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The \u003ca href=\"https:\/\/www.stage-plus.com\/terms\"\u003eGeneral Terms and Conditions of STAGE\u0026#43;\u003c\/a\u003e and the \u003ca href=\"https:\/\/www.stage-plus.com\/terms#15terms-of-use---physical-stage-gift-card\"\u003eTerms of Use for the STAGE\u0026#43; Gift Card\u003c\/a\u003e apply. Information on data protection at Deutsche Grammophon GmbH can be found \u003ca href=\"https:\/\/www.stage-plus.com\/privacy\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTerms of Use for the STAGE\u0026#43; Gift Card \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1. The STAGE\u0026#43; gift card (hereinafter “gift card”) can only be used for the STAGE\u0026#43; product designated on the gift card. Provider STAGE\u0026#43;: Deutsche Grammophon GmbH, Mühlenstraße 25, 10243 Berlin \u003c\/p\u003e\u003cp\u003e2. 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There will be no refund in the event of loss, theft, damage and\/or illegibility.\u003c\/p\u003e","brand":"Stage+","offers":[{"title":"OS","offer_id":46438849609971,"sku":"512116000","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Stage_STAGE-Geschenkkarte_12-Monate-Zugang-zu-STAGE_s512116_o5977843_a512779_v12542291.e3dfadb4.jpg?v=1753345883"},{"product_id":"tony-ann-360","title":"360°","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eReaching yet another creative high watermark, piano virtuoso, multiplatinum songwriter, and social media sensation Tony Ann will unveil his anxiously awaited full-length sophomore album, 360°, on February 21, 2025\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eOnce again, he advances creatively on 360°. Each song functions as a meditation on a different horoscope, encompassing 12 keys at different meters and tempos. It plunges listeners into a living and breathing musical ecosystem punctuated by bliss and catharsis. He employs the full range of the piano to evoke the singularity of these respective astrological signs. 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Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eShostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe Second begins in melancholy vein, with a sighing phrase for the solo cello. After the extended Largo, the second and third movements are played without a break. Shostakovich mimics a street song from Odessa in the central Allegretto. That tune is dramatically restated in the finale, which begins with a horn fanfare and eventually ends with wood block, tom-tom, snare drum and xylophone (part of the orchestra’s huge percussion section) punctuating a long-held drone note from the cellist.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCello Concerto No. 1 in E-Flat Major, Op. 107:\u003c\/p\u003e\u003cp\u003eI. Allegretto\u003c\/p\u003e\u003cp\u003eII. Moderato\u003c\/p\u003e\u003cp\u003eIII. Cadenza\u003c\/p\u003e\u003cp\u003eIV. Allegro con moto\u003c\/p\u003e\u003cp\u003eCello Concerto No. 2 in G Major, Op. 126:\u003c\/p\u003e\u003cp\u003eI. Largo\u003c\/p\u003e\u003cp\u003eII. Scherzo. Allegretto\u003c\/p\u003e\u003cp\u003eIII. Finale. 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It showcases the star pianist’s performances with the BSO under the baton of its Music Director Andris Nelsons of Shostakovich’s two contrasting piano concertos – No. 1 in C minor and No. 2 in F major (“Yuja Wang ... navigated both works with conviction and fearless technique” – Boston Globe). Also included are six of Shostakovich’s Preludes and Fugues for solo piano, works which have been chosen by Yuja from the composer’s Opp. 34 \u0026amp; 87, and which offer a more intimate glimpse into his pianistic world. They were recorded in what are Wang’s first solo studio sessions in several years.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePiano Concerto No. 1 in C Minor, Op. 35:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eI. Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eII. Lento\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003eIII. Moderato\u003c\/p\u003e\u003cp\u003eIV. Finale. 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Allegro\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp\u003ePrelude No. 8 in F-Sharp Minor - Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePrelude No. 2 in A Minor - Allegro\u003c\/p\u003e\u003cp\u003eFugue No. 2 in A Minor - Allegretto\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes, Op. 34:\u003c\/p\u003e\u003cp\u003eNo. 5 in D Major - Allegro vivace\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003e24 Preludes \u0026amp; Fugues, Op. 87:\u003c\/p\u003e\u003cp style=\"margin: 0;\"\u003ePrelude No. 15 in D-flat Major - Allegretto\u003c\/p\u003e\u003cp\u003eFugue No. 15 in D-Flat Major - Allegro molto\u003c\/p\u003e","brand":"Yuja Wang","offers":[{"title":"OS","offer_id":46800964157683,"sku":"514732000","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/1182\/3859\/files\/Yuja-Wang_Shostakovich-Piano-Concertos_CD_s514732_o6689213_a539122_v13140370.4cbef068.jpg?v=1741864735"},{"product_id":"sviatoslav-richter-beethoven-sonatas-nos-18-27-28-31-the-lost-tapes-1","title":"Beethoven: Sonatas Nos. 18, 27, 28 \u0026 31 | The Lost Tapes","description":"\u003cp\u003eAnyone who thinks that there is no longer anything to say on the subject of Sviatoslav Richter’s discography is wrong. For sixty years these recordings, which were made by Deutsche Grammophon at the Tours and Lucerne Festivals in 1965, have slumbered in the Yellow Label’s archives. Carefully restored by Emil Berliner Studios, they are being released now for the very first time. Like many other artists, Richter felt that he could play more freely and give better performances in the concert hall rather than in the studio. These tremendous recordings reveal the pianist at the pinnacle of his powers as a pianist. Indeed, they evoke Van Cliburn\u0026#039;s comment: ‘That is the most powerful piano playing I have ever heard’. Richter\u0026#039;s interpretations of Beethoven are phenomenal. The performances of the Sonatas Nos. 18, 27, 28 and 31 show a strikingly modern approach that never shies away from taking risks to express the music in its furthest extreme. Pianist Elisabeth Leonskaja, a confidante of Richter, was enthusiastic about the artistic freedom, technical brilliance and love of the music conveyed in these recordings. The album is available digitally, as a CD and double LP and includes a recent interview with Elisabeth Leonskaja, an essay by Jed Distler and editorial notes by Markus Kettner. Numerous photographs, some previously unpublished, complete the edition.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eLive at Kunsthaus, Lucerne, 1965\u003cbr \/\u003eBeethoven: Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 „The Hunt”\u003c\/p\u003e\u003cp\u003e1. I. Allegro \u003cbr \/\u003e2. II. Scherzo. Allegretto vivace \u003cbr \/\u003e3. III. Menuetto. Moderato e grazioso \u003cbr \/\u003e4. IV. Presto con fuoco \u003c\/p\u003e\u003cp\u003eBeethoven: Piano Sonata No. 27 in E Minor, Op. 90\u003c\/p\u003e\u003cp\u003e5. I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck \u003cbr \/\u003e6. II. Nicht zu geschwind und sehr singbar vorgetragen \u003c\/p\u003e\u003cp\u003eBeethoven Piano Sonata No. 28 in A Major, Op. 101\u003c\/p\u003e\u003cp\u003e7. I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo \u003cbr \/\u003e8. II. Lebhaft, marschmäßig. Vivace alla marcia \u003cbr \/\u003e9. III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto \u003cbr \/\u003e10. IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro \u003c\/p\u003e\u003cp\u003eLive at La Grange de Meslay, Tours, 1965\u003cbr \/\u003eBeethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110\u003c\/p\u003e\u003cp\u003e11. I. Moderato cantabile molto espressivo \u003cbr \/\u003e12. II. Allegro molto \u003cbr \/\u003e13. IIIa. Adagio ma non troppo \u003cbr \/\u003e14. IIIb. Fuga. 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