\u003cbr \/\u003eNo 33. Ich will dich mit Fleiß bewahren\u003cbr \/\u003eNo 34. Und die Hirten kehrten wieder um\u003cbr \/\u003eNo 35. 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Erleucht auch meine finstre Sinnen\u003cbr \/\u003eNo 48. Da das der König Herodes hörte\u003cbr \/\u003eNo 49. Warum wollt ihr erschrecken?\u003cbr \/\u003eNo 50. Und ließ versammeln alle Hohenpriester\u003cbr \/\u003eNo 51. Ach, wann wird die Zeit erscheinen?\u003cbr \/\u003eNo 52. Mein Liebster herrschet schon\u003cbr \/\u003eNo 53. Zwar ist solche Herzensstube\u003cbr \/\u003e \u003c\/p\u003e\u003cp\u003ePART 6: Am Fest der Erscheinung Christi\u003c\/p\u003e\u003cp\u003eNo 54. Herr, wenn die stolzen Feinde schnauben\u003cbr \/\u003eNo 55. Da berief Herodes die Weisen heimlich\u003cbr \/\u003eNo 56. Du Falscher, suche nur den Herrn zu fällen\u003cbr \/\u003eNo 57. Nur ein Wink von seinen Händen\u003cbr \/\u003eNo 58. Als sie nun den König gehöret hatten\u003cbr \/\u003eNo 59. Ich steh an deiner Krippen hier\u003cbr \/\u003eNo 60. Und Gott befahl ihnen im Traum\u003cbr \/\u003eNo 61. So geht! Genug, mein Schatz geht nicht von hier\u003cbr \/\u003eNo 62. 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This reconstruction features works from various printed anthologies of works by Monteverdi and other composers from this time and presents the sort of Vespers that might have been heard in Venice over the Christmas period during the long incumbency of “il divino Claudio” as maestro di cappella at St Mark’s.\u003c\/p\u003e\u003cp\u003eLA CETRA, renowned early music choir and orchestra based in Basel (Switzerland), are accompanied by a very special organ for this recording which shaped their way of singing and playing, intensifying the affects, the chiaroscuro, the harmonic tension and the dynamic palette, producing a surprisingly modern, majestic, bright and vivid sound-image of the music of Monteverdi and the Venetian 17th century.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eCD 1\u003c\/p\u003e\u003col\u003e\u003cli\u003eDeus in adiutorium meum intende\u003c\/li\u003e\u003cli\u003eDomine ad adiuvandum (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eIntonatione del primo tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003ePsalm 109: Dixit Dominus II (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003efelix, o lucidissima nox (Alessandro Grandi)\u003c\/li\u003e\u003cli\u003eIntonatione del undicesimo tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003ePsalm 110: Confitebor tibi, Domini III (alla francese) (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003eSonata a 8 con quattro soprani (Francesco Usper)\u003c\/li\u003e\u003cli\u003eIntonatione del quinto tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003ePsalm 111: Beatus vir I (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eintemerata (Alessandro Grandi)\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003eCD 2\u003c\/p\u003e\u003col\u003e\u003cli\u003eIntonatione del secondo tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003ePsalm 112: Laudate pueri II (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eVenite, sitientes, ad aquas Domini (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eIntonatione del ottavo tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003ePsalm 116: Laudate Dominum I (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eSonata XVIII a 14 (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003eHymnus: Christe redemptor omnium (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eHodie Christus natus est (Giovanni Valentini)\u003c\/li\u003e\u003cli\u003eIntonatione del nono tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003eMagnificat I (Claudio Monteverdi)\u003c\/li\u003e\u003cli\u003eIntonatione del decimo tono (Giovanni Gabrieli)\u003c\/li\u003e\u003cli\u003eCantate Domino a 6 (Claudio Monteverdi)\u003c\/li\u003e\u003c\/ol\u003e","brand":"La Cetra \u0026 Andrea Marcon","offers":[{"title":"OS","offer_id":46433335083251,"sku":"143596000","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/la-cetra-andrea-marcon-claudio-monteverdi-vespro-di-natale-christmas-vespers-2cd-s143596-o557755-a325243-v12534286.41168a8d.jpg?v=1753259139"},{"product_id":"stage-stage-geschenkkarte","title":"STAGE+ Gift Card","description":"\u003cp\u003eGive the gift of classical music streaming with the STAGE\u0026#43; gift card for 12 months access to all STAGE\u0026#43; content. \u003c\/p\u003e\u003cp\u003eSTAGE\u0026#43; is Deutsche Grammophon\u0026#039;s ground-breaking classical music streaming service, which has been designed to bring audiences closer than ever before to the Yellow Label’s roster of world-class artists and beyond, via a wide range of content, which includes exclusive live streams and premieres; long-form concert and opera programmes; music videos; documentaries and behind-the-scenes interviews; new audio releases, as well as albums from the legendary catalogues of Deutsche Grammophon, Decca, ECM New Series and Hyperion Records. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAll advantages at a glance:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eOver 650 concerts and operas\u003c\/li\u003e\u003cli\u003e50\u0026#43; live streams per year\u003c\/li\u003e\u003cli\u003eMore than 1,400 iconic classical albums\u003c\/li\u003e\u003cli\u003eStreaming in 4K, Dolby Atmos \u0026amp; Lossless\u003c\/li\u003e\u003cli\u003eAvailable on your TV, computer, smartphone or tablet\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eHow to use: \u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\u003cli\u003eVisit \u003ca href=\"https:\/\/www.stage-plus.com\/redeem\"\u003ewww.stage-plus.com\/redeem\u003c\/a\u003e\u003c\/li\u003e\u003cli\u003eEnter your personal code from the gift card\u003c\/li\u003e\u003cli\u003eCreate an account or sign in\u003c\/li\u003e\u003cli\u003eEnjoy access to all content\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003eA STAGE\u0026#43; customer account must be created to redeem the voucher. 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