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It was the perfect marriage between art and technology, Solti and Culshaw assembled a dream cast of the leading Wagner singers of their day, including Birgit Nilsson, Wolfgang Windgassen, Hans Hotter, Gottlob Frick, Kirsten Flagstad, Regine Crespin, Dietrich Fischer-Dieskau, Christa Ludwig, James King, Lucia Popp and Joan Sutherland.\u003c\/p\u003e\n","brand":"Sir Georg Solti, Wiener Philharmoniker","offers":[{"title":"OS","offer_id":46384274571507,"sku":"500517001","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Sir-Georg-Solti-Wiener-Philharmoniker_Richard-Wagner-Goetterdaemmerung_Limitierte-Deluxe-6-LP-Edition_s500517_o1566052_a358376_v7280072.8e11ae2f.png?v=1744558169"},{"product_id":"sir-georg-solti-wiener-philharmoniker-richard-wagner-die-walkure-1","title":"Richard Wagner: Die Walküre","description":"\u003cp\u003e„No one has bettered Solti’s Decca Ring in terms of sweep, scope, grandeur, dramatic immediacy, and sheer adrenalin“ - Stereophile\u003c\/p\u003e\n\n\u003cp\u003eThe first stereo recording of Richard Wagner\u0026#039;s complete Ring cycle made in the studio has since acquired a cult following and voted the \u0026#34;best recording of all time\u0026#34; twice.\u003c\/p\u003e\n\n\u003cp\u003eAs second instalment of the legendary SOLTI Ring, the WALKÜRE is released as a Limited Deluxe 4 HYBRID SACD edition, in a 12\u0026#34; slipcase. Audiophile Hybrid SACDs can be played on every CD player and the digital resolution is much higher than a usual CD just allowing for better sound experiences.\u003c\/p\u003e\n\n\u003cp\u003eNEW 24bit\/192kHz Stereo Transfer. As described by the Gramophon Magazine: \u0026#34;It can be said in good conscience that the Solti Ring has never sounded better.\u0026#34; based on the edition on a new HD transfer of the original master tapes.\u003c\/p\u003e\n\n\u003cp\u003eA dream cast made out of leading Wagner singers of their day: Birgit Nilsson, James King, Régine Crespin, Gottlob Frick, Hans Hotter, Christa Ludwig and Brigitte Fassbaender.\u003c\/p\u003e\n\n\u003cp\u003eThe booklet contains:\u003c\/p\u003e\n\n\u003cp\u003e- Technical note on the new HD remastering by Decca Classics Label Director \u0026amp; Executive Producer Dominic Fyfe\u003c\/p\u003e\n\n\u003cp\u003e- Introductions to each opera by John Culshaw\u003c\/p\u003e\n\n\u003cp\u003e- Synopses in English \u0026amp; German\u003c\/p\u003e\n\n\u003cp\u003e- Libretti (original German \u0026#43; English translation).\u003c\/p\u003e\n\n\u003cp\u003e- Original session photographs, facsimiles of Solti’s and Culshaw’s scores, and previously unpublished and newly-discovered curios from the sessions\u003c\/p\u003e\n","brand":"Sir Georg Solti, Wiener Philharmoniker","offers":[{"title":"OS","offer_id":46384278929651,"sku":"500522001","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Sir-Georg-Solti-Wiener-Philharmoniker_Richard-Wagner-Die-Walkuere_Limitierte-Deluxe-4-Hybrid-SACD_s500522_o1566195_a358424_v7281921.f37bfcea.png?v=1744558131"},{"product_id":"wolfgang-schneiderhan-complete-recordings-on-deutsche-grammophon","title":"Complete Recordings on Deutsche Grammophon","description":"\u003cp\u003eAs a \u0026#34;wunderkind\u0026#34; he sat on Pietro Mascagni\u0026#039;s lap, he accompanied the \u0026#34;Dying Swan\u0026#34; danced by the Russian ballerina Anna Pavlova, and Fritz Kreisler confessed to the young violinist that he did not know what else to teach him. “No one places Schneiderhan in the company of Kreisler, Heifetz, Huberman, Szigeti or Stern, yet he was as ‘complete’ a violinist as any of them, maybe even more so\u0026#34;, wrote the English critic Tully Potter. Wolfgang Schneiderhan\u0026#039;s playing was noble, balanced and sober, but at the same time intense, heartfelt and fetching. Artistic distance and immediacy of expression were not opposites for him. He attached great importance to reliable musical scores and placed himself at the service of the music – qualities that would later become important for historical performance practice. In short, a fascinating artist to be rediscovered.\u003c\/p\u003e\n\n\u003cp\u003eFor the first time, Schneiderhan\u0026#039;s complete works on DG appear on 34 CDs in one box set. His repertoire ranges from Baroque to contemporary music, with Bach, Beethoven, Brahms and Mozart as his main focus. We can hear the violinist perform ravishing encore pieces as well as accompanying his wife, the soprano Irmgard Seefried. In addition to numerous CD premieres, the box contains four previously unreleased recordings. A 104-page booklet with texts by Tully Potter, Franz Fassbind, Markus Kettner and Wolfgang Schneiderhan as well as various photos and documents from the DG archive complete the portrait.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003eCD 1\u003cbr \/\u003e\nBACH \u003cbr \/\u003e\nViolin Concertos BWV 1041–1043 \u003cbr \/\u003e\nFestival Strings Lucerne · Baumgartner\u003cbr \/\u003e\nPartita for Solo Violin No. 2 BWV 1004\u003c\/p\u003e\n\n\u003cp\u003eCD 2\u003cbr \/\u003e\nBACH \u003cbr \/\u003e\nViolin Concerto BWV 1041\u003cbr \/\u003e\nCollegium Musicum Zürich · Sacher\u003cbr \/\u003e\nBrandenburg Concertos Nos. 1 \u0026amp; 4 \u003cbr \/\u003e\nCantata »Weichet nur, betrübte Schatten« BWV 202\u003cbr \/\u003e\nFestival Strings Lucerne · Baumgartner \u003c\/p\u003e\n\n\u003cp\u003eCD 3–4\u003cbr \/\u003e\nBACH\u003cbr \/\u003e\nViolin Sonatas BWV 1014–1019\u003c\/p\u003e\n\n\u003cp\u003eCD 5       \u003cbr \/\u003e\nBEETHOVEN \u003cbr \/\u003e\nViolin Concerto \u003cbr \/\u003e\nBerliner Philharmoniker · Jochum (rec. 1962)\u003c\/p\u003e\n\n\u003cp\u003eCD 6       \u003cbr \/\u003e\nBEETHOVEN \u003cbr \/\u003e\nViolin Concerto \u003cbr \/\u003e\nBerliner Philharmoniker · Jochum (rec. 1959)\u003c\/p\u003e\n\n\u003cp\u003eCD 7       \u003cbr \/\u003e\nBEETHOVEN \u003cbr \/\u003e\nViolin Concerto \u003cbr \/\u003e\nBerliner Philharmoniker · Kempen (rec. 1953)\u003c\/p\u003e\n\n\u003cp\u003eCD 8       \u003cbr \/\u003e\nBEETHOVEN\u003cbr \/\u003e\nViolin Concerto \u003cbr \/\u003e\nBerliner Philharmoniker · Furtwängler (live rec. 1953)\u003c\/p\u003e\n\n\u003cp\u003eCD 9\u003cbr \/\u003e\nBEETHOVEN\u003cbr \/\u003e\nTriple Concerto \u003cbr \/\u003e\nDouble Concerto\u003c\/p\u003e\n\n\u003cp\u003eCD 10–12\u003cbr \/\u003e\nBEETHOVEN \u003cbr \/\u003e\nViolin Sonatas opp. 12, 23, 24 “Spring”, 30, 47 “Kreutzer”, 96 \u003cbr \/\u003e\nSeemann\u003c\/p\u003e\n\n\u003cp\u003eCD 13–15\u003cbr \/\u003e\nBEETHOVEN\u003cbr \/\u003e\nViolin Sonatas opp. 12, 23, 24 “Spring”, 30, 47 “Kreutzer”, 96 \u003cbr \/\u003e\nKempff\u003c\/p\u003e\n\n\u003cp\u003eCD 16\u003cbr \/\u003e\nBRAHMS \u003cbr \/\u003e\nViolin Concerto \u003cbr \/\u003e\nMARTIN \u003cbr \/\u003e\nViolin Concerto\u003c\/p\u003e\n\n\u003cp\u003eCD 17     \u003cbr \/\u003e\nBRAHMS \u003cbr \/\u003e\nViolin Sonatas Nos. 1–3 \u003cbr \/\u003e\nScherzo for Violin and Piano in C minor\u003cbr \/\u003e\nSeemann\u003c\/p\u003e\n\n\u003cp\u003eCD 18\u003cbr \/\u003e\nBRAHMS\u003cbr \/\u003e\nViolin Sonatas Nos. 1–3 \u003cbr \/\u003e\nWührer\u003c\/p\u003e\n\n\u003cp\u003eCD 19\u003cbr \/\u003e\nHINDEMITH \u003cbr \/\u003e\nViolin Sonata in C major \u003cbr \/\u003e\nBARTÓK\u003cbr \/\u003e\nViolin Sonata No. 2 \u003cbr \/\u003e\nPROKOFIEV\u003cbr \/\u003e\nViolin Sonata No. 2\u003c\/p\u003e\n\n\u003cp\u003eCD 20\u003cbr \/\u003e\nMENDELSSOHN \u003cbr \/\u003e\nViolin Concerto\u003cbr \/\u003e\nBRUCH\u003cbr \/\u003e\nViolin Concerto No. 1\u003c\/p\u003e\n\n\u003cp\u003eCD 21–22\u003cbr \/\u003e\nMOZART \u003cbr \/\u003e\nViolin Concertos Nos. 1–5, Adagio für Violin and Orchestra K 261\u003cbr \/\u003e\nRondos for Violin and Orchestra K 269, 373 \u003cbr \/\u003e\nBerliner Philharmoniker\u003c\/p\u003e\n\n\u003cp\u003eCD 23     \u003cbr \/\u003e\nMOZART \u003cbr \/\u003e\nViolin Concertos Nos. 4 \u0026amp; 5 \u003cbr \/\u003e\nBerliner Philharmoniker · Schmidt-Isserstedt \u003cbr \/\u003e\nNDR-Sinfonieorchester · Schmidt-Isserstedt\u003c\/p\u003e\n\n\u003cp\u003eCD 24\u003cbr \/\u003e\nMOZART \u003cbr \/\u003e\nViolin Concertos Nos. 4 \u0026amp; 5 \u003cbr \/\u003e\nBerliner Philharmoniker · Rosbaud \u003cbr \/\u003e\nWiener Symphoniker · Leitner  \u003cbr \/\u003e\nArias: L’amerò sarò costante | Non temer, amato bene \u003cbr \/\u003e\nWiener Symphoniker · Leitner · Seefried \u003c\/p\u003e\n\n\u003cp\u003eCD 25–27\u003cbr \/\u003e\nMOZART \u003cbr \/\u003e\nViolin Sonatas K 296, 301, 304–306, 376–380, 454, 481, 526\u003c\/p\u003e\n\n\u003cp\u003eCD 28\u003cbr \/\u003e\nSCHUBERT \u003cbr \/\u003e\nSonatinas for Violin and Piano D 384, 385, 408\u003cbr \/\u003e\nDVOŘÁK \u003cbr \/\u003e\nSonatina for Violin and Piano op. 100\u003cbr \/\u003e\nKlien\u003c\/p\u003e\n\n\u003cp\u003eCD 29     \u003cbr \/\u003e\nSCHUBERT\u003cbr \/\u003e\nSonata (Duo) for Violin and Piano D 574\u003cbr \/\u003e\nFantasy for Violin and Piano D 934\u003cbr \/\u003e\n“Rondo brillant” D 895 \u003cbr \/\u003e\nR. STRAUSS \u003cbr \/\u003e\nViolin Sonata op. 18\u003cbr \/\u003e\nKlien\u003c\/p\u003e\n\n\u003cp\u003eCD 30\u003cbr \/\u003e\nSCHUBERT \u003cbr \/\u003e\nSonata (Duo) for Violin and Piano D 574 \u003cbr \/\u003e\nSonatinas for Violin and Piano D 384, 385, 408 \u003cbr \/\u003e\nSeemann\u003c\/p\u003e\n\n\u003cp\u003eCD 31     \u003cbr \/\u003e\nSCHUMANN \u003cbr \/\u003e\nViolin Sonata in A minor op. 105\u003cbr \/\u003e\nFRANCK \u003cbr \/\u003e\nViolin Sonata in A major FWV 8\u003cbr \/\u003e\nDEBUSSY \u003cbr \/\u003e\nViolin Sonata in G minor L 140 \u003cbr \/\u003e\nSTRAVINSKY\u003cbr \/\u003e\nDuo concertant \u003c\/p\u003e\n\n\u003cp\u003eCD 32     \u003cbr \/\u003e\nSTRAVINSKY \u003cbr \/\u003e\nViolin Concerto in D\u003cbr \/\u003e\nHENZE \u003cbr \/\u003e\nViolin Concerto No. 1\u003c\/p\u003e\n\n\u003cp\u003eCD 33\u003cbr \/\u003e\nVIVALDI \u003cbr \/\u003e\nThe Four Seasons op. 8 \u003cbr \/\u003e\nConcerto No. 11 for 2 Violins, Violoncello and Orchestra in D minor RV 565 (rec. 1957 \u0026amp; 1958)\u003cbr \/\u003e\nTARTINI \u003cbr \/\u003e\nViolin Concerto in D minor D 45\u003c\/p\u003e\n\n\u003cp\u003eCD 34\u003cbr \/\u003e\nViolin Encores\u003cbr \/\u003e\n \u003c\/p\u003e\n","brand":"Wolfgang Schneiderhan","offers":[{"title":"OS","offer_id":46384315695347,"sku":"502076000","price":83.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Wolfgang-Schneiderhan_Complete-Recordings-on-Deutsche-Grammophon_34-CD-Box_s502076_o1909049_a373888_v9299766.a143f9d9.jpg?v=1751142480"},{"product_id":"jessye-norman-the-complete-studio-recitals-on-decca-philips-deutsche-grammophon","title":"The Complete Studio Recitals on Decca, Philips \u0026 Deutsche Grammophon","description":"\u003cp\u003eCelebrating the life \u0026amp; recording career of the majestic American dramatic soprano Jessye Norman, 42CDs of all recordings she made for the Decca, Philips \u0026amp; Deutsche Grammophon labels, including studio \u0026amp; live recitals, orchestral lieder, Christmas, American songbook favourites, sacred \u0026amp; spiritual songs and her personal favourites is now available. 3 DVDs further complete the set which includes an intimate film featuring filmed interviews and performances of many of her signature arias \u0026amp; songs, Christmas concerts from Notre-Dame \u0026amp; Ely Cathedrals and a live recital of Handel, Schubert \u0026amp; Schumann from the 1987 Hohenems Festival on DVD for the very first time!\u003c\/p\u003e\n\n\u003cp\u003eThe box-set comes with original jackets, a 120pp perfect bound booklet with authoritative liner notes by George Hall \u0026amp; reminiscences and tributes from friends, former colleagues and producers.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003eCD1    Schubert \u0026amp; Mahler Lieder \u003cbr \/\u003e\nCD2    Schumann: Frauenliebe und -leben Op. 42; Liederkreis, Op.39 \u003cbr \/\u003e\nCD3    Les Chemins de l\u0026#039;amour - Songs By Duparc, Ravel, Poulenc \u0026amp; Satie \u003cbr \/\u003e\nCD4    Brahms: 12 Lieder \u003cbr \/\u003e\nCD5    Brahms: 29 Lieder \u003cbr \/\u003e\nCD6    Brahms: 23 Lieder \u003cbr \/\u003e\nCD7    Schubert: 12 Lieder \u003cbr \/\u003e\nCD8    Richard Strauss: 20 Lieder \u003cbr \/\u003e\nCD9    Live at Hohenems \u003cbr \/\u003e\nCD10    Live in Europe \u003cbr \/\u003e\nCD11    Salzburg Recital \u003cbr \/\u003e\nCD12    Tippett: A Child Of Our Time \u003cbr \/\u003e\nCD13    Jessye Norman sings Wagner \u003cbr \/\u003e\nCD14    Mahler: Songs from \u0026#34;Das Knaben Wunderhorn\u0026#34; \u003cbr \/\u003e\nCD15    Schoenberg: Gurrelieder\u003cbr \/\u003e\nCD16    Schoenberg: Gurrelieder \u003cbr \/\u003e\nCD17    Berlioz: Les Nuits d\u0026#039;été; Ravel: Shéhérazade \u003cbr \/\u003e\nCD18    Beethoven: Symphony No.9 in D minor, Op.125 - \u0026#34;Choral\u0026#34; \u003cbr \/\u003e\nCD19    Mahler: Das Lied von der Erde \u003cbr \/\u003e\nCD20    Mahler: Symphony No.3 in D minor \u003cbr \/\u003e\nCD21    Mahler: Symphony No.3 in D minor \u003cbr \/\u003e\nCD22    Richard Strauss: Four Last Songs \u003cbr \/\u003e\nCD23    Beethoven: Symphony No.9 in D minor, Op.125 - \u0026#34;Choral\u0026#34; \u003cbr \/\u003e\nCD24    Wagner: Tristan und Isolde excerpts; Siegfried Idyll; Overture \u0026#34;Tannhäuser\u0026#34; \u003cbr \/\u003e\nCD25    Live at Notre Dame \u003cbr \/\u003e\nCD26    Beethoven: Missa Solemnis, Op.123 \u003cbr \/\u003e\nCD27    Beethoven: Missa Solemnis, Op.123 \u003cbr \/\u003e\nCD28    Schoenberg: Erwartung; Cabaret Songs \u003cbr \/\u003e\nCD29    Mahler: Symphony No.3 in D minor \u003cbr \/\u003e\nCD30    Mahler: Symphony No.3\u003cbr \/\u003e\nCD31    Mahler: Das Lied von der Erde \u003cbr \/\u003e\nCD32    Spirituals \u003cbr \/\u003e\nCD33    Sacred Songs \u003cbr \/\u003e\nCD34    A Great Day in the Morning \u003cbr \/\u003e\nCD35    Spirituals in Concert \u003cbr \/\u003e\nCD36    Christmastide \u003cbr \/\u003e\nCD37    In the Spirit - Sacred Music for Christmas \u003cbr \/\u003e\nCD38    With a Song in My Heart \u003cbr \/\u003e\nCD39    Lucky To Be Me \u003cbr \/\u003e\nCD40    I Was Born in Love with You \u003cbr \/\u003e\nCD41    Mahler: Kindertotenlieder; Lieder eines fahrenden gesellen; Wagner: Wesendonck Lieder \u003cbr \/\u003e\nCD42    Berlioz: La Mort de Cléopatre; Brahms: Alto Rhapsody; Bruckner: Te Deum \u003c\/p\u003e\n\n\u003cp\u003eDVD1: Jessye Norman Recital \u003cbr \/\u003e\nDVD2: Jessye Norman at Christmas \u003cbr \/\u003e\nDVD3: Jessye Norman A Portrait\u003c\/p\u003e\n","brand":"Jessye Norman","offers":[{"title":"OS","offer_id":46384395583731,"sku":"502950000","price":169.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Jessye-Norman_The-Complete-Studio-Recitals-on-Decca-Philips-Deutsche-Grammophon_CD-Box-42-CDs-3-DVDs_s502950_o1976130_a382457_v9846691.31d29445.jpg?v=1751142541"},{"product_id":"max-raabe-palast-orchester-mir-ist-so-nach-dir-2","title":"Mir ist so nach dir","description":"\u003cp\u003e\u003cstrong\u003e*SHOP EXCLUSIVE*\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul style=\"list-style-type:disc\"\u003e\n\t\u003cli\u003eStrictly limited White Label Vinyl - 100 units\u003c\/li\u003e\n\t\u003cli\u003eHigh-quality collector’s item\u003c\/li\u003e\n\t\u003cli\u003eWhite Label 2LP \u0026#43; 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Nach drei Alben mit ausschließlich neuen Kompositionen haben Max Raabe \u0026amp; Palast Orchester vertraute Songs eingespielt. \u003cstrong\u003e\u003cem\u003eMir ist so nach Dir – Klassiker der 20er und 30er\u003c\/em\u003e\u003c\/strong\u003e heißt das neue Studioalbum mit 16 Tracks, das als limitierte Whitelabel Pressung  im Gatefold inkl. signiertem Artprint erscheint. »Das Beeindruckende an diesen Liedern ist, dass sie auch heute noch dieselben Emotionen auslösen, wie zum Zeitpunkt ihrer Entstehung«, sagt Raabe und begibt sich musikalisch um die Welt, denn er singt nicht nur auf Deutsch, sondern auch auf Spanisch, Französisch, Englisch und Italienisch. »Je nach Titel wird gelacht, oder eine Träne weggedrückt«, verspricht er.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003e1.    Schöne Frau (Little Girl)\u003cbr \/\u003e\n2.    Mir ist so nach Dir\u003cbr \/\u003e\n3.    Top Hat, White Tie And Tails\u003cbr \/\u003e\n4.    Unter den Pinien von Argentinien\u003cbr \/\u003e\n5.    Du du dudl du\u003cbr \/\u003e\n6.    La Mer\u003cbr \/\u003e\n7.    Cubanacán\u003cbr \/\u003e\n8.    Wenn eine Frau Dir etwas verspricht\u003cbr \/\u003e\n9.    Sie sind mir so sympathisch\u003cbr \/\u003e\n10.   Bilbao-Song\u003cbr \/\u003e\n11.   September-Song\u003cbr \/\u003e\n12.   Un\u0026#96; ora sola ti vorrei\u003cbr \/\u003e\n13.   Ich werde jede Nacht von Ihnen träumen\u003cbr \/\u003e\n14.   Wann wirst du mir gehören\u003cbr \/\u003e\n15.   Erstens küss‘ ich nicht\u003cbr \/\u003e\n16.   Guter Mond\u003c\/p\u003e\n","brand":"Max Raabe, Palast Orchester","offers":[{"title":"OS","offer_id":46384514334963,"sku":"504335000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Max-Raabe-Palast-Orchester_Mir-ist-so-nach-dir_Limitierte-White-Label-Vinyl-signierte-Art-Card_s504335_o2080890_a400337_v10839779.df39496f.png?v=1751138235"},{"product_id":"max-richter-sleep-tranquility-base-1","title":"SLEEP: Tranquility Base","description":"\u003cp\u003eLimited White Label Vinyl \u0026#43; Signed Art-Card\u003c\/p\u003e\n\n\u003cp\u003e- strictly limited White Label Vinyl - 100 units\u003c\/p\u003e\n\n\u003cp\u003e- high quality collector\u0026#039;s item\u003c\/p\u003e\n\n\u003cp\u003e- White Label \u0026#43; Signed Art-Card\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“Revisiting the material now is a nice way to discover what it means to me, in this moment, in 2023.” - Max Richter\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eMax Richter is returning to his celebrated eight-hour magnum opus SLEEP with\u003cem\u003e \u003c\/em\u003ea new EP – SLEEP: Tranquility Base. Referencing the 1969 moon landing site in the title, it is a glimpse into the original SLEEP material from a more electronic standpoint.\u003c\/p\u003e\n\n\u003cp\u003e“The original things which made us want to make this piece was a sense of being oversaturated – with data, with information – overstimulated… All of that is just worse now. There’s more of the same, and much more of the same, and that makes the piece continually relevant.” \u003cem\u003eMax Richter\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe EP release also includes brand-new remixes by renowned German sound artist alva noto (also known from his score to \u003cem\u003eThe Revenant \u003c\/em\u003ecomposed alongside Ryuichi Sakamoto\u003cem\u003e \u003c\/em\u003ewhich received nominations for Golden Globe, BAFTA, Grammy and Critics\u0026#039; Choice Movie Awards); and Kelly Lee Owens, the electronic musician who has collaborated with the likes of Björk, St. Vincent and John Cale.\u003c\/p\u003e\n","brand":"Max Richter","offers":[{"title":"OS","offer_id":46384546676979,"sku":"504507000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Max-Richter_SLEEP-Tranquility-Base_Limitierte-White-Label-Vinyl-signierte-Art-Card_s504507_o2087363_a472877_v12151238.669e1bcc.png?v=1740070101"},{"product_id":"trevor-horn-echoes-ancient-modern-3","title":"ECHOES – ANCIENT \u0026 MODERN","description":"\u003cp\u003eSuperproducer Trevor Horn presents Echoes – Ancient \u0026amp; Modern, his Deutsche Grammophon debut album, featuring fresh orchestral takes on 11 iconic tracks. Echoes is\/will be available as a limited, signed and hand-numbered white-label vinyl edition (200 copies only). \u003cbr \/\u003e\u003cbr \/\u003eHorn himself sings vocals on the Roxy Music classic “Avalon”, as well as producing Marc Almond, Tori Amos, Rick Astley, Andrea Corr, Steve Hogarth, Lady Blackbird, Jack Lukeman, Iggy Pop, Seal and Toyah Wilcox \u0026amp; Robert Fripp in tracks originally performed by Pat Benatar; The Cars; Depeche Mode; Frankie Goes to Hollywood; Billy Idol; Joe Jackson; Grace Jones; Kendrick Lamar; Nirvana and Yes.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr \/\u003e01. Swimming Pools (Drank) feat. Tori Amos\u003cbr \/\u003e02. Steppin\u0026#039; Out feat. Seal\u003cbr \/\u003e03. Owner Of A Lonely Heart feat. Rick Astley\u003cbr \/\u003e04. Slave To The Rhythm feat. Lady Blackbird\u003cbr \/\u003e05. Love Is A Battlefield feat. Marc Almond\u003cbr \/\u003e06. Personal Jesus feat. Iggy Pop\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr \/\u003e01. Drive feat. Steve Hogarth\u003cbr \/\u003e02. Relax feat. Toyah Wilcox \u0026amp; Robert Fripp\u003cbr \/\u003e03. White Wedding feat. Andrea Corr with Jack Lukeman\u003cbr \/\u003e04. Smells Like Teen Spirit feat. Jack Lukeman\u003cbr \/\u003e05. Avalon \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Trevor Horn","offers":[{"title":"OS","offer_id":46384639049971,"sku":"504745000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Trevor-Horn_ECHOES-ANCIENT-MODERN_Limitierte-signierte-White-Label-Vinyl_s504745_o2104274_a629753_v13860040.28ae4f1c.png?v=1776766604"},{"product_id":"wiener-philharmoniker-wiener-philharmoniker-deluxe-edition-volume-2","title":"Wiener Philharmoniker: Deluxe Edition Volume 2","description":"\u003cp\u003eThe Vienna Philharmonic Orchestra occupies an outstanding position in the history of the recording medium. Their recordings document not only numerous long-standing relationships with leading performers, but equally their wide-ranging stylistic interests. The present selection, ranging from the Viennese Classical period to the more recent past, also provides a glimpse of the orchestra\u0026#039;s changing view of the Viennese Classical period in recent decades. This is exemplified by very different interpretations of the Mozart violin concertos, which were recorded in close proximity to each other.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003cbr \/\u003e\nCD 1\u003cbr \/\u003e\nHaydn: Sinfonia concertante in B flat, H.I No.105\u003cbr \/\u003e\n1 I. Allegro\u003cbr \/\u003e\n2 II. Andante\u003cbr \/\u003e\n3 III. Allegro con spirito\u003cbr \/\u003e\nMozart: Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra, in E flat, K.297b\u003cbr \/\u003e\n4 I. Allegro\u003cbr \/\u003e\n5 II. Adagio\u003cbr \/\u003e\n6 III. Andantino con variazione\u003c\/p\u003e\n\n\u003cp\u003eCD 2\u003cbr \/\u003e\nBeethoven: Symphony No. 9 in D Minor, Op. 125 \u0026#34;Choral\u0026#34;\u003cbr \/\u003e\n1 1. Allegro ma non troppo, un poco maestoso\u003cbr \/\u003e\n2 2. Molto vivace\u003cbr \/\u003e\n3 3. Adagio molto e cantabile\u003cbr \/\u003e\n4 4. Presto - Allegro assai\u003c\/p\u003e\n\n\u003cp\u003eCD 3\u003cbr \/\u003e\nMendelssohn Bartholdy: Symphony No. 1 in C Minor, Op. 11, MWV N 13\u003cbr \/\u003e\n1 I. Allegro di molto\u003cbr \/\u003e\n2 II. Andante\u003cbr \/\u003e\n3 III. Menuetto. Allegro molto\u003cbr \/\u003e\n4 IV. Allegro con fuoco\u003cbr \/\u003e\nMendelssohn Bartholdy: Symphony No. 3 in A Minor, Op. 56, MWV N 18 \u0026#34;Scottish\u0026#34;\u003cbr \/\u003e\n5 I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima\u003cbr \/\u003e\n6 II. Vivace non troppo\u003cbr \/\u003e\n7 III. Adagio\u003cbr \/\u003e\n8 IV. Allegro vivacissimo - Allegro maestoso assai\u003c\/p\u003e\n\n\u003cp\u003eCD 4\u003cbr \/\u003e\nSchumann: Symphony No.1 in B flat, Op.38 - \u0026#34;Spring\u0026#34;\u003cbr \/\u003e\n1 1. Andante un poco maestoso - Allegro molto vivace\u003cbr \/\u003e\n2 2. Larghetto \u003cbr \/\u003e\n3 3. Scherzo Molto vivace \u003cbr \/\u003e\n4 4. Allegro animato e grazioso\u003cbr \/\u003e\nFranck: Symphony in D Minor, FWV 48\u003cbr \/\u003e\n5 1. Lento - Allegro ma non troppo - Allegro \u003cbr \/\u003e\n6 2. Allegretto\u003cbr \/\u003e\n7 3. Allegro non troppo\u003c\/p\u003e\n\n\u003cp\u003eCD 5\u003cbr \/\u003e\nLiszt\u003cbr \/\u003e\n1 Les préludes, S. 97\u003cbr \/\u003e\n2 Orpheus, symphonic poem No.4, S.98\u003cbr \/\u003e\n3 Mazeppa, S. 100 \u0026#34;Symphonic Poem No. 6\u0026#34;\u003cbr \/\u003e\n4 Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244\/2\u003c\/p\u003e\n\n\u003cp\u003eCD 6\u003cbr \/\u003e\nBruckner: Symphony No.3 in D minor\u003cbr \/\u003e\n1 1. Gemäßigt, mehr bewegt, misterioso\u003cbr \/\u003e\n2 2. Adagio, bewegt, quasi andante\u003cbr \/\u003e\n3 3. Scherzo. Ziemlich schnell\u003cbr \/\u003e\n4 4. Finale. Allegro\u003c\/p\u003e\n\n\u003cp\u003eCD 7\u003cbr \/\u003e\nBrahms: Ein deutsches Requiem, Op.45\u003cbr \/\u003e\n1 I. Chorus. Selig sind, die da Leid tragen \u003cbr \/\u003e\n2 II. Chorus. Denn alles Fleisch, es ist wie Gras \u003cbr \/\u003e\n3 III. Solo Baritone and Chorus. Herr, lehre doch mich \u003cbr \/\u003e\n4 IV. Chorus. Wie lieblich sind deine Wohnungen \u003cbr \/\u003e\n5 V. Solo Soprano and Chorus. Ihr habt nun Traurigkeit \u003cbr \/\u003e\n6 VI. Solo Baritone and Chorus. Denn wir haben hie keine bleibende Statt\u003cbr \/\u003e\n7 VII. Chorus. Selig sind die Toten\u003c\/p\u003e\n\n\u003cp\u003eCD 8\u003cbr \/\u003e\nDvořák: Symphony No. 8 in G Major, Op. 88, B. 163\u003cbr \/\u003e\n1 I. Allegro con brio \u003cbr \/\u003e\n2 II. Adagio \u003cbr \/\u003e\n3 III. Allegretto grazioso - Molto vivace \u003cbr \/\u003e\n4 IV. Allegro ma non troppo\u003cbr \/\u003e\nSymphony No. 9 in E Minor, Op. 95, B. 178, \u0026#34;From the New World\u0026#34;\u003cbr \/\u003e\n5 I. Adagio - Allegro molto\u003cbr \/\u003e\n6 II. Largo \u003cbr \/\u003e\n7 3. Molto vivace \u003cbr \/\u003e\n8 IV. Allegro con fuoco \u003c\/p\u003e\n\n\u003cp\u003eCD 9\u003cbr \/\u003e\nMahler: Symphony No. 4\u003cbr \/\u003e\n1 I. Bedächtig, nicht eilen\u003cbr \/\u003e\n2 II. In gemächlicher Bewegung, ohne Hast \u003cbr \/\u003e\n3 III. Ruhevoll, poco adagio \u003cbr \/\u003e\n4 IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich\u003c\/p\u003e\n\n\u003cp\u003eCD 10\u003cbr \/\u003e\nJanacek: Glagolitic Mass\u003cbr \/\u003e\n1 1. Uvod Introduction (Original Version)\u003cbr \/\u003e\n2 2. Gospodi pomiluji Kyrie (Original Version)\u003cbr \/\u003e\n3 3. Slava Gloria (Original Version)\u003cbr \/\u003e\n4 4. Veruju Credo (Original Version)\u003cbr \/\u003e\n5 5. Svet Sanctus (Original Version)\u003cbr \/\u003e\n6 6. Agnece Bozij Agnus Dei (Original Version)\u003cbr \/\u003e\n7 7. Varhany solo organ solo (Original Version)\u003cbr \/\u003e\n8 8. Intrada (Original Version)\u003cbr \/\u003e\n9 Alexander Zemlinsky: Psalm 83\u003c\/p\u003e\n\n\u003cp\u003eCD 11\u003cbr \/\u003e\nStrauss: Eine Alpensinfonie, Op.64, TrV 233\u003cbr \/\u003e\n1 1. Nacht \u003cbr \/\u003e\n2 2. Sonnenaufgang \u003cbr \/\u003e\n3 3. Der Anstieg \u003cbr \/\u003e\n4 4. Eintritt in den Wald\u003cbr \/\u003e\n5 5. Wanderung neben dem Bache \u003cbr \/\u003e\n6 6. Am Wasserfall \u003cbr \/\u003e\n7 7. Erscheinung \u003cbr \/\u003e\n8 8. Auf blumige Wiesen \u003cbr \/\u003e\n9 9. Auf der Alm \u003cbr \/\u003e\n10 10. Durch Dickicht und Gestrüpp auf Irrwegen \u003cbr \/\u003e\n11 11. Auf dem Gletscher \u003cbr \/\u003e\n12 12. Gefahrvolle Augenblicke \u003cbr \/\u003e\n13 13. Auf dem Gipfel \u003cbr \/\u003e\n14 14. Vision \u003cbr \/\u003e\n15 15. Nebel steigen auf \u003cbr \/\u003e\n16 16. Die Sonne verdüstert sich allmählich \u003cbr \/\u003e\n17 17. Elegie \u003cbr \/\u003e\n18 18. Stille vor dem Sturm \u003cbr \/\u003e\n19 19. Gewitter und Sturm, Abstieg \u003cbr \/\u003e\n20 20. Sonnenuntergang \u003cbr \/\u003e\n21 21. Ausklang \u003cbr \/\u003e\n22 22. Nacht \u003cbr \/\u003e\n23 Wiener Philharmoniker Fanfare, TrV 248\u003c\/p\u003e\n\n\u003cp\u003eCD 12\u003cbr \/\u003e\nSchmidt: Symphony No.4 in C major\u003cbr \/\u003e\n1 1. Allegro molto moderato \u003cbr \/\u003e\n2 2. Adagio \u003cbr \/\u003e\n3 3a. Molto vivace \u003cbr \/\u003e\n4 3b. Allegro molto moderato - reprise \u003c\/p\u003e\n\n\u003cp\u003eCD 13\u003cbr \/\u003e\n1 Kodaly: Variations on a Hungarian Folk Song for Orchestra, \u0026#34;The Peacock\u0026#34;\u003cbr \/\u003e\n2 Blacher: Variations on a theme of Paganini, Op.26\u003cbr \/\u003e\nElgar: Variations on an Original Theme, Op.36 \u0026#34;Enigma\u0026#34;\u003cbr \/\u003e\n3 Theme Andante \u003cbr \/\u003e\n4 Variation 1. C.A.E. L\u0026#039;istesso tempo \u003cbr \/\u003e\n5 Variation 2. H.D.S-P. Allegro \u003cbr \/\u003e\n6 Variation 3. R.B.T. Allegretto \u003cbr \/\u003e\n7 Variation 4. W.M.B. Allegro di molto \u003cbr \/\u003e\n8 Variation 5. R.P.A. Moderato \u003cbr \/\u003e\n9 Variation 6. Ysobel Andantino\u003cbr \/\u003e\n10 Variation 7. Troyte Presto \u003cbr \/\u003e\n11 Variation 8. W.N. Allegretto \u003cbr \/\u003e\n12 Variation 9. Nimrod Adagio \u003cbr \/\u003e\n13 Variation 10. Intermezzo: Dorabella Allegretto \u003cbr \/\u003e\n14 Variation 11. G.R.S. Allegro di molto \u003cbr \/\u003e\n15 Variation 12. B.G.N. Andante \u003cbr \/\u003e\n16 Variation 13. Romanza *** Moderato \u003cbr \/\u003e\n17 Variation 14. Finale: E.D.U. Allegro - Presto \u003c\/p\u003e\n\n\u003cp\u003eCD 14\u003cbr \/\u003e\nSchostakowitsch: Symphony No.6 in B minor, Op.54\u003cbr \/\u003e\n1 1. Largo \u003cbr \/\u003e\n2 2. Allegro \u003cbr \/\u003e\n3 3. Presto \u003cbr \/\u003e\nSchostakowitsch: Symphony No.9 in E flat, Op.70\u003cbr \/\u003e\n4 1. Allegro \u003cbr \/\u003e\n5 2. Moderato \u003cbr \/\u003e\n6 3. Presto \u003cbr \/\u003e\n7 4. Largo\u003cbr \/\u003e\n8 5. Allegretto \u003c\/p\u003e\n\n\u003cp\u003eCD 15\u003cbr \/\u003e\nMozart: Violin Concerto No.1 in B flat, K.207\u003cbr \/\u003e\n1 1. Allegro moderato \u003cbr \/\u003e\n2 2. Adagio \u003cbr \/\u003e\n3 3. Presto \u003cbr \/\u003e\nMozart: Violin Concerto No.2 in D, K.211\u003cbr \/\u003e\n4 1. Allegro moderato \u003cbr \/\u003e\n5 2. Andante \u003cbr \/\u003e\n6 3. Rondeau Allegro \u003cbr \/\u003e\nMozart: Adagio for Violin and Orchestra in E, K.261\u003cbr \/\u003e\n7 Wolfgang Amadeus Mozart: Adagio \u003cbr \/\u003e\nMozart: Rondo in C Major, K. 373\u003cbr \/\u003e\n8 Allegretto grazioso \u003cbr \/\u003e\nMozart: Rondo for Violin and Orchestra in B-Flat Major, K. 269\u003cbr \/\u003e\n9 Allegro \u003c\/p\u003e\n\n\u003cp\u003eCD 16\u003cbr \/\u003e\n1 I. Allegro \u003cbr \/\u003e\n2 II. Adagio \u003cbr \/\u003e\n3 III. Rondeau. Allegro \u003cbr \/\u003e\n4 I. Allegro \u003cbr \/\u003e\n5 II. Andante cantabile \u003cbr \/\u003e\n6 III. Rondeau. Andante grazioso - Allegro ma non troppo\u003cbr \/\u003e\nMozart: Violin Concerto No.5 in A, K.219\u003cbr \/\u003e\n7 1. Allegro aperto \u003cbr \/\u003e\n8 2. Adagio \u003cbr \/\u003e\n9 3. Rondeau. Tempo di Menuetto \u003c\/p\u003e\n\n\u003cp\u003eCD 17\u003cbr \/\u003e\nBeethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19\u003cbr \/\u003e\n1 I. Allegro con brio \u003cbr \/\u003e\n2 II. Adagio \u003cbr \/\u003e\n3 III. Rondo. Molto allegro \u003cbr \/\u003e\nBeethoven: Piano Concerto No. 3 in C Minor, Op. 37\u003cbr \/\u003e\n4 I. Allegro con brio \u003cbr \/\u003e\n5 II. Largo \u003cbr \/\u003e\n6 III. Rondo. Allegro \u003c\/p\u003e\n\n\u003cp\u003eCD 18\u003cbr \/\u003e\nChopin: Piano Concerto No. 1 in E Minor, Op. 11\u003cbr \/\u003e\n1 I. Allegro maestoso\u003cbr \/\u003e\n2 2. Romance Larghetto \u003cbr \/\u003e\n3 III. Rondo. Vivace \u003cbr \/\u003e\nChopin: Piano Concerto No. 2 in F Minor, Op. 21\u003cbr \/\u003e\n4 I. Maestoso \u003cbr \/\u003e\n5 II. Larghetto \u003cbr \/\u003e\n6 III. Allegro vivace \u003c\/p\u003e\n\n\u003cp\u003eCD 19\u003cbr \/\u003e\nDvořák: Cello Concerto in B minor, Op.104\u003cbr \/\u003e\n1 1. Allegro \u003cbr \/\u003e\n2 2. Adagio ma non troppo \u003cbr \/\u003e\n3 3. Finale. Allegro moderato\u003cbr \/\u003e\nDvořák: Silent Woods, Op. 68\/5\u003cbr \/\u003e\n4 Version for Cello and Piano\u003cbr \/\u003e\nDvořák: Rondo in G minor, Op.94\u003cbr \/\u003e\n5 Version for Cello and Piano\u003c\/p\u003e\n\n\u003cp\u003eCD 20\u003cbr \/\u003e\nRimsky-Korssakoff: Scheherazade, Op. 35\u003cbr \/\u003e\n1 1. The Sea And Sinbad\u0026#039;s Ship \u003cbr \/\u003e\n2 2. The Story Of The Calender Prince \u003cbr \/\u003e\n3 3. The Young Prince And The Young Princess \u003cbr \/\u003e\n4 4. Festival At Bagdad - The Sea - The Shipwreck Against A Rock Surmounted By A Bronze Warrior\u003cbr \/\u003e\n5 Strauss: Parergon zur Symphonia Domestica for Piano and Orchestra, Op.73\u003cbr \/\u003e\n \u003c\/p\u003e\n","brand":"Wiener Philharmoniker","offers":[{"title":"OS","offer_id":46384640884979,"sku":"504799000","price":159.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Wiener-Philharmoniker_Wiener-Philharmoniker-Deluxe-Edition-Volume-2_Boxset-20-CDs_s504799_o2111928_a400994_v10856139.792abc28.jpg?v=1744558859"},{"product_id":"vishnevskaya-pears-fischer-dieskau-lso-britten-britten-war-requiem-1","title":"Britten: War Requiem","description":"\u003cp\u003eOn January 10, 1963, recording sessions for this world premiere recording of Britten\u0026#039;s War Requiem were completed in London. In 2023, sixty years later, Decca has made new high-resolution 24-bit\/192 kHz transfers of the original quarter-inch stereo master tapes at British Grove Studios for the best possible sound quality. Conducted by the composer and featuring the three soloists (Galina Vishnevskaya, Peter Pears, Dietrich Fischer-Dieskau) for whom the work was written, this still remains for many the reference recording par excellence.\u003c\/p\u003e\n\n\u003cp\u003eThe 2-hybrid deluxe SACD edition offers 24-bit audio for the highest listening pleasure. Hybrid SACDs can be played on any CD player. However, they contain a much higher digital resolution than a normal audio CD. The truly comprehensive companion book includes excerpts from John Culshaw\u0026#039;s autobiography, \u0026#34;Putting the Record Straight,\u0026#34; recollections from three members of the original 1963 Decca recording team, technical notes, extensive essays on the War Requiem and the recording sessions, and rare, never-before-seen photographs.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003eHYBRID SACD 1\u003cbr \/\u003e\nI. Requiem aeternam\u003cbr \/\u003e\n1. a. Requiem aeternam Chorus\u003cbr \/\u003e\n2. b. What Passing Bells for These who die as Cattle? Tenor\u003cbr \/\u003e\nII. Dies irae\u003cbr \/\u003e\n3. a. Dies irae Chorus\u003cbr \/\u003e\n4. b. Bugles Sang, Saddening the Evening Air Baritone\u003cbr \/\u003e\n5. c. Liber Scriptus Soprano\u003cbr \/\u003e\n6. d. Out there, We\u0026#039;ve Walked quite Friendly up to Death Tenor \u0026amp; Baritone\u003cbr \/\u003e\n7. e. Recordare Jesu pie Chorus\u003cbr \/\u003e\n8. f. Be Slowly Lifted Up Baritone\u003cbr \/\u003e\n9. g. Dies irae Chorus\u003cbr \/\u003e\n10. h. Lacrimosa dies illa Soprano \u0026amp; Chorus\u003cbr \/\u003e\n11. i. Move Him into the Sun Tenor\u003cbr \/\u003e\nIII. Offertorium\u003cbr \/\u003e\n12. a. Domine Jesu Christe\u003cbr \/\u003e\n13. b. So Abram Rose, and Clave the Wood\u003cbr \/\u003e\nIV. Sanctus\u003cbr \/\u003e\n14. a. Sanctus Soprano \u0026amp; Chorus\u003cbr \/\u003e\n15. b. After the Blast of Lightning from the East Baritone\u003cbr \/\u003e\nV. Agnus Dei\u003cbr \/\u003e\n16. One ever Hangs Where Shelled Roads Part Tenor \u0026amp; chorus\u003cbr \/\u003e\nVI. Libera me\u003cbr \/\u003e\n17. a. Libera me, Domine Chorus\u003cbr \/\u003e\n18. b. It Seemed that out of Battle I Escaped Tenor\u003cbr \/\u003e\n19. c. Let Us Sleep Now ... In Paradisum Baritone, Tenor, Boys, Soprano \u0026amp; Chorus\u003c\/p\u003e\n\n\u003cp\u003eHYBRID SACD2                                                        \u003cbr \/\u003e\n       Rehearsing War Requiem\u003cbr \/\u003e\n1. Requiem aeternam Rehearsal                                                      \u003cbr \/\u003e\n2. Dies irae Rehearsal of the opening section                                   \u003cbr \/\u003e\n3. Dies irae Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya\u003cbr \/\u003e\n4. Dies irae Rehearsal of end of movement                                      \u003cbr \/\u003e\n5. Offertorium Rehearsal                                                                  \u003cbr \/\u003e\n6. Sanctus Rehearsal                                                                        \u003cbr \/\u003e\n7. Sanctus Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)\u003cbr \/\u003e\n8. Agnus Dei Discussion in the control room between Britten, Peter Pears and John Culshaw\u003cbr \/\u003e\n9. Libera me Discussion in the control room between Britten and John Culshaw     \u003cbr \/\u003e\n10. Libera me Rehearsal                                                                    \u003cbr \/\u003e\n11. Libera me Rehearsal of closing page   \u003cbr \/\u003e\n12. Closing remarks                                         \u003c\/p\u003e\n","brand":"London Symphony Orchestra, Dietrich Fischer-Dieskau, Galina Vishnevskaya \u0026 Peter Pears","offers":[{"title":"OS","offer_id":46384644849907,"sku":"504858000","price":99.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Vishnevskaya-Pears-Fischer-Dieskau-LSO-Britten_Britten-War-Requiem_2-SACD_s504858_o2115416_a403829_v10966950.8fc665da.jpg?v=1744558655"},{"product_id":"jose-carreras-complete-recitals-on-philips","title":"Complete Recitals on Philips","description":"\u003cp\u003eJosé Carreras is one of the most successful tenors of our time. At the latest since he sang the live concert for the 1990 World Cup in Italy together with Luciano Pavarotti and Plácido Domingo, he has been known to an audience of billions worldwide. The 21-CD edition \u0026#34;The Philips Years\u0026#34; brings together all the recordings for this label for the first time. Carreras shows the whole range of his abilities. From opera recitals to Spanish songs to popular works, everywhere he could show his vocal ability. 3 CDs consist of highlights from complete recordings of operas released on Philips. Among them are his successful recordings of Donizetti\u0026#039;s operas Lucia di Lammermoor and L\u0026#039;elisir d\u0026#039;amore as well as Massenet\u0026#039;s Werther, Berlioz\u0026#039;s Lélio, Halévy\u0026#039;s La Juive and Saint-Saëns\u0026#039;s Samson et Dalila and several others.\u003cbr \/\u003e\nAs a bonus, the edition includes an interview disc by musician and journalist Jon Tolansky, in which he speaks with Carreras and companions of the artist. All albums are presented in their original cover artwork - many were not available on CD for many years. Thus, this limited edition offers an ideal (re)introduction to the vocal work of José Carreras.\u003cbr \/\u003e\n \u003c\/p\u003e\n","brand":"José Carreras","offers":[{"title":"OS","offer_id":46384646947059,"sku":"504903000","price":144.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Jose-Carreras_Complete-Recitals-on-Philips_Boxset-21-CDs_s504903_o2136154_a402080_v10880171.401f869b.png?v=1751141746"},{"product_id":"daniel-barenboim-chopin-nocturnes","title":" Chopin: Nocturnes ","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cul style=\"list-style-type: disc;\"\u003e\n\u003cli\u003eStrictly limited White Label Vinyl - 100 units\u003c\/li\u003e\n\u003cli\u003eHigh-quality collector’s item\u003cbr \/\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDaniel Barenboim recorded all the Chopin Nocturnes in 1982 to great critical acclaim and its resulting album has become one of his most important recordings. To celebrate this milestone, Deutsche Grammophon reissues a 2-LP vinyl gatefold edition, releasing on 13 October 2023. Mastered from the original source and pressed on 180 gram vinyl, this reissue invites you to rediscover the enchanting sound of Barenboim’s piano-playing.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr \/\u003e01. Nocturne No. 1 In B Flat Minor, Op. 9 No. 1\u003cbr \/\u003e02. Nocturne No. 2 in E-Flat Major, Op. 9 No. 2\u003cbr \/\u003e03. Nocturne No. 3 In B, Op. 9 No. 3\u003cbr \/\u003e04. Nocturne No. 4 in F Major , Op. 15 No. 1\u003cbr \/\u003e05. Nocturne No. 5 in F-Sharp Minor, Op. 15 No. 2\u003cbr \/\u003e06. Nocturne No. 6 in G Minor, Op. 15 No. 3\u003cbr \/\u003e07. Nocturne No. 7 in C-Sharp Minor, Op. 27 No. 1\u003cbr \/\u003e08. Nocturne No. 8 In D Flat, Op. 27 No. 2\u003cbr \/\u003e09. Nocturne No. 9 in B Major , Op. 32 No. 1\u003cbr \/\u003e10. Nocturne No. 10 In A Flat, Op. 32 No. 2\u003cbr \/\u003e11. Nocturne No. 11 in G Minor, Op. 37 No. 1\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr \/\u003e01. Nocturne No. 12 in G Major, Op. 37 No. 2\u003cbr \/\u003e02. Nocturne No. 13 in C Minor, Op. 48 No. 1\u003cbr \/\u003e03. Nocturne No. 14 in F-Sharp Minor, Op. 48 No. 2\u003cbr \/\u003e04. Nocturne No. 15 in F Minor, Op. 55 No. 1\u003cbr \/\u003e05. Nocturne No. 16 In E Flat, Op. 55 No. 2\u003cbr \/\u003e06. Nocturne No. 17 In B, Op. 62 No. 1\u003cbr \/\u003e07. Nocturne No. 18 in E Major , Op. 62 No. 2\u003cbr \/\u003e08. Nocturne No. 19 in E Minor, Op. 72 No. 1\u003cbr \/\u003e09. Nocturne No. 20 In C Sharp Minor, Op. posth.\u003cbr \/\u003e10. Nocturne No. 21 In C Minor, Op. posth.\u003c\/p\u003e","brand":"Daniel Barenboim","offers":[{"title":"OS","offer_id":46384647799027,"sku":"504919000","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Daniel-Barenboim_Chopin-Nocturnes_Limitierte-White-Label-Vinyl-Art-Card_s504919_o2195775_a402352_v10923046.9fc2e33c.jpg?v=1753551271"},{"product_id":"ernest-ansermet-ernest-ansermet-the-mono-years","title":"Ernest Ansermet - The Mono Years","description":"\u003cp\u003eAs a conductor, philosopher, mathematician and composer, Ernest Ansermet occupied an exceptional position in the world of music. At the frontier of modernity, he offered up recordings of music by several composers whom he counted among his friends: Debussy, Ravel, Roussel and Stravinsky but also Honegger, Frank Martin, Bartók and Prokofiev – all of whom are represented in this collection of recordings made for Decca between 1929 and 1955. The collection opens with a recording of six of Handel’s Op. 6 Concerti Grossi made with a specially formed band of London musicians, the ‘Decca String Orchestra’ in 1929, the year in which the label was founded. Ansermet returned to the studio to record for the label from 1946 and from then on became one of its most frequently recorded conductors. Fortunately, the music of his friend Igor Stravinsky is strongly represented in this collection. Of other composers Ansermet knew personally, several landmark recordings of works by Maurice Ravel are significant. 1952 was a particularly busy year for the conductor and his Orchestre de la Suisse Romande - with recordings of Handel, Prokofiev as well as his famous interpretation of Debussy\u0026#039;s \u0026#34;Pelléas et Mélisande\u0026#34;. An orchestral version of Mussorgsky\u0026#039;s two-minute \u0026#34;Gopak\u0026#34; was recorded as the last work in this collection. The stereo recording from 1955 was only available as a test pressing - this box presents it as a veritable world premiere. \u003cbr \/\u003e\n\u003cbr \/\u003e\n\u003cu\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\n\n\u003cp\u003eCD 1\u003cbr \/\u003e\nHANDEL Concerti Grossi Op.6 Nos. 2, 3, 4, 6, 10, 12 DSO\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 2\u003cbr \/\u003e\nVIVALDI Bassoon Concerto RV 481 Henri Helaerts\u003cbr \/\u003e\nHANDEL Organ Concertos HWV 289 \u0026amp; 290 Jeanne Demessieux\u003cbr \/\u003e\nMARCELLO Oboe Concerto Roger Reversy, OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 3\u003cbr \/\u003e\nMOZART Symphony No. 38 “Prague”\u003cbr \/\u003e\nSerenade No. 10 OSR\u003cbr \/\u003e\nExsultate, jubilate Janine Micheau; OSCC\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 4\u003cbr \/\u003e\nHAYDN Symphony No. 101 “Clock”\u003cbr \/\u003e\nSCHUMANN Symphony No. 1 “Spring” OSR\u003cbr \/\u003e\nSCHUMANN Genoveva Overture OSCC\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 5\u003cbr \/\u003e\nSCHUMANN Piano Concerto Dinu Lipatti ∙ Cello Concerto Maurice Gendron\u003cbr \/\u003e\nTCHAIKOVSKY Rococo Variations Maurice Gendron, OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 6\u003cbr \/\u003e\nMUSSORGSKY Pictures at an Exhibition [1947] LPO\u003cbr \/\u003e\nRIMSKY-KORSAKOV Scheherazade Pierre Nérini, OSCC\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 7\u003cbr \/\u003e\nRIMSKY-KORSAKOV Capriccio espagnol\u003cbr \/\u003e\nThe Golden Cockerel – Introduction, Bridal procession \u0026amp; Suite\u003cbr \/\u003e\nMUSSORGSKY Gopak (Sorochintsy Fair – mono \u0026amp; stereo) OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 8\u003cbr \/\u003e\nVILLA-LOBOS Piano Concerto No. 1 Ellen Ballon, OSR\u003cbr \/\u003e\nCHOPIN Piano Concerto No. 2 Ellen Ballon, LSO\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 9\u003cbr \/\u003e\nRAVEL Alborada del gracioso [1947]\u003cbr \/\u003e\nDEBUSSY La Mer [1947] OSR\u003cbr \/\u003e\nRAVEL La Valse [1947] · Shéhérazade Suzanne Danco\u003cbr \/\u003e\nDEBUSSY Petite suite OSCC\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 10\u003cbr \/\u003e\nROSSINI\/RESPIGHI La Boutique fantasque LSO\u003cbr \/\u003e\nFALLA El sombrero de tres picos Suzanne Danco\u003cbr \/\u003e\nRAVEL 3 Poèmes de Stéphane Mallarmé Suzanne Danco, OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 11\u003cbr \/\u003e\nDEBUSSY Images\u003cbr \/\u003e\nRAVEL L’Heure espagnole Michel Hamel, Suzanne Danco, Paul Derenne, Heinz Rehfuss, André Vessières, OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCDs 12–13\u003cbr \/\u003e\nDEBUSSY Pelléas et Mélisande\u003cbr \/\u003e\nPierre Mollet, Heinz Rehfuss, André Vessières, Flore Wend, Suzanne Danco, Hélène Bouvier, Derrick Olsen, OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 14\u003cbr \/\u003e\nRAVEL Piano Concerto in G\u003cbr \/\u003e\nPiano Concerto in D for the Left Hand\u003cbr \/\u003e\n(Jacqueline Blancard) [1949 \u0026amp; 1953] OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 15\u003cbr \/\u003e\nDEBUSSY Nocturnes · RAVEL Rapsodie espagnole\u003cbr \/\u003e\nValses nobles et sentimentales · Le Tombeau de Couperin OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 16\u003cbr \/\u003e\nRAVEL Daphnis et Chloé Geneva Motet Choir, OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 17\u003cbr \/\u003e\nDEBUSSY La Mer [1951]\u003cbr \/\u003e\nPrélude à l’après-midi d’un faune\u003cbr \/\u003e\nRAVEL Ma mère l’Oye Suite · Alborada del gracioso [1951]\u003cbr \/\u003e\nPROKOFIEV March from The Love for Three Oranges Suite\u003cbr \/\u003e\nSTRAVINSKY Circus Polka OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 18\u003cbr \/\u003e\nPROKOFIEV Symphony No. 6\u003cbr \/\u003e\nBIZET Symphony in C OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 19\u003cbr \/\u003e\nPROKOFIEV Symphony No. 1 “Classical”\u003cbr \/\u003e\nGLINKA Ruslan and Lyudmila Overture\u003cbr \/\u003e\nBORODIN In the Steppes of Central Asia\u003cbr \/\u003e\nMUSSORGSKY Night on the Bare Mountain OSCC\u003cbr \/\u003e\nDEBUSSY Jeux · Six Épigraphes antiques OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 20\u003cbr \/\u003e\nBARTÓK Piano Concerto No.3 (Julius Katchen)\u003cbr \/\u003e\nPROKOFIEV Piano Concerto No.3 (Julius Katchen)\u003cbr \/\u003e\nMARTIN Violin Concerto (Wolfgang Schneiderhan) OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 21\u003cbr \/\u003e\nMARTIN Petite Symphonie Concertante\u003cbr \/\u003e\n(Pierre Jamet, Germaine Vaucher-Clerc, Doris Rossiaud)\u003cbr \/\u003e\nSTRAVINSKY Divertimento from Le Baiser de la fée\u003cbr \/\u003e\nSAINT-SAËNS Danse macabre · Le Rouet d’Omphale\u003cbr \/\u003e\nCHABRIER Joyeuse marche · España\u003cbr \/\u003e\nRAVEL Pavane pour une infante défunte OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 22\u003cbr \/\u003e\nMUSSORGSKY Pictures at an Exhibition [1953] OSR\u003cbr \/\u003e\nRAVEL La Valse [1953] · Boléro · HONEGGER Pacific 231\u003cbr \/\u003e\nDUKAS L’Apprenti sorcier OSCC\u003cbr \/\u003e\n \u003cbr \/\u003e\nCD 23\u003cbr \/\u003e\nBLOCH Schelomo (Zara Nelsova)\u003cbr \/\u003e\nVoice in the Wilderness (Zara Nelsova) LPO\u003cbr \/\u003e\nOBOUSSIER Antigone (Elsa Cavelti)\u003cbr \/\u003e\nGEISER Symphony No.1 OSR\u003cbr \/\u003e\n \u003cbr \/\u003e\nCDs 24–26\u003cbr \/\u003e\nSTRAVINSKY\u003cbr \/\u003e\nPetrushka (1911) [1946] · Firebird Suite (1910\/1919) [1946]\u003cbr \/\u003e\nSymphony of Psalms (London Philharmonic Choir) LPO\u003cbr \/\u003e\nPetrushka (1911) [1949] · The Rite of Spring\u003cbr \/\u003e\nFirebird Suite (1919) [1950]\u003cbr \/\u003e\nOedipus Rex (Ernst Haefliger, Hélène Bouvier, James Loomis,\u003cbr \/\u003e\nAndré Vessières, Hugues Cuénod, Paul Pasquier) OSR\u003c\/p\u003e\n","brand":"Ernest Ansermet","offers":[{"title":"OS","offer_id":46384688627955,"sku":"505681000","price":169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Ernest-Ansermet_Ernest-Ansermet-The-Mono-Years_26-CD-BOX_s505681_o2308974_a413266_v11447529.7e8c34b6.png?v=1744725853"},{"product_id":"kiri-te-kanawa-a-celebration","title":"A Celebration","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eTo mark Dame Kiri Te Kanawa\u0026#039;s 80th birthday, this 23-CD set features her complete recordings for Decca and Philips, supplemented by numerous recordings of sacred music and operas that she made for these labels as well as for Deutsche Grammophon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; 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Accompanied by Jeffrey Tate and the English Chamber Orchestra, Kiri Te Kanawa sang the Chants d\u0026#039;Auvergne by Joseph Canteloube as captivatingly as if they had been written for her. We experience the singer with sacred music, together with St Paul\u0026#039;s Cathedral Choir and the Mormon Tabernacle Choir, as well as in a collection of sacred works from Bach to Karl Jenkins. With Nelson Riddle and André Previn, she proved her skills as a jazz interpreter. Her Christmas album \u0026#34;Christmas with Kiri\u0026#34; concludes the collection, which draws on the covers of the original albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklistining:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1    Mozart: Concert Arias\u003cbr \/\u003eWiener Kammerorchester \/ György Fischer\u003c\/p\u003e\n\u003cp\u003eCD 2    Mozart: Opera Arias\u003cbr \/\u003eLondon Symphony Orchestra \/ Colin Davis\u003c\/p\u003e\n\u003cp\u003eCD 3    Mozart: Arias\u003cbr \/\u003eMitsuko Uchida, piano; English Chamber Orchestra \/ Jeffrey Tate\u003c\/p\u003e\n\u003cp\u003eCD 4    Mozart:  Vesperae solennes de confessore; Exsultate, jubilate\u003cbr \/\u003eLondon Symphony Orchestra \u0026amp; Chorus \/ Colin Davis\u003c\/p\u003e\n\u003cp\u003eCD 5    Mostly Mozart\u003cbr \/\u003eJohn Gay \/ Mozart \/ Mahler\u003c\/p\u003e\n\u003cp\u003eCD 6    Handel – The Sorceress\u003cbr \/\u003eAcademy of Ancient Music \/ Christopher Hogwood\u003c\/p\u003e\n\u003cp\u003eCD 7    Mahler:  Symphony No. 4\u003cbr \/\u003eChicago Symphony Orchestra \/ Sir Georg Solti\u003c\/p\u003e\n\u003cp\u003eCD 8    Mahler:  Symphony No. 4\u003cbr \/\u003eBoston Symphony Orchestra \/ Seiji Ozawa\u003c\/p\u003e\n\u003cp\u003eCD 9    Strauss: Vier letzte Lieder; 13 Lieder*\u003cbr \/\u003eWiener Philharmoniker \/ Georg Solti, conductor \/ piano*\u003c\/p\u003e\n\u003cp\u003eCD 10    Summer Nights\u003cbr \/\u003eBerlioz, Bizet, Gounod, Richard Strauss\u003c\/p\u003e\n\u003cp\u003eCD 11    Vissi d’arte\u003cbr \/\u003eJohann Strauss II, Bernstein, Puccini, Verdi\u003c\/p\u003e\n\u003cp\u003eCD 12    Canteloube: Songs of the Auvergne Series 1–3\u003cbr \/\u003eEnglish Chamber Orchestra \/ Jeffrey Tate\u003c\/p\u003e\n\u003cp\u003eCD 13    Canteloube: Songs of the Auvergne Series 4–5\u003cbr \/\u003eEnglish Chamber Orchestra \/ Jeffrey Tate\u003cbr \/\u003eVilla-Lobos: Bachianas Brasileiras No. 5\u003cbr \/\u003eCello Ensemble \/ Lynn Harrell, cello\u003c\/p\u003e\n\u003cp\u003eCD 14    Kiri in Recital\u003cbr \/\u003eRoger Vignoles, piano\u003c\/p\u003e\n\u003cp\u003eCD 15    Ave Maria\u003cbr \/\u003eSt. Paul’s Cathedral Choir \/ Barry Rose\u003c\/p\u003e\n\u003cp\u003eCD 16    Songs of Inspiration\u003cbr \/\u003eMormon Tabernacle Choir; Utah Symphony Orchestra \/ Julius Rudel\u003c\/p\u003e\n\u003cp\u003eCD 17    In Paradisum\u003cbr \/\u003eFauré, Handel, Bach, Mozart, Brahms, Karl Jenkins\u003c\/p\u003e\n\u003cp\u003eCD 18    Kiri Te Kanawa – 50th Birthday Concert\u003cbr \/\u003eLondon Symphony Orchestra \/ André Previn, Stephen Barlow\u003c\/p\u003e\n\u003cp\u003eCD 19    Bernstein: West Side Story\u003cbr \/\u003eJosé Carreras, Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003eCD 20    My Fair Lady\u003cbr \/\u003eLondon Symphony Orchestra \/ John Mauceri\u003c\/p\u003e\n\u003cp\u003eCD 21    Blue Skies\u003cbr \/\u003eNelson Riddle \u0026amp; his Orchestra\u003c\/p\u003e\n\u003cp\u003eCD 22    Kiri Sidetracks – The Jazz Album\u003cbr \/\u003eAndré Previn, Mundell Lowe, Ray Brown\u003c\/p\u003e\n\u003cp\u003eCD 23    Christmas with Kiri\u003cbr \/\u003eLondon Voices (Terry Edwards); Philharmonia Orchestra \/ Carl Davis\u003c\/p\u003e","brand":"Kiri Te Kanawa","offers":[{"title":"OS","offer_id":46384766124275,"sku":"507318000","price":97.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Kiri-Te-Kanawa_A-Celebration_23CD-Box_s507318_o3544734_a434854_v11641317.e62adbf5.jpg?v=1751141923"},{"product_id":"yuja-wang-the-vienna-recital-3","title":"The Vienna Recital","description":"\u003cp\u003eWith her new album, Yuja Wang presents an astonishingly eclectic mix of repertoire, ranging from from the early Classicism of Gluck to the improvisatory jazz piano of Kapustin, via music by Albéniz, Beethoven, Glass, Scriabin and more. As can be heard her album, Yuja displays an effortless ease in switching between different eras and genres. Reviewing the recital Yuja had given in London with the same repertoire, Bachtrack noted that its “unpredictability added to [the] palpable excitement in a packed Royal Festival Hall”. Despite, or perhaps because of its eclecticism, this is unquestionably a programme with its own life, ebbing and flowing and creating a cohesive whole from its seemingly disparate musical elements. Seemingly disparate musical elements come together to form a coherent whole - with \u0026#34;Málaga\u0026#34; and \u0026#34;Lavapiés\u0026#34; by Albéniz, Scriabin\u0026#039;s Third Piano Sonata, the Jazz Preludes by Kapustin, Beethoven\u0026#039;s Piano Sonata No. 18 in E flat major and the Études No. 6 and No. 13 by Ligeti. And Yuja ends the album with breathtaking encores: Étude No. 6 by Philip Glass, Danzón No. 2 by Arturo Márquez in a transcription for solo piano, Brahms\u0026#039; Intermezzo in C sharp minor, Op. 117 No. 3 and \u0026#34;Reigen seliger Geister\u0026#34; from Gluck\u0026#039;s Orphée et Eurydice, arranged for solo piano by Giovanni Sgambati under the title Melodie.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eLP 1 SIDE A\u003cbr \/\u003eISAAC ALBÉNIZ (1860–1909)\u003cbr \/\u003eMálaga from Iberia\u003c\/p\u003e\n\u003cp\u003eALEXANDER SCRIABIN (1872–1915)\u003cbr \/\u003ePiano Sonata No. 3 in F sharp minor op. 23\u003cbr \/\u003e1. Drammatico\u003cbr \/\u003e2. Allegretto\u003cbr \/\u003e3. Andante\u003cbr \/\u003e4. 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He made few recordings but they are among the greatest treasures of the classical catalogue, gloriously showcasing the Kleiber characteristics of intellectual rigour, passion and perfectionism. \u003cbr \/\u003e\u003cbr \/\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor the first time, this set unites Carlos Kleiber’s complete recordings on Deutsche Grammophon on two additional Pure Audio Blu-ray discs including Dolby Atmos\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCD 1                      BEETHOVEN: Symphonies Nos.5 \u0026amp; 7\u003c\/div\u003e\n\u003cdiv\u003e                             Wiener Philharmoniker\u003c\/div\u003e\n\u003cdiv\u003eCD 2                      BRAHMS: Symphony No.4\u003c\/div\u003e\n\u003cdiv\u003e                             Wiener Philharmoniker\u003c\/div\u003e\n\u003cdiv\u003eCD 3                      SCHUBERT: Symphonies Nos.3 \u0026amp; 8 \u0026#34;Unfinished\u0026#34; \u003c\/div\u003e\n\u003cdiv\u003e                             Wiener Philharmoniker\u003c\/div\u003e\n\u003cdiv\u003eCD 4-5                   STRAUSS, J.: Die Fledermaus\u003c\/div\u003e\n\u003cdiv\u003e                             Bavarian State Orchestra\u003c\/div\u003e\n\u003cdiv\u003eCD 6-7                   VERDI: La Traviata\u003c\/div\u003e\n\u003cdiv\u003e                             Bavarian State Orchestra\u003c\/div\u003e\n\u003cdiv\u003eCD 8-10                  WAGNER: Tristan und Isolde\u003c\/div\u003e\n\u003cdiv\u003e                             Staatskapelle Dresden\u003c\/div\u003e\n\u003cdiv\u003eCD 11-12                WEBER: Der Freischütz - Act 2, Scene 4 - 6 \u0026amp; Act 3\u003c\/div\u003e\n\u003cdiv\u003e                             Staatskapelle Dresden\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBlu-ray disc 1     Complete Repertoire in HD Stereo\u003c\/div\u003e\n\u003cdiv\u003eBlu-ray disc 2     Complete Repertoire in Dolby Atmos\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Carlos Kleiber","offers":[{"title":"OS","offer_id":46384803905779,"sku":"507916000","price":78.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Carlos-Kleiber_Carlos-Kleiber-Complete-Recordings-on-DG_12CD-Bluray_s507916_o3711799_a441054_v11763204.edcdd4fe.png?v=1751141943"},{"product_id":"katia-labeque-marielle-labeque-philip-glass-cocteau-trilogy","title":"Philip Glass \/ Cocteau Trilogy","description":"\u003cp\u003eKatia and Marielle Labèque, the famous piano-sister duo with a career spanning more than fifty years, are releasing their new album dedicated to the music of Philip Glass as a extensive 3-LP box set. With accompanying texts by Philip Glass and photos of the performance at the Paris Philharmonie.\u003cbr \/\u003eHis triptych, composed between 1993 and 1996 and based on the films of Jean Cocteau, is completed here. Following their highly acclaimed recording of \u0026#34;Les Enfants Terribles\u0026#34;, which is included here, the pianists now also present the two remaining works of the Cocteau trilogy: \u0026#34;Orphée\u0026#34; and \u0026#34;La Belle et la Bête\u0026#34;, arranged by Glass\u0026#039; music director Michael Riesman.\u003cbr \/\u003eAfter his portrait trilogy (Einstein, Gandhi and Akhenaten), Philip Glass turned to the works of Jean Cocteau for his operas. He thus revisits the myth of \u0026#34;Orphée\u0026#34; (Orpheus) and \u0026#34;La Belle et la Bête\u0026#34; (Beauty and the Beast). 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It all includes some of her earliest recordings, four of which, recorded in 1958 with Richard Bonynge at the piano are being published on Decca for the first time, and a set of French songs which were discovered some years ago at the end of the tapes for the French Opera Arias set. Sutherland was also invited to participate in recordings of Beethoven’s Ninth Symphony by Ernest Ansermet and Hans Schmidt-Isserstedt, and these are included, as are two versions of Handel’s Messiah (Boult, Bonynge) and the Solti recording of Verdi’s Requiem. Relative rarities come in the form of an all-Wagner disc (a composer many thought Sutherland was born to sing), bonused with her appearance as the Woodbird in the Solti Ring; Bliss’s A Song of Welcome (from 1954 – her very first studio recording); and Bach’s Cantata ‘Herz und Mund und Tat und Leben’ (Jesu, Joy of Man’s Desiring). For her final Decca recital recording, Sutherland teamed up with fellow Australian, hornist Barry Tuckwell, for a disc of Romantic Trios, with her husband Richard Bonynge at the piano.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCD 1                      BLISS: A Song of Welcome\u003c\/div\u003e\n\u003cdiv\u003e                             J.S. 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Stylishly designed, the set includes a booklet featuring the original album liner notes; a new essay about Williams by renowned film-music writer Jon Burlingame; recollections from Williams himself, Anne-Sophie Mutter and some of the other musicians involved in these recordings; and a selection of concert and portrait photos.\u003c\/p\u003e\n\u003cp\u003e“The invitation to conduct those orchestras is probably one of the highest accolades any musician could receive … I am so happy to have been well enough and around long enough to accept invitations like that, and I hope I can revisit them at some time in the future”\u003c\/p\u003e\n\u003cp\u003eJohn Williams\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 | TOKYO\u003c\/p\u003e\n\u003cp\u003eLP 2 | BOSTON – Violin Concerto\u003c\/p\u003e\n\u003cp\u003eLP 3 | BERLIN\u003c\/p\u003e\n\u003cp\u003eLP 4 | BERLIN\u003c\/p\u003e\n\u003cp\u003eLP 5 | VIENNA\u003c\/p\u003e\n\u003cp\u003eLP 6 | VIENNA\u003c\/p\u003e\n\u003cp\u003eLP 7 | ENCORES Tokyo-Vienna-Boston\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1 TOKYO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eSuperman March\u003c\/p\u003e\n\u003cp\u003eHedwig’s Theme\u003c\/p\u003e\n\u003cp\u003eFawkes the Phoenix\u003c\/p\u003e\n\u003cp\u003eHarry’s Wondrous World\u003c\/p\u003e\n\u003cp\u003eSchindler’s List\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eThe Rebellion is Reborn\u003c\/p\u003e\n\u003cp\u003ePrincess Leia’s Theme\u003c\/p\u003e\n\u003cp\u003eThrone Room \u0026amp; End Title\u003c\/p\u003e\n\u003cp\u003eYoda’s Theme\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2 BOSTON – John Williams’ Violin Concerto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eViolin Concerto No. 2: I. 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Round O, ZT 684\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuite No. 7 in D minor, Z. 668\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6. I. Allemande\u003c\/p\u003e\n\u003cp\u003e7. II. Courante\u003c\/p\u003e\n\u003cp\u003e8. III. Hornpipe\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e9. Chaconne in G minor, ZT 680\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP2 \/ Side A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWolfgang Amadeus Mozart (1756–1791)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Sonata No. 13 in B flat major K. 333\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. I. Allegro\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP2 \/ Side B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. II. Andante cantabile\u003c\/p\u003e\n\u003cp\u003e2. III. Allegretto grazioso\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP3 \/ Side A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Adagio in B minor K. 540\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP3 \/ Side B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENCORES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean-Philippe Rameau (1683–1764)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. VI. Les sauvages [Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrédéric Chopin (1810–1849)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2. Prelude in D flat major “Raindrop”, op. 28\/15\u003c\/p\u003e\n\u003cp\u003e3. Mazurka No. 40 in F minor, op. 63\/2\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean-Philippe Rameau\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4. VIII. Tambourin [Suite in E minor, RCT 2]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach (1685–1750)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5. 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Acclaimed by the press as a “pianist with a captivating musical personality” (Financial Times) and for his distinctive blend of “feline agility and lightness of touch” (New York Times), Liu recently won the OPUS Classical Award for his first studio album “Waves”.\u003c\/p\u003e\n\u003cp\u003e“Recording The Seasons gave me a moment to explore some personal emotion”, says the pianist, adding: it’s so intimate, as if Tchaikovsky were speaking to himself when he wrote the pieces. It combines the folk element that inspired his ballets with the brilliance and flamboyance found in his concertos. More than that, it has a thoughtfulness and calmness at its core.”\u003c\/p\u003e\n\u003cp\u003e“Tchaikovsky: The Seasons” will be released digitally on November 1, 2024 as well as on vinyl and CD, which contains the Romance op. 5 as a bonus track in addition to the 12 character pieces. The exclusive deluxe CD with 5 further solo pieces by Tchaikovsky is also available as a limited signed edition in the Deutsche Grammophon Shop.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e01 The Seasons, op. 37a: I. January. At the Fireside.\u003c\/p\u003e\n\u003cp\u003e02 The Seasons, op. 37a: II. February. Carnival.\u003c\/p\u003e\n\u003cp\u003e03 The Seasons, op. 37a: III. March. Song of the Lark.\u003c\/p\u003e\n\u003cp\u003e04 The Seasons, op. 37a: IV. April. Snowdrop.\u003c\/p\u003e\n\u003cp\u003e05 The Seasons, op. 37a: V. May. White Nights.\u003c\/p\u003e\n\u003cp\u003e06 The Seasons, op. 37a: VI. June. Barcarolle\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e01 The Seasons, op. 37a: VII. July. The Reaper’s Song.\u003c\/p\u003e\n\u003cp\u003e02 The Seasons, op. 37a: VIII. August. The Harvest.\u003c\/p\u003e\n\u003cp\u003e03 The Seasons, op. 37a: IX: September. The Hunt.\u003c\/p\u003e\n\u003cp\u003e04 The Seasons, op. 37a: X. October. Autumn Song\u003c\/p\u003e\n\u003cp\u003e05 The Seasons, op. 37a: XI. November. Troika.\u003c\/p\u003e\n\u003cp\u003e06 The Seasons, op. 37a: XII. December. Christmas.\u003c\/p\u003e","brand":"Bruce Liu","offers":[{"title":"OS","offer_id":46384950903027,"sku":"509647000","price":129.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Bruce-Liu_The-Seasons_LP-White-Label_s509647_o5272921_a473008_v12153147.48726779.jpg?v=1751139712"},{"product_id":"luciano-pavarotti-herbert-von-karajan-berliner-philharmoniker-puccini-la-boheme","title":"Puccini: La Bohème","description":"\u003cp\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003ePuccini, Pavarotti, Karajan - a combination that reached its unrivalled climax in October 1972 in a masterful recording of ‘La Bohème’ at the Jesus Christ Church in Berlin. Puccini\u0026#039;s opera continues to touch and inspire opera lovers worldwide. Luciano Pavarotti, who once made his operatic debut as Rodolfo, later made the role his own. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn the ‘La Bohème’ recording Pavarotti presents himself in his ravishing vocal prime. Together with his singing partner for decades, Mirella Freni, and a stellar cast of soloists, and under the direction of Herbert von Karajan, a recording was made that remains groundbreaking to this day.\u003cbr \/\u003eTo mark the 100th anniversary of Puccini\u0026#039;s death, two high-quality box sets will be released on either 2 Hybrid SACD or 2LP, using a new 24-bit 192 kHz high-definition transfer from the original master tapes. For the vinyl edition the LPs have been cut at Abbey Road Studios and are pressed on 180gm vinyI. \u003c\/p\u003e\n\u003cp\u003eMeticulously researched and lavishly presented hardback book housed in a deluxe rigid slipcase, including full libretto (with translation), an extended new essay, facsimiles from the original booklet, features about the main artists and original session photographs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 - Side A\u003cbr \/\u003ePuccini: La Bohème – Act 1 \u0026amp; 2\u003c\/p\u003e\n\u003cp\u003e1. \u0026#34;Questo Mar Rosso\u0026#34;\u003cbr \/\u003e2. \u0026#34;Pensier profondo\u0026#34;\u003cbr \/\u003e3. \u0026#34;Abasso, abbasso l\u0026#039;autor!\u0026#34;\u003cbr \/\u003e4. \u0026#34;Si può...Chi è là?\u0026#34;\u003cbr \/\u003e5. \u0026#34;Io resto\u0026#34;\u003cbr \/\u003e6. \u0026#34;Chi è là?\u0026#34;\u003cbr \/\u003e7. \u0026#34;Si sente meglio?\u0026#34;\u003cbr \/\u003e8. \u0026#34;Che gelida manina\u0026#34;\u003cbr \/\u003e9. \u0026#34;Sì. Mi chiamano Mimì\u0026#34;\u003c\/p\u003e\n\u003cp\u003eLP 1 - Side B\u003cbr \/\u003e1. \u0026#34;Ehi! Rodolfo!\u0026#34;\u003cbr \/\u003e2. \u0026#34;O soave fanciulla\u0026#34;\u003cbr \/\u003e3. \u0026#34;Arranci, datteri!\u0026#34;\u003cbr \/\u003e4. \u0026#34;Chi guardi?... Ecco i giocattoli di Parpignol\u0026#34;\u003cbr \/\u003e5. \u0026#34;Viva Parpignol...Una cuffietta a pizzi\u0026#34;\u003cbr \/\u003e6. \u0026#34;Oh!...Essa!...Musetta!\u0026#34;\u003cbr \/\u003e7. \u0026#34;Quando m\u0026#039;en vo\u0026#039;\u0026#34;\u003cbr \/\u003e8. \u0026#34;Chi l\u0026#039;ha richiesto?\u0026#34;\u003c\/p\u003e\n\u003cp\u003eLP 2 - Side C\u003cbr \/\u003ePuccini: La Bohème – Act 3\u003c\/p\u003e\n\u003cp\u003e1. \u0026#34;Ohè, là, le guardie!...Aprite!\u0026#34;\u003cbr \/\u003e2. \u0026#34;Sa dirmi, scusi\u0026#34;\u003cbr \/\u003e3. \u0026#34;Mimì! - Speravo di trovarvi qui\u0026#34;\u003cbr \/\u003e4. \u0026#34;Marcello. Finalmente!\u0026#34;\u003cbr \/\u003e5. \u0026#34;Mimì è una civetta\u0026#34;\u003cbr \/\u003e6. \u0026#34;Mimì è tanto malata!\u0026#34;\u003cbr \/\u003e7. \u0026#34;Donde lieta uscì\u0026#34;\u003cbr \/\u003e8. \u0026#34;Dunque: è proprio finita!...Addio, dolce svegliare\u0026#34;\u003c\/p\u003e\n\u003cp\u003eLP 2 – Side D\u003cbr \/\u003ePuccini: La Bohème – Act 4\u003c\/p\u003e\n\u003cp\u003e1. \u0026#34;In un coupé?\u0026#34;\u003cbr \/\u003e2. \u0026#34;O Mimì, tu più non torni...Che ora sia\u0026#34;\u003cbr \/\u003e3. \u0026#34;Gavotta\u0026#34;\u003cbr \/\u003e4. \u0026#34;C\u0026#039;è Mimì...\u0026#34;\u003cbr \/\u003e5. \u0026#34;Vecchia zimarra, senti\u0026#34;\u003cbr \/\u003e6. \u0026#34;Sono andati\u0026#34;\u003cbr \/\u003e7. \u0026#34;Oh Dio! Mimi! ...Che avvien?\u0026#34;\u003c\/p\u003e","brand":"Luciano Pavarotti, Herbert von Karajan, Berliner Philharmoniker","offers":[{"title":"OS","offer_id":46384959357171,"sku":"511236000","price":120.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luciano-Pavarotti-Herbert-von-Karajan-Berliner-Philharmoniker_Puccini-La-Boheme_2LP-Box_s511236_o5494826_a486003_v12280522.daa9ca0f.jpg?v=1751142128"},{"product_id":"jorge-bolet-complete-decca-recordings","title":"Complete Decca Recordings","description":"\u003cp\u003eWhen Jorge Bolet died in October 1990 the world lost one of its last ‘great Romantics’. Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this 26 CD box set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.\u003c\/p\u003e\n\u003cp\u003eBorn in Havana, Cuba in 1914, the pianist studied with David Saperton - one of the greatest pianists of his time- at the renowned Curtis Institute in Philadelphia, Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBolet, who was averse to recording studios, preferred live audiences for his recordings. After working with labels such as RCA and Columbia in the early 1970s, he joined Decca later in his 60s. He remained at Decca until the end of his life.\u003c\/p\u003e\n\u003cp\u003eOne of the most important works in his Decca time is a series of Liszt recordings, which Gramophone magazine described as “an indispensable series”. In addition, there were concertos by Grieg, Chopin, Schumann and Rachmaninoff as well as further solo works by the latter three.\u003c\/p\u003e\n\u003cp\u003eNow, for the first time, all the recordings from Bolet\u0026#039;s Decca era are available in a comprehensive 26 CD box set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr \/\u003eCHOPIN\/GODOWSKY Transcriptions\u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr \/\u003eLISZT: Two Concert Studies, S.145; Three Concert Studies, S.144; Six Consolations, S.172; Réminiscences de Don Juan — Mozart, S.418\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 3\u003cbr \/\u003eBRAHMS: Variations on a theme by Handel, Op. 24;\u003cbr \/\u003eREGER: Variations and Fugue on a Theme by Telemann, Op. 134\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 4\u003cbr \/\u003eLISZT: Schubert Lieder Transcriptions\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 5\u003cbr \/\u003eLISZT: Hungarian Rhapsody No.12; Liebestraum No.3; Mephisto Waltz No.1; Funérailles (Harmonies Poétiques Et Religieuses No.7); Rigoletto (Verdi) – Concert Paraphrase; La Campanella\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 6\u003cbr \/\u003eLISZT: Sonata in B minor; Valse Impromptu; Liebesträume Nos. 1 \u0026amp; 2; Grand Galop Chromatique\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 7\u003cbr \/\u003eLISZT: Années de pèlerinage: Italie\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 8\u003cbr \/\u003eRACHMANINOFF: Piano Concerto No. 3\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 9\u003cbr \/\u003eLISZT: Années de pèlerinage: Suisse\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 10\u003cbr \/\u003eLISZT: Années de pèlerinage: Venezia e Napoli; Les Jeux d’eau à la Villa d’Este; Bénédiction de Dieu dans la solitude; Ballade No.2\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 11\u003cbr \/\u003eLISZT: Totentanz; Malédiction; Hungarian Fantasia [London Symphony Orchestra\/Ivan Fischer]\u003cbr \/\u003eSCHUBERT\/LISZT: Wanderer Fantasie\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 12\u003cbr \/\u003eLISZT: Transcendental Studies S139\u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003eCD 13\u003cbr \/\u003ePiano Encores – Mendelssohn, Chopin, Debussy, Schubert\/Godowsky, Albéniz\/Godowsky, Godowsky, R. 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Shore’s music has graced over a hundred films and won him a string of awards, including 3 Oscars, 3 Golden Globes and 4 Grammys. He has also written for opera, ballet and the concert hall.\u003cbr \/\u003eRecorded during Radio France’s 2023 “Week-End Howard Shore”, this generous anthology reflects the rich variety of Shore’s output. It presents highlights from such diverse soundtracks as The Fly, Naked Lunch, Ed Wood, Crash, Esther Kahn, Eastern Promises and, of course, The Lord of the Rings and The Hobbit, as well as the non-cinematic solo piano piece Catania. The Orchestre Philharmonique de Radio France is conducted by Ludwig Wicki and Bastien Stil, while Mike Schäperclaus conducts Le Balcon in the chamber works. The album will be released in all formats on 21 March.\u003c\/p\u003e\n\u003cp\u003eThis deluxe vinyl version includes the complete album repertoire on 3 picture discs whose images reflect the films. 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Frédéric Chopin\u0026#039;s extraordinary 24 Préludes Op. 28 are inspiration and centrepiece of this recording. For Lisiecki, Chopin was a “master of the short form” who “brought the prelude out of the shadows and into the spotlight”. Chopin\u0026#039;s pieces are complemented and contrasted with selected preludes by other composers from across three centuries, each representing a pinnacle of achievement in the genre - from Bach, Messiaen, Rachmaninoff to Górecki. Lisiecki seeks “to showcase the broad possibilities of the humble prelude” that takes “the audience on a musical expedition” through these kaleidoscopic miniatures.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP1 – Side A\u003cbr \/\u003e1. CHOPIN - Prelude in A-Flat Major, KK IVb_7. Presto con leggierezza\u003cbr \/\u003e2. J. S. BACH - The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846_1\u003cbr \/\u003e3. RACHMANINOFF - 10 Preludes, Op. 23: No. 3 in D Minor. Tempo di minuetto\u003cbr \/\u003e4. MESSIAEN - Préludes: I. La colombe\u003cbr \/\u003e5. MESSIAEN - Préludes: II. Chant d\u0026#039;extase dans un paysage triste\u003cbr \/\u003e6. MESSIAEN - Préludes: III. Le nombre léger\u003cbr \/\u003e7. CHOPIN - Prelude in C-Sharp Minor, Op. 45. Sostenuto\u003c\/p\u003e\n\u003cp\u003eLP1 – Side B\u003cbr \/\u003e1. RACHMANINOFF - Prelude in C-Sharp Minor, Op. 3 No. 2\u003cbr \/\u003e2. GÓRECKI - 4 Preludes, Op. 1: No. 1 Molto Agitato\u003cbr \/\u003e3. GÓRECKI - 4 Preludes, Op. 1: No. 4 Molto allegro quasi presto\u003cbr \/\u003e4. J. S. BACH - The Well-Tempered Clavier, Book 1: Prelude No. 2 in C Minor, BWV 847_1\u003cbr \/\u003e5. RACHMANINOFF - 10 Preludes, Op. 23: No. 5 in G Minor. Alla marcia\u003c\/p\u003e\n\u003cp\u003eLP2 – Side A\u003cbr \/\u003e1. CHOPIN - 24 Preludes, Op. 28: No. 1 in C Major. Agitato\u003cbr \/\u003e2. CHOPIN - 24 Preludes, Op. 28: No. 2 in A Minor. Lento\u003cbr \/\u003e3. CHOPIN - 24 Preludes, Op. 28: No. 3 in G Major. Vivace\u003cbr \/\u003e4. CHOPIN - 24 Preludes, Op. 28: No. 4 in E Minor. Largo\u003cbr \/\u003e5. CHOPIN - 24 Preludes, Op. 28: No. 5 in D Major. Molto allegro\u003cbr \/\u003e6. CHOPIN - 24 Preludes, Op. 28: No. 6 in B Minor. Lento assai\u003cbr \/\u003e7. CHOPIN - 24 Preludes, Op. 28: No. 7 in A Major. Andantino\u003cbr \/\u003e8. CHOPIN - 24 Preludes, Op. 28: No. 8 in F-Sharp Minor. Molto agitato\u003cbr \/\u003e9. CHOPIN - 24 Preludes, Op. 28: No. 9 in E Major. Largo\u003cbr \/\u003e10. CHOPIN - 24 Preludes, Op. 28: No. 10 in C-Sharp Minor. Molto allegro\u003cbr \/\u003e11. CHOPIN - 24 Preludes, Op. 28: No. 11 in B Major. Vivace\u003cbr \/\u003e12. CHOPIN - 24 Preludes, Op. 28: No. 12 in G-Sharp Minor. Presto\u003cbr \/\u003e13. CHOPIN - 24 Preludes, Op. 28: No. 13 in F-Sharp Major. Lento\u003cbr \/\u003e14. CHOPIN - 24 Preludes, Op. 28: No. 14 in E-Flat Minor. Allegro\u003c\/p\u003e\n\u003cp\u003eLP2 – Side B\u003cbr \/\u003e15. CHOPIN - 24 Preludes, Op. 28: No. 15 in D-Flat Major \u0026#34;Raindrop Prelude\u0026#34;\u003cbr \/\u003e16. CHOPIN - 24 Preludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco\u003cbr \/\u003e17. CHOPIN - 24 Preludes, Op. 28: No. 17 in A-Flat Major. Allegretto\u003cbr \/\u003e18. CHOPIN - 24 Preludes, Op. 28: No. 18 in F Minor. Molto allegro\u003cbr \/\u003e19. CHOPIN - 24 Preludes, Op. 28: No. 19 in E-Flat Major. Vivace\u003cbr \/\u003e20. CHOPIN - 24 Preludes, Op. 28: No. 20 in C Minor. Largo\u003cbr \/\u003e21. CHOPIN - 24 Preludes, Op. 28: No. 21 in B-Flat Major. Cantabile\u003cbr \/\u003e22. CHOPIN - 24 Preludes, Op. 28: No. 22 in G Minor. Molto agitato\u003cbr \/\u003e23. CHOPIN - 24 Preludes, Op. 28: No. 23 in F Major. Moderato\u003cbr \/\u003e24. CHOPIN - 24 Preludes, Op. 28: No. 24 in D Minor. Allegro appassionato\u003c\/p\u003e","brand":"Jan Lisiecki","offers":[{"title":"OS","offer_id":46411894489331,"sku":"512095000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Jan-Lisiecki_Preludes_2LP-White-Label-Signiertes-Covercard_s512095_o5954986_a513250_v12665492.318dbb67.png?v=1741338810"},{"product_id":"stage-stage-geschenkkarte","title":"STAGE+ Gift Card","description":"\u003cp\u003eGive the gift of classical music streaming with the STAGE\u0026#43; gift card for 12 months access to all STAGE\u0026#43; content. \u003c\/p\u003e\n\u003cp\u003eSTAGE\u0026#43; is Deutsche Grammophon\u0026#039;s ground-breaking classical music streaming service, which has been designed to bring audiences closer than ever before to the Yellow Label’s roster of world-class artists and beyond, via a wide range of content, which includes exclusive live streams and premieres; long-form concert and opera programmes; music videos; documentaries and behind-the-scenes interviews; new audio releases, as well as albums from the legendary catalogues of Deutsche Grammophon, Decca, ECM New Series and Hyperion Records. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll advantages at a glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOver 650 concerts and operas\u003c\/li\u003e\n\u003cli\u003e50\u0026#43; live streams per year\u003c\/li\u003e\n\u003cli\u003eMore than 1,400 iconic classical albums\u003c\/li\u003e\n\u003cli\u003eStreaming in 4K, Dolby Atmos \u0026amp; Lossless\u003c\/li\u003e\n\u003cli\u003eAvailable on your TV, computer, smartphone or tablet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHow to use: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVisit \u003ca href=\"https:\/\/www.stage-plus.com\/redeem\"\u003ewww.stage-plus.com\/redeem\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eEnter your personal code from the gift card\u003c\/li\u003e\n\u003cli\u003eCreate an account or sign in\u003c\/li\u003e\n\u003cli\u003eEnjoy access to all content\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eA STAGE\u0026#43; customer account must be created to redeem the voucher. The \u003ca href=\"https:\/\/www.stage-plus.com\/terms\"\u003eGeneral Terms and Conditions of STAGE\u0026#43;\u003c\/a\u003e and the \u003ca href=\"https:\/\/www.stage-plus.com\/terms#15terms-of-use---physical-stage-gift-card\"\u003eTerms of Use for the STAGE\u0026#43; Gift Card\u003c\/a\u003e apply. Information on data protection at Deutsche Grammophon GmbH can be found \u003ca href=\"https:\/\/www.stage-plus.com\/privacy\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerms of Use for the STAGE\u0026#43; Gift Card \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. The STAGE\u0026#43; gift card (hereinafter “gift card”) can only be used for the STAGE\u0026#43; product designated on the gift card. Provider STAGE\u0026#43;: Deutsche Grammophon GmbH, Mühlenstraße 25, 10243 Berlin \u003c\/p\u003e\n\u003cp\u003e2. The gift card can be redeemed once at stage-plus.com\/redeem by entering the code of the gift card in the field provided. It is not possible to redeem in stages. A subsequent crediting to an order is not possible. \u003c\/p\u003e\n\u003cp\u003e3. To redeem the gift card, you must have a STAGE\u0026#43; account or register for one. \u003ca href=\"https:\/\/www.stage-plus.com\/terms\"\u003eThe General Terms and Conditions of STAGE\u0026#43;\u003c\/a\u003e apply. \u003c\/p\u003e\n\u003cp\u003e4. The gift card must be redeemed within 3 years from the end of the year in which the Gift Card was purchased, unless otherwise stated on the Gift Card and\/or in the offer. Thereafter, the gift card expires. \u003c\/p\u003e\n\u003cp\u003e5. The gift card cannot be combined with other vouchers and promotions. \u003c\/p\u003e\n\u003cp\u003e6. The gift card cannot be redeemed for cash or a credit note. Resale is not permitted. There will be no refund in the event of loss, theft, damage and\/or illegibility.\u003c\/p\u003e","brand":"Stage+","offers":[{"title":"OS","offer_id":46438849609971,"sku":"512116000","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Stage_STAGE-Geschenkkarte_12-Monate-Zugang-zu-STAGE_s512116_o5977843_a512779_v12542291.e3dfadb4.jpg?v=1753345883"},{"product_id":"jan-lisiecki-academy-of-st-martin-in-the-fields-beethoven-complete-piano-concertos-1","title":"Beethoven: Complete Piano Concertos","description":"\u003cp\u003e“Sparkling performances that seem refreshingly spontaneous, yet are intellectually perfectly formed.” (Der Tagesspiegel)\u003c\/p\u003e\n\u003cp\u003eCanadian star pianist Jan Lisiecki presents his acclaimed cycle of Beethoven’s five piano concertos for the first time on vinyl as a high-quality 5-LP box set with five 180g LPs.\u003c\/p\u003e\n\u003cp\u003eLisiecki believes the composer did not conceive the piano concertos as a cycle. “In spite of this,” he adds, “they belong together because they reveal such a differentiated picture of Beethoven, starting with the first two, which still honour Mozart’s legacy. 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Allegro con brio\u003c\/p\u003e\n\u003cp\u003eCadenza: Ludwig van Beethoven (1808-1809)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr \/\u003e2. Largo\u003cbr \/\u003e3. Rondo. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 4\u003c\/strong\u003e\u003cbr \/\u003eConcerto for Piano and Orchestra No. 4 in G major op. 58\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr \/\u003e1. Allegro moderato\u003c\/p\u003e\n\u003cp\u003eCadenza: Ludwig van Beethoven (1808–1809)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr \/\u003e2. Andante con moto\u003cbr \/\u003e3. Rondo. 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Their beauty and grace affected me profoundly and enriched my life while I was preparing for this recording”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eHighly praised by his contemporaries (Chopin, Liszt, Schumann), John Field\u0026#039;s Nocturnes are largely unknown today.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e“I hope that this complete recording of the Nocturnes – the first to find a place for itself in the Deutsche Grammophon catalogue – may perhaps\u003cs\u003e \u003c\/s\u003einspire the occasional listener to discover Field’s music for themselves. Here, after all, is the man who bequeathed the Nocturne to posterity”.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith the purchase of this limited white label edition, you will receive digital access to an extraordinary film about the project and the artist.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eWith your order confirmation, you will receive a voucher code by E-Mail for one month\u0026#039;s free access to STAGE\u0026#43;, Deutsche Grammophon\u0026#039;s streaming service for classical music. The film will be available there as video-on-demand from February 16, 2025.\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eThe film delves into the world of John Field\u0026#039;s Nocturnes, interpreted by the world-famous pianist Alice Sara Ott. It takes viewers into Alice\u0026#039;s imagination and her deep connection to Field\u0026#039;s music, providing a rare insight into the artist\u0026#039;s mind during the creative process. 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There is no bad piece among them.”\u003c\/p\u003e\n\u003cp\u003eKrystian Zimerman’s passion for chamber music goes back to his childhood and has accompanied him ever since. He states, “every great composer wrote some kind of quartet with piano. It’s a fantastic richness of music history that is often underestimated.”\u003c\/p\u003e\n\u003cp\u003eAlthough Johannes Brahm’s No. 1 in G minor is the best known of his three piano quartets, Zimerman instead focuses on the sometimes-overlooked Piano Quartets No. 2 and No. 3 in order to give them the attention they deserve. He adds, “I particularly love the Third Quartet. It’s crazy. It’s so powerful. It has unbelievable drive.”\u003c\/p\u003e\n\u003cp\u003eFor this recording Krystian Zimerman teamed up with cellist Yuya Okamoto, violinist Maria Nowak and violist Katarzyna Budnik. \u003c\/p\u003e\n\u003cp\u003eTheir recital in 2023 was praised as “… a performance of these two works that commands admiration, melding authority and subtlety in a typically Brahmsian blend of passionate outbursts and melancholy lyricism” (ResMusica) \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eVinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eLP 1\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eQuartet for Piano, Violin, Viola and Cello No. 3 in C minor, Op. 60\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e1.\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003eI. Allegro non troppo\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e2.           II. Scherzo. Allegro\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e3.\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003eIII. Andante\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e4.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eIV. Finale. Allegro comodo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eLP 2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eQuartet for Piano, Violin, Viola and Cello No. 2 in A major, Op. 26\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e5.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eI. Allegro non troppo\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e6.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eII. Poco Adagio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e7.\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003eIII. Scherzo. Poco Allegro\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003e8.\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e           \u003c\/span\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003eIV. Finale. Allegro\u003c\/span\u003e\u003c\/p\u003e","brand":"Krystian Zimerman","offers":[{"title":"OS","offer_id":46589997547763,"sku":"513712000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Krystian-Zimerman_Johannes-Brahms-Piano-Quartets-Nos-2-3_2LP-White-Label-Set-Covercard_s513712_o6492139_a526777_v13046568.63a354df.jpg?v=1753554290"},{"product_id":"boston-symphony-orchestra-andris-nelsons-shostakovich-symphonies-concertos-lady-macbeth-of-mtsensk-district","title":"Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District","description":"\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e“The music of Shostakovich has been a constant companion on my journey with the Boston Symphony Orchestra. We are incredibly proud to bring together all the symphonies, concertos, and the opera Lady Macbeth of Mtsensk into one, all-encompassing celebration of Dmitri Shostakovich’s genius. His music is a cross-section of what it means to be human, and sharing this exploration of his works over the past ten years with an orchestra as extraordinary and versatile as the Boston Symphony Orchestra has been a great privilege and a real joy. We have also been lucky to share the stage with some of the world’s most talented soloists including Yuja Wang, Yo-Yo Ma, Baiba Skride, and the wonderful cast of our recording of Lady Macbeth of Mtsensk. We are thrilled to present this box set as a tribute to Shostakovich\u0026#039;s great legacy and to the remarkable artistry and dedication of everyone who brought this project to life.” - Andris Nelsons ( Boston Symphony Orchestra Music Director)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black;\"\u003eSymphony No. 1 in F minor op. 10\u003cbr \/\u003eSymphony No. 2 in B major “To October” op. 14\u003cbr \/\u003eSymphony No. 3 in E-flat major “The First of May” op. 20\u003cbr \/\u003eSymphony No. 4 in C minor op. 43\u003cbr \/\u003eSymphony No. 5 in D minor op. 47\u003cbr \/\u003eSymphony No. 6 in B minor op. 54\u003cbr \/\u003eSymphony No. 7 in C major “Leningrad” op. 60\u003cbr \/\u003eSymphony No. 8 in C minor op. 65\u003cbr \/\u003eSymphony No. 9 in E-flat major op. 70\u003cbr \/\u003eSymphony No. 10 in E minor op. 93\u003cbr \/\u003eSymphony No. 11 in G minor “The Year 1905” op. 103\u003cbr \/\u003eSymphony No. 12 in D minor “The Year 1917” op. 112\u003cbr \/\u003eSymphony No. 13 in B-flat minor “Babi Yar” op. 113\u003cbr \/\u003eSymphony No. 14 in G minor op. 135\u003cbr \/\u003eSymphony No. 15 in A major op. 141\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePassacaglia - Interlude from Act II of Lady Macbeth of the Mtsensk District\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “Hamlet” op. 32a (excerpts)\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “King Lear” op. 58a\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003e“Festive Overture” op. 96\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eChamber Symphony in C minor op. 110a\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 1 in C minor op. 35\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 2 in F major op. 102\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 1 in A minor op. 77\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 2 op. 129\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 1 in E-flat major op. 107\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 2 in G major op. 126\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Calibri\u0026#039;,sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cbr \/\u003eLady Macbeth of the Mtsensk District op. 29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Andris Nelsons \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46605980336371,"sku":"513756000","price":67.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Boston-Symphony-Orchestra-Andris-Nelsons_Shostakovich-Symphonies-Concertos-Lady-Macbeth-of-Mtsensk-District_19-CD-Capbox_s513756_o6514181_a527263_v13065832.165eb4ca.png?v=1751142213"},{"product_id":"joan-sutherland-joan-sutherland-the-operas-1959-1970","title":"Joan Sutherland: The Operas 1959-1970","description":"\u003cp\u003eJoan Sutherland\u0026#039;s complete opera recordings are being released in two separate boxes. The first collection, which includes recordings from 1959 to 1970, contains an early example of her Mozart interpretations: Donna Anna in \u0026#34;Don Giovanni\u0026#34; (under Carlo Maria Giulini, 1959). In the same year, a recording of Handel\u0026#039;s \u0026#34;Alcina\u0026#34; in historical performance practice was made together with Fritz Wunderlich in Cologne (Cappella Coloniensis conducted by Ferdinand Leitner). There is also the first of two recordings of \u0026#34;Lucia di Lammermoor\u0026#34; (John Pritchard) as well as Gounod\u0026#039;s \u0026#34;Faust\u0026#34;, Bellini\u0026#039;s \u0026#34;Norma\u0026#34;, Rossini\u0026#039;s \u0026#34;Semiramide\u0026#34;, Delibes\u0026#039; \u0026#34;Lakmé\u0026#34; and Meyerbeer\u0026#039;s \u0026#34;Huguenots\u0026#34; (all conducted by Richard Bonynge). No Sutherland edition would be complete without rarities, however, and this box contains highlights from Graun\u0026#039;s \u0026#34;Montezuma\u0026#34; and Bononcini\u0026#039;s \u0026#34;Griselda\u0026#34;.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCDs 1-2                HANDEL: Alcina\u003c\/p\u003e\n\u003cp\u003eCD 3                      HANDEL: Acis and Galatea\u003c\/p\u003e\n\u003cp\u003eCDs 4-6                MOZART: Don Giovanni\u003c\/p\u003e\n\u003cp\u003eCDs 7-8                VERDI: Rigoletto\u003c\/p\u003e\n\u003cp\u003eCDs 9-10              DONIZETTI: Lucia di Lammermoor\u003c\/p\u003e\n\u003cp\u003eCDs 11-13            HANDEL: Alcina\u003c\/p\u003e\n\u003cp\u003eCDs 14-15            BELLINI: La sonnambula (1962 analogue recording)\u003c\/p\u003e\n\u003cp\u003eCDs 16-17            VERDI: La traviata\u003c\/p\u003e\n\u003cp\u003eCDs 18-19            BIZET: Carmen\u003c\/p\u003e\n\u003cp\u003eCDs 20-22            BELLINI: I puritani (1963 recording)\u003c\/p\u003e\n\u003cp\u003eCD 23                    HANDEL: Giulio Cesare (excerpts)\u003c\/p\u003e\n\u003cp\u003eCDs 24-26            BELLINI: Norma (1964 analogue recording)\u003c\/p\u003e\n\u003cp\u003eCDs 27-29            ROSSINI: Semiramide\u003c\/p\u003e\n\u003cp\u003eCDs 30-31            BELLINI: Beatrice di Tenda\u003c\/p\u003e\n\u003cp\u003eCDs 32-34            GOUNOD: Faust\u003c\/p\u003e\n\u003cp\u003eCD 35                    BONONCINI: Griselda (excerpts)\u003c\/p\u003e\n\u003cp\u003eCD 36                    GRAUN: Montezuma (excerpts)\u003c\/p\u003e\n\u003cp\u003eCDs 37-38            DONIZETTI: La Fille du Régiment\u003c\/p\u003e\n\u003cp\u003eCDs 39-40            DELIBES: Lakmé\u003c\/p\u003e\n\u003cp\u003eCDs 41-43            MOZART: Don Giovanni\u003c\/p\u003e\n\u003cp\u003eCDs 44-47            MEYERBEER: Les Huguenots\u003c\/p\u003e\n\u003cp\u003eCDs 48-49            DONIZETTI: L’Élisir d’amore\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"OS","offer_id":46675058131187,"sku":"509381000","price":129.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Joan-Sutherland_Joan-Sutherland-The-Operas-1959-1970_49CD-Box_s509381_o5095813_a533173_v13101844.4f55f27a.jpg?v=1751142062"},{"product_id":"yo-yo-ma-shostakovich-cello-concertos-2","title":"Shostakovich: Cello Concertos","description":"\u003cp\u003e“I think Shostakovich’s artistic truth was to represent the voice of the voiceless.” \u003cem\u003eYo-Yo Ma\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn October 2023, world-renowned cellist and cultural ambassador Yo-Yo Ma returned to Boston’s Symphony Hall to play Shostakovich’s two cello concertos with the Boston Symphony Orchestra and its Music Director Andris Nelsons. Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eShostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe Second begins in melancholy vein, with a sighing phrase for the solo cello. After the extended Largo, the second and third movements are played without a break. Shostakovich mimics a street song from Odessa in the central Allegretto. That tune is dramatically restated in the finale, which begins with a horn fanfare and eventually ends with wood block, tom-tom, snare drum and xylophone (part of the orchestra’s huge percussion section) punctuating a long-held drone note from the cellist.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVinyl 1\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCello Concerto No. 1 in E-Flat Major, Op. 107:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003eI. Allegretto\u003c\/p\u003e\u003cp\u003eII. Moderato\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003eIII. 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The piece features on his album of the complete solo works (“Jeux d’eau trickles brightly through Cho’s fingers like water itself” – The Times), issued by DG in January. Last month saw the release of a companion album, featuring Cho’s recordings of the two piano concertos with the Boston Symphony Orchestra and Andris Nelsons. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDue for release on 2 May 2025, the deluxe version brings together both albums and will be available digitally and as a limited-edition 3-CD set. The latter includes a hardcover book with full tracklistings and notes on the music; high-quality art prints of previously unreleased photos; and the offer of three months’ free access to STAGE\u0026#43;, where fans will find Seong-Jin Cho’s now legendary Carnegie Hall Ravel recital, among other filmed performances and audio albums. Copies of the physical product purchased directly from the DG Shop also include a signed photo of the artist. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCho’s Ravel interpretations have already garnered rave reviews. German broadcaster NDR named the first release its “breathtaking” album of the week. It hailed the way Cho “clarifies the different, often overlapping layers of Ravel’s soundworld with an infinite palette of colours and nuances of touch”, before concluding: “Above all, there is nothing showy about Cho … for him, it’s all about the music.” The Financial Times, meanwhile, summed up Cho’s achievements by saying, “Ravel playing of such perfection of detail does not come round often”.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCD1 The Complete Solo Piano Works:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSérénade grotesque, M. 5\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMenuet antique, M. 7\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePavane pour une infante défunte, M. 19\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eJeux d\u0026#039;eau, M. 30\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSonatine, M. 40: \u003c\/p\u003e\u003cp\u003eI. Modéré \u003c\/p\u003e\u003cp\u003eII. Mouvement de menuet \u003c\/p\u003e\u003cp\u003eIII. Animé\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMiroirs, M. 43: \u003c\/p\u003e\u003cp\u003eI. Noctuelles.Très léger \u003c\/p\u003e\u003cp\u003eII. Oiseux tristes. Très lent \u003c\/p\u003e\u003cp\u003eIII. Une barque sur l\u0026#039;océan. D\u0026#039;un rythme souple \u003c\/p\u003e\u003cp\u003eIV. Alborada del gracioso. Assez vif \u003c\/p\u003e\u003cp\u003eV. La vallée des cloches. Très lent\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCD2 The Complete Solo Piano Works:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGaspard de la nuit, M. 55: \u003c\/p\u003e\u003cp\u003eI. Ondine. Lent \u003c\/p\u003e\u003cp\u003eII. Le Gibet. Très lent \u003c\/p\u003e\u003cp\u003eIII. Scarbo. 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Vif \u003c\/p\u003e\u003cp\u003eII. Fugue. Allegro moderato \u003c\/p\u003e\u003cp\u003eIII. Forlane. Allegretto \u003c\/p\u003e\u003cp\u003eIV. Rigaudon. Assez vif \u003c\/p\u003e\u003cp\u003eV. Menuet. Allegro moderato \u003c\/p\u003e\u003cp\u003eVI. Toccata. Vif\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCD3 The Piano Concertos:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePiano Concerto for the Left Hand, M. 82: \u003c\/p\u003e\u003cp\u003eI. Lento \u003c\/p\u003e\u003cp\u003eII. Allegro\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePiano Concerto in G Major, M. 83: \u003c\/p\u003e\u003cp\u003eI. Allegramente \u003c\/p\u003e\u003cp\u003eII. Adagio assai III. Presto\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ewith the Boston Symphony Orchestra \u0026amp; Andris Nelsons\u003c\/p\u003e","brand":"Seong-Jin Cho","offers":[{"title":"OS","offer_id":46772434895091,"sku":"514601000","price":66.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Seong-Jin-Cho_Ravel-The-Complete-Solo-Piano-Works-Concertos_3CD-Buch-Artprint-Stage-Voucher_s514601_o6665060_a537608_v13130453.177ab9de.jpg?v=1741194092"},{"product_id":"maurizio-pollini-chopin-polonaises","title":"Chopin: Polonaises","description":"\u003cdiv\u003eMaurizio Pollinis recordings of the Polonaises, which have attained classic status, are now available as part of The Original Source Series. Pollini offered playing of outstanding mastery as well as a subtle poetry. His supreme achievement is in suggesting the immediacy of an inspired improvisation, while at the same time preserving the shapely unity of a preconceived whole. To ensure optimum audio quality, the work was mastered from the original 4-track tapes, cut at 45rpm and redistributed on two LPs.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e“Maurizio Pollini makes it virtually impossible to imagine Chopin\u0026#039;s Polonaises played with greater clarity, force and resolution. Not for him the odd approximation or slip of the finger: everything is ruthlessly, indeed frighteningly, concentrated and of the essence.” – Gramophone\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the  renowned Emil Berliner Studios have remastered and edited the original four-and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTracklisting:\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLP 1\u003c\/div\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003e1. Chopin: Polonaise No. 1 in C-Sharp Minor, Op. 26 No. 1\u003c\/div\u003e\n\u003cdiv\u003e2. Chopin: Polonaise No. 2 in E-Flat Minor, Op. 26 No. 2\u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003e1. Chopin: Polonaise No. 3 in A Major, Op. 40 No. 1 „Military“\u003c\/div\u003e\n\u003cdiv\u003e2. Chopin: Polonaise No. 4 in C Minor, Op. 40 No. 2\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLP2\u003c\/div\u003e\n\u003cdiv\u003eSide C\u003c\/div\u003e\n\u003cdiv\u003e1. Chopin: Polonaise No. 5 in F-Sharp Minor, Op. 44\u003c\/div\u003e\n\u003cdiv\u003e2. Chopin: Polonaise No. 6 in A-Flat Major, Op. 53 „Heroic“\u003c\/div\u003e\n\u003cdiv\u003eSide D\u003c\/div\u003e\n\u003cdiv\u003e1. Chopin: Polonaise-Fantaisie in A-Flat Major, Op. 61\u003c\/div\u003e","brand":"Maurizio Pollini","offers":[{"title":"OS","offer_id":46821599576307,"sku":"514817000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Maurizio-Pollini_Chopin-Polonaises_Original-Source-Vinyl-Subtitle-EN_s514817_o6703136_a540061_v13146580.e78fb75d.jpg?v=1742399126"},{"product_id":"sviatoslav-richter-beethoven-sonatas-nos-18-27-28-31-the-lost-tapes-2","title":"Beethoven: Sonatas Nos. 18, 27, 28 \u0026 31 | The Lost Tapes","description":"\u003cp\u003eAnyone who thinks that there is no longer anything to say on the subject of Sviatoslav Richter’s discography is wrong. For sixty years these recordings, which were made by Deutsche Grammophon at the Tours and Lucerne Festivals in 1965, have slumbered in the Yellow Label’s archives. Carefully restored by Emil Berliner Studios, they are being released now for the very first time. Like many other artists, Richter felt that he could play more freely and give better performances in the concert hall rather than in the studio. These tremendous recordings reveal the pianist at the pinnacle of his powers as a pianist. Indeed, they evoke Van Cliburn\u0026#039;s comment: ‘That is the most powerful piano playing I have ever heard’. Richter\u0026#039;s interpretations of Beethoven are phenomenal. The performances of the Sonatas Nos. 18, 27, 28 and 31 show a strikingly modern approach that never shies away from taking risks to express the music in its furthest extreme. Pianist Elisabeth Leonskaja, a confidante of Richter, was enthusiastic about the artistic freedom, technical brilliance and love of the music conveyed in these recordings. The album is available digitally, as a CD and double LP and includes a recent interview with Elisabeth Leonskaja, an essay by Jed Distler and editorial notes by Markus Kettner. Numerous photographs, some previously unpublished, complete the edition.\u003c\/p\u003e\n\u003cp\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eLive at Kunsthaus, Lucerne, 1965\u003cbr \/\u003eBeethoven: Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 „The Hunt”\u003c\/p\u003e\n\u003cp\u003e1. I. Allegro \u003cbr \/\u003e2. II. Scherzo. Allegretto vivace \u003cbr \/\u003e3. III. Menuetto. Moderato e grazioso \u003cbr \/\u003e4. IV. Presto con fuoco \u003c\/p\u003e\n\u003cp\u003eBeethoven: Piano Sonata No. 27 in E Minor, Op. 90\u003c\/p\u003e\n\u003cp\u003e5. I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck \u003cbr \/\u003e6. II. Nicht zu geschwind und sehr singbar vorgetragen \u003c\/p\u003e\n\u003cp\u003eBeethoven Piano Sonata No. 28 in A Major, Op. 101\u003c\/p\u003e\n\u003cp\u003e7. I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo \u003cbr \/\u003e8. II. Lebhaft, marschmäßig. Vivace alla marcia \u003cbr \/\u003e9. III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto \u003cbr \/\u003e10. IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro \u003c\/p\u003e\n\u003cp\u003eLive at La Grange de Meslay, Tours, 1965\u003cbr \/\u003eBeethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110\u003c\/p\u003e\n\u003cp\u003e11. I. Moderato cantabile molto espressivo \u003cbr \/\u003e12. II. Allegro molto \u003cbr \/\u003e13. IIIa. Adagio ma non troppo \u003cbr \/\u003e14. IIIb. Fuga. Allegro ma non troppo\u003c\/p\u003e","brand":"Sviatoslav Richter","offers":[{"title":"OS","offer_id":46839463903475,"sku":"514928000","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Sviatoslav-Richter_Beethoven-Sonatas-Nos-18-27-28-31-The-Lost-Tapes_Vinyl-Bundle_s514928_o6725149_a541059_v13152111.f544f9db.jpg?v=1742979443"},{"product_id":"max-richter-sleep-circle-2","title":"SLEEP Circle","description":"\u003cp\u003e“It’s like SLEEP distilled.” That’s how Max Richter describes his new album marking the tenth anniversary of his landmark project SLEEP. \u003cbr \/\u003eReleased on 5 September 2025, \u003cstrong\u003ethis limited-edition deluxe 3LP set on black \u0026amp; white corona vinyl comes with an integrated NFC chip containing additional bonus content that can be accessed via your smartphone**, including high-res audio files. \u003c\/strong\u003eThe process of choosing Sleep Circle’s 24 tracks was informed by the insights Richter gained from live performances of an abridged version of his monumental opus. With its more intimate and focused approach to SLEEP, the new album highlights compositions such as “Dream 11 \/ Moth-Like Stars” and “Non-Eternal” in a structural arc that mirrors the natural 90-minute REM cycle.\u003cbr \/\u003eRecorded at Studio Richter Mahr in Oxfordshire, Sleep Circle showcases Max Richter’s unique ability to translate profound human experience into music, offering listeners a space to slow down and reconnect with their inner selves.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eLP 1 Side A\u003cbr \/\u003e1.    Dream 11 \/ Moth-Like Stars Pt.1\u003cbr \/\u003e2.    Dream 11 \/ Moth-Like Stars Pt.1\u003cbr \/\u003e3.    Dream 11 \/ Moth-Like Stars Pt.3\u003cbr \/\u003e4.    Dream 11 \/ Moth-Like Stars Pt.4\u003cbr \/\u003eLP 1 Side B\u003cbr \/\u003e1.    Path 3 \/ Whose Name Is Written On Water Pt.1\u003cbr \/\u003e2.    Path 3 \/ Whose Name Is Written On Water Pt.2\u003cbr \/\u003e3.    Patterns \/ Solo Pt.1\u003cbr \/\u003eLP 2 Side C\u003cbr \/\u003e1.    Patterns \/ Solo Pt.2\u003cbr \/\u003e2.    Patterns \/ Solo Pt.3\u003cbr \/\u003e3.    Return Pt.1\u003cbr \/\u003e4.    Return Pt.2\u003cbr \/\u003eLP 2 Side D\u003cbr \/\u003e1.    Dream 11 \/ Moth-Like Stars Pt. 5\u003cbr \/\u003e2.    Dream 11 \/ Moth-Like Stars Pt. 6\u003cbr \/\u003e3.    Dream 11 \/ Moth-Like Stars Pt. 7\u003cbr \/\u003eLP 3 Side E\u003cbr \/\u003e1.    Non-Eternal Pt.1\u003cbr \/\u003e2.    Non-Eternal Pt.2\u003cbr \/\u003e3.    Non-Eternal Pt.3\u003cbr \/\u003e4.    Chorale\u003cbr \/\u003eLP 3 Side F\u003cbr \/\u003e1.    Dream 0 Pt.1\u003cbr \/\u003e2.    Dream 0 Pt.2\u003cbr \/\u003e3.    Dream 0 Pt.3\u003cbr \/\u003e4.    Dream 0 Pt.4\u003cbr \/\u003e5.    Dream 0 Pt.5\u003cbr \/\u003e6.    Dream 0 Pt.6\u003c\/p\u003e\n\u003cp\u003e**An instruction on how to access your bonus content can be found \u003ca href=\"https:\/\/nfc-dg.exklusiveinhalte.de\/instructions-for-products-with-nfc-en\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e","brand":"Max Richter","offers":[{"title":"OS","offer_id":47048624931059,"sku":"516178000","price":74.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Max-Richter_SLEEP-Circle_Deluxe-3LP-Corona-Vinyl-in-Schwarz-Weiss-mit-Cover-Aussparungen-im-Gatefold-und-exklusivem-Bonus-Inhalt_s516178_o7113610_a560519_v13306020.ba255aff.png?v=1757328694"},{"product_id":"luciano-pavarotti-puccini-madama-butterfly","title":"Puccini: Madama Butterfly","description":"\u003cp\u003eThis brand new deluxe edition is part of Decca\u0026#039;s anniversary program celebrating the 100th anniversary of the death of the great opera composer Giacomo Puccini. 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Con onor muore – Tu, tu, piccolo iddio!\u003c\/p\u003e","brand":"Luciano Pavarotti, Mirella Freni, Christa Ludwig","offers":[{"title":"OS","offer_id":47050739876083,"sku":"516194000","price":149.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luciano-Pavarotti_Puccini-Madama-Butterfly_2-SACD_s516194_o7117080_a560752_v13307684.68e3e013.jpg?v=1749110349"},{"product_id":"luciano-pavarotti-madama-butterfly","title":"Madama Butterfly ","description":"\u003cp class=\"MsoNoSpacing\"\u003eThis brand new deluxe edition is part of Decca\u0026#039;s anniversary program celebrating the 100th anniversary of the death of the great opera composer Giacomo Puccini. The recording, made in January 1974 at the Sofiensäle in Vienna, presents the best cast of the time: led by Mirella Freni and Luciano Pavarotti and conducted by Herbert von Karajan. When it was first released, the recording was praised by critics and music lovers alike. 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Vieni, amor mio! \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003e1. È un presente del Mikado\u003c\/div\u003e\n\u003cdiv\u003e2. Tutti zitti!\u003c\/div\u003e\n\u003cdiv\u003e3. O Kami! O Kami!\u003c\/div\u003e\n\u003cdiv\u003e4. Cio-cio-san! Cio-cio-san!\u003c\/div\u003e\n\u003cdiv\u003e5. Bimba, bimba, non piangere\u003c\/div\u003e\n\u003cdiv\u003e6. Viene la sera\u003c\/div\u003e\n\u003cdiv\u003e7. Vogliatemi bene – Vieni, vieni! (Love Duet)\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLP 2\u003c\/div\u003e\n\u003cdiv\u003ePuccini: Madama Butterfly, Act II\u003c\/div\u003e\n\u003cdiv\u003eSide C\u003c\/div\u003e\n\u003cdiv\u003e1. E Izaghi ed Izanami, Sarundasico e Kami\u003c\/div\u003e\n\u003cdiv\u003e2. Un bel dì vedremo\u003c\/div\u003e\n\u003cdiv\u003e3. C\u0026#039;è. Entrate\u003c\/div\u003e\n\u003cdiv\u003e4. Si sa che aprir la parta\u003c\/div\u003e\n\u003cdiv\u003e5. Udiste?\u003c\/div\u003e\n\u003cdiv\u003e6. Ora a noi. Sedete qui\u003c\/div\u003e\n\u003cdiv\u003e7. Ebbene, che fareste, Madama Butterfly?\u003c\/div\u003e\n\u003cdiv\u003e8. E questo? E questo?\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSide D\u003c\/div\u003e\n\u003cdiv\u003e1. Che tua madre dovrà prenderti in braccio\u003c\/div\u003e\n\u003cdiv\u003e2. Vespa! Rospo maledetto!\u003c\/div\u003e\n\u003cdiv\u003e3. Una nave da guerra\u003c\/div\u003e\n\u003cdiv\u003e4. Scuoti quella fronda di ciliegio\u003c\/div\u003e\n\u003cdiv\u003e5. Or vienmi ad adornar\u003c\/div\u003e\n\u003cdiv\u003e6. Coro a bocca chiusa \u0026#34;Humming Chorus\u0026#34;\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLP 3\u003c\/div\u003e\n\u003cdiv\u003ePuccini: Madama Butterfly, Act III\u003c\/div\u003e\n\u003cdiv\u003eSide E\u003c\/div\u003e\n\u003cdiv\u003e1. Intermezzo – Oh eh! Oh eh!\u003c\/div\u003e\n\u003cdiv\u003e2. Fischi d\u0026#039;uccelli dal giardino\u003c\/div\u003e\n\u003cdiv\u003e3. Già il sole!\u003c\/div\u003e\n\u003cdiv\u003e4. Chi sia?\u003c\/div\u003e\n\u003cdiv\u003e5. Io so che alle sue pene\u003c\/div\u003e\n\u003cdiv\u003e6. Non ve l\u0026#039;avevo detto?\u003c\/div\u003e\n\u003cdiv\u003e7. Addio, fiorito asil\u003c\/div\u003e\n\u003cdiv\u003e8. Suzuki! Suzuki! Dove sei?\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSide F\u003c\/div\u003e\n\u003cdiv\u003e1. Tu, Suzuki, che sei tanto biona\u003c\/div\u003e\n\u003cdiv\u003e2. Come una mosca prigionera\u003c\/div\u003e\n\u003cdiv\u003e3. Con onor muore – Tu, tu, piccolo iddio!\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"OS","offer_id":47052007702771,"sku":"516198000","price":174.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luciano-Pavarotti_Madama-Butterfly_LP-Box_s516198_o7118341_a560836_v13308248.8c559da1.png?v=1749135854"},{"product_id":"herbert-von-karajan-die-berliner-philharmoniker-schoenberg-berg-webern","title":"Schoenberg - Berg - Webern ","description":"\u003cp\u003eIn 1973\/74, Herbert von Karajan took an innovative step and recorded orchestral pieces by Arnold Schoenberg, Anton Webern and Alban Berg together with the Berliner Philharmoniker - all three representatives of the Second Viennese School. The results were groundbreaking recordings of the Second Viennese School, presented in a sophisticated 4-LP box set designed by renowned graphic designer Holger Matthies.\u003c\/p\u003e\n\u003cp\u003eFor the first time, these recordings have been newly mixed and cut from the original four and eight-track tapes and are now being released as part of the Original Source Series as a 4-LP gatefold edition with original artwork in a high-quality slipcase.\u003c\/p\u003e\n\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eLP 1\u003cbr \/\u003eSchoenberg: Pelleas und Melisande, Op. 5\u003cbr \/\u003eSide A\u003cbr \/\u003e1. I. Die Achtel ein wenig bewegt – zögernd\u003cbr \/\u003e2. II. Heftig\u003cbr \/\u003e3. III. Lebhaft\u003cbr \/\u003e4. IV. Sehr rasch\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr \/\u003e1. V. Ein wenig bewegt\u003cbr \/\u003e2. VI. Langsam\u003cbr \/\u003e3. VII. Ein wenig bewegter\u003cbr \/\u003e4. VIII. Sehr langsam\u003cbr \/\u003e5. IX. Etwas bewegt\u003cbr \/\u003e6. X. In gehender Bewegung\u003cbr \/\u003e7. XI. Breit\u003c\/p\u003e\n\u003cp\u003eLP 2\u003cbr \/\u003eSide C\u003cbr \/\u003eSchoenberg: Verklärte Nacht, Op. 4 (Version for String Orchestra)\u003cbr \/\u003e1. I. Grave\u003cbr \/\u003e2. II. Molto rallentando (Bar 100)\u003cbr \/\u003e3. III. Pesante (Bar 201)\u003cbr \/\u003e4. IV. Adagio (Bar 229)\u003cbr \/\u003e5. V. Adagio (Bar 370)\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr \/\u003eSchoenberg: Variations, Op. 31\u003cbr \/\u003e1. Introduktion. Mässig, ruhig\u003cbr \/\u003e2. Thema. Molto moderato\u003cbr \/\u003e3. Var. 1. Moderato\u003cbr \/\u003e4. Var. 2. Langsam\u003cbr \/\u003e5. Var. 3. Mässig\u003cbr \/\u003e6. Var. 4. Walzertempo\u003cbr \/\u003e7. Var. 5. Bewegt\u003cbr \/\u003e8. Var. 6. Andante\u003cbr \/\u003e9. Var. 7. Langsam\u003cbr \/\u003e10. Var. 8. Sehr rasch\u003cbr \/\u003e11. Var. 9. L\u0026#039;istesso tempo; aber etwas langsamer\u003cbr \/\u003e12. Finale. Mässig schnell\u003c\/p\u003e\n\u003cp\u003eLP 3\u003cbr \/\u003eSide E\u003cbr \/\u003eBerg: 3 Pieces for Orchestra, Op. 6\u003cbr \/\u003e1. No. 1, Praeludium\u003cbr \/\u003e2. No. 2, Reigen\u003cbr \/\u003e3. No. 3, Marsch\u003c\/p\u003e\n\u003cp\u003eSide F\u003cbr \/\u003eBerg: Lyric Suite, 3 Pieces for String Orchestra\u003cbr \/\u003e1. I. Andante amoroso\u003cbr \/\u003e2. II. Allegro misterioso\u003cbr \/\u003e3. III. Adagio appassionato\u003c\/p\u003e\n\u003cp\u003eLP 4\u003cbr \/\u003eSide G\u003cbr \/\u003e1. Webern: Passacaglia Für Orchester Op. 1\u003c\/p\u003e\n\u003cp\u003eWebern: 5 Movements, Op. 5 (1929 Orchestral Version)\u003cbr \/\u003e2. I. Heftig bewegt\u003cbr \/\u003e3. II. Sehr langsam\u003cbr \/\u003e4. III. Sehr bewegt\u003cbr \/\u003e5. IV. Sehr langsam\u003cbr \/\u003e6. V. In zarter Bewegung\u003c\/p\u003e\n\u003cp\u003eSide H\u003cbr \/\u003eWebern: 6 Pieces for Orchestra, Op. 6 (1928 Rev. Version)\u003cbr \/\u003e1. I. Langsam\u003cbr \/\u003e2. II. Bewegt\u003cbr \/\u003e3. III. Mässig\u003cbr \/\u003e4. IV. Sehr mässig\u003cbr \/\u003e5. V. Sehr langsam\u003cbr \/\u003e6. VI. Langsam\u003c\/p\u003e\n\u003cp\u003eWebern: Symphony, Op. 21\u003cbr \/\u003e7. I. Ruhig schreitend\u003cbr \/\u003e8. II. Variationen\u003c\/p\u003e","brand":"Herbert von Karajan \u0026 Berliner Philharmoniker","offers":[{"title":"OS","offer_id":47075179725043,"sku":"516376000","price":179.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Herbert-von-Karajan-Die-Berliner-Philharmoniker_Schoenberg-Berg-Webern_Original-Source-Vinyl_s516376_o7141948_a562720_v13318340.d1a2aceb.jpg?v=1750164343"},{"product_id":"luciano-pavarotti-pavarotti-the-lost-concert","title":"Pavarotti: The Lost Concert","description":"\u003cdiv\u003eIn July 1955, aged 19, Luciano Pavarotti journeyed to Wales, joining his father in a choir from Modena, to compete in the Llangollen International Musical Eisteddfod.  They won the male voice competition by a distance.  Later in life he would attribute this as a pivotal moment, that would inspire him to consider the possibility of becoming a professional singer. Forty years later, in 1995, he returned to give a special concert in the Pavilion during Eisteddfod week.  This is the recording of that previously unreleased historic concert. Addressing a packed Pavilion crowd, Pavarotti said: “Forty years ago, my God – it seems to be just yesterday for me.  I have done so many things.  I always say that to the journalists when they ask me, what is a day more memorable in my life, and I always say that it is when I won this competition, because it was with all my friends.”\u003c\/div\u003e\n\u003cdiv\u003eThis collection consists of a programme overflowing with operatic arias from Cavalleria Rusticana, Il trovatore, Macbeth and popular Neapolitan song. It also features two tracks, recorded in 1955, thought to be the earliest recordings with Luciano Pavarotti.\u003c\/div\u003e\n\u003cdiv\u003eIn the 100-page LP-sized book accompanying this set, you can read more about this historic concert in a fabulous essay composed by Maestro Mark Wilkinson, alongside rare historic photos from the Llangollen archive and more. The SACDs in this box are hybrid, with both a PCM audio layer available on standard CD players and encoded with a DSD layer. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eTracklisting:\u003c\/div\u003e\n\u003cdiv\u003eLP1\u003c\/div\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003eLive at the Llangollen International Musical Eisteddfod, 1995\u003c\/div\u003e\n\u003cdiv\u003e1. Verdi: Gli arredi festivi [Nabucco, Act I]\u003c\/div\u003e\n\u003cdiv\u003e2. Mascagni: Mamma, quel vino è generoso [Cavalleria rusticana]\u003c\/div\u003e\n\u003cdiv\u003e3. Verdi: Di quella pira [Il trovatore, Act III]\u003c\/div\u003e\n\u003cdiv\u003e4. Mascagni: Intermezzo [Cavalleria rusticana]\u003c\/div\u003e\n\u003cdiv\u003e5. Verdi: Aria. Ah, la paterna mano [Macbeth, Act IV]\u003c\/div\u003e\n\u003cdiv\u003eSide B\u003c\/div\u003e\n\u003cdiv\u003eLive at the Llangollen International Musical Eisteddfod, 1995\u003c\/div\u003e\n\u003cdiv\u003e1. Granada\u003c\/div\u003e\n\u003cdiv\u003e2. Verdi: Va, pensiero \u0026#34;Chorus of the Hebrew Slaves\u0026#34; [Nabucco, Act III]\u003c\/div\u003e\n\u003cdiv\u003e3. Pavarotti Speaks\u003c\/div\u003e\n\u003cdiv\u003e4. Puccini: Tra voi, belle, brune e bionde [Manon Lescaut, Act I]\u003c\/div\u003e\n\u003cdiv\u003e5. Puccini: Donna non vidi mai [Manon Lescaut, Act I]\u003c\/div\u003e\n\u003cdiv\u003e6. Rossini: Overture [Semiramide]\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLP2\u003c\/div\u003e\n\u003cdiv\u003eSide C\u003c\/div\u003e\n\u003cdiv\u003eLive at the Llangollen International Musical Eisteddfod, 1995\u003c\/div\u003e\n\u003cdiv\u003e1. Leoncavallo: Mattinata\u003c\/div\u003e\n\u003cdiv\u003e2. Handl: In nomine Jesu\u003c\/div\u003e\n\u003cdiv\u003e3. Sibella: La Girometta\u003c\/div\u003e\n\u003cdiv\u003e4. Non ti scordar di me (Orch. Mancini)\u003c\/div\u003e\n\u003cdiv\u003e5. La mia canzone al vento (Orch. Mancini)\u003c\/div\u003e\n\u003cdiv\u003e6. Pavarotti Speaks\u003c\/div\u003e\n\u003cdiv\u003e7. Pavarotti, Benvenuti: Ave Maria, dolce Maria\u003c\/div\u003e\n\u003cdiv\u003e8. Di Capua, Mazzucchi: O sole mio\u003c\/div\u003e\n\u003cdiv\u003eSide D\u003c\/div\u003e\n\u003cdiv\u003eLive at the Llangollen International Musical Eisteddfod, 1995\u003c\/div\u003e\n\u003cdiv\u003e1. Pavarotti Speaks\u003c\/div\u003e\n\u003cdiv\u003e2. Verdi: Libiamo ne\u0026#039; lieti calici \u0026#34;Brindisi\u0026#34; [La traviata, Act I]\u003c\/div\u003e\n\u003cdiv\u003e3. Pavarotti Speaks (Thank You)\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e4. Interview with Luciano Pavarotti\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLive at the Llangollen International Musical Eisteddfod, 1955\u003c\/div\u003e\n\u003cdiv\u003e5. Lassus: Bonjour mon cœur\u003c\/div\u003e\n\u003cdiv\u003e6. Handl: In nomine Jesu\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"OS","offer_id":47396604215539,"sku":"516826000","price":113.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luciano-Pavarotti_Pavarotti-The-Lost-Concert_2LP_s516826_o7250914_a575827_v13392571.7a501398.jpg?v=1752238073"}],"url":"https:\/\/store.deutschegrammophon.com\/en-en\/collections\/klassik-uber-60.oembed","provider":"Deutsche Grammophon","version":"1.0","type":"link"}