{"title":"Weihnachten Geschenkefinder: Boxsets \u0026 Bundles","description":"","products":[{"product_id":"herbert-von-karajan-beethoven-9-symphonies-superdeluxe-vinyl-art-edition","title":"Beethoven 9 Symphonies (Superdeluxe Vinyl Art Edition)","description":"\u003cp\u003eCelebrating 120 Years of Deutsche Grammophon the yellow label presents a landmark in the history of recorded music: This special edition of Herbert von Karajan’s 1963 Beethoven Symphony Cycle is a particularly thrilling part of the DG120 celebrations as only 120 of this 8LP super deluxe art set will be manufactured, presented in a luxury black linen box with artwork specially commissioned from artist Gregor Hildebrandt.\u003cbr \/\u003eThe Berlin based artist is known for his use of cassette tape and vinyl as raw material in the creative process. Pressed on 180gsm vinyl by OPTIMAL and mastered from original ATP files, this set also includes, for the first time a download code for the complete repertoire in 24bit\/96kHz.\u003c\/p\u003e\u003cp\u003e• Limited-Edition of 120 numbered 8LP sets of Karajan’s famous 1963 Beethoven Symphony Cycle presented in a luxury black linen set newly designed by artist Gregor Hildebrandt. The top of the lift-off lid box functions as a piece of art, when mounted to a wall.\u003cbr \/\u003e• Limited to 120 sets worldwide; each set is signed by artist Gregor Hildebrandt.\u003cbr \/\u003e• Includes 9 Leporellos presenting reproductions of original art specially commissioned for this set from Gregor Hildebrandt, where the artist has created a visual representation of each symphony.\u003cbr \/\u003e• A portrait of Karajan: based on a picture - by Siegfried Lauterwasser - Gregor Hildebrandt has created a unique piece of art for each set using cassette tape as his choice of media.\u003cbr \/\u003e• One art print with special artistic intervention.\u003cbr \/\u003e• 24-page facsimile booklet of the original release with new cover art by Hildebrandt.\u003cbr \/\u003e• Additional liner notes by Richard Osborne.\u003cbr \/\u003e• Mastered from original ATP files and pressed on eight 180gsm heavyweight vinyl at OPTIMAL.\u003cbr \/\u003e• Engraving in the final groove of the final disc: wo dein sanfter Flügel weilt.\u003cbr \/\u003e• Download Voucher which allows consumers to download the symphonies as mp3 files or in 24bit\/96kHz for free.\u003c\/p\u003e\u003cp\u003eTHE FAMOUS 1963 KARAJAN BEETHOVEN SYMPHONIES\u003cbr \/\u003eKarajan recorded the Complete Symphonies of Beethoven no fewer than 4 times for DG, but his first recording, made in 1963, was financially the most daring, artistically the most radical, and commercially the most successful.\u003cbr \/\u003eIt was estimated that over 100,000 boxes would have to be sold if Deutsche Grammophon’s gargantuan 1.5 million Deutschmark investment was to be recouped. The head of a rival company predicted that Deutsche Grammophon was heading for “a colossal financial catastrophe”.\u003c\/p\u003e\u003cp\u003eBy 1973 nearly one million sets had been sold, ten times the original breakeven estimate. 50 years on from its original launch, the set remains the best-selling Beethoven cycle of all time.\u003cbr \/\u003eThe 1963 Berlin set dazzled like no other, aided in no small measure by the clean, clear, daringly “lit” recordings made in Berlin’s Jesus-Christus-Kirche by the young Günter Hermanns whose debut as Karajan’s principal recording engineer this was.\u003cbr \/\u003eCritics and the record-buying public were enthused above all by the urgency and beauty of the music-making and by a fierce sense of joy which reached its apogee in a thrillingly played and eloquently sung account of the finale of the epic Ninth Symphony.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eLP1 SYMPHONY NO.1 IN C, OP.21\u003cbr \/\u003eA1 1. Adagio molto - Allegro con brio\u003cbr \/\u003eA2 2. Andante cantabile con moto\u003cbr \/\u003eA3 3. Menuetto (Allegro molto e vivace)\u003cbr \/\u003eA4 4. Finale (Adagio - Allegro molto e vivace)\u003cbr \/\u003eSYMPHONY NO.2 IN D, OP.36\u003cbr \/\u003eB1 1. Adagio molto - Allegro con brio\u003cbr \/\u003eB2 2. Larghetto\u003cbr \/\u003eB3 3. Scherzo (Allegro)\u003cbr \/\u003eB4 4. Allegro molto\u003cbr \/\u003eLP2 SYMPHONY NO.3 IN E FLAT, OP.55 -\u0026#34;EROICA\u0026#34;\u003cbr \/\u003eA1 1. Allegro con brio\u003cbr \/\u003eA2 2. Marcia funebre (Adagio assai)\u003cbr \/\u003eB1 3. Scherzo (Allegro vivace)\u003cbr \/\u003eB2 4. Finale (Allegro molto)\u003cbr \/\u003eLP3 SYMPHONY NO.4 IN B FLAT, OP.60\u003cbr \/\u003eA1 1. Adagio - Allegro vivace\u003cbr \/\u003eA2 2. Adagio\u003cbr \/\u003eB1 3. Allegro vivace\u003cbr \/\u003eB2 4. Allegro ma non troppo\u003cbr \/\u003eLP4 SYMPHONY NO.5 IN C MINOR, OP.67\u003cbr \/\u003eA1 1. Allegro con brio\u003cbr \/\u003eA2 2. Andante con moto\u003cbr \/\u003eB1 3. Allegro\u003cbr \/\u003eB2 4. Allegro\u003cbr \/\u003eLP5 SYMPHONY NO.6 IN F, OP.68 -\u0026#34;PASTORAL\u0026#34;\u003cbr \/\u003eA1 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo\u003cbr \/\u003eA2 2. Szene am Bach: (Andante molto mosso)\u003cbr \/\u003eB1 3. Lustiges Zusammensein der Landleute (Allegro)\u003cbr \/\u003eB2 4. Gewitter, Sturm (Allegro)\u003cbr \/\u003eB3 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto\u003cbr \/\u003eLP6 SYMPHONY NO.7 IN A, OP.92\u003cbr \/\u003eA1 1. Poco sostenuto - Vivace\u003cbr \/\u003eA2 2. Allegretto\u003cbr \/\u003eB1 3. Presto - Assai meno presto\u003cbr \/\u003eB2 4. Allegro con brio\u003cbr \/\u003eLP7 Symphony No.8 In F, Op.93\u003cbr \/\u003eA1 1. Allegro vivace e con brio\u003cbr \/\u003eA2 2. Allegretto scherzando\u003cbr \/\u003eA3 3. Tempo di menuetto\u003cbr \/\u003eA4 4. Allegro vivace\u003cbr \/\u003eSYMPHONY NO.9 IN D MINOR, OP.125 - \u0026#34;CHORAL\u0026#34; BEGINNING\u003cbr \/\u003eB1 1. Allegro ma non troppo, un poco maestoso\u003cbr \/\u003eLP8 SYMPHONY NO.9 IN D MINOR, OP.125 - \u0026#34;CHORAL\u0026#34; CONCLUSION\u003cbr \/\u003eA1 2. Molto vivace\u003cbr \/\u003eA2 3. Adagio molto e cantabile\u003cbr \/\u003eB1 4. Presto -\u003cbr \/\u003eB2 5. 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His releases with the Berlin Philharmonic, Vienna Philharmonic, London Symphony Orchestra or the Orchestra Mozart, which he founded, created a sensation and were frequently celebrated by the critics.\u003c\/p\u003e\u003cp\u003eIn honour of this extraordinary musical career, Deutsche Grammophon releases a 258-CD \u0026#43; 8-DVD edition of his complete recordings for the Deutsche Grammophon, Decca and Philips labels, strictly limited to 2,650 pieces. The albums are presented in their original cover design. A total of 472 pages in 2 booklets list the production dates and detailed track listings. When opening the exquisite box, you will find the collection of albums presented as in a small bookshelf.\u003c\/p\u003e\u003cp\u003eThe edition is accompanied by a 112-page coffee-table book featuring former musicians and his longtime producers. In 12 essays, various important stages of his career, such as his time with the Berlin Philharmonic, are highlighted. 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Stylishly designed, the set includes a booklet featuring the original album liner notes; a new essay about Williams by renowned film-music writer Jon Burlingame; recollections from Williams himself, Anne-Sophie Mutter and some of the other musicians involved in these recordings; and a selection of concert and portrait photos.\u003c\/p\u003e\n\u003cp\u003e“The invitation to conduct those orchestras is probably one of the highest accolades any musician could receive … I am so happy to have been well enough and around long enough to accept invitations like that, and I hope I can revisit them at some time in the future”\u003c\/p\u003e\n\u003cp\u003eJohn Williams\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 | TOKYO\u003c\/p\u003e\n\u003cp\u003eLP 2 | BOSTON – Violin Concerto\u003c\/p\u003e\n\u003cp\u003eLP 3 | BERLIN\u003c\/p\u003e\n\u003cp\u003eLP 4 | BERLIN\u003c\/p\u003e\n\u003cp\u003eLP 5 | VIENNA\u003c\/p\u003e\n\u003cp\u003eLP 6 | VIENNA\u003c\/p\u003e\n\u003cp\u003eLP 7 | ENCORES Tokyo-Vienna-Boston\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1 TOKYO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eSuperman March\u003c\/p\u003e\n\u003cp\u003eHedwig’s Theme\u003c\/p\u003e\n\u003cp\u003eFawkes the Phoenix\u003c\/p\u003e\n\u003cp\u003eHarry’s Wondrous World\u003c\/p\u003e\n\u003cp\u003eSchindler’s List\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eThe Rebellion is Reborn\u003c\/p\u003e\n\u003cp\u003ePrincess Leia’s Theme\u003c\/p\u003e\n\u003cp\u003eThrone Room \u0026amp; End Title\u003c\/p\u003e\n\u003cp\u003eYoda’s Theme\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2 BOSTON – John Williams’ Violin Concerto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eViolin Concerto No. 2: I. Prologue\u003c\/p\u003e\n\u003cp\u003eViolin Concerto No. 2: II. Rounds\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eViolin Concerto No. 2: III. Dactyls\u003c\/p\u003e\n\u003cp\u003eViolin Concerto No. 2: IV. Epilogue\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 3 BERLIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eApplause - Live from Philharmonie\u003c\/p\u003e\n\u003cp\u003eOlympic Fanfare and Theme\u003c\/p\u003e\n\u003cp\u003eExcerpts From \u0026#34;Close Encounters of the Third Kind\u0026#34;\u003c\/p\u003e\n\u003cp\u003eSuite From \u0026#34;Far and Away\u0026#34;\u003c\/p\u003e\n\u003cp\u003eFlying Theme From \u0026#34;E.T. the Extra-Terrestrial\u0026#34;\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eHedwig\u0026#039;s Theme\u003c\/p\u003e\n\u003cp\u003eNimbus 2000\u003c\/p\u003e\n\u003cp\u003eHarry\u0026#039;s Wondrous World\u003c\/p\u003e\n\u003cp\u003eTheme From \u0026#34;Jurassic Park\u0026#34;\u003c\/p\u003e\n\u003cp\u003eSuperman March\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 4 BERLIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eScherzo for Motorcycle and Orchestra\u003c\/p\u003e\n\u003cp\u003eMarion\u0026#039;s Theme\u003c\/p\u003e\n\u003cp\u003eRaiders March\u003c\/p\u003e\n\u003cp\u003eElegy for Cello and Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eThe Adventures of Han\u003c\/p\u003e\n\u003cp\u003eYoda\u0026#039;s Theme\u003c\/p\u003e\n\u003cp\u003eThrone Room \u0026amp; Finale\u003c\/p\u003e\n\u003cp\u003ePrincess Leia\u0026#039;s Theme\u003c\/p\u003e\n\u003cp\u003eThe Imperial March\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 5 VIENNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eThe Flight to Neverland\u003c\/p\u003e\n\u003cp\u003eExcerpts - From \u0026#34;Close Encounters of the Third Kind\u0026#34;\u003c\/p\u003e\n\u003cp\u003eDevil\u0026#039;s Dance - From \u0026#34;The Witches of Eastwick\u0026#34;\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eAdventures on Earth - From \u0026#34;E.T. the Extra-Terrestrial\u0026#34;\u003c\/p\u003e\n\u003cp\u003eTheme - From \u0026#34;Jurassic Park\u0026#34;\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 6 VIENNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eMain Title - From \u0026#34;Star Wars: A New Hope\u0026#34;\u003c\/p\u003e\n\u003cp\u003eThe Rebellion is Reborn - From \u0026#34;Star Wars: The Last Jedi\u0026#34;\u003c\/p\u003e\n\u003cp\u003eLuke \u0026amp; Leia - From \u0026#34;Star Wars: Return of the Jedi\u0026#34;\u003c\/p\u003e\n\u003cp\u003eImperial March\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eDartmoor, 1912 - From \u0026#34;War Horse\u0026#34;\u003c\/p\u003e\n\u003cp\u003eSuite - From \u0026#34;Jaws\u0026#34;\u003c\/p\u003e\n\u003cp\u003eMarion\u0026#039;s Theme\u003c\/p\u003e\n\u003cp\u003eRaiders March\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 7 ENCORES Tokyo-Vienna-Boston\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eRaider’s March (Tokyo)\u003c\/p\u003e\n\u003cp\u003eImperial March (Tokyo)\u003c\/p\u003e\n\u003cp\u003eFawkes the Phoenix (Vienna, first physical release on vinyl)\u003c\/p\u003e\n\u003cp\u003eMarch of the Resistance (Vienna, first physical release on vinyl)\u003c\/p\u003e\n\u003cp\u003eSound the Bells (Vienna, first release on vinyl)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eThe Long Goodbye (Boston)\u003c\/p\u003e\n\u003cp\u003eHan Solo and The Princess (Boston)\u003c\/p\u003e\n\u003cp\u003eMarion’s Theme (Boston)\u003c\/p\u003e","brand":"John Williams","offers":[{"title":"OS","offer_id":46384935928051,"sku":"509266000","price":129.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/John-Williams_John-Williams-In-Concert_7LP-Limited-Edition-Butterfly-Fan-Package-Set_s509266_o4974183_a467362_v12116335.6776ac6f.jpg?v=1751142093"},{"product_id":"luciano-pavarotti-herbert-von-karajan-berliner-philharmoniker-puccini-la-boheme","title":"Puccini: La Bohème","description":"\u003cp\u003e\u003cspan style=\"text-align: var(--bs-body-text-align);\"\u003ePuccini, Pavarotti, Karajan - a combination that reached its unrivalled climax in October 1972 in a masterful recording of ‘La Bohème’ at the Jesus Christ Church in Berlin. Puccini\u0026#039;s opera continues to touch and inspire opera lovers worldwide. Luciano Pavarotti, who once made his operatic debut as Rodolfo, later made the role his own. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eIn the ‘La Bohème’ recording Pavarotti presents himself in his ravishing vocal prime. Together with his singing partner for decades, Mirella Freni, and a stellar cast of soloists, and under the direction of Herbert von Karajan, a recording was made that remains groundbreaking to this day.\u003cbr \/\u003eTo mark the 100th anniversary of Puccini\u0026#039;s death, two high-quality box sets will be released on either 2 Hybrid SACD or 2LP, using a new 24-bit 192 kHz high-definition transfer from the original master tapes. For the vinyl edition the LPs have been cut at Abbey Road Studios and are pressed on 180gm vinyI. \u003c\/p\u003e\u003cp\u003eMeticulously researched and lavishly presented hardback book housed in a deluxe rigid slipcase, including full libretto (with translation), an extended new essay, facsimiles from the original booklet, features about the main artists and original session photographs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLP 1 - Side A\u003cbr \/\u003ePuccini: La Bohème – Act 1 \u0026amp; 2\u003c\/p\u003e\u003cp\u003e1. \u0026#34;Questo Mar Rosso\u0026#34;\u003cbr \/\u003e2. \u0026#34;Pensier profondo\u0026#34;\u003cbr \/\u003e3. \u0026#34;Abasso, abbasso l\u0026#039;autor!\u0026#34;\u003cbr \/\u003e4. \u0026#34;Si può...Chi è là?\u0026#34;\u003cbr \/\u003e5. \u0026#34;Io resto\u0026#34;\u003cbr \/\u003e6. \u0026#34;Chi è là?\u0026#34;\u003cbr \/\u003e7. \u0026#34;Si sente meglio?\u0026#34;\u003cbr \/\u003e8. \u0026#34;Che gelida manina\u0026#34;\u003cbr \/\u003e9. \u0026#34;Sì. Mi chiamano Mimì\u0026#34;\u003c\/p\u003e\u003cp\u003eLP 1 - Side B\u003cbr \/\u003e1. \u0026#34;Ehi! Rodolfo!\u0026#34;\u003cbr \/\u003e2. \u0026#34;O soave fanciulla\u0026#34;\u003cbr \/\u003e3. \u0026#34;Arranci, datteri!\u0026#34;\u003cbr \/\u003e4. \u0026#34;Chi guardi?... Ecco i giocattoli di Parpignol\u0026#34;\u003cbr \/\u003e5. \u0026#34;Viva Parpignol...Una cuffietta a pizzi\u0026#34;\u003cbr \/\u003e6. \u0026#34;Oh!...Essa!...Musetta!\u0026#34;\u003cbr \/\u003e7. \u0026#34;Quando m\u0026#039;en vo\u0026#039;\u0026#34;\u003cbr \/\u003e8. \u0026#34;Chi l\u0026#039;ha richiesto?\u0026#34;\u003c\/p\u003e\u003cp\u003eLP 2 - Side C\u003cbr \/\u003ePuccini: La Bohème – Act 3\u003c\/p\u003e\u003cp\u003e1. \u0026#34;Ohè, là, le guardie!...Aprite!\u0026#34;\u003cbr \/\u003e2. \u0026#34;Sa dirmi, scusi\u0026#34;\u003cbr \/\u003e3. \u0026#34;Mimì! - Speravo di trovarvi qui\u0026#34;\u003cbr \/\u003e4. \u0026#34;Marcello. Finalmente!\u0026#34;\u003cbr \/\u003e5. \u0026#34;Mimì è una civetta\u0026#34;\u003cbr \/\u003e6. \u0026#34;Mimì è tanto malata!\u0026#34;\u003cbr \/\u003e7. \u0026#34;Donde lieta uscì\u0026#34;\u003cbr \/\u003e8. \u0026#34;Dunque: è proprio finita!...Addio, dolce svegliare\u0026#34;\u003c\/p\u003e\u003cp\u003eLP 2 – Side D\u003cbr \/\u003ePuccini: La Bohème – Act 4\u003c\/p\u003e\u003cp\u003e1. \u0026#34;In un coupé?\u0026#34;\u003cbr \/\u003e2. \u0026#34;O Mimì, tu più non torni...Che ora sia\u0026#34;\u003cbr \/\u003e3. \u0026#34;Gavotta\u0026#34;\u003cbr \/\u003e4. \u0026#34;C\u0026#039;è Mimì...\u0026#34;\u003cbr \/\u003e5. \u0026#34;Vecchia zimarra, senti\u0026#34;\u003cbr \/\u003e6. \u0026#34;Sono andati\u0026#34;\u003cbr \/\u003e7. \u0026#34;Oh Dio! Mimi! ...Che avvien?\u0026#34;\u003c\/p\u003e","brand":"Luciano Pavarotti, Herbert von Karajan, Berliner Philharmoniker","offers":[{"title":"OS","offer_id":46384959357171,"sku":"511236000","price":120.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luciano-Pavarotti-Herbert-von-Karajan-Berliner-Philharmoniker_Puccini-La-Boheme_2LP-Box_s511236_o5494826_a486003_v12280522.daa9ca0f.jpg?v=1751142128"},{"product_id":"seiji-ozawa-boston-symphony-orchestra-ravel-the-orchestral-works-original-source-series","title":"Ravel: The Orchestral Works","description":"\u003cul\u003e\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003e4LP Box\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eCelebrating Maurice Ravel on his 150th anniversary, this 4-LP Box Set presents the composer’s orchestral works in glorious sound. During the 1970s the Boston Symphony Orchestra was an ensemble of significant refinement, having enjoyed a reputation as America’s primary “French” orchestra since the days of Serge Koussevitzky and Charles Munch. Seiji Ozawa served as the BSO’s music director from 1973 until 2002, and these Ravel recordings, taped at the very beginning of the maestro’s tenure in Boston, count among the very finest achievements of their collaboration. \u003c\/p\u003e\u003cp\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003eLP 1 – Side A:\u003c\/p\u003e\u003cp\u003e1. Ravel: Boléro, M. 81\u003c\/p\u003e\u003cp\u003e2. Ravel: 1. Prélude à la nuit [Rapsodie espagnole, M.54]\u003c\/p\u003e\u003cp\u003e3. Ravel: 2. Malagueña [Rapsodie espagnole, M.54]\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLP 1 – Side B:\u003c\/p\u003e\u003cp\u003e1. Ravel: 3. Habanera [Rapsodie espagnole, M.54]\u003c\/p\u003e\u003cp\u003e2. Ravel: 4. Feria [Rapsodie espagnole, M.54]\u003c\/p\u003e\u003cp\u003e3. Ravel: La valse, M.72\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLP 2 – Side A:\u003c\/p\u003e\u003cp\u003e1. Ravel: Prélude [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e2. Ravel: Danse du rouet et scène - Interlude [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e3. Ravel: Pavane de la Belle au bois dormant [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e4. Ravel: Les entretiens de la Belle et de la Bête [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e5. Ravel: Petit Poucet [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e6. Ravel: Laideronnette, Impératrice des Pagodes [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e7. Ravel: Apothéose: Le jardin féerique [Ma mère l\u0026#039;oye, M.60]\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLP 2 – Side B:\u003c\/p\u003e\u003cp\u003e1. Ravel: Menuet antique - For Orchestra, M. 7\u003c\/p\u003e\u003cp\u003e2. Ravel: 1. Prélude [Le Tombeau de Couperin, M.68]\u003c\/p\u003e\u003cp\u003e3. Ravel: 2. Forlane [Le Tombeau de Couperin, M.68]\u003c\/p\u003e\u003cp\u003e4. Ravel: 3. Menuet [Le Tombeau de Couperin, M.68]\u003c\/p\u003e\u003cp\u003e5. Ravel: 4. Rigaudon [Le Tombeau de Couperin, M.68]\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLP 3 – Side A:\u003c\/p\u003e\u003cp\u003e1. Ravel: Introduction - Lent - Trè modéré [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e2. Ravel: Danse religieuse - Modéré [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e3. Ravel: Scène - Un peu plus lent [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e4. Ravel: Scène - Les jeunes filles dansent - Vif, Pt. 1 [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e5. Ravel: Scène - Les jeunes filles dansent - Vif, Pt. 2 [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e6. Ravel: Scène - Danse générale [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e7. Ravel: Scène - Vif - Plus modéré - Très modéré - Pesant [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e8. Ravel: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e9. Ravel: Scène - Lent - Moins lent - Très libre [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e10. Ravel: Scène - Danse de Lyceion - Scène (Les pirates) [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e11. Ravel: Scène - Modérément animé - Très animé - Lent - Très agité [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e12. Ravel: Scène - Modéré - Plus lent [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e13. Ravel: Scène - Danse lente et mystérieuse [Daphnis et Chloé, M. 57 \/ Première partie]\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLP 3 – Side B:\u003c\/p\u003e\u003cp\u003e1. Ravel: Scène - Même mouvement [Daphnis et Chloé, M. 57 \/ Deuxième partie]\u003c\/p\u003e\u003cp\u003e2. Ravel: Danse guerrière [Daphnis et Chloé, M. 57 \/ Deuxième partie]\u003c\/p\u003e\u003cp\u003e3. Ravel: Scène - Un peu moins animé [Daphnis et Chloé, M. 57 \/ Deuxième partie]\u003c\/p\u003e\u003cp\u003e4. Ravel: Scène - Danse suppliante de Chloé [Daphnis et Chloé, M. 57 \/ Deuxième partie]\u003c\/p\u003e\u003cp\u003e5. Ravel: Scène - Assez animé [Daphnis et Chloé, M. 57 \/ Deuxième partie]\u003c\/p\u003e\u003cp\u003e6. Ravel: Scène - Lent - Plus animé [Daphnis et Chloé, M. 57 \/ Deuxième partie]\u003c\/p\u003e\u003cp\u003e7. Ravel: Lever du jour - Scène [Daphnis et Chloé, M. 57 \/ Troisième partie]\u003c\/p\u003e\u003cp\u003e8. Ravel: Daphnis et Chloé miment l\u0026#039;aventure de Pan et Syrinx [Daphnis et Chloé, M. 57 \/ Troisième partie]\u003c\/p\u003e\u003cp\u003e9. Ravel: Scène - Très lent [Daphnis et Chloé, M. 57 \/ Troisième partie]\u003c\/p\u003e\u003cp\u003e10. Ravel: Scène - Lent - Animé - Lent - Animé [Daphnis et Chloé, M. 57 \/ Troisième partie]\u003c\/p\u003e\u003cp\u003e11. Ravel: Danse générale [Daphnis et Chloé, M. 57 \/ Troisième partie]\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLP 4 – Side A:\u003c\/p\u003e\u003cp\u003e1. Ravel: 1. Modéré - très franc [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e2. Ravel: 2. Assez lent - avec une expression intense [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e3. Ravel: 3. Modéré [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e4. Ravel: 4. Assez animé [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e5. Ravel: 5. Presque lent - dans un sentiment intime [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e6. Ravel: 6. Assez vif [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e7. Ravel: 7. Moins vif [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e8. Ravel: 8. Epilogue (Lent) [Valses nobles et sentimentales, M.61]\u003c\/p\u003e\u003cp\u003e9. Ravel: 3. Une barque sur l\u0026#039;océan [Miroirs, M.43 - Orch. Ravel]\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eLP 4 – Side B:\u003c\/p\u003e\u003cp\u003e1. Ravel: Pavane pour une infante défunte, M. 19\u003c\/p\u003e\u003cp\u003e2. Ravel: Alborada del gracioso, M. 43 - Orchestral Version\u003c\/p\u003e","brand":"Seiji Ozawa \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46503143440627,"sku":"512323000","price":169.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Seiji-Ozawa-Boston-Symphony-Orchestra_Ravel-The-Orchestral-Works_Original-Source-Vinyl_s512323_o6088263_a515958_v12699029.4a17b963.png?v=1751142243"},{"product_id":"boston-symphony-orchestra-andris-nelsons-shostakovich-symphonies-concertos-lady-macbeth-of-mtsensk-district","title":"Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District","description":"\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e“The music of Shostakovich has been a constant companion on my journey with the Boston Symphony Orchestra. We are incredibly proud to bring together all the symphonies, concertos, and the opera Lady Macbeth of Mtsensk into one, all-encompassing celebration of Dmitri Shostakovich’s genius. His music is a cross-section of what it means to be human, and sharing this exploration of his works over the past ten years with an orchestra as extraordinary and versatile as the Boston Symphony Orchestra has been a great privilege and a real joy. We have also been lucky to share the stage with some of the world’s most talented soloists including Yuja Wang, Yo-Yo Ma, Baiba Skride, and the wonderful cast of our recording of Lady Macbeth of Mtsensk. We are thrilled to present this box set as a tribute to Shostakovich\u0026#039;s great legacy and to the remarkable artistry and dedication of everyone who brought this project to life.” - Andris Nelsons ( Boston Symphony Orchestra Music Director)\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black;\"\u003eSymphony No. 1 in F minor op. 10\u003cbr \/\u003eSymphony No. 2 in B major “To October” op. 14\u003cbr \/\u003eSymphony No. 3 in E-flat major “The First of May” op. 20\u003cbr \/\u003eSymphony No. 4 in C minor op. 43\u003cbr \/\u003eSymphony No. 5 in D minor op. 47\u003cbr \/\u003eSymphony No. 6 in B minor op. 54\u003cbr \/\u003eSymphony No. 7 in C major “Leningrad” op. 60\u003cbr \/\u003eSymphony No. 8 in C minor op. 65\u003cbr \/\u003eSymphony No. 9 in E-flat major op. 70\u003cbr \/\u003eSymphony No. 10 in E minor op. 93\u003cbr \/\u003eSymphony No. 11 in G minor “The Year 1905” op. 103\u003cbr \/\u003eSymphony No. 12 in D minor “The Year 1917” op. 112\u003cbr \/\u003eSymphony No. 13 in B-flat minor “Babi Yar” op. 113\u003cbr \/\u003eSymphony No. 14 in G minor op. 135\u003cbr \/\u003eSymphony No. 15 in A major op. 141\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePassacaglia - Interlude from Act II of Lady Macbeth of the Mtsensk District\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “Hamlet” op. 32a (excerpts)\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eSuite from the Incidental Music to “King Lear” op. 58a\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003e“Festive Overture” op. 96\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eChamber Symphony in C minor op. 110a\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 1 in C minor op. 35\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003ePiano Concerto No. 2 in F major op. 102\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 1 in A minor op. 77\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; text-align: var(--bs-body-text-align);\"\u003eViolin Concerto No. 2 op. 129\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"elementtoproof\"\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 1 in E-flat major op. 107\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"color: black; font-family: Calibri, sans-serif; font-size: 11pt; text-align: var(--bs-body-text-align);\"\u003eCello Concerto No. 2 in G major op. 126\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Aptos\u0026#039;,sans-serif; mso-fareast-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: \u0026#039;Calibri\u0026#039;,sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; color: black; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: AR-SA;\"\u003e\u003cbr \/\u003eLady Macbeth of the Mtsensk District op. 29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Andris Nelsons \u0026 Boston Symphony Orchestra","offers":[{"title":"OS","offer_id":46605980336371,"sku":"513756000","price":67.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Boston-Symphony-Orchestra-Andris-Nelsons_Shostakovich-Symphonies-Concertos-Lady-Macbeth-of-Mtsensk-District_19-CD-Capbox_s513756_o6514181_a527263_v13065832.165eb4ca.png?v=1751142213"},{"product_id":"jonas-kaufmann-jonas-kaufmann-the-decca-recordings","title":"Jonas Kaufmann - The Decca Recordings","description":"\u003cp\u003eThe recordings on this new 15CD edition “Jonas Kaufmann - The Decca Recordings” are a sonic chronicle of his “Decca years”, although the earliest of the recordings was made for Philips. They span ten years, from 2002 to 2012, and show the celebrated tenor at the height of his art.\u003cbr \/\u003eThis period reveals the wide range of Jonas Kaufmann\u0026#039;s artistic output and his incomparable timbre. The set contains three complete opera recordings, all of which in some way anticipate his Wagnerian future: a Weber Oberon, the role of the King\u0026#039;s son in Humperdinck\u0026#039;s Königskinder and Florestan in Beethoven\u0026#039;s Fidelio.\u003cbr \/\u003eThe various recitals of operatic arias include 18th and 19th century German repertoire, the electrifying thrill of verismo, “Romantic Arias” and the seminal Wagner recital. Additional “bonus” material recorded at the time of the original recordings, including an aria from Mascagni\u0026#039;s Iris and an ensemble from Puccini\u0026#039;s La rondine.\u003cbr \/\u003eA great song cycle (Schubert\u0026#039;s “Die schöne Müllerin”) and a breathtaking choral work (Verdi\u0026#039;s “Messa da Requiem”) round off the edition and show Jonas Kaufmann at his best. These award-winning and critically acclaimed recordings perhaps represent Kaufmann\u0026#039;s most important period of his career: youthful, stirring, moving and in full possession of all his vocal possibilities. \u003cbr \/\u003eA must for lovers of beautiful voices.\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr \/\u003eMozart, Beethoven, Schubert, Wagner: Arias\u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr \/\u003eVerismo Arias\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr \/\u003eRomantic Arias\u003c\/p\u003e\n\u003cp\u003eCD 4-5\u003cbr \/\u003eWagner: Wesendonck-Lieder; Arias\u003cbr \/\u003eJonas Kaufmann discusses Wagner\u003c\/p\u003e\n\u003cp\u003eCD 6\u003cbr \/\u003eSchubert: Die schöne Müllerin; Der Jüngling an der Quelle\u003c\/p\u003e\n\u003cp\u003eCDs 7–8\u003cbr \/\u003eWagner: Oberon\u003c\/p\u003e\n\u003cp\u003eCDs 9–10\u003cbr \/\u003eBeethoven: Fidelio\u003c\/p\u003e\n\u003cp\u003eCDs 11–13\u003cbr \/\u003eHumperdinck: Königskinder\u003c\/p\u003e\n\u003cp\u003eCDs 14–15\u003cbr \/\u003eVerdi: Messa Da Requiem\u003c\/p\u003e","brand":"Jonas Kaufmann","offers":[{"title":"OS","offer_id":46980775084275,"sku":"515757000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Jonas-Kaufmann_Jonas-Kaufmann-The-Decca-Recordings_CD-Box_s515757_o7033963_a556237_v13274769.95535ce9.jpg?v=1747055766"},{"product_id":"luciano-pavarotti-madama-butterfly","title":"Madama Butterfly ","description":"\u003cp class=\"MsoNoSpacing\"\u003eThis brand new deluxe edition is part of Decca\u0026#039;s anniversary program celebrating the 100th anniversary of the death of the great opera composer Giacomo Puccini. The recording, made in January 1974 at the Sofiensäle in Vienna, presents the best cast of the time: led by Mirella Freni and Luciano Pavarotti and conducted by Herbert von Karajan. When it was first released, the recording was praised by critics and music lovers alike. Gramophone magazine described it as “a set to dream about”. This legacy continues with the newly presented edition. The recording has been remastered from the original 1975 tapes and is now available on audiophile vinyl and as a hybrid SACD with a resolution of 192 kHz\/24 bit.\u003c\/p\u003e\u003cdiv\u003eLP 1\u003c\/div\u003e\u003cdiv\u003ePuccini: Madama Butterfly, Act I\u003c\/div\u003e\u003cdiv\u003eSide A\u003c\/div\u003e\u003cdiv\u003e1. Introduction – E soffitto e pareti\u003c\/div\u003e\u003cdiv\u003e2. Sorride vostro onore?\u003c\/div\u003e\u003cdiv\u003e3. Dovunque al mondo\u003c\/div\u003e\u003cdiv\u003e4. America for Ever\u003c\/div\u003e\u003cdiv\u003e5. 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Con onor muore – Tu, tu, piccolo iddio!\u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"OS","offer_id":47052007702771,"sku":"516198000","price":174.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Luciano-Pavarotti_Madama-Butterfly_LP-Box_s516198_o7118341_a560836_v13308248.8c559da1.png?v=1749135854"},{"product_id":"maurizio-pollini-maurizio-pollini-complete-recordings-on-deutsche-grammophon-103828","title":"Maurizio Pollini: Complete Recordings on Deutsche Grammophon","description":"\u003cp\u003eMaurizio Pollini is one of the most significant pianists of the 20th century, whose playing is considered \u0026#039;a perfect fusion of architecture and passion\u0026#039; (Jed Distler). The Italian master pianist has made interpretative history with his Chopin recordings, thanks to the breathtaking brilliance, concentration and clarity of his playing. His recordings of works by Beethoven, Schumann and Schubert also set standards that remain valid today.\u003cbr \/\u003eThis new edition, an expanded version of the 2016 box set, now includes the complete Deutsche Grammophon legacy of the great Italian pianist. The 62 CDs comprise his legendary complete recordings of Beethoven\u0026#039;s sonatas and concertos, Chopin\u0026#039;s études, ballades and preludes, and his exceptional interpretations of piano concertos by Mozart, Schumann, Brahms, Schoenberg, Bartók and Prokofiev. This comprehensive edition also presents all of Pollini\u0026#039;s other albums released since then, as well as a Blu-ray disc featuring Beethoven\u0026#039;s late sonatas. Notably, it features the CD premiere of recordings from the 1960 International Chopin Competition in Warsaw, which were previously only available on LP in the 1960s. The edition is completed by a 204-page booklet containing rare photos and detailed accompanying information, as well as two DVDs featuring concert recordings with Karl Böhm, Claudio Abbado and the Vienna Philharmonic Orchestra.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr \/\u003eStravinsky: Three Movements from “Petrushka”\u003cbr \/\u003eProkofiev: Piano Sonata No. 7\u003cbr \/\u003eWebern: Variations for piano\u003cbr \/\u003eBoulez: Second Sonata for piano\u003c\/p\u003e\u003cp\u003eCD 2\u003cbr \/\u003eChopin: 12 Études Opp. 10, 25\u003c\/p\u003e\u003cp\u003eCD 3\u003cbr \/\u003eSchumann: Piano Sonata No. 1 \/ Fantasy in C major\u003c\/p\u003e\u003cp\u003eCD 4\u003cbr \/\u003eNono: Como una ola de fuerza y luz \/ ... sofferte onde serene …\u003cbr \/\u003eManzoni: Masse - Omaggio a Edgard Varèse \u003c\/p\u003e\u003cp\u003eCD 5\u003cbr \/\u003eSchubert: Fantasy in C major D 760 “Wanderer Fantasy” (Op. 15) \/ Piano Sonata in A minor D 845 (Op. 42)\u003c\/p\u003e\u003cp\u003eCD 6\u003cbr \/\u003eSchoenberg: The Piano Music\u003c\/p\u003e\u003cp\u003eCD 7\u003cbr \/\u003eChopin: 24 Préludes, Op. 28\u003c\/p\u003e\u003cp\u003eCD 8-9\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 28–32\u003c\/p\u003e\u003cp\u003eCD 10\u003cbr \/\u003eChopin: Polonaises Opp. 26, 40, 44, 53, 61\u003c\/p\u003e\u003cp\u003eCD 11\u003cbr \/\u003eMozart: Piano Concerto Nos. 23 \u0026amp; 19\u003c\/p\u003e\u003cp\u003eCD 12\u003cbr \/\u003eBrahms: Piano Concerto No. 2\u003c\/p\u003e\u003cp\u003eCD 13-15\u003cbr \/\u003eBeethoven: The Piano Concertos\u003c\/p\u003e\u003cp\u003eCD 16\u003cbr \/\u003eBartók: Piano Concertos Nos. 1 \u0026amp; 2\u003c\/p\u003e\u003cp\u003eCD 17-18\u003cbr \/\u003eBrahms: Piano Quintet \/ Piano Concerto No. 1\u003c\/p\u003e\u003cp\u003eCD 19\u003cbr \/\u003eSchumann: Symphonic Etudes Op. 13 \/ 5 Variations Op. Post \/ Arabesque Op. 18\u003c\/p\u003e\u003cp\u003eCD 20\u003cbr \/\u003eChopin: Piano Sonatas Nos. 2 \u0026amp; 3\u003c\/p\u003e\u003cp\u003eCD 21-22\u003cbr \/\u003eSchubert: The Late Piano Sonatas D 958, 959, 960 \/ Allegretto, D 915 \/ Three Piano Pieces, D 946 (Op. Post.)\u003c\/p\u003e\u003cp\u003eCD 23\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 17, 21, 25, 26\u003c\/p\u003e\u003cp\u003eCD 24\u003cbr \/\u003e Liszt: Sonata in B minor · Nuages gris · Unstern! – Sinistre · La lugubre gondola I · R.W. – Venezia\u003c\/p\u003e\u003cp\u003eCD 25\u003cbr \/\u003eSchumann: Piano Concerto\u003cbr \/\u003eSchoenberg: Piano Concerto\u003c\/p\u003e\u003cp\u003eCD 26\u003cbr \/\u003eChopin: Scherzos No. 1, Op. 20, No. 2, Op. 31, No. 3, Op. 39, No. 4, Op. 54\u003cbr \/\u003eBerceuse, Op. 57 \/ Barcarolle, Op. 60\u003c\/p\u003e\u003cp\u003eCD 27\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 13–15\u003c\/p\u003e\u003cp\u003eCD 28\u003cbr \/\u003eDebussy: 12 Etudes for piano\u003cbr \/\u003eBerg: Piano Sonata Op. 1\u003c\/p\u003e\u003cp\u003eCD 29-31\u003cbr \/\u003eBeethoven: The Piano Concertos \/ Fantasy for Piano, Chorus and Orchestra, Op. 80\u003c\/p\u003e\u003cp\u003eCD 32-33\u003cbr \/\u003eBrahms: Piano Concertos Nos. 1 \u0026amp; 2\u003c\/p\u003e\u003cp\u003eCD 34\u003cbr \/\u003eDebussy: Préludes Book 1 · L’Isle Joyeuse\u003c\/p\u003e\u003cp\u003eCD 35-36\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 11, 12, 21 \/ Diabelli Variations\u003c\/p\u003e\u003cp\u003eCD 37\u003cbr \/\u003eCHOPIN: Ballades No. 1, Op. 23, No. 2, Op. 38, No. 3, Op. 47, No. 4, Op. 52 \/ Prelude in C-Sharp Minor, Op. 45 \/ Fantasy, Op. 49\u003c\/p\u003e\u003cp\u003eCD 38-39\u003cbr \/\u003eSchumann: Davidsbündlertänze \/ Concert sans orchestra \/ Allegro, Op. 8 \/ Kreisleriana Op. 16 \/ Gesänge der Frühe Op. 133\u003c\/p\u003e\u003cp\u003eCD 40-41\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 22, 23, 24, 27 \/ Piano Sonatas Nos. 5–8\u003c\/p\u003e\u003cp\u003eCD 42\u003cbr \/\u003eMozart: Piano Concertos Nos. 17 \u0026amp; 21\u003c\/p\u003e\u003cp\u003eCD 43-44\u003cbr \/\u003eCHOPIN: Nocturns (Opp. 9, 15, 27, 32, 37, 48, 55, 62, 72)\u003c\/p\u003e\u003cp\u003eCD 45\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 1–3\u003c\/p\u003e\u003cp\u003eCD 46\u003cbr \/\u003eMozart: Piano Concertos Nos. 12 \u0026amp; 24\u003c\/p\u003e\u003cp\u003eCD 47\u003cbr \/\u003eChopin: Ballade No. 2, Op. 38 \/ 4 Mazurkas Op. 33 \/ 3 Waltzes Op. 34 \/ Impromptu No. 2, Op. 36 \/ Piano Sonata, Op. 35\u003c\/p\u003e\u003cp\u003eCD 48-49\u003cbr \/\u003eBach: The Well-Tempered Clavier, Book 1\u003c\/p\u003e\u003cp\u003eCD 50\u003cbr \/\u003eBrahms: Piano Concerto No. 1\u003c\/p\u003e\u003cp\u003eCD 51\u003cbr \/\u003eChopin: 24 Preludes Op. 28 \/ 2 Nocturnes Op. 27 \/ 4 Mazurkas Op. 30 \/ Scherzo no. 2, Op. 31\u003c\/p\u003e\u003cp\u003eCD 52\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 4, 9, 10, 11\u003c\/p\u003e\u003cp\u003eCD 53\u003cbr \/\u003eBrahms: Piano Concerto No. 2\u003c\/p\u003e\u003cp\u003eCD 54\u003cbr \/\u003eBeethoven: Piano Sonatas Nos. 16–20\u003c\/p\u003e\u003cp\u003eCD 55\u003cbr \/\u003eChopin: Late Works Opp. 59–64\u003c\/p\u003e\u003cp\u003eCD 56\u003cbr \/\u003eDebussy: Préludes II, En blanc et noir\u003c\/p\u003e\u003cp\u003eCD 57\u003cbr \/\u003eCHOPIN: Nocturnes Op. 55 \/ Mazurkas Op. 56 \/ Berceuse, Op. 57 \/ Piano Sonata Op. 58\u003c\/p\u003e\u003cp\u003eCD 58-59\u003cbr \/\u003eBeethoven: The Last Three Sonatas: Nos. 30–32 \/ Sonatas Nos. 28 \u0026amp; 29\u003c\/p\u003e\u003cp\u003eCD 60\u003cbr \/\u003eSCHUBERT: Sonata, D 894 \/ Moments musicaux \/ Piano Fantasia, D 940\u003c\/p\u003e\u003cp\u003eCD 61\u003cbr \/\u003eProkofiev: Piano Concerto No. 3\u003c\/p\u003e\u003cp\u003eCD 62\u003cbr \/\u003eMaurizio Pollini at International Chopin Competition Warsaw 1960\u003c\/p\u003e\u003cp\u003eDVDs\u003cbr \/\u003ePollini Portrait (2 DVDs)\u003cbr \/\u003eBeethoven: Piano Concertos No. 3 \u0026amp; 5 \u003cbr \/\u003eMozart: Piano Concerto Nos. 19 \u0026amp; 23 \u003cbr \/\u003eBrahms: Piano Concerto No. 2 \u003c\/p\u003e\u003cp\u003eBlu-Ray\u003cbr \/\u003eBlu-Ray Video\u003cbr \/\u003eBeethoven: The Last Three Sonatas\u003cbr \/\u003eBonus: Beethoven and Modernity\u003c\/p\u003e","brand":"Maurizio Pollini","offers":[{"title":"OS","offer_id":47608349130995,"sku":"517347000","price":229.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Maurizio-Pollini_Maurizio-Pollini-Complete-Recordings-on-Deutsche-Grammophon_CD-Box_s517347_o7458165_a579755_v13505531.c6b394a2.jpg?v=1754048442"},{"product_id":"various-artists-chopin-complete-edition-104449","title":"Chopin Complete Edition","description":"\u003cp\u003e\u003cspan class=\"cf0\"\u003eIn \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecelebration\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eChopin’s\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e 200th \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eanniversary\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ehere\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eultimate\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecomplete\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003especially\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epriced\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eedition\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecomposer\u0026#039;s\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eworks\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecombining\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003every\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ebest\u003c\/span\u003e \u003cspan class=\"cf0\"\u003erecordings\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Deutsche Grammophon and Decca \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecatalogues\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eFeatured\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eare\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esome\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003egreatest\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Chopin \u003c\/span\u003e\u003cspan class=\"cf0\"\u003einterpreters\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eour\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e time - Martha Argerich, Claudio Arrau, Vladimir Ashkenazy, Maria João Pires, Maurizio Pollini and Krystian \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eZimerman\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e; \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esignificant\u003c\/span\u003e \u003cspan class=\"cf0\"\u003econtributions\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eexceptional\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epianists\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eyounger\u003c\/span\u003e \u003cspan class=\"cf0\"\u003egeneration\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e such \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eRafa\u003c\/span\u003e\u003cspan class=\"cf1\"\u003eł\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eBlechacz\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eYundi\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Li.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eTracklisting\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 1 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003ePiano Concertos - Krystian \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eZimerman\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 2\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eWorks \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano and Orchestra - Claudio Arrau\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 3 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eBallades\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNouvelles\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eEtudes\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eEcossaises\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - Krystian \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eZimerman\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Anatol \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eUgorski\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 4\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eEtudes\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eBarcarolle\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Berceuse - Maurizio Pollini\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 5 \u0026amp; 6 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eMazurkas - Vladimir Ashkenazy\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 7 \u0026amp; 8 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eNocturnes - Maria João Pires\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 9 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003ePolonaises\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - Maurizio Pollini\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 10 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003ePolonaises\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eBourées\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, etc. - Martha Argerich, Anatol \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eUgorski\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eCD 11 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003ePreludes\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Impromptus - \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eRafa\u003c\/span\u003e\u003cspan class=\"cf1\"\u003eł\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eBlechacz\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eYundi\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Li\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eCD 12 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eScherzos, Rondos\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eMaurizio Pollini, Lilya \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eZilberstein\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, Mikhail \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ePletnev\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eCD 13 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003ePiano \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eSonatas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eMaurizio Pollini, Lilya \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eZilberstein\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eCD 14 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eVariations\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, etc.\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eVladimir Ashkenazy\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eCD 15 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eWaltzes\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eVladimir Ashkenazy\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eCD 16 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eChamber Music\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eBeaux Arts Trio, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eMstislav\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Rostropovich, Martha Argerich\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eCD 17 \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eSongs\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e - \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eElzbieta \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eSzmytka\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, Malcolm Martineau\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf2\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf2\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"OS","offer_id":47643650982131,"sku":"137156000","price":43.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Various-Artists_Chopin-Complete-Edition_17CD_s137156_o203607_a300934_v12046487.ce6b51c1.jpg?v=1755171501"},{"product_id":"friedrich-gulda-friedrich-gulda-edition-105769","title":"Friedrich Gulda Edition","description":"\u003cp\u003eFriedrich Gulda\u0026#039;s heart was home to many musical souls. Hardly any other pianist could boast such versatility: his repertoire ranged from Bach, Mozart and Beethoven to Chopin, Schubert, Debussy, Ravel, Strauss and Prokofiev. He won the Concours de Genève at the age of 16 and made his acclaimed Carnegie Hall debut at 20. Titanic swagger and unleashed forces of sound were alien to him. His playing was always analytically transparent yet also eloquent, captivating and expressive. For Gulda, the \u0026#039;mere re-creation of works from past eras\u0026#039; (Gulda) was not enough. He embraced jazz and free experimental music, composing his own perceptive and original works.\u003cbr \/\u003eHis collection of recordings from the Deutsche Grammophon, Amadeo, Decca, Philips and Accord labels is now being released for the first time in a box set containing 84 CDs and a DVD, complete with original covers. We experience 50 years of recording history: from the 17-year-old\u0026#039;s recordings from the Decca studios in London to the Mozart recordings made at Attersee in Austria in 1999. Alongside numerous CD premieres, the box set includes the first release of a Bach Toccata from 1947 which was previously thought lost. Two complete cycles of Beethoven sonatas and Debussy\u0026#039;s Préludes offer an exciting opportunity for comparison. The set is completed by a detailed booklet containing essays by Gulda biographer Irene Suchy and Reinhard Brembeck, as well as numerous photos.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eCD 1\u003cbr \/\u003eGulda plays Bach\u003c\/p\u003e\u003cp\u003eCD 2\u003cbr \/\u003eChopin: 24 Préludes, Op. 28; Nocturnes; Bacarolle; Waltz No. 14\u003c\/p\u003e\u003cp\u003eCD 3\u003cbr \/\u003eChopin: Ballades Nos. 1 - 4 \u003cbr \/\u003eGulda: Epitaph für eine Liebe; Selige Sehnsucht\u003c\/p\u003e\u003cp\u003eCD 4 – 5 \u003cbr \/\u003eBeethoven: Complete Works for Cello and Piano\u003c\/p\u003e\u003cp\u003eCD 6\u003cbr \/\u003eMozart: Quintet for Piano and Winds in E-Flat Major, K. 452 \u003cbr \/\u003eBeethoven: Quintet for Piano and Winds in E-Flat Major, Op. 16\u003c\/p\u003e\u003cp\u003eCD 7 - 14\u003cbr \/\u003eMozart: Piano Concertos \u0026amp; Piano Sonatas\u003c\/p\u003e\u003cp\u003eCD 15 – 23\u003cbr \/\u003eBeethoven: Piano Sonatas\u003c\/p\u003e\u003cp\u003eCD 24\u003cbr \/\u003eBeethoven: Diabelli Variations, Op. 120\u003c\/p\u003e\u003cp\u003eCD 25\u003cbr \/\u003eMozart: Piano Concerto No. 17 in G Major, K. 453  \u003cbr \/\u003eBeethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19\u003c\/p\u003e\u003cp\u003eCD 26 – 27 \u003cbr \/\u003eChopin And Beyond...\u003c\/p\u003e\u003cp\u003eCD 28 \u003cbr \/\u003eDebussy: Préludes, L. 117\u003c\/p\u003e\u003cp\u003eCD 29\u003cbr \/\u003eMozart: Piano Sonata Nos. 11 \u0026amp; 13\u003c\/p\u003e\u003cp\u003eCD 30 – 31 \u003cbr \/\u003eMozart Lives\u003c\/p\u003e\u003cp\u003eCD 32\u003cbr \/\u003eJ.S. Bach: Italian Concerto, BWV 971  \u003cbr \/\u003eMozart: Piano Sonata No. 16, K. 545  \u003cbr \/\u003eSchubert: 2 Scherzos, D. 593  \u003cbr \/\u003eChopin: Andante spianato et Grande polonaise brillante, Op. 22\u003c\/p\u003e\u003cp\u003eCD 33\u003cbr \/\u003eEncores\u003c\/p\u003e\u003cp\u003eCD 34\u003cbr \/\u003eOpus Anders\u003c\/p\u003e\u003cp\u003eCD 35 – 37 \u003cbr \/\u003eThe Complete Musician\u003c\/p\u003e\u003cp\u003eCD 38\u003cbr \/\u003eGulda: Konzert für Violoncello und Blasorchester; Concerto for Ursula  \u003cbr \/\u003eBeethoven: 12 Variations on \u0026#34;Ein Mädchen oder Weibchen\u0026#34;, Op. 66\u003c\/p\u003e\u003cp\u003eCD 39\u003cbr \/\u003eConcerto For Myself\u003c\/p\u003e\u003cp\u003eCD 40 – 41 \u003cbr \/\u003eTales of World Music\u003c\/p\u003e\u003cp\u003eCD 42\u003cbr \/\u003eThe Master: Friedrich Gulda solo\u003c\/p\u003e\u003cp\u003eCD 43\u003cbr \/\u003eGulda Jazz\u003c\/p\u003e\u003cp\u003eCD 44 – 45 \u003cbr \/\u003eGulda Big Band\u003c\/p\u003e\u003cp\u003eCD 46 – 48 \u003cbr \/\u003eThe Complete Universal Recordings - Play Piano Play - Gulda, Pauer, Corea, Ravel\u003c\/p\u003e\u003cp\u003eCD 49\u003cbr \/\u003eFata Morgana - Live At The Domicile\u003c\/p\u003e\u003cp\u003eCD 50\u003cbr \/\u003eInternationaler Wettbewerb für Modernen Jazz Wien 1966\u003c\/p\u003e\u003cp\u003eCD 51\u003cbr \/\u003eGulda - The First Recordings\u003c\/p\u003e\u003cp\u003eCD 52\u003cbr \/\u003eJ.S. Bach: English Suite No. 3 in G Minor, BWV 808; Prelude and Fugue in D-Sharp Minor, BWV 877 \u003cbr \/\u003eMozart: Piano Sonata No. 8 in A Minor, K. 310; Rondo in D Major, K. 485\u003c\/p\u003e\u003cp\u003eCD 53\u003cbr \/\u003eBeethoven: Piano Concerto No. 1 in C Major, Op. 15; 15 Variations and Fugue in E-Flat Major, Op. 35, \u0026#34;Eroica Variations\u0026#34;; 6 Bagatelles, Op. 126\u003c\/p\u003e\u003cp\u003eCD 54 – 66\u003cbr \/\u003eBeethoven: Violin Sonatas, Piano Sonatas \u0026amp; Piano Concertos\u003c\/p\u003e\u003cp\u003eCD 67 – 68 \u003cbr \/\u003eChopin: 24 Préludes, Op. 28; Ballade Nos. 1-4 \u003cbr \/\u003ePiano Concerto No. 1 in E Minor, Op. 11\u003c\/p\u003e\u003cp\u003eCD 69 \u003cbr \/\u003eDebussy: Preludes Books 1 \u0026amp; 2; L\u0026#039;isle Joyeuse\u003c\/p\u003e\u003cp\u003eCD 70\u003cbr \/\u003eDebussy: Suite bergamasque \/ Ravel: Valses nobles et sentimentales; Gaspard de la nuit\u003c\/p\u003e\u003cp\u003eCD 71\u003cbr \/\u003eMozart: Piano Concertos Nos. 14, 25 \u0026amp; 26\u003c\/p\u003e\u003cp\u003eCD 72\u003cbr \/\u003eSchumann: Fantasiestücke, Op. 12; Waldszenen, Op. 82; Piano Concerto in A Minor\u003c\/p\u003e\u003cp\u003eCD 73\u003cbr \/\u003eStrauss, R.: 13 Lieder; Suite -\u0026#34;Le bourgeois gentilhomme\u0026#34;\u003c\/p\u003e\u003cp\u003eCD 74\u003cbr \/\u003eFriedrich Gulda at Birdland\u003c\/p\u003e\u003cp\u003eCD 75 – 78 \u003cbr \/\u003eJ.S. Bach: Das wohltemperierte Klavier\u003c\/p\u003e\u003cp\u003eCD 79\u003cbr \/\u003eBeethoven: Piano Sonata No.32, Op.111 \u003cbr \/\u003eGulda: Wintermeditation\u003c\/p\u003e\u003cp\u003eCD 80\u003cbr \/\u003eSchumann: Liederkreis, Op.39; 8 Fantasiestücke, Op.12\u003c\/p\u003e\u003cp\u003eCD 81\u003cbr \/\u003eThe Meeting\u003c\/p\u003e\u003cp\u003eCD 82\u003cbr \/\u003eGulda plays Gulda and Corea\u003c\/p\u003e\u003cp\u003eCD 83 – 84 \u003cbr \/\u003eGulda-Recital Montpellier 1993\u003c\/p\u003e\u003cp\u003eDVD\u003cbr \/\u003e\u0026#34;So what?\u0026#34; Friedrich Gulda – A Portrait\u003c\/p\u003e","brand":"Friedrich Gulda","offers":[{"title":"OS","offer_id":47752145764595,"sku":"518196000","price":249.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Friedrich-Gulda_Friedrich-Gulda-Edition_CD-Box_s518196_o7634243_a587688_v13588144.318a737e.png?v=1757601185"}],"url":"https:\/\/store.deutschegrammophon.com\/en-en\/collections\/weihnachtsgeschenkideen-boxsets-bundles.oembed","provider":"Deutsche Grammophon","version":"1.0","type":"link"}