On January 10, 1963, recording sessions for this world premiere recording of Britten's War Requiem were completed in London. In 2023, sixty years later, Decca has made new high-resolution 24-bit/192 kHz transfers of the original quarter-inch stereo master tapes at British Grove Studios for the best possible sound quality. Conducted by the composer and featuring the three soloists (Galina Vishnevskaya, Peter Pears, Dietrich Fischer-Dieskau) for whom the work was written, this still remains for many the reference recording par excellence.

The 2-hybrid deluxe SACD edition offers 24-bit audio for the highest listening pleasure. Hybrid SACDs can be played on any CD player. However, they contain a much higher digital resolution than a normal audio CD. The truly comprehensive companion book includes excerpts from John Culshaw's autobiography, "Putting the Record Straight," recollections from three members of the original 1963 Decca recording team, technical notes, extensive essays on the War Requiem and the recording sessions, and rare, never-before-seen photographs.

Tracklist:

HYBRID SACD 1
I. Requiem aeternam
1. a. Requiem aeternam Chorus
2. b. What Passing Bells for These who die as Cattle? Tenor
II. Dies irae
3. a. Dies irae Chorus
4. b. Bugles Sang, Saddening the Evening Air Baritone
5. c. Liber Scriptus Soprano
6. d. Out there, We've Walked quite Friendly up to Death Tenor & Baritone
7. e. Recordare Jesu pie Chorus
8. f. Be Slowly Lifted Up Baritone
9. g. Dies irae Chorus
10. h. Lacrimosa dies illa Soprano & Chorus
11. i. Move Him into the Sun Tenor
III. Offertorium
12. a. Domine Jesu Christe
13. b. So Abram Rose, and Clave the Wood
IV. Sanctus
14. a. Sanctus Soprano & Chorus
15. b. After the Blast of Lightning from the East Baritone
V. Agnus Dei
16. One ever Hangs Where Shelled Roads Part Tenor & chorus
VI. Libera me
17. a. Libera me, Domine Chorus
18. b. It Seemed that out of Battle I Escaped Tenor
19. c. Let Us Sleep Now ... In Paradisum Baritone, Tenor, Boys, Soprano & Chorus

HYBRID SACD2                                                        
       Rehearsing War Requiem
1. Requiem aeternam Rehearsal                                                      
2. Dies irae Rehearsal of the opening section                                   
3. Dies irae Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya
4. Dies irae Rehearsal of end of movement                                      
5. Offertorium Rehearsal                                                                  
6. Sanctus Rehearsal                                                                        
7. Sanctus Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)
8. Agnus Dei Discussion in the control room between Britten, Peter Pears and John Culshaw
9. Libera me Discussion in the control room between Britten and John Culshaw     
10. Libera me Rehearsal                                                                    
11. Libera me Rehearsal of closing page   
12. Closing remarks