{"title":"Original Source Vinyl","description":"","products":[{"product_id":"claudio-abbado-boston-symphony-orchestra-debussy-ravel","title":"Debussy \u0026 Ravel","description":"\u003cp\u003eIt took Claudio Abbado and the Boston Symphony Orchestra two sessions in February 1970, and then the recorded team\u0026#039;s recording was at the ready. Their interpretation of Debussy\u0026#039;s Trois nocturnes, Ravel\u0026#039;s suite Daphnis et Chloé, and his Pavane pour une infante défunte soon became classics.\u003c\/p\u003e\u003cp\u003eFor its 125th birthday, Deutsche Grammophon is releasing legendary recordings with highest sound standards: The new audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. 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These readings, made at Symphony Hall in 1971, feature the wealth of color and distinctive solo playing that has long been the orchestraʼs calling card, all magnificently shaped by the young Italian conductor. This reissue in Deutsche Grammophonʼs “Original Source” series — mixed and cut from the original tapes and pressed on 180-gram vinyl — makes it all sound better than ever\u0026#34; - The Boston Globe\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eScriabin\u0026#039;s ‘The Poem of Ecstasy’ is representative of everything he produced as a composer. The oversized nature of his compositions virtually overwhelms the listener. Writer Boris Pasternak confessed: “I could not listen to this music without tears”. Tchaikovsky describes much more earthly joys and pains in his fantasy overture ‘Romeo And Juliet’. Balakirev had drawn the composer\u0026#039;s attention to Shakespeare\u0026#039;s tragedy. 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For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eReleased on 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are limited and numbered. They are accompanied by additional photos and facsimiles of the recording logs and tape boxes, plus an article, which explains the exact technical background.\u003c\/p\u003e\u003cp\u003eThe piano sonatas of Ludwig van Beethoven have always had a special place in the artistic work of the exceptional pianist Emil Gilels. 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Habanera [Rapsodie espagnole, M.54]\u003c\/p\u003e\u003cp\u003e2. Ravel: 4. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eMahler: Symphony No. 2 \u0026#34;Resurrection\u0026#34;\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eLP 1\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e1. I. 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Misterioso\u003c\/div\u003e","brand":"Claudio Abbado","offers":[{"title":"OS","offer_id":46812419358963,"sku":"514781000","price":69.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Chicago-Symphony-Orchestra_Mahler-Symphony-No-2-Resurrection_2LP_s514781_o6698277_a539705_v13144361.49aa9c3f.jpg?v=1742223853"},{"product_id":"daniel-barenboim-messiaen-quatuor-pour-la-fin-du-temps","title":"Messiaen: Quatuor pour la fin du temps","description":"\u003cdiv\u003e“Music which lulls to sleep and which sings, which is of new blood, speaking gestures, an unknown fragrance, an unsleeping bird; music of stained-glass church windows, a whirl of complementary colours, a theological rainbow.” This personal definition which Olivier Messiaen gave in those words points to both the purely musical and the extra-musical characteristics that Messiaen demands of himself and attributes to his works. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eMessiaen: Quatuor pour la fin du temps\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eLP1\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e1. Liturgie de cristal\u003c\/div\u003e\u003cdiv\u003e2. 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Louange à l’Immortalité de Jésus\u003c\/div\u003e","brand":"Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenbo","offers":[{"title":"OS","offer_id":46817499644147,"sku":"514786000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Daniel-Barenboim_Messiaen-Quatuor-pour-la-fin-du-temps_Vinyl_s514786_o6699617_a539757_v13144723.cc81635e.jpg?v=1742288676"},{"product_id":"maurizio-pollini-chopin-polonaises","title":"Chopin: Polonaises","description":"\u003cdiv\u003eMaurizio Pollinis recordings of the Polonaises, which have attained classic status, are now available as part of The Original Source Series. Pollini offered playing of outstanding mastery as well as a subtle poetry. His supreme achievement is in suggesting the immediacy of an inspired improvisation, while at the same time preserving the shapely unity of a preconceived whole. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003eLP 1\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003e1. Chopin: Polonaise No. 1 in C-Sharp Minor, Op. 26 No. 1\u003c\/div\u003e\u003cdiv\u003e2. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eLP 1\u003cbr \/\u003eSchoenberg: Pelleas und Melisande, Op. 5\u003cbr \/\u003eSide A\u003cbr \/\u003e1. I. Die Achtel ein wenig bewegt – zögernd\u003cbr \/\u003e2. II. Heftig\u003cbr \/\u003e3. III. Lebhaft\u003cbr \/\u003e4. IV. Sehr rasch\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1. V. Ein wenig bewegt\u003cbr \/\u003e2. VI. Langsam\u003cbr \/\u003e3. VII. Ein wenig bewegter\u003cbr \/\u003e4. VIII. Sehr langsam\u003cbr \/\u003e5. IX. Etwas bewegt\u003cbr \/\u003e6. X. In gehender Bewegung\u003cbr \/\u003e7. XI. Breit\u003c\/p\u003e\u003cp\u003eLP 2\u003cbr \/\u003eSide C\u003cbr \/\u003eSchoenberg: Verklärte Nacht, Op. 4 (Version for String Orchestra)\u003cbr \/\u003e1. I. Grave\u003cbr \/\u003e2. II. Molto rallentando (Bar 100)\u003cbr \/\u003e3. III. Pesante (Bar 201)\u003cbr \/\u003e4. IV. Adagio (Bar 229)\u003cbr \/\u003e5. V. Adagio (Bar 370)\u003c\/p\u003e\u003cp\u003eSide D\u003cbr \/\u003eSchoenberg: Variations, Op. 31\u003cbr \/\u003e1. Introduktion. Mässig, ruhig\u003cbr \/\u003e2. Thema. Molto moderato\u003cbr \/\u003e3. Var. 1. Moderato\u003cbr \/\u003e4. Var. 2. Langsam\u003cbr \/\u003e5. Var. 3. Mässig\u003cbr \/\u003e6. Var. 4. Walzertempo\u003cbr \/\u003e7. Var. 5. Bewegt\u003cbr \/\u003e8. Var. 6. Andante\u003cbr \/\u003e9. Var. 7. Langsam\u003cbr \/\u003e10. Var. 8. Sehr rasch\u003cbr \/\u003e11. Var. 9. L\u0026#039;istesso tempo; aber etwas langsamer\u003cbr \/\u003e12. Finale. Mässig schnell\u003c\/p\u003e\u003cp\u003eLP 3\u003cbr \/\u003eSide E\u003cbr \/\u003eBerg: 3 Pieces for Orchestra, Op. 6\u003cbr \/\u003e1. No. 1, Praeludium\u003cbr \/\u003e2. No. 2, Reigen\u003cbr \/\u003e3. No. 3, Marsch\u003c\/p\u003e\u003cp\u003eSide F\u003cbr \/\u003eBerg: Lyric Suite, 3 Pieces for String Orchestra\u003cbr \/\u003e1. I. Andante amoroso\u003cbr \/\u003e2. II. Allegro misterioso\u003cbr \/\u003e3. III. Adagio appassionato\u003c\/p\u003e\u003cp\u003eLP 4\u003cbr \/\u003eSide G\u003cbr \/\u003e1. Webern: Passacaglia Für Orchester Op. 1\u003c\/p\u003e\u003cp\u003eWebern: 5 Movements, Op. 5 (1929 Orchestral Version)\u003cbr \/\u003e2. I. Heftig bewegt\u003cbr \/\u003e3. II. Sehr langsam\u003cbr \/\u003e4. III. Sehr bewegt\u003cbr \/\u003e5. IV. Sehr langsam\u003cbr \/\u003e6. V. In zarter Bewegung\u003c\/p\u003e\u003cp\u003eSide H\u003cbr \/\u003eWebern: 6 Pieces for Orchestra, Op. 6 (1928 Rev. Version)\u003cbr \/\u003e1. I. Langsam\u003cbr \/\u003e2. II. Bewegt\u003cbr \/\u003e3. III. Mässig\u003cbr \/\u003e4. IV. Sehr mässig\u003cbr \/\u003e5. V. Sehr langsam\u003cbr \/\u003e6. VI. Langsam\u003c\/p\u003e\u003cp\u003eWebern: Symphony, Op. 21\u003cbr \/\u003e7. I. Ruhig schreitend\u003cbr \/\u003e8. II. Variationen\u003c\/p\u003e","brand":"Herbert von Karajan \u0026 Berliner Philharmoniker","offers":[{"title":"OS","offer_id":47075179725043,"sku":"516376000","price":179.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Herbert-von-Karajan-Die-Berliner-Philharmoniker_Schoenberg-Berg-Webern_Original-Source-Vinyl_s516376_o7141948_a562720_v13318340.d1a2aceb.jpg?v=1750164343"},{"product_id":"the-english-concert-trevor-pinnock-bach-ouverturen-bwv-1066-1068-103480","title":"Bach: Ouvertüren BWV 1066, 1068","description":"\u003cdiv\u003eBach’s Overtures or Orchestral Suites are, mostly very joyful, suites of dance movements. The two recorded here, No.1 and No. 3, are especially flamboyant works of Baroque splendor, while also featuring the famous “Air” (in Suite No. 3), a peaceful piece of utter beauty and serenity.\u003c\/div\u003e\u003cdiv\u003eHardly any ensemble has influenced our listening attitudes to \u0026#34;early music\u0026#34; as much as \u0026#34;The English Concert\u0026#34;, which came into being over 50 years ago. The founder and long-time conductor Trevor Pinnock led the musicians with an articulate tone from the harpsichord and thus formed the sound from the heart of the ensemble. Historical authenticity was the basis of the playing, but their aim was a brilliant, lively orchestral sound serving the emotional core of the music.\u003c\/div\u003e\u003cdiv\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/div\u003e\u003cdiv\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/div\u003e\u003cdiv\u003eTracklisting:\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003eJ.S. Bach: Orchestral Suite No. 1 in C Major, BMV 1066\u003c\/div\u003e\u003cdiv\u003e1. I. Overture\u003c\/div\u003e\u003cdiv\u003e2. II. Courante\u003c\/div\u003e\u003cdiv\u003e3. III. Gavotte I-II\u003c\/div\u003e\u003cdiv\u003e4. IV. Forlane\u003c\/div\u003e\u003cdiv\u003e5. V. Menuet I-II\u003c\/div\u003e\u003cdiv\u003e6. VI. Bourrée I-II\u003c\/div\u003e\u003cdiv\u003e7. VII. Passepied I-II\u003c\/div\u003e\u003cdiv\u003eSide B\u003c\/div\u003e\u003cdiv\u003eJ.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068\u003c\/div\u003e\u003cdiv\u003e1. I. Overture\u003c\/div\u003e\u003cdiv\u003e2. II. Air\u003c\/div\u003e\u003cdiv\u003e3. III. Gavotte I-II\u003c\/div\u003e\u003cdiv\u003e4. IV. Bourrée\u003c\/div\u003e\u003cdiv\u003e5. V. Gigue\u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e","brand":"The English Concert \u0026 Trevor Pinnock","offers":[{"title":"OS","offer_id":47578080837875,"sku":"517196000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/The-English-Concert_Bach-Ouvertueren-BWV-1066-1068_Original-Source-Vinyl_s517196_o7363002_a578401_v13417779.77fdca70.jpg?v=1753369952"},{"product_id":"emil-gilels-grieg-lyrische-stucke-103693","title":"Grieg: Lyrische Stücke","description":"\u003cp\u003eThis recording of 20 of the 66 lyrical pieces by Edvard Grieg, which the Russian keyboard grandmaster Emil Gilels recorded in 1972, can undoubtedly be regarded as a milestone in piano history. Although Grieg\u0026#039;s lyrical pieces have a reputation for being manageable even for amateurs, the dynamic and colourful richness of nuance that Gilels brings to the compositions is certainly in a league of its own.\u003cbr \/\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003cbr \/\u003e \u003cbr \/\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eGrieg:\u003cbr \/\u003e1. Lyric Pieces, Book 1, Op. 12: No. 1, Arietta\u003cbr \/\u003e2. Lyric Pieces, Book 2, Op. 38: No. 1, Berceuse\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 3, Op. 43\u003cbr \/\u003e3. No. 1, Butterfly\u003cbr \/\u003e4. No. 2, Solitary Traveller\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 4, Op. 47\u003cbr \/\u003e5. No. 2, Albumblatt\u003cbr \/\u003e6. No. 3, Melodie\u003cbr \/\u003e7. No. 4, Halling (Norwegian Folk Dance)\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 5, Op. 54\u003cbr \/\u003e8. No. 4, Notturno\u003cbr \/\u003e9. No. 5, Scherzo\u003c\/p\u003e\n\u003cp\u003e10. Lyric Pieces, Book 6, Op. 57: No. 6, Homesickness\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr \/\u003eGrieg:\u003cbr \/\u003eLyric Pieces, Book 7, Op. 62\u003cbr \/\u003e1. No. 4, Brooklet\u003cbr \/\u003e2. No. 6, Homeward\u003c\/p\u003e\n\u003cp\u003e3. Lyric Pieces, Book 8, Op. 65: No. 5, Ballad\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 9, Op. 68\u003cbr \/\u003e4. No. 2, Grandmother\u0026#039;s Minuet\u003cbr \/\u003e5. No. 3, At Your Feet\u003cbr \/\u003e6. No. 5, At the Cradle\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 10, Op. 71\u003cbr \/\u003e7. No. 1, Once upon a Time\u003cbr \/\u003e8. No. 3, Puck\u003cbr \/\u003e9. No. 6, Gone\u003cbr \/\u003e10. No. 7, Remembrances\u003c\/p\u003e","brand":"Emil Gilels","offers":[{"title":"OS","offer_id":47594299916531,"sku":"517251000","price":54.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Emil-Gilels_Grieg-Lyrische-Stuecke_Original-Source-Vinyl_s517251_o7449197_a578928_v13473790.b235312a.jpg?v=1753796595"},{"product_id":"emil-gilels-grieg-lyrische-stucke-103695","title":"Grieg: Lyrische Stücke","description":"\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eWhite Label Vinyl \u0026#43; Covercard\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr \/\u003eThis recording of 20 of the 66 lyrical pieces by Edvard Grieg, which the Russian keyboard grandmaster Emil Gilels recorded in 1972, can undoubtedly be regarded as a milestone in piano history. Although Grieg\u0026#039;s lyrical pieces have a reputation for being manageable even for amateurs, the dynamic and colourful richness of nuance that Gilels brings to the compositions is certainly in a league of its own.\u003c\/p\u003e\n\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003cbr \/\u003e \u003cbr \/\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eGrieg:\u003cbr \/\u003e1. Lyric Pieces, Book 1, Op. 12: No. 1, Arietta\u003cbr \/\u003e2. Lyric Pieces, Book 2, Op. 38: No. 1, Berceuse\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 3, Op. 43\u003cbr \/\u003e3. No. 1, Butterfly\u003cbr \/\u003e4. No. 2, Solitary Traveller\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 4, Op. 47\u003cbr \/\u003e5. No. 2, Albumblatt\u003cbr \/\u003e6. No. 3, Melodie\u003cbr \/\u003e7. No. 4, Halling (Norwegian Folk Dance)\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 5, Op. 54\u003cbr \/\u003e8. No. 4, Notturno\u003cbr \/\u003e9. No. 5, Scherzo\u003c\/p\u003e\n\u003cp\u003e10. Lyric Pieces, Book 6, Op. 57: No. 6, Homesickness\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr \/\u003eGrieg:\u003cbr \/\u003eLyric Pieces, Book 7, Op. 62\u003cbr \/\u003e1. No. 4, Brooklet\u003cbr \/\u003e2. No. 6, Homeward\u003c\/p\u003e\n\u003cp\u003e3. Lyric Pieces, Book 8, Op. 65: No. 5, Ballad\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 9, Op. 68\u003cbr \/\u003e4. No. 2, Grandmother\u0026#039;s Minuet\u003cbr \/\u003e5. No. 3, At Your Feet\u003cbr \/\u003e6. No. 5, At the Cradle\u003c\/p\u003e\n\u003cp\u003eLyric Pieces, Book 10, Op. 71\u003cbr \/\u003e7. No. 1, Once upon a Time\u003cbr \/\u003e8. No. 3, Puck\u003cbr \/\u003e9. No. 6, Gone\u003cbr \/\u003e10. No. 7, Remembrances\u003c\/p\u003e","brand":"Emil Gilels","offers":[{"title":"OS","offer_id":47594316955891,"sku":"517253000","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Emil-Gilels_Grieg-Lyrische-Stuecke_White-Label-Covercard_s517253_o7449326_a578944_v13473894.5d5273d8.png?v=1753797281"},{"product_id":"the-english-concert-bach-ouverturen-bwv-1066-1068-103708","title":"Bach: Ouvertüren BWV 1066, 1068","description":"\u003cul class=\"p-rich_text_list p-rich_text_list__bullet p-rich_text_list--nested\"\u003e\u003cli\u003e\u003cstrong\u003eWhite Label Vinyl \u0026#43; Covercard \u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cbr \/\u003eBach’s Overtures or Orchestral Suites are, mostly very joyful, suites of dance movements. The two recorded here, No.1 and No. 3, are especially flamboyant works of Baroque splendor, while also featuring the famous “Air” (in Suite No. 3), a peaceful piece of utter beauty and serenity.\u003c\/p\u003e\u003cp\u003eHardly any ensemble has influenced our listening attitudes to \u0026#34;early music\u0026#34; as much as \u0026#34;The English Concert\u0026#34;, which came into being over 50 years ago. The founder and long-time conductor Trevor Pinnock led the musicians with an articulate tone from the harpsichord and thus formed the sound from the heart of the ensemble. Historical authenticity was the basis of the playing, but their aim was a brilliant, lively orchestral sound serving the emotional core of the music.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eJ.S. Bach: Orchestral Suite No. 1 in C Major, BMV 1066\u003cbr \/\u003e1. I. Overture\u003cbr \/\u003e2. II. Courante\u003cbr \/\u003e3. III. Gavotte I-II\u003cbr \/\u003e4. IV. Forlane\u003cbr \/\u003e5. V. Menuet I-II\u003cbr \/\u003e6. VI. Bourrée I-II\u003cbr \/\u003e7. VII. Passepied I-II\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eJ.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068\u003cbr \/\u003e1. I. Overture\u003cbr \/\u003e2. II. Air\u003cbr \/\u003e3. III. Gavotte I-II\u003cbr \/\u003e4. IV. Bourrée\u003cbr \/\u003e5. V. Gigue\u003c\/p\u003e","brand":"The English Concert \u0026 Trevor Pinnock","offers":[{"title":"OS","offer_id":47599153414387,"sku":"517268000","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/The-English-Concert_Bach-Ouvertueren-BWV-1066-1068_Whitelabel-Vinyl-Cover-Card_s517268_o7450286_a579071_v13474374.7f498253.png?v=1753862988"},{"product_id":"martha-argerich-chopin-sonate-op-65-polonaise-op-3-schumann-adagio-allegro-op-70-105347","title":"Chopin: Sonate Op. 65, Polonaise Op. 3 \/ Schumann: Adagio \u0026 Allegro Op. 70","description":"\u003cp\u003eChopin’s four-movement Cello Sonata op. 65 dates from 1845\/46 and combined all the attractions of his richly ornamented writing for piano, here largely free from reminiscences of his native folk music. With an astonishing understanding of the individual character of the cello, one forgets that at the outset his creative concepts had been wholly pianistic in origin.\u003cbr \/\u003eSchumann wrote few works for cello and piano, but those few are of considerable importance. The Adagio and Allegro op. 70 for cello and piano of 1849 is characteristic of Schumann\u0026#039;s personal and unmistakable blend of eloquent melancholy with spontaneous naturalness, while the piano part, especially in the Allegro, is marked by subtly brilliant virtuosity. Perfect understanding and harmony mark this extraordinary recording by Argerich and Rostropovich.\u003cbr \/\u003e \u003cbr \/\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003cbr \/\u003e \u003cbr \/\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr \/\u003eChopin: Cello Sonata in G Minor, Op. 65\u003cbr \/\u003e1. I. Allegro moderato\u003cbr \/\u003e2. II. Scherzo. 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Maurice Ravel orchestrated them for orchestra in 1922. Giulini’s performance with the Chicago Symphony Orchestra is widely regarded as a reference recording.\u003cbr \/\u003eProkofiev wrote his first symphony in the middle of the First World War. In sound and form, it differs from other works by the composer. No gigantic late romantic orchestra, no performance time of an hour, but a classical orchestra, and only fifteen minutes are needed for his Symphony No. 1, which was written in 1916\/17.\u003cbr \/\u003e \u003cbr \/\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. 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Allegro\u003c\/p\u003e\u003cp\u003eChopin: Introduction \u0026amp; Polonaise brillante, Op. 3\u003cbr \/\u003e2. I. Lento – II. Alla Polacca. 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Die Aufführung von Giulini gilt weithin als Referenzaufnahme.\u003cbr\u003eProkofieff schrieb seine Sinfonie Nr.1 im Ersten Weltkrieg. In Klang und Form ist sie besonders: nur fünfzehn Minuten Spielzeit ist sie klassisch im Duktus, von Vitalität nur so strotzende und eine reizvolle Hommage an die Musik der Wiener Klassik. \u003c\/p\u003e\u003cp\u003eDie audiophile Vinyl-Serie The Original Source präsentiert herausragende Aufnahmen der 1970er Jahre in ganz neuer Klangqualität. Dafür haben die renommierten Emil Berliner Studios die originalen Vier- und Achtspur-Bänder mit eigens für die Produktion der Serie entwickelten Technologien in 100% analoger Qualität (AAA) neu gemastert und geschnitten. Die klanglichen Unterschiede zu den Originalveröffentlichungen sind beträchtlich: Größere Klarheit, mehr Feinheiten und Verbesserungen im Frequenzgang, zugleich weniger Nebengeräusche, Verzerrungen und Komprimierungen ermöglichen ein audiophiles Hörerlebnis wie nie zuvor.\u003c\/p\u003e\u003cp\u003eAuf 180g Vinylplatten und in einer Deluxe-Gatefold Edition mit Originalcovers und -texten werden die Exemplare dieser Serie limitiert und nummeriert veröffentlicht, begleitet von zusätzlichen Fotos und Faksimiles der Aufnahmeprotokolle und Bandkarton\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr\u003eMussorgsky: Pictures at an Exhibition\u003cbr\u003e1. Promenade 1\u003cbr\u003e2. I. Gnomus\u003cbr\u003e3. Promenade 2\u003cbr\u003e4. II. The Old Castle\u003cbr\u003e5. Promenade 3\u003cbr\u003e6. III. Tuileries\u003cbr\u003e7. IV. Bydlo \"The Oxcart\"\u003cbr\u003e8. Promenade 4\u003cbr\u003e9. V. Ballet of the Unhatched Chicks\u003cbr\u003e10. VI. Samuel Goldenberg and Schmuÿle\u003cbr\u003e11. VII. The Market at Limoges\u003cbr\u003e12. VIIIa. Catacombae \"Sepulcrum romanum\"\u003cbr\u003e13. VIIIb. Cum mortuis in lingua mortua\u003cbr\u003e14. IX. The Hut on Fowl's Legs \"Baba-Yaga\"\u003cbr\u003e15. X. The Great Gates of Kyiv\u003c\/p\u003e\u003cp\u003eSide B\u003cbr\u003eProkofiev: Symphony No. 1 in D Major, Op. 25 \"Classical Symphony\"\u003cbr\u003e1. I. Allegro\u003cbr\u003e2. II. Larghetto\u003cbr\u003e3. III. Gavotte. Non troppo allegro\u003cbr\u003e4. IV. Finale. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003cbr \/\u003e \u003cbr \/\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eSide A\u003cbr \/\u003eMussorgsky: Pictures at an Exhibition\u003cbr \/\u003e1. Promenade 1\u003cbr \/\u003e2. I. Gnomus\u003cbr \/\u003e3. Promenade 2\u003cbr \/\u003e4. II. The Old Castle\u003cbr \/\u003e5. Promenade 3\u003cbr \/\u003e6. III. Tuileries\u003cbr \/\u003e7. IV. Bydlo \u0026#34;The Oxcart\u0026#34;\u003cbr \/\u003e8. Promenade 4\u003cbr \/\u003e9. V. Ballet of the Unhatched Chicks\u003cbr \/\u003e10. VI. 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In these works, programme music experienced a magnificent revival. Particularly noteworthy is Respighi\u0026#039;s art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism’ that did not exclude modernist influences.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eLP 1\u003cbr \/\u003eSide A\u003cbr \/\u003eRespighi: Pines of Rome, P. 141\u003cbr \/\u003e1. I. I pini di Villa Borghese\u003cbr \/\u003e2. II. Pini presso una catacomba\u003cbr \/\u003e3. III. I pini del Gianicolo\u003cbr \/\u003e4. IV. I pini della Via Appia\u003cbr \/\u003eSide B\u003cbr \/\u003eRespighi: Roman Festivals, P. 157\u003cbr \/\u003e1. I. Circenses\u003cbr \/\u003e2. II. Il Giubileo\u003cbr \/\u003e3. III. L\u0026#039;Ottobrata\u003cbr \/\u003e4. IV. La Befana\u003cbr \/\u003eLP 2\u003cbr \/\u003eSide C\u003cbr \/\u003eRespighi: Fountains of Rome, P. 106\u003cbr \/\u003e3. I. The Valle Giulia Fountain at Dawn\u003cbr \/\u003e4. II. The Triton Fountain in the Morning\u003cbr \/\u003e5. III. The Trevi Fountain at Midday\u003cbr \/\u003e6. IV. The Villa Medici Fountain at Sunset\u003c\/p\u003e","brand":"Seiji Ozawa \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":48111978545395,"sku":"519350000","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Seiji-Ozawa_Respighi-Pini-Di-Roma-Feste-Romane-Fontane-Di-Roma-Original-Source-Series_2LP_s519350_o7811814_a601048_v13708312.88a16315.png?v=1763049009"},{"product_id":"carlo-maria-giulini-beethoven-sinfonie-nr-3-eroica-108737","title":"Beethoven: Sinfonie Nr. 3 »Eroica« ","description":"\u003cp\u003eBeethoven began composing his Third Symphony shortly after his increasing deafness and suicidal thoughts became public knowledge. The ‘heroic’ style of this symphony can be interpreted as a musical expression of his triumph over personal suffering. But the symphony also has enormous musical significance: with the ‘Eroica’, Beethoven expanded the symphonic form and thus changed the expectations of a four-part symphony for the next two centuries.\u003cbr \/\u003eGiulini’s recording with Los Angeles Philharmonic Orchestra is highly regarded as reference recording.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eLP 1\u003cbr \/\u003eBeethoven: Symphony No. 3 in E-Flat Major, Op. 55 \u0026#34;Eroica\u0026#34;\u003cbr \/\u003eSide A\u003cbr \/\u003e1. I. Allegro con brio\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1. II. Marcia funebre. 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One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart’s G major Concerto. After the young musician had gone through her baptism of fire with flying colours the conductor beamed and the Berlin Philharmonic players applauded enthusiastically ‒ a rare occurrence. Her fellow-performers and the audience had been equally aware of how auspicious her debut had been.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eMozart: Violin Concerto No. 3 in G Major, K. 216\u003cbr \/\u003e1. I. Allegro\u003cbr \/\u003e2. II. Adagio\u003cbr \/\u003e3. III. Rondeau. Allegro\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eMozart: Violin Concerto No. 5 in A Major, K. 219 \u0026#34;Turkish\u0026#34;\u003cbr \/\u003e1. I. Allegro aperto\u003cbr \/\u003e2. II. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eTracklisting:\u003cbr \/\u003e\u003c\/span\u003eLP 1\u003cbr \/\u003eBeethoven: Symphony No. 3 in E-Flat Major, Op. 55 \u0026#34;Eroica\u0026#34;\u003cbr \/\u003eSide A\u003cbr \/\u003e1. I. Allegro con brio\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003e1. II. Marcia funebre. Adagio assai\u003c\/p\u003e\u003cp\u003eLP 2\u003cbr \/\u003eBeethoven: Symphony No. 3 in E-Flat Major, Op. 55 \u0026#34;Eroica\u0026#34;\u003cbr \/\u003eSide C\u003cbr \/\u003e1. III. Scherzo. Allegro vivace\u003cbr \/\u003e2. IV. Finale. Allegro molto\u003c\/p\u003e","brand":"Carlo Maria Giulini \u0026 Los Angeles Philharmonic Orchestra","offers":[{"title":"OS","offer_id":48136023900403,"sku":"519390000","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Carlo-Maria-Giulini_Beethoven-Sinfonie-Nr-3-Eroica_Original-Source-2-Vinyl_s519390_o7823652_a601963_v13715219.8616eac2.png?v=1763371879"},{"product_id":"herbert-von-karajan-anne-sophie-mutter-berliner-philharmoniker-mozart-violinkonzerte-nr-3-nr-5-108937","title":"Mozart: Violinkonzerte Nr. 3 \u0026 Nr. 5","description":"\u003cul\u003e\u003cli\u003e\u003cstrong\u003eWhite Label Vinyl \u0026#43; Covercard (Originalcover und Tracklisting)\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSome sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart’s G major Concerto. After the young musician had gone through her baptism of fire with flying colours the conductor beamed and the Berlin Philharmonic players applauded enthusiastically ‒ a rare occurrence. Her fellow-performers and the audience had been equally aware of how auspicious her debut had been.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide A\u003cbr \/\u003eMozart: Violin Concerto No. 3 in G Major, K. 216\u003cbr \/\u003e1. I. Allegro\u003cbr \/\u003e2. II. Adagio\u003cbr \/\u003e3. III. Rondeau. Allegro\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eMozart: Violin Concerto No. 5 in A Major, K. 219 \u0026#34;Turkish\u0026#34;\u003cbr \/\u003e1. I. Allegro aperto\u003cbr \/\u003e2. II. Adagio\u003cbr \/\u003e3. III. Rondeau. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl record (45 rpm) and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eStravinsky: Petrushka, K012\u003cbr \/\u003eSide A\u003cbr \/\u003eScene 1\u003cbr \/\u003e1. Ia. The Shrovetide Fair - The Crowds - The Conjuring-Trick\u003cbr \/\u003e2. Ib. Russian Dance\u003c\/p\u003e\u003cp\u003eScene 2\u003cbr \/\u003e3. II. Petrushka\u0026#039;s Room\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eScene 3\u003cbr \/\u003e1. IIIa. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eStravinsky: Petrushka, K012\u003cbr \/\u003eSide A\u003cbr \/\u003eScene 1\u003cbr \/\u003e1. Ia. The Shrovetide Fair - The Crowds - The Conjuring-Trick\u003cbr \/\u003e2. Ib. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eIssued on 180g vinyl and presented in a deluxe 3-LP box set edition featuring the original covers and lyrics, this limited and numbered release includes additional photos and facsimiles of the original recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eTracklisting:\u003cbr \/\u003eWagner: Das Rheingold\u003cbr \/\u003eLP 1\u003cbr \/\u003eSide A\u003cbr \/\u003e1. Prelude\u003c\/p\u003e\u003cp\u003eScene 1\u003cbr \/\u003e2. Weia! Waga! Woge du Welle!\u003cbr \/\u003e3. He he! Ihr Nicker!\u003cbr \/\u003e4. Garstig glatter glitschriger Glimmer!\u003cbr \/\u003e5. Lugt, Schwestern! Die Weckerin lacht in den Grund\u003cbr \/\u003e6. 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Wotan, Gemahl, unsel\u0026#039;ger Mann!\u003cbr \/\u003e6. Transformation Scene\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\u003cp\u003eSide D\u003cbr \/\u003eScene 3\u003cbr \/\u003e1. Hehe! hieher! Tückischer Zwerg! – Schau, du Schelm!\u003cbr \/\u003e2. Nibelheim hier\u003cbr \/\u003e3. Nehmt euch in acht!\u003cbr \/\u003e4. Die in linder Lüfte Wehn da oben ihr lebt\u003cbr \/\u003e5. Ohe! Ohe! Schreckliche Schlange\u003cbr \/\u003e6. Dort die Kröte! Greife sie rasch!\u003c\/p\u003e\u003cp\u003eScene 4\u003cbr \/\u003e7. Da, Vetter, sitze du fest!\u003cbr \/\u003e8. Wohlan, die Nibelungen rief ich mir nah\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\u003cp\u003eLP 3\u003cbr \/\u003eSide E\u003cbr \/\u003eScene 4\u003cbr \/\u003e1. Gezahlt hab\u0026#039; ich; nun lasst mich zieh\u0026#039;n!\u003cbr \/\u003e2. Ist er gelöst?\u003cbr \/\u003e3. Lauschtest du seinem Liebesgruß?\u003cbr \/\u003e4. Lieblichste Schwester, süsseste Lust!\u003cbr \/\u003e5. Gepflanzt sind die Pfähle nach Pfandes Maß\u003cbr \/\u003e6. Weiche, Wotan, weiche!\u003cbr \/\u003e7. Soll ich sorgen und fürchten\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\u003cp\u003eSide F\u003cbr \/\u003eScene 4\u003cbr \/\u003e1. Halt, du Gieriger! Gönne mir auch was!\u003cbr \/\u003e2. Nun blinzle nach Freias Blick\u003cbr \/\u003e3. He da! He do! Zu mir, du Gedüft!\u003cbr \/\u003e4. Bruder, hieher! Weise der Brücke den Weg! – Zur Burg führt die Brücke\u003cbr \/\u003e5. Abendlich strahlt der Sonne Auge\u003cbr \/\u003e6. So grüss\u0026#039; ich die Burg\u003cbr \/\u003e7. Rheingold! Rheingold! 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Abbado\u0026#039;s sometimes unusual tempos open up new expressive spaces and give the interpretation a special depth that makes this recording unique and highly regarded. For the first time, this recording has been remastered and cut from the original 1-inch 8-track tapes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eGustav Mahler: \u003c\/span\u003e\u003cspan\u003eSymphony No. 4\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\u003cli\u003e I. Bedächtig, nicht eilen\u003c\/li\u003e\u003cli\u003eII. 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In the central variation movement, Bernstein adopts a notably slower tempo, creating an intense and focused expressive atmosphere, while the faster movements gain added bite and momentum. The Vienna Philharmonic strings bring their renowned sound and character to the performance, making this a distinctive and highly engaging interpretation. For the first time, this recording has been remastered and cut from the original 1-inch 8-track tapes.\u003cbr \/\u003eBernstein dedicated this recording to the memory of his wife, Felicia Montealegre Bernstein.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. 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In the central variation movement, Bernstein adopts a notably slower tempo, creating an intense and focused expressive atmosphere, while the faster movements gain added bite and momentum. The Vienna Philharmonic strings bring their renowned sound and character to the performance, making this a distinctive and highly engaging interpretation. For the first time, this recording has been remastered and cut from the original 1-inch 8-track tapes.\u003cbr \/\u003eBernstein dedicated this recording to the memory of his wife, Felicia Montealegre Bernstein.\u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before. \u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting: \u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003e1.     Sibelius:  Violin Concerto In D Minor, Op. 47: 1. Allegro moderato\u003c\/p\u003e\u003cp\u003e2.     Sibelius:  Violin Concerto In D Minor, Op. 47: 2. 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