{"title":"Box Sets \u0026 Bundles Ori","description":"","products":[{"product_id":"herbert-von-karajan-berliner-philharmoniker-bruckner-die-sinfonien-9cd-1-bluray-audio","title":"Bruckner: Die Sinfonien (9CD+1 BluRay Audio)","description":"\u003cp\u003eAnlässlich des 30. Todestages Herbert von Karajans präsentiert Deutsche Grammophon den legendären Zyklus der Bruckner-Sinfonien mit den Berliner Philharmonikern auf 9 CDs, ergänzt durch audiophile Remasterings auf einer Blu-ray-Audio-Disc.\u003cbr \/\u003e\u003cbr \/\u003eWährend es sich bei den Bruckner Symphonien 1-3 um digital produzierte Aufnahmen handelt, welche eigens für die Blu-ray-Audio-Disc von ursprünglich 16 bit \/ 44.1 kHz auf 24 bit \/ 192 kHz hochgesampelt wurden, bietet diese Edition ein neues 24 bit \/ 96-kHz-Remastering der Bruckner-Sinfonien 4-9 von den Originalbändern.\u003cbr \/\u003e\u003cbr \/\u003eKarajans Bruckner-Zyklus mit den Berliner Philharmonikern, aufgenommen zwischen Januar 1975 und Januar 1981, ist ein Meilenstein in der Geschichte der Bruckner-Aufnahmen. Diese Einspielungen zeugen von dem überaus feinen Gespür dieses einzigartigen Maestros und zählen zweifellos zu Karajans bedeutendsten Aufnahmen – gewiss handelt es sich aber auch um eine der tiefgründigsten Bruckner-Interpretationen überhaupt.\u003cbr \/\u003e\u003cbr \/\u003eAbgerundet wird die hochwertige Edition durch ein 14-seitiges Booklet mit einem Essay von Reinhard Beuth in den Sprachen Englisch und Deutsch.\u003c\/p\u003e","brand":"Herbert von Karajan \u0026 Berliner Philharmoniker","offers":[{"title":"OS","offer_id":46371451863283,"sku":"130639000","price":42.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Herbert-von-Karajan-Berliner-Philharmoniker_Bruckner-Die-Sinfonien-9CD-1-BluRay-Audio_Boxset_s130639_o197252_a291968_v12064853.48f5d5cb.jpg?v=1744692805"},{"product_id":"andris-nelsons-wiener-philharmoniker-beethoven-complete-symphonies-5cd-bluray-audio","title":"Beethoven: Complete Symphonies (5CD + BluRay Audio)","description":"\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 5CD+BR-A\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInfo:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAndris Nelsons und die Wiener Philharmoniker nehmen Beethovens neun Symphonien für Deutsche Grammophon auf – eine Würdigung des Komponistenanlässlich seines 250. Geburtstags. Die neue Gesamtaufnahme ist der Auftakt zum Beethoven-Jahr 2020!\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cem\u003eAndris Nelsons sagt:\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"Es  gab  in  der  Vergangenheit  schon  wunderbare  Interpretationen  von  Beethovens  Symphonien,  und  auch  in  Zukunft  wird  es  noch  viele  weitere geben. Was diese Musik einmalig macht –und großartige Aufnahmen von ihr so kostbar –, ist die Tatsache, dass sie zeitlos wirkt: Egal, wann und von  wem  sie  gespielt  wird,  sie  erzählt  immer  vom  Hier  und  Jetzt,  von  der  unmittelbaren  Gegenwart.  Nehmen  wir  zum  Beispiel  dieFünfte,  die sogenannte »Schicksalsymphonie« –sie hätte für jede Zeit geschrieben werden können. Schließlich klopft das Schicksal schon immer an unsere Tür und wird das auch morgen oder übermorgen noch tun.\u003c\/p\u003e\u003cp\u003eWie gelang es Beethoven, etwas so Zeitloses zu schaffen? Ich denke, sein Geheimnis ist, dass er nicht nur Klänge und Formen aneinanderreihte, sondern dass seine Musik von Ideen handelt, von seinen Vorstellungen von Leben und Liebe, Sieg und Widerstand. Wenn man diese unglaublichen Werke aufführt und aufnimmt, liegt für mich die Hauptaufgabe darin zu zeigen, wie relevant diese Ideen noch heute sind, für unsere Generation und für alle kommenden Generationen –und dass diese Musik keineswegs ins Museum gehört. Das ist natürlich keine leichte Aufgabe. Ich bin sehr dankbar, dass ich mich dieser gemeinsam mit den Wiener Philharmonikern stellen durfte. Wien spielte eine sehr große Rolle in Beethovens Entwicklung als Komponist und Musiker, und seine Symphonien wurden allesamt hier uraufgeführt. Außerdem zielt das Musizieren der Wiener Philharmoniker immer auf den Kern der Musik –was perfekt zu Beethoven passt.\u003c\/p\u003e\u003cp\u003eDiese Symphonien in der Stadt aufzunehmen, in der Beethoven den größten Teil seines Lebens als Erwachsener verbracht hat, mit einem Orchester, das eine so enge Beziehung zu seinen Werken hat, ist für mich ein großer Meilenstein.Fragt man nach meinem eigenen Beitrag zu diesem Projekt, so muss ich sagen, dass es hier überhaupt nicht um mich geht.\u003c\/p\u003e\u003cp\u003eEs geht ganz allein um Beethovens Musik, und das bedeutet, dass ich als Dirigent –zusammen mit dem Orchester –den besten Weg finden muss, um den Zuhörern seineIdeen  zu  vermitteln.  Ja,  ich  muss  eine  Vision  haben,  aber  ich  darf  nicht  vergessen,  dass  es  sich  dabei  nur  um  eine  subjektiveAuslegung  von Beethovens Weltsicht handelt. Meine Arbeit endet, wo Beethoven beginnt.\" Andris Nelsons.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 1 80:24 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e S\u003c\/strong\u003eymphony No. 1 op. 21 in C major · C-Dur\u003cbr\u003e1. Adagio molto – Allegro con brio 9:45\u003cbr\u003e2. Andante cantabile con moto 8:46\u003cbr\u003e3. Menuetto. Allegro molto e vivace 3:24\u003cbr\u003e4. Adagio – Allegro molto e vivace 5:55\u003c\/p\u003e\u003cp\u003eSymphony No. 3 “Eroica” op. 55 in E flat major · Es-Dur\u003cbr\u003e1. Allegro con brio 17:40\u003cbr\u003e2. Marcia funebre. Adagio assai 16:34\u003cbr\u003e3. Scherzo. Allegro vivace 5:53\u003cbr\u003e4. Finale. Allegro molto 12:19\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCD 2 68:52\u003c\/strong\u003e\u003cbr\u003e Symphony No. 2 op. 36 in D major · D-Dur\u003cbr\u003e1. Adagio – Allegro con brio 12:30\u003cbr\u003e2. Larghetto 12:04\u003cbr\u003e3. Scherzo. Allegro 3:34\u003cbr\u003e4. Allegro molto 6:18\u003cbr\u003e\u003cbr\u003e Symphony No. 4 op. 60 in B flat major · B-Dur\u003cbr\u003e1. Adagio – Allegro vivace 11:30\u003cbr\u003e2. Adagio 10:16\u003cbr\u003e3. Allegro vivace 5:38\u003cbr\u003e4. Allegro ma non troppo 6:54\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 3 75:42 \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSymphony No. 5 op. 67 in C minor · c-Moll\u003cbr\u003e1. Allegro con brio 7:42\u003cbr\u003e2. Andante con moto 10:35\u003cbr\u003e3. Allegro 5:14\u003cbr\u003e4. Allegro 11:12\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e Symphony No. 6 “Pastoral” op. 68 in F major · F-Dur\u003cbr\u003e1. Angenehme, heitere Empfindungen, welche bei 9:45 der Ankunft auf dem Lande im Menschen erwachen. \u003cbr\u003e\u003cem\u003eAllegro ma non troppo. \u003c\/em\u003e\u003cem\u003e\"Pleasant, cheerful feelings which awaken in one  on arrival in the country\"  \u003cbr\u003e\u003c\/em\u003e2. Szene am Bach. Andante molto moto - 12:20 \u003cbr\u003e\u003cem\u003eScene by the brook  \u003cbr\u003e\u003c\/em\u003e3. Lustiges Zusammensein der Landleute. Allegro - 5:08 \u003cbr\u003e\u003cem\u003eMerry gathering of country folk\u003cbr\u003e\u003c\/em\u003e4. Donner, Sturm. Allegro 3:38\u003cbr\u003e \u003cem\u003eThunderstorm\u003cbr\u003e\u003c\/em\u003e5. Hirtengesang, wohltätige, mit Dank an die Gottheit 10:05\u003cbr\u003e \u003cem\u003everbundene Gefühle nach dem Sturm. Allegretto Shepherd’s song, happy and thankful feelings  after the storm\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 4 62:48\u003c\/strong\u003e\u003cbr\u003e Symphony No. 7 op. 92 in A major · A-Dur\u003cbr\u003e1. Poco sostenuto – Vivace 11:50\u003cbr\u003e2. Allegretto 8:59\u003cbr\u003e3. Presto 8:38\u003cbr\u003e4. Allegro con brio 6:49\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e Symphony No. 8 op. 93 in F major · F-Dur\u003cbr\u003e1. Allegro vivace e con brio 9:52\u003cbr\u003e2. Allegretto scherzando 4:25\u003cbr\u003e3. Tempo di Menuetto 4:40\u003cbr\u003e4. Allegro vivace 7:32\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 5 68:26\u003c\/strong\u003e\u003cbr\u003e Symphony No. 9 op. 125 in D minor · d-Moll\u003cbr\u003e1. Allegro ma non troppo, un poco maestoso 16:42\u003cbr\u003e2. Molto vivace 11:59\u003cbr\u003e3. Adagio molto e cantabile 16:00\u003cbr\u003e4. Presto 2:53\u003cbr\u003e5. Allegro assai 3:50\u003cbr\u003e \u003cem\u003eFinal chorus on Schiller’s Ode To Joy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e Schlusschor über Schillers Ode An die Freude\u003c\/em\u003e\u003cbr\u003e6. Presto – Recitativo: “O Freunde, nicht diese Töne!” – 3:35\u003cbr\u003e \u003cem\u003eAllegro assai: “Freude, schöner Götterfunken”\u003c\/em\u003e\u003cbr\u003e7. Allegro assai vivace (alla marcia): 3:59\u003cbr\u003e \u003cem\u003e“Froh, wie seine Sonnen fliegen”\u003c\/em\u003e\u003cbr\u003e8. Andante maestoso: “Seid umschlungen, Millionen” 3:17\u003cbr\u003e9. Allegro energico e sempre ben marcato: 2:10\u003cbr\u003e \u003cem\u003e“Freude, schöner Götterfunken”\u003c\/em\u003e \u003cbr\u003e10. Allegro ma non tanto: “Freude, Tochter aus Elysium” 2:16\u003cbr\u003e11. Poco Allegro – Prestissimo: 1:43\u003cbr\u003e \u003cem\u003e“Seid umschlungen, Millionen” \u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArtists \/ Performer:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCamilla Nylund \u003cem\u003esoprano\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eGerhild Romberger \u003cem\u003ealto\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eKlaus Florian Vogt \u003cem\u003etenor\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eGeorg Zeppenfeld \u003cem\u003ebass\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eWiener Singverein\u003c\/li\u003e\n\u003cli\u003eJohannes Prinz \u003cem\u003echorus master\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eANDRIS NELSONS\u003c\/li\u003e\n\u003cli\u003eWIENER PHILHARMONIKER\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e* Sänger der 9. 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Each brings his unerring sense of place and mood to the album. The timbre in each title deepens and opens up with each listening. Specific yet abstract titles guide listeners through the collection created over several years in a unique collaboration between these two artists.\u003c\/p\u003e\u003cp\u003eThe result is deep-dive listening and landscapes of sound bearing titles like those of abstract art: “Obsidian”, “Deep Saffron”, “Wintergreen”…\u003c\/p\u003e\u003cp\u003eFollowing its release in March, the Eno brothers’ debut Deutsche Grammophon album, \u003cem\u003eMixing Colours\u003c\/em\u003e, caught the imagination of critics and listeners alike with its eighteen meditations on the slow, shifting nature of sound and time. 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Ruben Fuentes Gasson: La Bikina\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRolando Villazón\u003c\/strong\u003e\u003cstrong\u003e’s\u003c\/strong\u003e \u003cstrong\u003elatest album for Deutsche Grammophon\u003c\/strong\u003e showcases the vocal music of his native continent. \u003cstrong\u003e\u003cem\u003eSerenata latina\u003c\/em\u003e\u003c\/strong\u003e, set for \u003cstrong\u003einternational\u003c\/strong\u003e \u003cstrong\u003erelease on 2 October 2020\u003c\/strong\u003e, presents songs recorded for the first time with specially arranged harp accompaniments realised and performed by the great \u003cstrong\u003eFrench\u003c\/strong\u003e \u003cstrong\u003eharpist\u003c\/strong\u003e \u003cstrong\u003eXavier de Maistre\u003c\/strong\u003e. 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With the exception of the audio-technically unsuitable duo recordings with Mischa Maisky, all studio recordings for the Blu-ray Audio were remastered and are now in stereo DTS-HD MA 2.0 24 bit \/ 192 kHz and Surround DTS-HD MA 5.1 24 bit \/ 96 kHz before and a fascinating Dolby Atmos remastering (24 bit \/ 48 kHz).\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCD 1\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 2 in B-Flat Minor, Op. 35\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003cp\u003eScherzo No.2 In B Flat Minor, Op.31\u003c\/p\u003e\u003cp\u003eScherzo No. 3 in C-Sharp Minor, Op. 39\u003c\/p\u003e\u003cp\u003eBarcarolle In F Sharp, Op.60\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 2\u003c\/p\u003e\u003cp\u003e24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003ePrélude No.25 In C Sharp Minor, Op.45\u003c\/p\u003e\u003cp\u003ePrélude No.26 In A Flat, Op.posth.\u003c\/p\u003e\u003cp\u003eMazurkas Nos.36–38\u003c\/p\u003e\u003cp\u003eAndante spianato et Grande Polonaise brillante In E Flat, Op.22\u003c\/p\u003e\u003cp\u003ePolonaise No.6 In A Flat, Op.53 –\u0026#34;Heroic\u0026#34;\u003c\/p\u003e\u003cp\u003ePolonaise No.7 In A Flat, Op.61 Polonaise-Fantaisie\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 3\u003c\/p\u003e\u003cp\u003ePiano Concerto No. 1 in E Minor, Op. 11\u003c\/p\u003e\u003cp\u003e*London Symphony Orchestra \/ Claudio Abbado\u003c\/p\u003e\u003cp\u003eIntroduction And Polonaise, Op.3 (Live At Concert Hall, Kyoto \/ 2000)\u003c\/p\u003e\u003cp\u003e*Mischa Maisky\u003c\/p\u003e\u003cp\u003eCello Sonata In G Minor, Op.65 (Live At Concert Hall, Kyoto \/ 2000)\u003c\/p\u003e\u003cp\u003e*Mischa Maisky\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 4\u003c\/p\u003e\u003cp\u003ePiano Concerto No. 2 in F Minor, Op. 2\u003c\/p\u003e\u003cp\u003e*National Symphony Orchestra Washington \/ Mstislav Rostropovich\u003c\/p\u003e\u003cp\u003eIntroduction. Lento - Alla Polacca. Allegro [Introduction And Polonaise, Op.3]\u003c\/p\u003e\u003cp\u003e*Mstislav Rostropovich\u003c\/p\u003e\u003cp\u003eCello Sonata In G Minor, Op.65\u003c\/p\u003e\u003cp\u003e*Mstislav Rostropovich\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 5\u003c\/p\u003e\u003cp\u003eBallade No.1 In G Minor, Op.23\u003c\/p\u003e\u003cp\u003eEtude No. 4 In C Sharp Minor, Op.10\u003c\/p\u003e\u003cp\u003eMazurkas \u0026amp; Nocturnes\u003c\/p\u003e\u003cp\u003ePiano Sonata No.3 In B Minor, Op.58 - Live At Hochschule für Musik, Berlin \/ 1967\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e*Aus klangtechnischen Gründen enthält die BD-A nicht die Aufnahmen mit Mischa Maisky (CD 3, Tr. 4-9) und die Radio-Aufnahmen (CD 5).\u003c\/p\u003e\u003cp\u003e* For reasons of audio quality, the BD-A does not include the recordings with Mischa Maisky (CD 3, tr. 4–9) and the Radio Recordings (CD 5).\u003c\/p\u003e","brand":"Martha Argerich","offers":[{"title":"OS","offer_id":46371509403891,"sku":"136661000","price":28.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Martha-Argerich_Saemtliche-Chopin-Aufnahmen-fuer-die-Deutsche-Grammophon-5CD-Blu-Ray-Audio_5CD-Blu-Ray-Audio-Set_s136661_o203115_a300263_v12048758.493cc22d.jpg?v=1744795339"},{"product_id":"rudolf-buchbinder-complete-beethoven-piano-sonatas-9cd-box","title":"Complete Beethoven Piano Sonatas (9CD Box)","description":"\u003cp\u003eRudolf Buchbinder is one of the legendary artists of our time. His piano playing is an unparalleled fusion of the authority of a career spanning more than 60 years with spirit and spontaneity. Few musicians have engaged with Beethoven’s music as intensively and over such a long period as legendary Austrian Maestro \u003cstrong\u003eRudolf Buchbinder\u003c\/strong\u003e.  He has performed the 32 piano sonatas 60 times in cycles all over the world and developed the story of their interpretation over decades. At the \u003cstrong\u003eSalzburger Festspiel\u003c\/strong\u003ee in 2014 he was the first pianist ever playing \u003cstrong\u003e\u003cu\u003eall\u003c\/u\u003e\u003c\/strong\u003e 32 Sonatas on several recitals in \u003cstrong\u003e\u003cu\u003eone festival\u003c\/u\u003e\u003c\/strong\u003e season. This recording was only available as a DVD and now the whole cycle will be released \u003cstrong\u003edigitally\u003c\/strong\u003e and in a \u003cstrong\u003e9-CD edition\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003eCD 1 73:07\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 1 in F minor op. 2 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 1 f-Moll\u003c\/p\u003e\u003cp\u003e1 1. Allegro 3:38\u003c\/p\u003e\u003cp\u003e2 2. Adagio 4:32\u003c\/p\u003e\u003cp\u003e3 3. Menuetto. Allegretto 8:12\u003c\/p\u003e\u003cp\u003e4 4. Prestissimo 10:50\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 2 in A major op. 2 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 2 A-Dur\u003c\/p\u003e\u003cp\u003e5 1. Allegro vivace 6:33\u003c\/p\u003e\u003cp\u003e6 2. Largo appassionato 5:26\u003c\/p\u003e\u003cp\u003e7 3. Scherzo. Allegretto 3:07\u003c\/p\u003e\u003cp\u003e8 4. Rondo. Grazioso 6:15\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 3 in C major op. 2 no. 3\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 3 C-Dur\u003c\/p\u003e\u003cp\u003e9 1. Allegro con brio 9:54\u003c\/p\u003e\u003cp\u003e10 2. Adagio 6:34\u003c\/p\u003e\u003cp\u003e11 3. Scherzo. Allegro 3:10\u003c\/p\u003e\u003cp\u003e12 4. Allegro assai 4:56\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 2 53:31\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 4 in E flat major op. 7\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 4 Es-Dur\u003c\/p\u003e\u003cp\u003e1 1. Allegro molto e con brio 7:37\u003c\/p\u003e\u003cp\u003e2 2. Largo, con gran espressione 7:05\u003c\/p\u003e\u003cp\u003e3 3. Allegro 4:38\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Poco Allegretto e grazioso 7:15\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 5 in C minor op. 10 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 5 c-Moll\u003c\/p\u003e\u003cp\u003e5 1. Allegro molto e con brio 5:13\u003c\/p\u003e\u003cp\u003e6 2. Adagio molto 5:42\u003c\/p\u003e\u003cp\u003e7 3. Finale. Prestissimo 4:16\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 6 in F major op. 10 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 6 F-Dur\u003c\/p\u003e\u003cp\u003e8 1. Allegro 5:36\u003c\/p\u003e\u003cp\u003e9 2. Allegretto 3:31\u003c\/p\u003e\u003cp\u003e10 3. Presto 2:38\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 3 68:11\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 7 in D major op. 10 no. 3\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 7 D-Dur\u003c\/p\u003e\u003cp\u003e1 1. Presto 7:03\u003c\/p\u003e\u003cp\u003e2 2. Largo e mesto 8:19\u003c\/p\u003e\u003cp\u003e3 3. Menuetto. Allegro 2:38\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Allegro 4:06\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 8 in C minor “Pathétique” op. 13\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 8 c-Moll\u003c\/p\u003e\u003cp\u003e5 1. Grave – Allegro di molto e con brio 8:45\u003c\/p\u003e\u003cp\u003e6 2. Adagio cantabile 5:21\u003c\/p\u003e\u003cp\u003e7 3. Rondo. Allegro 4:39\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 9 in E major op. 14 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 9 E-Dur\u003c\/p\u003e\u003cp\u003e8 1. Allegro 5:55\u003c\/p\u003e\u003cp\u003e9 2. Allegretto 2:56\u003c\/p\u003e\u003cp\u003e10 3. Rondo. Allegro comodo 3:21\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 10 in G major op. 14 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 10 G-Dur\u003c\/p\u003e\u003cp\u003e11 1. Allegro 7:25\u003c\/p\u003e\u003cp\u003e12 2. Andante 4:19\u003c\/p\u003e\u003cp\u003e13 3. Scherzo. Allegro assai 3:24\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 4 71:06\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 11 in B flat major op. 22\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 11 B-Dur\u003c\/p\u003e\u003cp\u003e1 1. Allegro con brio 7:33\u003c\/p\u003e\u003cp\u003e2 2. Adagio con molta espressione 6:36\u003c\/p\u003e\u003cp\u003e3 3. Menuetto 3:06\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Allegretto 6:30\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 12 in A flat major op. 26\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 12 As-Dur\u003c\/p\u003e\u003cp\u003e5 1. Andante con Variazioni 6:56\u003c\/p\u003e\u003cp\u003e6 2. Scherzo. Allegro molto 2:29\u003c\/p\u003e\u003cp\u003e7 3. Marcia funebre sulla morte d’un Eroe. Maestoso Andante 6:05\u003c\/p\u003e\u003cp\u003e8 4. Allegro 2:52\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 13 in E flat major op. 27 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 13 Es-Dur\u003c\/p\u003e\u003cp\u003eSonata quasi una fantasia\u003c\/p\u003e\u003cp\u003e9 1. Andante – Allegro – Tempo I 4:51\u003c\/p\u003e\u003cp\u003e10 2. Allegro molto e vivace 1:48\u003c\/p\u003e\u003cp\u003e11 3. Adagio con espressione 2:10\u003c\/p\u003e\u003cp\u003e12 4. Allegro vivace 5:18\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 14 in C sharp minor “Moonlight” op. 27 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 14 cis-Moll »Mondschein-Sonate«\u003c\/p\u003e\u003cp\u003eSonata quasi una fantasia\u003c\/p\u003e\u003cp\u003e13 1. Andante sostenuto 5:25\u003c\/p\u003e\u003cp\u003e14 2. Allegretto 2:08\u003c\/p\u003e\u003cp\u003e15 3. Presto agitato 7:19\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 5 65:10\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 15 in D major “Pastoral” op. 28\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 15 D-Dur\u003c\/p\u003e\u003cp\u003e1 1. Allegro 9:48\u003c\/p\u003e\u003cp\u003e2 2. Andante 6:55\u003c\/p\u003e\u003cp\u003e3 3. Scherzo. Allegro vivace 1:52\u003c\/p\u003e\u003cp\u003e4 4. Rondo. Allegro, ma non troppo 5:16\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 16 in G major op. 31 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 16 G-Dur\u003c\/p\u003e\u003cp\u003e5 1. Allegro vivace 6:25\u003c\/p\u003e\u003cp\u003e6 2. Andante grazioso 7:51\u003c\/p\u003e\u003cp\u003e7 3. Rondo. Allegretto 6:30\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 17 in D minor “The Tempest” op. 31 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 17 d-Moll »Sturm-Sonate«\u003c\/p\u003e\u003cp\u003e8 1. Largo – Allegro 7:39\u003c\/p\u003e\u003cp\u003e9 2. Adagio 6:42\u003c\/p\u003e\u003cp\u003e10 3. Allegretto 6:12\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 6 70:37\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 18 in E flat major “The Hunt” op. 31 no. 3\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 18 Es-Dur »Jagd-Sonate«\u003c\/p\u003e\u003cp\u003e1 1. Allegro 7:31\u003c\/p\u003e\u003cp\u003e2 2. Scherzo. Allegretto vivace 4:59\u003c\/p\u003e\u003cp\u003e3 3. Menuetto. Moderato e grazioso 4:54\u003c\/p\u003e\u003cp\u003e4 4. Presto con fuoco 4:57\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 19 in G minor op. 49 no. 1\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 19 g-Moll\u003c\/p\u003e\u003cp\u003e5 1. Andante 3:26\u003c\/p\u003e\u003cp\u003e6 2. Rondo. Allegro 3:22\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 20 in G major op. 49 no. 2\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 20 G-Dur\u003c\/p\u003e\u003cp\u003e7 1. Allegro, ma non troppo 4:51\u003c\/p\u003e\u003cp\u003e8 2. Tempo di Minuetto 3:58\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 21 in C major “Waldstein” op. 53\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 21 C-Dur\u003c\/p\u003e\u003cp\u003e9 1. Allegro con brio 9:54\u003c\/p\u003e\u003cp\u003e10 2. Introduzione. Adagio molto 3:11\u003c\/p\u003e\u003cp\u003e11 3. Rondo. Allegretto moderato 9:28\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 22 in F major op. 54\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 22 F-Dur\u003c\/p\u003e\u003cp\u003e12 1. In tempo d’un Menuetto 4:37\u003c\/p\u003e\u003cp\u003e13 2. Allegretto 5:29\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 7 70:36\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 23 in F minor “Appassionata” op. 57\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 23 f-Moll\u003c\/p\u003e\u003cp\u003e1 1. Allegro assai 9:04\u003c\/p\u003e\u003cp\u003e2 2. Andante con moto 5:58\u003c\/p\u003e\u003cp\u003e3 3. Allegro, ma non troppo – Presto 7:58\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 24 in F sharp major op. 78\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 24 Fis-Dur\u003c\/p\u003e\u003cp\u003e4 1. Adagio cantabile – Allegro ma non troppo 6:38\u003c\/p\u003e\u003cp\u003e5 2. Allegro vivace 3:06\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 25 in G major op. 79\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 25 G-Dur\u003c\/p\u003e\u003cp\u003e6 1. Presto alla tedesca 4:35\u003c\/p\u003e\u003cp\u003e7 2. Andante 2:24\u003c\/p\u003e\u003cp\u003e8 3. Vivace 2:22\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 26 in E flat major “Les Adieux” op. 81a\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 26 Es-Dur\u003c\/p\u003e\u003cp\u003e9 1. Das Lebewohl (Les Adieux). Adagio – Allegro 6:26\u003c\/p\u003e\u003cp\u003e10 2. Abwesenheit (L’Absence). Andante espressivo 3:40\u003c\/p\u003e\u003cp\u003e11 3. Das Wiedersehn (Le Retour). Vivacissimamente 5:30\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 27 in E minor op. 90\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 27 e-Moll\u003c\/p\u003e\u003cp\u003e12 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 4:54\u003c\/p\u003e\u003cp\u003e13 2. Nicht zu geschwind und sehr singbar vorzutragen 8:01\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 8 57:33\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 28 in A major op. 101\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 28 A-Dur\u003c\/p\u003e\u003cp\u003e1 1. Etwas lebhaft und mit der innigsten Empfindung. 3:44\u003c\/p\u003e\u003cp\u003eAllegretto ma non troppo\u003c\/p\u003e\u003cp\u003e2 2. Lebhaft, marschmäßig. Vivace alla marcia 5:46\u003c\/p\u003e\u003cp\u003e3 3. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto 2:41\u003c\/p\u003e\u003cp\u003e4 4. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro 7:05\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 29 in B flat major “Hammerklavier” op. 106\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 29 B-Dur\u003c\/p\u003e\u003cp\u003e5 1. Allegro 10:19\u003c\/p\u003e\u003cp\u003e6 2. Scherzo. Assai vivace 2:18\u003c\/p\u003e\u003cp\u003e7 3. Adagio sostenuto 15:02\u003c\/p\u003e\u003cp\u003e8 4. Largo – Allegro risoluto 10:38\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 9 65:17\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 30 in E major op. 109\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 30 E-Dur\u003c\/p\u003e\u003cp\u003e1 1. Vivace, ma non troppo – Adagio espressivo – Tempo I 3:43\u003c\/p\u003e\u003cp\u003e2 2. Prestissimo 2:35\u003c\/p\u003e\u003cp\u003e3 3. Andante molto cantabile ed espressivo. 12:19\u003c\/p\u003e\u003cp\u003eGesangvoll, mit innigster Empfindung\u003c\/p\u003e\u003cp\u003eVar. I. Molto espressivo\u003c\/p\u003e\u003cp\u003eVar. II. Leggiermente\u003c\/p\u003e\u003cp\u003eVar. III. Allegro vivace\u003c\/p\u003e\u003cp\u003eVar. IV. Un poco meno andante, cioè un poco più adagio come il tema.\u003c\/p\u003e\u003cp\u003eEtwas langsamer als das Thema\u003c\/p\u003e\u003cp\u003eVar. V. Allegro, ma non troppo\u003c\/p\u003e\u003cp\u003eVar. VI. Tempo I del tema. Cantabile\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 31 in A flat major op. 110\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 31 As-Dur\u003c\/p\u003e\u003cp\u003e4 1. Moderato cantabile, molto espressivo 6:33\u003c\/p\u003e\u003cp\u003e5 2. Allegro molto 2:11\u003c\/p\u003e\u003cp\u003e6 3. Adagio, ma non troppo – Fuga. Allegro, ma non troppo 11:18\u003c\/p\u003e\u003cp\u003ePiano Sonata No. 32 in C minor op. 111\u003c\/p\u003e\u003cp\u003eKlaviersonate Nr. 32 c-Moll\u003c\/p\u003e\u003cp\u003e7 1. Maestoso – Allegro con brio ed appassionato 8:43\u003c\/p\u003e\u003cp\u003e8 2. Arietta. Adagio molto semplice e cantabile 17:55\u003c\/p\u003e\u003cp\u003eVar. I\u003c\/p\u003e\u003cp\u003eVar. II\u003c\/p\u003e\u003cp\u003eVar. III\u003c\/p\u003e\u003cp\u003eVar. IV\u003c\/p\u003e\u003cp\u003eVar. V\u003c\/p\u003e","brand":"Rudolf Buchbinder","offers":[{"title":"OS","offer_id":46371511861491,"sku":"136824000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Rudolf-Buchbinder_Complete-Beethoven-Piano-Sonatas-9CD-Box_9CD-Box_s136824_o203275_a300484_v12048161.2e6fed7b.png?v=1744795355"},{"product_id":"martha-argerich-the-complete-chopin-recordings-on-dg-5cds","title":"The Complete Chopin Recordings on DG (5CDs)","description":"\u003cp\u003e5CDs\u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003eCD1\u003c\/p\u003e\u003cp\u003e1 Piano Sonata No. 2 in B-Flat Minor, Op. 35\u003c\/p\u003e\u003col\u003e\u003cli\u003eGrave - Doppio movimento\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e2 Piano Sonata No. 2 in B-Flat Minor, Op. 35\u003c\/p\u003e\u003col\u003e\u003cli\u003eScherzo - Più lento - Tempo I\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e3 Piano Sonata No. 2 in B-Flat Minor, Op. 35\u003c\/p\u003e\u003cp\u003eIII. Marche funèbre\u003c\/p\u003e\u003cp\u003e4 Piano Sonata No. 2 in B-Flat Minor, Op. 35\u003c\/p\u003e\u003col\u003e\u003cli\u003eFinale\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e5 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003col\u003e\u003cli\u003eAllegro maestoso\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e6 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003col\u003e\u003cli\u003eScherzo. Molto vivace\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e7 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003cp\u003eIII. Largo\u003c\/p\u003e\u003cp\u003e8 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003col\u003e\u003cli\u003eFinale. Presto non tanto\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e9 Scherzo No. 2 in B-Flat Minor, Op. 31\u003c\/p\u003e\u003cp\u003ePresto\u003c\/p\u003e\u003cp\u003e10 Scherzo No. 3 in C-Sharp Minor, Op. 39\u003c\/p\u003e\u003cp\u003e11 Barcarolle, Op. 60\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD2\u003c\/p\u003e\u003cp\u003e1 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 1 in C Major\u003c\/p\u003e\u003cp\u003e2 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 2 in A Minor\u003c\/p\u003e\u003cp\u003e3 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 3 in G Major\u003c\/p\u003e\u003cp\u003e4 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 4 in E Minor\u003c\/p\u003e\u003cp\u003e5 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 5 in D Major\u003c\/p\u003e\u003cp\u003e6 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 6 in B Minor\u003c\/p\u003e\u003cp\u003e7 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 7 in A Major\u003c\/p\u003e\u003cp\u003e8 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 8 in F-Sharp Minor\u003c\/p\u003e\u003cp\u003e9 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 9 in E Major\u003c\/p\u003e\u003cp\u003e10 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 10 in C-Sharp Minor\u003c\/p\u003e\u003cp\u003e11 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 11 in B Major\u003c\/p\u003e\u003cp\u003e12 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 12. in G-Sharp Minor\u003c\/p\u003e\u003cp\u003e13 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 13 in F-Sharp Major\u003c\/p\u003e\u003cp\u003e14 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 14 in E-Flat Minor\u003c\/p\u003e\u003cp\u003e15 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 15 in D-Flat Major\u003c\/p\u003e\u003cp\u003e16 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 16 in B-Flat Minor\u003c\/p\u003e\u003cp\u003e17 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 17 in A-Flat Major\u003c\/p\u003e\u003cp\u003e18 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 18 in F Minor\u003c\/p\u003e\u003cp\u003e19 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 19 in E-Flat Major\u003c\/p\u003e\u003cp\u003e20 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 20 in C Minor\u003c\/p\u003e\u003cp\u003e21 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 21 in B-Flat Major\u003c\/p\u003e\u003cp\u003e22 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 22 in G Minor\u003c\/p\u003e\u003cp\u003e23 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 23 in F Major\u003c\/p\u003e\u003cp\u003e24 24 Préludes, Op.28\u003c\/p\u003e\u003cp\u003eNo. 24 in D Minor\u003c\/p\u003e\u003cp\u003e25 Prélude in C-Sharp Minor, Op. 45\u003c\/p\u003e\u003cp\u003ePrélude in C-Sharp Minor, Op. 45\u003c\/p\u003e\u003cp\u003e26 Prélude in A-Flat Major, B. 86\u003c\/p\u003e\u003cp\u003ePrélude in A-Flat Major, B. 86\u003c\/p\u003e\u003cp\u003e27 3 Mazurkas, Op. 59\u003c\/p\u003e\u003cp\u003eNo. 1 in A Minor: Moderato\u003c\/p\u003e\u003cp\u003e28 3 Mazurkas, Op. 59\u003c\/p\u003e\u003cp\u003eNo. 2 in A-Flat Major: Allegretto\u003c\/p\u003e\u003cp\u003e29 3 Mazurkas, Op. 59\u003c\/p\u003e\u003cp\u003eNo. 3 in F-Sharp Minor: Vivace\u003c\/p\u003e\u003cp\u003e30 Andante spianato et Grande Polonaise brillante in E-Flat Major, Op. 22\u003c\/p\u003e\u003cp\u003e31 Polonaise in A-Flat Major, Op. 53 \u0026#34;Heroic\u0026#34;\u003c\/p\u003e\u003cp\u003eMaestoso\u003c\/p\u003e\u003cp\u003e32 Polonaise No.7 in A flat, Op.61 Polonaise-Fantaisie\u003c\/p\u003e\u003cp\u003eAllegro maestoso\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD3\u003c\/p\u003e\u003cp\u003e1 Piano Concerto No. 1 in E Minor, Op. 11\u003c\/p\u003e\u003col\u003e\u003cli\u003eAllegro maestoso\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e2 Piano Concerto No. 1 in E Minor, Op. 11\u003c\/p\u003e\u003col\u003e\u003cli\u003eRomance. Larghetto\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e3 Piano Concerto No. 1 in E Minor, Op. 11\u003c\/p\u003e\u003cp\u003eIII. Rondo. Vivace\u003c\/p\u003e\u003cp\u003e4 Introduction and Polonaise, Op.3\u003c\/p\u003e\u003cp\u003eIntroduction - Lento\u003c\/p\u003e\u003cp\u003e5 Introduction and Polonaise, Op.3\u003c\/p\u003e\u003cp\u003eAlla Polacca - Allegro con spirito\u003c\/p\u003e\u003cp\u003e6 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003col\u003e\u003cli\u003eAllegro moderato\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e7 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003col\u003e\u003cli\u003eScherzo. Allegro con brio\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e8 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003cp\u003eIII. Largo\u003c\/p\u003e\u003cp\u003e9 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003col\u003e\u003cli\u003eFinale. Allegro\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD4\u003c\/p\u003e\u003cp\u003e1 Piano Concerto No. 2 in F Minor, Op. 21\u003c\/p\u003e\u003col\u003e\u003cli\u003eMaestoso\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e2 Piano Concerto No. 2 in F Minor, Op. 21\u003c\/p\u003e\u003col\u003e\u003cli\u003eLarghetto\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e3 Piano Concerto No. 2 in F Minor, Op. 21\u003c\/p\u003e\u003cp\u003eIII. Allegro vivace\u003c\/p\u003e\u003cp\u003e4 Introduction and Polonaise, Op.3\u003c\/p\u003e\u003cp\u003eIntroduction. Lento - Alla Polacca. Allegro\u003c\/p\u003e\u003cp\u003e5 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003col\u003e\u003cli\u003eAllegro moderato\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e6 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003col\u003e\u003cli\u003eScherzo. Allegro con brio\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e7 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003cp\u003eIII. Largo\u003c\/p\u003e\u003cp\u003e8 Cello Sonata in G minor, Op.65\u003c\/p\u003e\u003col\u003e\u003cli\u003eFinale. Allegro\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD5\u003c\/p\u003e\u003cp\u003e1 Ballade No.1 In G Minor, Op.23\u003c\/p\u003e\u003cp\u003e2 12 Études, Op. 10\u003c\/p\u003e\u003cp\u003eNo. 4 In C Sharp Minor\u003c\/p\u003e\u003cp\u003e3 Mazurka No.26 In C Sharp Minor Op.41 No.4\u003c\/p\u003e\u003cp\u003e4 Mazurka No.27 In E Minor Op.41 No.1\u003c\/p\u003e\u003cp\u003e5 Mazurka No.15 In C Op.24 No.2\u003c\/p\u003e\u003cp\u003e6 Mazurka No.40 In F Minor Op.63 No.2\u003c\/p\u003e\u003cp\u003e7 Mazurka No.23 In D Op.33 No.2\u003c\/p\u003e\u003cp\u003e8 Nocturne No.4 In F, Op.15 No.1\u003c\/p\u003e\u003cp\u003e9 Nocturne No.16 In E Flat, Op.55 No.2\u003c\/p\u003e\u003cp\u003e10 Mazurka No.36 In A Minor Op.59 No.1\u003c\/p\u003e\u003cp\u003e11 Mazurka No.37 In A Flat Op.59 No.2\u003c\/p\u003e\u003cp\u003e12 Mazurka No.38 In F Sharp Minor Op.59 No.3\u003c\/p\u003e\u003cp\u003e13 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003col\u003e\u003cli\u003eAllegro maestoso\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e14 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003col\u003e\u003cli\u003eScherzo. Molto vivace\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e15 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003cp\u003eIII. Largo\u003c\/p\u003e\u003cp\u003e16 Piano Sonata No. 3 in B Minor, Op. 58\u003c\/p\u003e\u003col\u003e\u003cli\u003eFinale. Presto non tanto\u003c\/li\u003e\u003c\/ol\u003e","brand":"Martha Argerich","offers":[{"title":"OS","offer_id":46371514155251,"sku":"137161000","price":15.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Martha-Argerich_The-Complete-Chopin-Recordings-on-DG-5CDs_Box_s137161_o203612_a300939_v12046467.8513192c.jpg?v=1744795388"},{"product_id":"krystian-zimerman-beethoven-complete-piano-concertos-deluxe-edition","title":"Beethoven: Complete Piano Concertos (Deluxe Edition)","description":"\u003cp\u003eBeethoven: Complete Piano Concertos (Ltd. Deluxe Edition)\u003c\/p\u003e\u003cp\u003e- Limited deluxe edition (3 CD \u0026amp; 2 Blu-ray Hardcoverbook)\u003c\/p\u003e\u003cp\u003e- The only version that contains the videos of all 5 Piano Concertos\u003c\/p\u003e\u003cp\u003e- Including a breathtaking Dolby Atmos surround sound mix\u003c\/p\u003e\u003cp\u003e- High-quality Hardcoverbook in DVD size with an antiscratch lamination on the cover\u003c\/p\u003e\u003cp\u003eKrystian Zimerman, Sir Simon Rattle, and Ludwig van Beethoven: three exceptional musicians and five great piano concertos are brought together for a landmark recording. Over 30 years ago, in 1989, Krystian Zimerman and Leonard Bernstein recorded Beethoven’s Piano Concertos Nos. 3, 4 and 5. They were united in their total dedication to music – in mind, heart and soul – resulting in an exceptional recording. Sadly, Bernstein died before the cycle was recorded in completion. Zimerman went on to conduct the remaining Concertos Nos. 1 and 2 from the keyboard in 1991.\u003c\/p\u003e\u003cp\u003e“The impression Bernstein’s approach to music made on me was very clear,” Zimerman says. “He gave me the courage and confidence to be daring with my interpretations, trying out musical ideas that were completely new. […] I have found almost the same approach, however, in one other conductor: Simon Rattle. It’s as if he becomes the music himself – and Bernstein was exactly the same. I never thought of Bernstein ‘conducting’ a piece: you thought it’s his piece, he’s composing the moment he’s on stage with it. There’s a similarity with Simon: what happens in the concert is not necessarily the same as what happened in the rehearsal. We’ll set up a frame of functioning, but he knows that I at any moment can snap and I know that he at any moment can follow it, and vice versa. When I make a joke, he does not let me get away with this – I will get it back in the next two minutes!”\u003c\/p\u003e\u003cp\u003eThe unique rapport between Krystian Zimerman and Sir Simon Rattle is based upon years of shared ideals and mutual respect. Gramophone described their partnership as ‘a thing of wonder’, praising their ‘thrilling sense of purpose’.\u003c\/p\u003e\u003cp\u003eNow, 30 years after his first recordings, Zimerman returns to Beethoven’s Piano Concertos. He offers an exceptional new interpretation recorded with Sir Simon Rattle and the London Symphony Orchestra. This release is among the biggest highlights to conclude the Beethoven anniversary celebrations.\u003c\/p\u003e\u003cp\u003eThe limited Deluxe Edition (3 CD \u0026amp; 2 Blu-ray) is the only version that contains the videos of all 5 Piano Concertos. Including a breathtaking Dolby Atmos surround sound mix for the perfect concert experience at home (available as video and audio-only version). 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(Trois Nouvelles Études) NIKITA MAGALOFF\u003c\/li\u003e\u003cli\u003eAGNES OBEL September Song VAN-ANH NGUYEN.\u003c\/li\u003e\u003cli\u003ePHILIP GLASS Étude no. 14 VÍKINGUR ÓLAFSSON\u003c\/li\u003e\u003cli\u003eFELIX MENDELSSOHN Venetian Gondola Song (Songs without Words op. 19 no.6) JAN LISIECKI\u003c\/li\u003e\u003cli\u003eYANN TIERSEN La Valse d’Amélie IRIS HOND\u003c\/li\u003e\u003cli\u003eRUI MASSENA Valsa RUI MASSENA\u003c\/li\u003e\u003cli\u003eSOPHIE HUTCHINGS A Small Kind of Revival SOPHIE HUTCHINGS\u003c\/li\u003e\u003cli\u003eSTEPHAN MOCCIO Winter Waltz STEPHAN MOCCIO\u003c\/li\u003e\u003cli\u003eEDVARD GRIEG Notturno (Lyric Pieces Book V op. 54 no. 4) ALICE SARA OTT\u003c\/li\u003e\u003cli\u003eSERGEI RACHMANINOFF Lilacs op. 21 no. 5 (transc. 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A rare album of works by Hindemith recorded for the Koch Schwann label, a Blu-ray Pure Audio with the complete Beethoven violin sonatas, and an 84-page booklet with essays by Carsten Dürer, Joachim Kaiser, and Norbert Hornig round out the edition.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eCD 1 CARL SEEMANN PLAYS BACH\u003c\/p\u003e\u003cp\u003eCD 2 BARTÓK: Sonata for 2 Pianos and Percussion, Sz. 110; Improvisations on Hungarian Peasant Songs, Op. 20; For Children, Sz. 42\u003c\/p\u003e\u003cp\u003eCD 3 FORTNER: Mouvements; KLEBE: Römische Elegien, Op. 15; HARTMANN: Lamento\u003c\/p\u003e\u003cp\u003eBEETHOVEN\u003c\/p\u003e\u003cp\u003eCD 4 Violin Sonatas Nos. 1–4\u003c\/p\u003e\u003cp\u003eCD 5 Violin Sonatas Nos. 5–7\u003c\/p\u003e\u003cp\u003eCD 6 Violin Sonatas Nos. 8–10\u003c\/p\u003e\u003cp\u003eBRAHMS\u003c\/p\u003e\u003cp\u003eCD 7 4 Ballades, Op. 10 No 1; 7 Piano Pieces, Op. 116; 6 Piano Pieces, Op. 118; 16 Waltzes, Op. 39\u003c\/p\u003e\u003cp\u003eCD 8 Violin Sonatas Opp.78, 100 \u0026amp; 108; Scherzo from \u0026#34;F.A.E\u0026#34; -Sonata\u003c\/p\u003e\u003cp\u003eCD 9 HAYDN; BEETHOVEN\u003c\/p\u003e\u003cp\u003eCD 10 HINDEMITH: Klaviermusik, Op. 37; Piano Sonata No. 3\u003c\/p\u003e\u003cp\u003eCD 11 HINDEMITH: Violin Sonata; BARTÓK: Violin Sonata No. 2; PROKOFIEV: Violin Sonata No. 2, Op. 94a\u003c\/p\u003e\u003cp\u003eMOZART\u003c\/p\u003e\u003cp\u003eCD 12 Coronation concerto K537, Concerto for 2 Pianos K365, Rondos K382 \u0026amp; 386\u003c\/p\u003e\u003cp\u003eCD 13 Piano Concertos Nos. 24 \u0026amp; 25\u003c\/p\u003e\u003cp\u003eCD 14 Piano Sonatas Nos. 1–6\u003c\/p\u003e\u003cp\u003eCD 15 Piano Sonatas Nos. 7–10\u003c\/p\u003e\u003cp\u003eCD 16 Piano Sonatas Nos. 11–13\u003c\/p\u003e\u003cp\u003eCD 17 Fantasia, K. 475; Piano Sonatas Nos. 14, 16–18\u003c\/p\u003e\u003cp\u003eCD 18 Piano Sonata Nos. 15 \u0026amp; 19\u003c\/p\u003e\u003cp\u003eCD 19 Fantasia in D minor, Variations on the Arietta “Unser dummer Pöbel meint”, Rondo in D major, Rondo in A minor, Adagio in B minor, Variations on a Minuet by Jean Pierre Duport, Gigue in G major, Variations on a Theme from the Clarinet Quintet in A major\u003c\/p\u003e\u003cp\u003eCD 20 Violin Sonatas K. 296, K. 301, K. 304–K. 306\u003c\/p\u003e\u003cp\u003eCD 21 Violin Sonatas K. 376–K. 378, K. 481\u003c\/p\u003e\u003cp\u003eCD 22 Violin Sonatas K. 379, K. 380, K. 454 \u0026amp; K. 526\u003c\/p\u003e\u003cp\u003eCD 23 SCHUBERT: Violin Sonatas D. 384 \u0026amp; 385, 408, 574\u003c\/p\u003e\u003cp\u003eCD 24 SCHUHMANN: Sonata No. 1, Op. 105; Franck: Violin Sonata, FWV 8\u003c\/p\u003e\u003cp\u003eCD 25 STRAVINSKY: Concerto for Piano and Wind Instruments; Serenade in A for Piano; DEBUSSY: Children\u0026#039;s Corner, L. 113, Sonata in G Minor, L. 140\u003c\/p\u003e\u003cp\u003eBRA BEETHOVEN: Complete Violin Sonatas\u003c\/p\u003e","brand":"Carl Seemann","offers":[{"title":"OS","offer_id":46371641753843,"sku":"141993000","price":64.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/CARL-SEEMANN_Complete-Recordings-on-Deutsche-Grammophon_Boxset-25-CD-s-BluRay_s141993_o208337_a308535_v11962686.ef9c049c.png?v=1744557882"},{"product_id":"blaserphilharmonie-mozarteum-salzburg-mozart-complete-wind-music","title":"Mozart Complete Wind Music","description":"\u003cp\u003e\u0026#34;It seemed to me that I was hearing the voice of God ...\u0026#34; — this expression by Salieri in the movie \u0026#34;Amadeus\u0026#34; about the \u0026#34;Gran Partita\u0026#34; describes quite well the shivers that Mozart\u0026#039;s wind music is able to evoke. 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His first album with Deutsche Grammophon was a celebrated Tchaikovsky recording, followed by many collaborations with the Berlin Philharmonic, the RSO Berlin and other renowned orchestras.\u003c\/p\u003e\u003cp\u003eFor the first time, Deutsche Grammophon is now releasing all of Lorin Maazel\u0026#039;s recordings in a limited complete edition. 39 CDs with original covers are accompanied by an 80-page booklet with a new essay by Tully Potter. Highlights of the collection include his critically acclaimed recordings of the Ravel operas \u0026#34;Enfant et les Sortilèges\u0026#34; and \u0026#34;L\u0026#039;heure espagnole,\u0026#34; as well as interpretations of Beethoven\u0026#039;s 5th Symphony and Schubert\u0026#039;s \u0026#34;Unfinished\u0026#34; Symphony.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eCD 1 \u003cbr \/\u003eHECTOR BERLIOZ\u003cbr \/\u003eROMEO ET JULIETTE OP. 17 (EXCERPTS)\u003cbr \/\u003eROMEO AND JULIET | ROMEO UND JULIA\u003cbr \/\u003eSYMPHONIE DRAMATIQUE\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 2 \u003cbr \/\u003ePYOTR ILYICH TCHAIKOVSKY\u003cbr \/\u003eROMEO AND JULIET  \u003cbr \/\u003eSERGEI PROKOFIEV\u003cbr \/\u003eROMEO AND JULIET\u003cbr \/\u003eEXCERPTS FROM SUITES NO. 1 (OP. 64A) AND NO. 2 (OP. 64B)\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 3 \u003cbr \/\u003eIGOR STRAVINSKY\u003cbr \/\u003eL’OISEAU DE FEU - THE FIREBIRD \u003cbr \/\u003eLE CHANT DU ROSSIGNOL - THE SONG OF THE NIGHTINGALE \u003cbr \/\u003ePOÈME SYMPHONIQUE\u003cbr \/\u003eRadio-Symphonie-Orchester Berlin\u003c\/p\u003e\u003cp\u003eCD 4 \u003cbr \/\u003eLUDWIG VAN BEETHOVEN\u003cbr \/\u003eSYMPHONY NO. 5 IN C MINOR OP. 67\u003cbr \/\u003eOVERTURE “THE CONSECRATION OF THE HOUSE” OP. 124\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 5 \u003cbr \/\u003eJOHANNES BRAHMS\u003cbr \/\u003eSYMPHONY NO. 3 IN F MAJOR OP. 90\u003cbr \/\u003eTRAGIC OVERTURE OP. 81\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 6 \u003cbr \/\u003eOTTORINO RESPIGHI \u003cbr \/\u003ePINI DI ROMA\u003cbr \/\u003eMODEST MUSSORGSKY\u003cbr \/\u003eNIGHT ON BALD MOUNTAIN  \u003cbr \/\u003eNIKOLAI RIMSKY-KORSAKOV\u003cbr \/\u003eCAPRICCIO ESPAGNOL OP. 34\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 7 \u003cbr \/\u003eFRANZ SCHUBERT\u003cbr \/\u003eSYMPHONY NO. 4 IN C MINOR “TRAGIC” D 417\u003cbr \/\u003eSYMPHONY NO. 8 IN B MINOR “UNFINISHED” D 759\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 8 \u003cbr \/\u003eWOLFGANG AMADEUS MOZART\u003cbr \/\u003eSYMPHONY NO. 1 IN E FLAT MAJOR K 16\u003cbr \/\u003eSYMPHONY NO. 28 IN C MAJOR K 200 (189K)\u003cbr \/\u003eSYMPHONY NO. 41 IN C MAJOR “JUPITER” K 551\u003cbr \/\u003eOrchestre National de la Radiodiffusion-Television Française\u003c\/p\u003e\u003cp\u003eCD 9 \u003cbr \/\u003eLUDWIG VAN BEETHOVEN\u003cbr \/\u003eSYMPHONY NO. 6 IN F MAJOR “PASTORAL” OP. 68\u003cbr \/\u003e12 CONTREDANSES FOR ORCHESTRA WOO 14\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 10\u003cbr \/\u003eMAURICE RAVEL\u003cbr \/\u003eL’ENFANT ET LES SORTILEGES\u003cbr \/\u003eChœur et maitrise de la Radiodiffusion-Television Française\u003cbr \/\u003eChorus Master: Rene Alix\u003cbr \/\u003eOrchestre National de la Radiodiffusion-Television Française\u003c\/p\u003e\u003cp\u003eCD 11\u003cbr \/\u003eFELIX MENDELSSOHN\u003cbr \/\u003eSYMPHONY NO. 4 IN A MAJOR “ITALIAN” OP. 90\u003cbr \/\u003eSYMPHONY NO. 5 IN D MAJOR “REFORMATION” OP. 107\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 12\u003cbr \/\u003eFRANZ SCHUBERT\u003cbr \/\u003eSYMPHONY NO. 5 IN B FLAT MAJOR D 485\u003cbr \/\u003eSYMPHONY NO. 6 IN C MAJOR “THE LITTLE” D 589\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 13\u003cbr \/\u003eCÉSAR FRANCK\u003cbr \/\u003eSYMPHONY IN D MINOR\u003cbr \/\u003eRadio-Symphonie-Orchester Berlin\u003c\/p\u003e\u003cp\u003eCD 14\u003cbr \/\u003eBENJAMIN BRITTEN \u003cbr \/\u003eTHE YOUNG PERSON’S GUIDE TO THE ORCHESTRA OP. 34\u003cbr \/\u003eVARIATIONS AND FUGUE ON A THEME OF PURCELL \u003cbr \/\u003eSERGE PROKOFIEV\u003cbr \/\u003ePETER AND THE WOLF OP. 67\u003cbr \/\u003eA MUSICAL TALE FOR CHILDREN \u003cbr \/\u003eOrchestre National de la Radiodiffusion-Television Française\u003c\/p\u003e\u003cp\u003eCD 15\u003cbr \/\u003ePYOTR ILYICH TCHAIKOVSKY\u003cbr \/\u003eSYMPHONY NO. 4 IN F MINOR OP. 36\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 16\u003cbr \/\u003eFRANZ SCHUBERT\u003cbr \/\u003eSYMPHONY NO. 2 IN B FLAT MAJOR D 125\u003cbr \/\u003eSYMPHONY NO. 3 IN D MAJOR D 200\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 17\u003cbr \/\u003eMAURICE RAVEL\u003cbr \/\u003eL’HEURE ESPAGNOLE\u003cbr \/\u003eOrchestre National de la Radiodiffusion-Television Française\u003c\/p\u003e\u003cp\u003eCD 18\u003cbr \/\u003eMANUEL DE FALLA\u003cbr \/\u003eEL AMOR BRUJO\u003cbr \/\u003eDANCES FROM EL SOMBRERO DE TRES PICOS\u003cbr \/\u003eRadio-Symphonie-Orchester Berlin\u003c\/p\u003e\u003cp\u003eCD 19-20\u003cbr \/\u003eGIUSEPPE VERDI \u003cbr \/\u003eLUISA MILLER \u003cbr \/\u003eChorus of the Royal Opera House, Covent Garden\u003cbr \/\u003eChorus Master: John Barker\u003cbr \/\u003eOrchestra of the Royal Opera House, Covent Garden\u003c\/p\u003e\u003cp\u003eCD 21\u003cbr \/\u003eBÉLA BARTÓK \u003cbr \/\u003eCONCERTO FOR ORCHESTRA SZ 116\u003cbr \/\u003eTWO PICTURES SZ 46 (OP. 10)\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 22\u003cbr \/\u003ePYOTR ILYICH TCHAIKOVSKY\u003cbr \/\u003eCONCERTO FOR VIOLIN AND ORCHESTRA IN D MAJOR OP. 35\u003cbr \/\u003eSÉRÉNADE MÉLANCOLIQUE FOR VIOLIN AND ORCHESTRA\u003cbr \/\u003eIN B FLAT MINOR OP. 26\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 23\u003cbr \/\u003eNEW YEAR’S CONCERT 1980\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 24\u003cbr \/\u003eNEW YEAR’S CONCERT 1981\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 25\u003cbr \/\u003eANTONÍN DVOŘÁK\u003cbr \/\u003eSYMPHONY NO. 8 IN G MAJOR OP. 88\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 26\u003cbr \/\u003eALEXANDER ZEMLINSKY\u003cbr \/\u003eLYRISCHE SYMPHONIE OP. 18\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 27\u003cbr \/\u003eSERGEI RACHMANINOFF\u003cbr \/\u003eSYMPHONY NO. 3 IN A MINOR OP. 44\u003cbr \/\u003eTHE ISLE OF THE DEAD OP. 29\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 28\u003cbr \/\u003eNEW YEAR’S CONCERT 1982\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 29\u003cbr \/\u003eANTONÍN DVOŘÁK\u003cbr \/\u003eSYMPHONY NO. 9 IN E MINOR “FROM THE NEW WORLD” OP. 95\u003cbr \/\u003eCONCERT OVERTURE “CARNIVAL” OP. 92\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 30\u003cbr \/\u003eSERGEI RACHMANINOFF\u003cbr \/\u003eSYMPHONY NO. 2 IN E MINOR OP. 27\u003cbr \/\u003eBerliner Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 31\u003cbr \/\u003eNEW YEAR’S CONCERT 1983\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 32\u003cbr \/\u003eLIVE IN VIENNA\u003cbr \/\u003eWiener Philharmoniker\u003c\/p\u003e\u003cp\u003eCD 33\u003cbr \/\u003eANTONÍN DVOŘÁK\u003cbr \/\u003eSYMPHONY NO. 7 IN D MINOR OP. 70\u003cbr 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LA-based producer L.Dre is a true master of this style, but in making his upcoming album LoFi Symphony for Deutsche Grammophon he rose to a completely new challenge by blending LoFi beats with high-quality orchestral recordings of classical music. His bold combination of two musical worlds, involving a conscious clash of styles, has led to impressive results on an album that’s more than just the sum of its parts. As a digital native, L.Dre has used social media to build his own brand right from the start. Through Instagram, YouTube and TikTok, he regularly shares music software tips and hacks with his followers, as well as giving them behindthe-scenes glimpses into the day-to-day life and working routines of a music producer. This educational side of his content makes L.Dre stand out from a crowd of faceless LoFi producers. 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